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Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers nothing less than an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's(...)
Architecture in the age of divided representation : the question of creativity in the shadow of production
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Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers nothing less than an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's argument, structured as a critical dialogue, discovers the first plausible anticipation of modernity in the formation of Renaissance perspective. Understanding this notion of perspective against the background of the medieval philosophy of light, he argues, leads to an understanding of architectural space as formed by typical human situations and by light before it is structured geometrically. The central part of the book addresses the question of divided representation - the tension between the instrumental and the communicative roles of architecture - in the period of the baroque, when architectural thinking was seriously challenged by the emergence of modern science. Vesely argues that to resolve the dilemma of modernity - reconciling the inventions and achievements of modern technology with the human condition and the natural world - we can turn to architecture and its latent capacity to reconcile different levels of reality, its ability to relate abstract ideas and conceptual structures to the concrete situations of everyday life. Vesely sees the restoration of this communicative role of architecture as the key to the restoration of architecture as the topological and corporeal foundation of culture; what the book is to our literacy, he argues, architecture is to culture as a whole. He concludes by proposing a new poetics of architecture that will serve as a framework for the restoration of the humanistic role of architecture in the age of technology.
Théorie de l’architecture
Christoph Niemann: Souvenir
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This book features over 160 ink and pencil drawings by Christoph Niemann, each a story of an unfamiliar place. They are observations on traveling, arriving and immersing oneself, on the melancholy of being on the road and the adventure of discovering new destinations—among them New York, Paris, Hong Kong, Amsterdam, Seville and Kyoto. Regardless of their subjects, these(...)
Christoph Niemann: Souvenir
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This book features over 160 ink and pencil drawings by Christoph Niemann, each a story of an unfamiliar place. They are observations on traveling, arriving and immersing oneself, on the melancholy of being on the road and the adventure of discovering new destinations—among them New York, Paris, Hong Kong, Amsterdam, Seville and Kyoto. Regardless of their subjects, these are all sketches that grasp the magic, light and mood of a place in a handful of virtuoso strokes. In Niemann’s own words: "Over time memories change. Most things fade, while others become more significant. Connections arise that one wasn’t aware of originally. Sometimes a drawing can capture all this in a new and surprising way. And with some luck, the picture feels as authentic as the moment itself."
Illustration
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55 pages : illustrations ; 28 cm
St. Helens : Pilkington Brothers, Ltd., 1939.
Cathedral and figured rolled glass / Pilkington Brothers, Ltd.
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55 pages : illustrations ; 28 cm
livres
St. Helens : Pilkington Brothers, Ltd., 1939.
The specter of the archive: Political practice and the information state in early modern Britain
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In ''The Specter of the Archive'', Nicholas Popper shows that earlier eras had to grapple with the same problem—how to deal with too much information at their fingertips. He reveals that early modern Britain was a society newly drowning in paper, a light and durable technology whose spread allowed statesmen to record drafts, memoranda, and other ephemera that might(...)
The specter of the archive: Political practice and the information state in early modern Britain
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In ''The Specter of the Archive'', Nicholas Popper shows that earlier eras had to grapple with the same problem—how to deal with too much information at their fingertips. He reveals that early modern Britain was a society newly drowning in paper, a light and durable technology whose spread allowed statesmen to record drafts, memoranda, and other ephemera that might otherwise have been lost, and also made it possible for ordinary people to collect political texts. As original paperwork and copies alike flooded the government, information management became the core of politics. Focusing on two of the primary political archives of early modern England, the Tower of London Record Office and the State Paper Office, Popper traces the circulation of their materials through the government and the broader public sphere.
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At the heart of this publication is Atelier Kempe Thill's quest to find prototypes for a global society. How can buildings be made neutral and flexible as well as specific? It features realized work such as the Light Building (a travelling museum pavilion) and row houses in Roosendaal (NL) alongside recent plans including those for a youth hostel in the former Nazi resort(...)
Architecture, monographies
octobre 2005, Rotterdam
Atelier Kempe Thill : new prototypes for a global society
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At the heart of this publication is Atelier Kempe Thill's quest to find prototypes for a global society. How can buildings be made neutral and flexible as well as specific? It features realized work such as the Light Building (a travelling museum pavilion) and row houses in Roosendaal (NL) alongside recent plans including those for a youth hostel in the former Nazi resort at Prora in Germany, and the Franz Liszt Concert Hall in Raiding, Austria. It further includes a number of fascinating but unrealized schemes amongst which the winning design 'Living Inbetween' for Europan 5 Rotterdam and the competition entry for the Nam June Paik Museum in Korea. This book is published in conjunction with the award of the Rotterdam-Maaskant Prize for Young Architects 2005 to Oliver Thill. Design by Sophie Bleifuss.
Architecture, monographies
Gordon Matta-Clark
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Born in New York and trained in architecture, Gordon Matta-Clark is most famous for his slicing through façades, walls and floors of derelict buildings. This 'deconstructing' gesture, provocative and extreme, turns architecture into astonishing sculptures, where the mass of the building is entwined with the light and air that penetrate it. Matta-Clark's interventions are(...)
janvier 2006, New York / London
Gordon Matta-Clark
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Born in New York and trained in architecture, Gordon Matta-Clark is most famous for his slicing through façades, walls and floors of derelict buildings. This 'deconstructing' gesture, provocative and extreme, turns architecture into astonishing sculptures, where the mass of the building is entwined with the light and air that penetrate it. Matta-Clark's interventions are always grounded in social or political convictions. Some of his projects include opening a restaurant (Food, 1971)in the SoHo in New York, purchasing at auction fractions of unusable urban land in New York (Reality Properties: Fake Estates, 1973), dispensing oxygen to passersby in the streets of New York from a self-made cart (Fresh Air Cart, 1972), and other visionary urban projects that he conceived as a founding member of the New York-based Anarchitecture group.
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This publication, co-published with Ukrainian platform CANactions, brings together wide-ranging essays on the subject of post-war reconstruction. Produced in the light of the current invasion of Ukraine, it covers a spectrum of historical examples and geographic contexts to navigate the challenges and opportunities that define post-war reconstruction and war-related(...)
Architecture after war: a reader
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This publication, co-published with Ukrainian platform CANactions, brings together wide-ranging essays on the subject of post-war reconstruction. Produced in the light of the current invasion of Ukraine, it covers a spectrum of historical examples and geographic contexts to navigate the challenges and opportunities that define post-war reconstruction and war-related issues within the field of architecture. Considering urban planning, education, building materials, and innovative spatial relations, it centres around the human experience of the built environment in the aftermath of war. With a preface by editor Bohdan Kryzhanovsky, this reader presents theoretical and practical explorations of an urgently timely topic, offering a basis for wider conversation as well as a handbook of ideas for architects and planners and a pragmatic guide for shaping the future of Ukrainian cities.
Théorie de l’architecture
Sybren Vanoverberghe: MUSA
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The series MUSA consists of twenty-six works of UV printed photographs on brass. The photographs for these works have been taken at various greenhouses in Morocco, which harvest Banana Trees. On the images we see abstract impressions of green and yellow leaves pressed against the plastic sheeting of the greenhouses. On top of that we see strips of copper wiring that keep(...)
Sybren Vanoverberghe: MUSA
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$42.00
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The series MUSA consists of twenty-six works of UV printed photographs on brass. The photographs for these works have been taken at various greenhouses in Morocco, which harvest Banana Trees. On the images we see abstract impressions of green and yellow leaves pressed against the plastic sheeting of the greenhouses. On top of that we see strips of copper wiring that keep the plastic sheets in position. It is the first series of images in Vanoverberghe’s work that solely puts the focus on the natural aspect of our surroundings. The work is a continuation in Vanoverberghe’s research to the material in which he presents his photographs. The visual atmosphere of the works constantly change due to the light that is captured or reflected by the brass material.
Monographies photo
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Like the onetime industrial facilities that have become Dia : Beacon, Mass MoCA and the Tate Modern, among other factory conversions, Berlin's Rummelsberg electric plant is characterized by wide expanses of brick, glass and, most importantly, space. Today, the huge power station with its extraordinary, light-filled hall can be rented for events and film production, but(...)
Power and energy : Power Plant Rummelsburg - Berlin
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Like the onetime industrial facilities that have become Dia : Beacon, Mass MoCA and the Tate Modern, among other factory conversions, Berlin's Rummelsberg electric plant is characterized by wide expanses of brick, glass and, most importantly, space. Today, the huge power station with its extraordinary, light-filled hall can be rented for events and film production, but its future is not secure. Power and Energies reutilization plans, which were conceived for a contest sponsored by Vattenfall Europe AG, come from architects, planners and conservationists alike, and are full of creative architectural solutions and innovative ideas. This volume combines essays on the history of the building with the entire range of plans submitted, including detailed documentation of prizewinning designs. Its models and ideas will entrance anyone considering the conversion of large historical buildings or examining the phenomenon.
Structures d’ingénierie
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What “really constitutes an architectural atmosphere,” Peter Zumthor says, is “this singular density and mood, this feeling of presence, well-being, harmony, beauty ... under whose spell I experience what I otherwise would not experience in precisely this way.” In nine short, illustrated chapters framed as a process of self-observation, Peter Zumthor describes what he has(...)
Peter Zumthor : atmospheres : architectural environments - surrounding objects
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What “really constitutes an architectural atmosphere,” Peter Zumthor says, is “this singular density and mood, this feeling of presence, well-being, harmony, beauty ... under whose spell I experience what I otherwise would not experience in precisely this way.” In nine short, illustrated chapters framed as a process of self-observation, Peter Zumthor describes what he has on his mind as he sets about creating the atmosphere of his houses. Images of spaces and buildings that affect him are every bit as important as particular pieces of music or books that inspire him. From the composition and “presence” of the materials to the handling of proportions and the effect of light, this poetics of architecture enables the reader to recapitulate what really matters in the process of house design.
Architecture, monographies