12876 Résultats
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP182.S1
Description:
Series documents projects by Bijoy Jain and the firm Studio Mumbai carried out between 2009 and 2014. Series contains drawings, models, digital photographs, videos, material samples, and original and reproduced notebooks and sketchbooks related to six built works (Copper House II, Ahmedabad House, Saat Rasta, Carrimjee House, Chennai House, Weavers' Studio) and two conceptual projects (Demolition, Migrant housing).
AP182.S1
Description:
Series documents projects by Bijoy Jain and the firm Studio Mumbai carried out between 2009 and 2014. Series contains drawings, models, digital photographs, videos, material samples, and original and reproduced notebooks and sketchbooks related to six built works (Copper House II, Ahmedabad House, Saat Rasta, Carrimjee House, Chennai House, Weavers' Studio) and two conceptual projects (Demolition, Migrant housing).
Personnes et institutions:
Date:
2009-2014
2009-2014
Titre:
Projects
Actions:
AP182.S1
Description:
Series documents projects by Bijoy Jain and the firm Studio Mumbai carried out between 2009 and 2014. Series contains drawings, models, digital photographs, videos, material samples, and original and reproduced notebooks and sketchbooks related to six built works (Copper House II, Ahmedabad House, Saat Rasta, Carrimjee House, Chennai House, Weavers' Studio) and two conceptual projects (Demolition, Migrant housing).
Projects
Actions:
AP182.S1
Description:
Series documents projects by Bijoy Jain and the firm Studio Mumbai carried out between 2009 and 2014. Series contains drawings, models, digital photographs, videos, material samples, and original and reproduced notebooks and sketchbooks related to six built works (Copper House II, Ahmedabad House, Saat Rasta, Carrimjee House, Chennai House, Weavers' Studio) and two conceptual projects (Demolition, Migrant housing).
Niveau de description archivistique:
Series 1
Series 1
Date:
2009-2014
2009-2014
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Magnet
Magnet
Numéro de référence:
AP144.S2.D170
Description:
File documents a project for a series of temporary, moveable structures - "Magnets" - designed to enhance access and transportation options, and/or provide other amenities such as views, information, or safety. Magnets were applied to ten sites in the Greater London area in England, and feasability studies were carried out for sites in Tokyo, Japan. Keiichi Saiki, Price's chief assistant on the project, chose the Tokyo sites and also produced a significant number of the project's conceptual drawings. Material in this file was produced in 1978 and between 1990 and 2001, but predominantly between 1995 and 1996. File contains conceptual drawings, design development drawings, presentation drawings, publication drawings, reference drawings, other drawings, presentation panels, other panels, a presentation model, other models, photographic materials, an artefact, and textual records.
AP144.S2.D170
Description:
File documents a project for a series of temporary, moveable structures - "Magnets" - designed to enhance access and transportation options, and/or provide other amenities such as views, information, or safety. Magnets were applied to ten sites in the Greater London area in England, and feasability studies were carried out for sites in Tokyo, Japan. Keiichi Saiki, Price's chief assistant on the project, chose the Tokyo sites and also produced a significant number of the project's conceptual drawings. Material in this file was produced in 1978 and between 1990 and 2001, but predominantly between 1995 and 1996. File contains conceptual drawings, design development drawings, presentation drawings, publication drawings, reference drawings, other drawings, presentation panels, other panels, a presentation model, other models, photographic materials, an artefact, and textual records.
Personnes et institutions:
Date:
1978, 1990-2001, predominant 1995-1996
1978, 1990-2001, predominant 1995-1996
Titre:
Magnet
Actions:
AP144.S2.D170
Description:
File documents a project for a series of temporary, moveable structures - "Magnets" - designed to enhance access and transportation options, and/or provide other amenities such as views, information, or safety. Magnets were applied to ten sites in the Greater London area in England, and feasability studies were carried out for sites in Tokyo, Japan. Keiichi Saiki, Price's chief assistant on the project, chose the Tokyo sites and also produced a significant number of the project's conceptual drawings. Material in this file was produced in 1978 and between 1990 and 2001, but predominantly between 1995 and 1996. File contains conceptual drawings, design development drawings, presentation drawings, publication drawings, reference drawings, other drawings, presentation panels, other panels, a presentation model, other models, photographic materials, an artefact, and textual records.
Magnet
Actions:
AP144.S2.D170
Description:
File documents a project for a series of temporary, moveable structures - "Magnets" - designed to enhance access and transportation options, and/or provide other amenities such as views, information, or safety. Magnets were applied to ten sites in the Greater London area in England, and feasability studies were carried out for sites in Tokyo, Japan. Keiichi Saiki, Price's chief assistant on the project, chose the Tokyo sites and also produced a significant number of the project's conceptual drawings. Material in this file was produced in 1978 and between 1990 and 2001, but predominantly between 1995 and 1996. File contains conceptual drawings, design development drawings, presentation drawings, publication drawings, reference drawings, other drawings, presentation panels, other panels, a presentation model, other models, photographic materials, an artefact, and textual records.
Niveau de description archivistique:
File 170
File 170
Date:
1978, 1990-2001, predominant 1995-1996
1978, 1990-2001, predominant 1995-1996
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH270035
Description:
Group consists of photographs of Chandigarh, India, including photographs of the everyday life, photographs of the Capitol Complex's building, the Panjab University buildings, the Gandhi Bhawan, group housing and other buildings. The groups also includes photographs of models.
ARCH270035
Description:
Group consists of photographs of Chandigarh, India, including photographs of the everyday life, photographs of the Capitol Complex's building, the Panjab University buildings, the Gandhi Bhawan, group housing and other buildings. The groups also includes photographs of models.
Personnes et institutions:
Date:
1950s-1970s
1950s-1970s
Titre:
Photographs of Chandigarh, India, including photographs of the everyday life
Actions:
ARCH270035
Description:
Group consists of photographs of Chandigarh, India, including photographs of the everyday life, photographs of the Capitol Complex's building, the Panjab University buildings, the Gandhi Bhawan, group housing and other buildings. The groups also includes photographs of models.
Photographs of Chandigarh, India, including photographs of the everyday life
Actions:
ARCH270035
Description:
Group consists of photographs of Chandigarh, India, including photographs of the everyday life, photographs of the Capitol Complex's building, the Panjab University buildings, the Gandhi Bhawan, group housing and other buildings. The groups also includes photographs of models.
Classification:
photographies
photographies
Date:
1950s-1970s
1950s-1970s
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP032.S1.SS4.D1.SD1
Description:
Panels for an office building in Elk Grave, Illinois includes plans, section, views of model, construction views and completed building.
AP032.S1.SS4.D1.SD1
Description:
Panels for an office building in Elk Grave, Illinois includes plans, section, views of model, construction views and completed building.
Personnes et institutions:
Date:
1960-1962
1960-1962
Titre:
United Airlines Executive Office Building
Actions:
AP032.S1.SS4.D1.SD1
Description:
Panels for an office building in Elk Grave, Illinois includes plans, section, views of model, construction views and completed building.
United Airlines Executive Office Building
Actions:
AP032.S1.SS4.D1.SD1
Description:
Panels for an office building in Elk Grave, Illinois includes plans, section, views of model, construction views and completed building.
Niveau de description archivistique:
Sub-file 1
Sub-file 1
Date:
1960-1962
1960-1962
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Personnes et institutions:
Date:
1997-1998
1997-1998
Titre:
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry, Jyväskylä, Finland (1997)
Actions:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry, Jyväskylä, Finland (1997)
Actions:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Niveau de description archivistique:
Project
Project
Date:
1997-1998
1997-1998
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP173.S1.1992.D3
Description:
Series documents Lars Spuybroek's project for Baroque Army, a furniture design study. Material in this series was produced around 1992. The series contains photographs, predominantly slides, of the models and some of the drawings, along with study sketches and design development drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
AP173.S1.1992.D3
Description:
Series documents Lars Spuybroek's project for Baroque Army, a furniture design study. Material in this series was produced around 1992. The series contains photographs, predominantly slides, of the models and some of the drawings, along with study sketches and design development drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Personnes et institutions:
Date:
ca. 1992
ca. 1992
Titre:
Baroque Army (1992)
Actions:
AP173.S1.1992.D3
Description:
Series documents Lars Spuybroek's project for Baroque Army, a furniture design study. Material in this series was produced around 1992. The series contains photographs, predominantly slides, of the models and some of the drawings, along with study sketches and design development drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Baroque Army (1992)
Actions:
AP173.S1.1992.D3
Description:
Series documents Lars Spuybroek's project for Baroque Army, a furniture design study. Material in this series was produced around 1992. The series contains photographs, predominantly slides, of the models and some of the drawings, along with study sketches and design development drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Niveau de description archivistique:
Project
Project
Date:
ca. 1992
ca. 1992
Personnes et institutions:
Classification:
documents textuels, graphique
documents textuels, graphique
Numéro de référence:
DR2004:0777
Description:
clippings, including some from the IFPRI project and Mean Time exhibition, issues of Building Design, views of models, text from the City of the Future project, diagram from the Cities on the Move exhibition, and poster for a lecture
DR2004:0777
Description:
clippings, including some from the IFPRI project and Mean Time exhibition, issues of Building Design, views of models, text from the City of the Future project, diagram from the Cities on the Move exhibition, and poster for a lecture
Personnes et institutions:
Titre:
Clippings, including some from the IFPRI project and Mean Time exhibition
Actions:
DR2004:0777
Description:
clippings, including some from the IFPRI project and Mean Time exhibition, issues of Building Design, views of models, text from the City of the Future project, diagram from the Cities on the Move exhibition, and poster for a lecture
Clippings, including some from the IFPRI project and Mean Time exhibition
Actions:
DR2004:0777
Description:
clippings, including some from the IFPRI project and Mean Time exhibition, issues of Building Design, views of models, text from the City of the Future project, diagram from the Cities on the Move exhibition, and poster for a lecture
Classification:
documents textuels, graphique
documents textuels, graphique
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1988.PR08
Description:
This project series documents the Casa Ana Costa, Quinta de S. Ovídio in Lousada, Portugal. While the records were held at the office's archives, the office identified this project as 59/80. The office assigned the date 1988 to this project. Documenting this project are sketches and working drawings. Textual material includes project documentation. Photographic material documents the models, construction work, and the built project.
AP178.S1.1988.PR08
Description:
This project series documents the Casa Ana Costa, Quinta de S. Ovídio in Lousada, Portugal. While the records were held at the office's archives, the office identified this project as 59/80. The office assigned the date 1988 to this project. Documenting this project are sketches and working drawings. Textual material includes project documentation. Photographic material documents the models, construction work, and the built project.
Personnes et institutions:
Date:
1988-1994
1988-1994
Titre:
Casa Ana Costa [Ana Costa house] Quinta de S. Ovídio, Lousada, Portugal, 1988
Actions:
AP178.S1.1988.PR08
Description:
This project series documents the Casa Ana Costa, Quinta de S. Ovídio in Lousada, Portugal. While the records were held at the office's archives, the office identified this project as 59/80. The office assigned the date 1988 to this project. Documenting this project are sketches and working drawings. Textual material includes project documentation. Photographic material documents the models, construction work, and the built project.
Casa Ana Costa [Ana Costa house] Quinta de S. Ovídio, Lousada, Portugal, 1988
Actions:
AP178.S1.1988.PR08
Description:
This project series documents the Casa Ana Costa, Quinta de S. Ovídio in Lousada, Portugal. While the records were held at the office's archives, the office identified this project as 59/80. The office assigned the date 1988 to this project. Documenting this project are sketches and working drawings. Textual material includes project documentation. Photographic material documents the models, construction work, and the built project.
Niveau de description archivistique:
Project
Project
Date:
1988-1994
1988-1994
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH274439
Description:
Group consists of photographs (237 photographs) and negatives (196 negatives) of Chandigarh, India, including photographs of the Architects' office, the Capitol Complex's buildings, schools, the Sukhna Lake, sport installations, gouvernment housing, construction work and workers, and some models.
ARCH274439
Description:
Group consists of photographs (237 photographs) and negatives (196 negatives) of Chandigarh, India, including photographs of the Architects' office, the Capitol Complex's buildings, schools, the Sukhna Lake, sport installations, gouvernment housing, construction work and workers, and some models.
Personnes et institutions:
Date:
between 1951 and 1965
between 1951 and 1965
Titre:
Photographs of Chandigarh, India
Actions:
ARCH274439
Description:
Group consists of photographs (237 photographs) and negatives (196 negatives) of Chandigarh, India, including photographs of the Architects' office, the Capitol Complex's buildings, schools, the Sukhna Lake, sport installations, gouvernment housing, construction work and workers, and some models.
Photographs of Chandigarh, India
Actions:
ARCH274439
Description:
Group consists of photographs (237 photographs) and negatives (196 negatives) of Chandigarh, India, including photographs of the Architects' office, the Capitol Complex's buildings, schools, the Sukhna Lake, sport installations, gouvernment housing, construction work and workers, and some models.
Classification:
photographies
photographies
Date:
between 1951 and 1965
between 1951 and 1965
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH274166
Description:
Includes the Ministry of Public Works and Housing; the Ministry of Foreign Affairs; Islamic University of Medinah; Al Falah School Competition and other unidentified projects. Contains slides of models, details, sketches, perspective drawings, schemes, site and presentation slides.
ARCH274166
Description:
Includes the Ministry of Public Works and Housing; the Ministry of Foreign Affairs; Islamic University of Medinah; Al Falah School Competition and other unidentified projects. Contains slides of models, details, sketches, perspective drawings, schemes, site and presentation slides.
Personnes et institutions:
Date:
circa 1980-1985
circa 1980-1985
Titre:
Slides from Arthur Erickson Architects projects in the Middle East
Actions:
ARCH274166
Description:
Includes the Ministry of Public Works and Housing; the Ministry of Foreign Affairs; Islamic University of Medinah; Al Falah School Competition and other unidentified projects. Contains slides of models, details, sketches, perspective drawings, schemes, site and presentation slides.
Slides from Arthur Erickson Architects projects in the Middle East
Actions:
ARCH274166
Description:
Includes the Ministry of Public Works and Housing; the Ministry of Foreign Affairs; Islamic University of Medinah; Al Falah School Competition and other unidentified projects. Contains slides of models, details, sketches, perspective drawings, schemes, site and presentation slides.
Classification:
photographies
photographies
Date:
circa 1980-1985
circa 1980-1985
Personnes et institutions:
