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A manifesto for the Open City: vibrant, disordered, adaptable. In 1970 Richard Sennett published the ground breaking ''The uses of disorder,'' that the ideal of a planned and ordered city was flawed, likely to produce a fragile, restrictive urban environment. Fifty years later, Sennett returns to these still fertile ideas and alongside campaigner and architect, Pablo(...)
Designing disorder: experiments and disruptions in the city
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A manifesto for the Open City: vibrant, disordered, adaptable. In 1970 Richard Sennett published the ground breaking ''The uses of disorder,'' that the ideal of a planned and ordered city was flawed, likely to produce a fragile, restrictive urban environment. Fifty years later, Sennett returns to these still fertile ideas and alongside campaigner and architect, Pablo Sendra, sets out an agenda for the design and ethics of the Open City. The public spaces of our cities are under siege from planners, privatisation and increased surveillance. Our streets are becoming ever more lifeless and ordered. What is to be done? Can disorder be designed? Is it possible to maintain the public realm as a flexible space that adapts over time? In this provocative essay Sendra and Sennett propose a reorganisation of how we think and plan the social life of our cities. What the authors call 'Infrastructures of disorder' combine architecture, politics, urban planning and activism in order to develop places that nurture rather than stifle, bring together rather than divide up, remain open to change rather than closed off. The book proves that ideas of disorder are still some of the most radical and transformative in debates on 21st century cities.
Théorie de l’urbanisme
Riding modern art
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''Riding modern art'' brings together a collection of 70 black and white photographs of people skateboarding on sculptures in public spaces. Through his study of the process of appropriation and reuse of works of art in public places, used by skateboarders as further challenges for their sport, Raphaël Zarka offers a way of approaching a work of art that underlines the(...)
Riding modern art
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''Riding modern art'' brings together a collection of 70 black and white photographs of people skateboarding on sculptures in public spaces. Through his study of the process of appropriation and reuse of works of art in public places, used by skateboarders as further challenges for their sport, Raphaël Zarka offers a way of approaching a work of art that underlines the dynamism of modern sculpture, casting a critical light on the idea of movement in these often abstract and geometric works, inspired by Cubist, Futurist or Constructivist art. The skateboarder’s approach to a sculpture, more mechanical than conceptual, brings out the variety of movement it seeks to suggest. While it is not possible to ''freeze'' or represent movement in a solid form (it cannot be sculpted) it is, nevertheless, a constituent element of the work, as also is space. Thus, the body of the skateboarder becomes a choreographic form on a sculptural form, and the presence of a human body on a work of art transforms it from something perched on a pedestal into a living sculpture. Some images are missing from this collection, as sculptors have refused to see their artwork reproduced. The spaces dedicated to those photographs remain purposely empty.
Monographies photo
Against architecture
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With insight into the human side of architecture, this critical assessment displays the shortcomings of modern urban planning as an acclaimed architect issues a passionate charge against the celebrities of the current architectural world: the “archistars.” Francesco La Clecla argues that architecture has lost its way and its true function, as the archistars mold(...)
Against architecture
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With insight into the human side of architecture, this critical assessment displays the shortcomings of modern urban planning as an acclaimed architect issues a passionate charge against the celebrities of the current architectural world: the “archistars.” Francesco La Clecla argues that architecture has lost its way and its true function, as the archistars mold cityscapes to build their brand with no regard for the public good. More than a diatribe against the trade, the author makes a call to rethink urban space and take the cities back from “casino capitalism” that has left a string of failed urban projects, such as the Sagrera of Barcelona and the expansion of Columbia University in New York City. Recounting his travels across the globe, La Cecla provides insights to aid in resisting the planners and to find the spirit of a place.
Théorie de l’architecture
The piazza San Marco
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The piazza San Marco, one of the most famous and instantly recognizable townscapes in the West, if not the world, has been described as a stage set, as Europe’s drawing room, as a painter’s canvas. This book traces the changing shape and function of the piazza, from its beginnings in the ninth century to its present day ubiquity in the Venetian, European, as well as(...)
The piazza San Marco
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The piazza San Marco, one of the most famous and instantly recognizable townscapes in the West, if not the world, has been described as a stage set, as Europe’s drawing room, as a painter’s canvas. This book traces the changing shape and function of the piazza, from its beginnings in the ninth century to its present day ubiquity in the Venetian, European, as well as global imagination. Through its long history, the Piazza San Marco has functioned as civic space that was used for such varied activities as public meetings; animal-baiting; executions; state processions; meat and produce markets; a performance venue for rock concerts; as well as, more recently, a cafe to enjoy a leisurely Campari. Constantly alert to the question of function, this book recreates not only rituals of the past but also activities of the present.
The architecture of science
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How do the spaces in which science is done shape the identity of the scientist and the self-conception of scientific fields? How do the sciences structure the identity of the architect and the practice of architecture in a specific period? And how does the design of spaces such as laboratories, hospitals, and museums affect how the public perceives and interacts with the(...)
The architecture of science
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How do the spaces in which science is done shape the identity of the scientist and the self-conception of scientific fields? How do the sciences structure the identity of the architect and the practice of architecture in a specific period? And how does the design of spaces such as laboratories, hospitals, and museums affect how the public perceives and interacts with the world of science? « The Architecture of Science » offers a dazzling set of speculations on these issues by historians of science, architecture, and art; architectural theorists; and sociologists as well as practicing scientists and architects. The essays are organized into six sections: "Of Secrecy and Openness: Science and Architecture in Early Modern Europe"; "Displaying and Concealing Technics in the Nineteenth Century"; "Modern Space"; "Is Architecture Science?"; "Princeton after Modernism: The Lewis Thomas Laboratory for Molecular Biology"; and "Centers, Cities, and Colliders."
Théorie de l’architecture
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For centuries, architectural theory, discourse and agency have been based on diurnal and solar paradigms. References to night in Vitruvius’s De architectura are few, and the same absence is notable in Renaissance treatises by Alberti or Palladio. It was not until the 19th and 20th centuries that the invention and institutionalization of artificial light in private and(...)
juillet 2024
Nocturnal history of architecture. Column issue 2
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For centuries, architectural theory, discourse and agency have been based on diurnal and solar paradigms. References to night in Vitruvius’s De architectura are few, and the same absence is notable in Renaissance treatises by Alberti or Palladio. It was not until the 19th and 20th centuries that the invention and institutionalization of artificial light in private and public spaces gradually transformed conceptions of night in the architectural discipline. This volume offers the first attempt at a nocturnal history of architecture. What emerges from the studies is the thesis that the identity of human beings—across time and their domestic, professional and cultural spaces—is powerfully determined by the parameters of nighttime. By analyzing and studying "night scenes," this book reveals how the night is a laboratory for the development of new forms of conceptualizing space and, ultimately, of living.
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''The Right to Nature'' is a new chapter of reflection and work of the AG greenscape, centered on the current and renewed relationship between man and nature, and the consequent transformation of our cities through new ways of living, inhabiting, working with nature and the landscape as the protagonist, in every area, at all project scales, as a social balancer and(...)
Paysages urbains
mai 2025
The right to nature: For a new urban landscape
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''The Right to Nature'' is a new chapter of reflection and work of the AG greenscape, centered on the current and renewed relationship between man and nature, and the consequent transformation of our cities through new ways of living, inhabiting, working with nature and the landscape as the protagonist, in every area, at all project scales, as a social balancer and activator of a new urban sociality. The relationship between man and nature today is an urgent issue in the debate on the contemporary city, but it still has to be truly explored, defined, and built. Throughout seven main topics – Green and blue infrastructures, Regeneration, Public space, Dwelling, Green welfare, Heritage, and Care –, the book explores contemporary urban landscape issues at the different scales of the project, in the light of the relationship between human beings and nature.
Paysages urbains
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Puerto Rico–born, New York–based artist Tony Bechara (born 1942) served as board president of El Museo del Barrio for 15 years, while also honing his own geometric abstraction process. Dividing his canvas into hundreds of quarter-inch squares, Bechara meticulously fills each space in with complementary colors. The resulting grid paintings thus evoke a variety of cultural(...)
Tony Bechara: Annotations on color schemes
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Puerto Rico–born, New York–based artist Tony Bechara (born 1942) served as board president of El Museo del Barrio for 15 years, while also honing his own geometric abstraction process. Dividing his canvas into hundreds of quarter-inch squares, Bechara meticulously fills each space in with complementary colors. The resulting grid paintings thus evoke a variety of cultural influences: from Seurat’s pioneering pointillism to hard-edge abstraction, traditional weaving and 8-bit "pixel art" of the last half century. In keeping with Bechara’s richly chromatic oeuvre, this artist’s book is inspired by Bechara’s notes and color formulas that form the basis for his acrylic paintings. It features over 130 illustrations, with foldouts and multiple materials, as well as a glossary of key motifs that introduces Bechara’s personal artistic language to the public for the first time.
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This issue presents a critique of the normative violence of gender in the specific context of indoor architectures. It engages a dialogue between trans perspectives on public bathrooms or the capitalist workplace, the demagogic blindspot of femonationalism when violence against women is deployed in domestic spaces, the clandestine alternatives to white “gayborhoods” for(...)
The Funambulist 13: Queers, feminists and interiors
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This issue presents a critique of the normative violence of gender in the specific context of indoor architectures. It engages a dialogue between trans perspectives on public bathrooms or the capitalist workplace, the demagogic blindspot of femonationalism when violence against women is deployed in domestic spaces, the clandestine alternatives to white “gayborhoods” for queer Arabs in France, the impossibility for young Hong Kong lesbians or, to an even higher degree, female migrant domestic workers to access “a room of one’s own”, the violence of the norm in the design of all rooms and furniture, or the far-from-neutral space of the coming out. The non-topical part of the issue also presents articles on the demilitarization struggle in Hawai’i, the Moroccan political movement of the Hirak in the Rif, and life as a Dane of color in stigmatized and gentrifying neighborhoods.
Revues
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This book explores ‘spatial practices’, a loose and expandable set of approaches that embrace the political and the activist, the performative and the curatorial, the architectural and the urban. Acting upon and engaging with the public realm, the field of spatial practices allows people to reconnect with their own sense of agency through engagement in space and place,(...)
Spatial practices: modes of action and engagement with the city
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This book explores ‘spatial practices’, a loose and expandable set of approaches that embrace the political and the activist, the performative and the curatorial, the architectural and the urban. Acting upon and engaging with the public realm, the field of spatial practices allows people to reconnect with their own sense of agency through engagement in space and place, exploring and prototyping alternative futures in the here and now. The 24 chapters contain essays, visual essays and interviews, featuring contributions from an international set of experimental practitioners including Jeanne van Heeswijk (Netherlands), Teddy Cruz (Estudio Teddy Cruz + Fonna Forman, San Diego), Hector (USA), The Decorators (London) and OOZE (Netherlands). Beautifully designed with full colour illustrations, Spatial Practices advances dialogue and collaboration between academics and practitioners and is essential reading for students, researchers and professionals in architecture, urban planning and urban policy.