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Toronto sprawls
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With a landmass spanning approximately 7000 square kilometres and a population of roughly five million, the Greater Toronto Area is Canada’s largest metropolitan centre. How did a small nineteenth-century colonial capital become this sprawling urban giant, and how did government policies shape the contours of its landscape? In Toronto Sprawls, Lawrence Solomon examines(...)
Toronto sprawls
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With a landmass spanning approximately 7000 square kilometres and a population of roughly five million, the Greater Toronto Area is Canada’s largest metropolitan centre. How did a small nineteenth-century colonial capital become this sprawling urban giant, and how did government policies shape the contours of its landscape? In Toronto Sprawls, Lawrence Solomon examines the great migration from farm to the city that occurred in the last half of the nineteenth century. During this period, a disproportionate number of single women came to Toronto, while at the same time, immigration from abroad was swelling the city’s urban boundaries. Labour unions were also increasingly successful in recruiting urban workers in these years. Governments responded to these perceived threats with a series of policies designed to foster order. To promote single family dwellings conducive to the traditional family, buildings in high-density areas were razed and apartment buildings banned. To discourage returning First World War veterans from settling in cities, the government offered grants to spur rural settlement. These policies and others dispersed the city’s population and promoted sprawl. An illuminating read, Toronto Sprawls makes a convincing case that urban sprawl in Toronto was not caused by market forces, but rather policies and programs designed to disperse Toronto’s urban population.
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avril 2007, Toronto
Architecture du Canada
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For a while now the "Young British Artists" have been soaking up the international limelight thanks to a sensibility that is at once outrageous and thoughtful. Architecture, of course, always takes a while to catch up to the other arts, but now, finally, Britain has emerged as one of the world's most fertile breeding grounds for international design talent. Catalyzed by(...)
British built : UK architecture's rising generation
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For a while now the "Young British Artists" have been soaking up the international limelight thanks to a sensibility that is at once outrageous and thoughtful. Architecture, of course, always takes a while to catch up to the other arts, but now, finally, Britain has emerged as one of the world's most fertile breeding grounds for international design talent. Catalyzed by such leading international architecture schools as the Architectural Association and the Bartlett, a new wave of architects, from home and abroad, is combining local and global styles in exciting new buildings and projects. Post-Imperial British designers are indeed synthesizing foreign cultures with Western conditions in an entirely original way. Profiling Britain's most dynamic and intriguing practices, ‘British Built’ features projects by S333, Caruso St John, Alison Brooks, Foreign Office Architects (FOA), muf, Allford Hall Monaghan Morris, Gollifer Langston, de Rijke Marsh Morgan (dRMM), Kathryn Findlay, FAT, Adjaye Associates, Sergison Bates, Klein Dytham Architects (KDa), and Deborah Saunt David Hills Architects. "British Built", the sequel to our successful "SuperDutch", includes studio profiles and essays outlining the unique characteristics of the British architect working today and presenting an even younger generation of architects whose stars are only just appearing on the horizon, including atopia, softroom, dECOi, and Tonkin Liu, among many others. Previously priced at $60.00.
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This publication is an exhibition catalog produced by the Herbert F. Johnson Museum of Art at Cornell University for a show featuring forty-nine "dot-paintings" produced by Aboriginal artists from the settlement of Panpunya. Dot-painting has become an art instantly associated with Aboriginal Australia. In the more than thirty-five years since the advent of this movement,(...)
Art, époques et styles
février 2009, Ithaca
Icons of the desert : early aboriginal paintings from Papunya
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This publication is an exhibition catalog produced by the Herbert F. Johnson Museum of Art at Cornell University for a show featuring forty-nine "dot-paintings" produced by Aboriginal artists from the settlement of Panpunya. Dot-painting has become an art instantly associated with Aboriginal Australia. In the more than thirty-five years since the advent of this movement, Papunya works have been widely exhibited and acquired by private collectors and museums in Australia, and increasingly abroad. This is the first book to focus on the founding expressions of Papunya art. It examines their origins in the paintings produced in Papunya in the Western Desert during the years 1971 to 1973, after the Sydney schoolteacher Geoffrey Bardon provided Aboriginal men with art materials and encouraged them to paint on Masonite, against the wishes of Australian government officials. These paintings claim a unique status. Only around six hundred were made. They are also the first painted works to transfer the designs of desert ceremonial imagery to a permanent surface. The book is illustrated with full-color plates of the forty-nine exhibited works by such great artists as Clifford Possum Tjapaltjarri, Johnny Warangkula Tjupurrula, and Tim Leura Tjapaltjarri. In addition, it features numerous color figures of comparative works and documentary photographs of the original artists at work, some never before published, and a chronological catalog documenting the works’ history and iconography.
Art, époques et styles
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"Crafting Modernism: Mid-century American Art and Design" will provide an in-depth examination of the American studio craft movement in general, with detailed analyses of all of the major mediums (clay, wood, fibre, metal, jewellery, and glass) favoured by the greatest craftsmen of the period. Both an exhibition catalogue and an historical reference, "Crafting Modernism"(...)
Craftting modernism: midcentury american art and design
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"Crafting Modernism: Mid-century American Art and Design" will provide an in-depth examination of the American studio craft movement in general, with detailed analyses of all of the major mediums (clay, wood, fibre, metal, jewellery, and glass) favoured by the greatest craftsmen of the period. Both an exhibition catalogue and an historical reference, "Crafting Modernism" explores the origins of the studio craft movement, the international influences that helped it grow in this country and abroad and its convergence with the fine arts. The post-war years were a time of particular importance for the studio movement as a new generation of craftsmen began to express cultural identity and artistic innovation as well as provide social commentary through their work in all media, which led to the proliferation of the craft movement to museums and exhibitions worldwide. Artists represented in this book include Anni Albers, Dale Chihuly, Hans Christensen, Charles and Ray Eames, Sheila Hicks, Wharton Esherick, Maurice Heaton, Dorothy Liebes, Sam Maloof, George Nakashima, Gertrud and Otto Natzler, Peter Voulkos and Russel Wright, among many others. "Crafting Modernism" is the fourth instalment of the Centenary Project begun in 1993 by the Museum of Art and Design to explore the origins and development of twentieth-century American crafts. New research has made this exhibit and book possible, exploring the rediscovery and reinvigoration of craft media in the post-war years.
Design industriel
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Beginning with the inception of the U.S. embassy building program in 1926, and continuing through the 1996 competition for a new embassy in Berlin, "The Architecture of Diplomacy" examines a remarkable(...)
août 1998, New York
The architecture of diplomacy : building America's embassies
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Beginning with the inception of the U.S. embassy building program in 1926, and continuing through the 1996 competition for a new embassy in Berlin, "The Architecture of Diplomacy" examines a remarkable yet little-known chapter in architectural history. It focuses on the 1950s, when modernism became linked with the idea of freedom and the State Department's Office of Foreign Buildings Operations began to showcase modern architecture in its embassies. Architects could build abroad in styles never sanctioned at home, resulting in unusual and sometimes outlandish designs intended to express an "open" America overseas. Indeed, the embassy building program was part of the nation's larger effort to establish and assert its superpower status following World War II. Terrorist threats and espionage scandals also shaped the worldwide building program, and continue to affect it today. "The Architecture of Diplomacy" features the stories behind the Rio de Janiero and Havana embassies by Harrison & Abramovitz, Ralph Rapson's designs for Stockholm and Copenhagen, Gordon Bunshaft's work in Germany, Eero Saarinen's constructions in London and Oslo, and Edward Durell Stone's embassy in New Delhi. Other architects involved in the program included Arquitectonica; Pietro Belluschi; Marcel Breuer; Walter Gropius; Kallmann, McKinnell & Wood; Richard Neutra; and Skidmore, Owings & Merrill. Author Jane C. Loeffler obtained access to original correspondence, drawings, and photographs that have never been published.
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août 1998, New York
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In the first major book on the beautiful and richly varied residential designs of John Russell Pope, "Mastering Tradition: The Residential Architecture of John Russell Pope" highlights the extraordinary houses of one of the 20th Century’s most prolific architects. John Russell Pope (1873–1937) was an architect of tradition and a master of pro-portion, massing, and(...)
Architecture, monographies
août 2004, New York
Mastering tradition : the residential architecture of John Russell Pope
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In the first major book on the beautiful and richly varied residential designs of John Russell Pope, "Mastering Tradition: The Residential Architecture of John Russell Pope" highlights the extraordinary houses of one of the 20th Century’s most prolific architects. John Russell Pope (1873–1937) was an architect of tradition and a master of pro-portion, massing, and scale. Drawing on a personal palette rich in historic precedents from ancient Greece to colonial America, Pope created original and refined designs that embodied the aspirations of the United States as an emerging world power. Both his private and public work - which includes the National Gallery of Art and the Thomas Jefferson Memorial - possess a poise and confidence that emanated from a disciplined approach to architectural design formed by his experiences at home and abroad. In the brief span of 35 years, Pope and his office designed several hundred buildings and monuments, including over 100 houses. His residential work spans a wide array of styles, and comprises vast estates - with integrated ensembles of living, work, and leisure buildings - town houses, country retreats, and a series of jewel-like mausoleums. The common thread running through all his work is a total mastery of the design vocabulary. In this first comprehensive and lavishly illustrated survey of his residential work, author James Garrison delves into Pope’s design sources and methods, and demonstrates how an apparently diverse body of work is related to the common theme of mastering tradition.
Architecture, monographies
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When America became suburban
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In the decades after World War II, the United States became the most prosperous nation in the world and a superpower whose dominance was symbolized by the American suburbs. Spurred by the decline of its industrial cities and by mass suburbanization, people imagined a new national identity—one that emphasized consumerism, social mobility, and a suburban lifestyle. The(...)
When America became suburban
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In the decades after World War II, the United States became the most prosperous nation in the world and a superpower whose dominance was symbolized by the American suburbs. Spurred by the decline of its industrial cities and by mass suburbanization, people imagined a new national identity—one that emphasized consumerism, social mobility, and a suburban lifestyle. The urbanity of the city was lost. In "When America became suburban", Robert A. Beauregard examines this historic intersection of urban decline, mass suburbanization, domestic prosperity, and U.S. global aspirations as it unfolded from 1945 to the mid-1970s. Suburban expansion and the subsequent emergence of sprawling Sunbelt cities transformed every aspect of American society. Assessing the global implications of America’s suburban way of life as evidence of the superiority of capitalist democracy, Beauregard traces how the suburban ideology enabled America to distinguish itself from both the Communist bloc and Western Europe, thereby deepening its claim of exceptionalism on the world-historical stage. Placing the decline of America’s industrial cities and the rise of vast suburban housing and retail spaces into a cultural, political, and global context, Beauregard illuminates how these phenomena contributed to a changing notion of America’s identity at home and abroad. "When America became suburban" brings to light the profound implications of de-urbanization: from the siphoning of investments from the cities and the effect on the quality of life for those left behind to a profound shift in national identity.
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septembre 2006, Minneapolis, London
Banlieues
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From sprawling houses to compact bungalows and from world-famous museums to a still-working gas station, Frank Lloyd Wright’s designs can be found in nearly every corner of the country. While the renowned architect passed away more than fifty years ago, researchers and enthusiasts are still uncovering structures that should be attributed to him. William Allin Storrer is(...)
The architecture of Frank Lloyd Wright: a complete catalog, fourth edition
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From sprawling houses to compact bungalows and from world-famous museums to a still-working gas station, Frank Lloyd Wright’s designs can be found in nearly every corner of the country. While the renowned architect passed away more than fifty years ago, researchers and enthusiasts are still uncovering structures that should be attributed to him. William Allin Storrer is one of the experts leading this charge, and his definitive guide, The Architecture of Frank Lloyd Wright, has long been the resource of choice for anyone interested in Wright. Thanks to the work of Storrer and his colleagues at the Rediscovering Wright Project, thirty-seven new sites have recently been identified as the work of Wright. Together with more photos, updated and expanded entries, and a new essay on the evolution of Wright’s unparalleled architectural style, this new edition is the most comprehensive and authoritative catalog available. Organized chronologically, the catalog includes full-color photos, location information, and historical and architectural background for all of Wright’s extant structures in the United States and abroad, as well as entries for works that have been demolished over the years. A geographic listing makes it easy for traveling Wright fans to find nearby structures and a new key indicates whether a site is open to the public. Publishing for Wright’s sesquicentennial, this new edition will be a trusted companion for anyone embarking on their own journeys through the wonder and genius of Frank Lloyd Wright.
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juillet 2017
Architecture, monographies
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A small but growing group of today's knowledge workers actively seek a lifestyle of freedom, using technology to perform their jobs, traveling far and wide, and moving as often as they like. These digital nomads have left their local coffee shops behind and now proudly post their "office of the day" photos from exotic locales, but what do their lives really look like? In(...)
janvier 2021
Digital nomads: In search of freedom, community and meaningful work in the new economy
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A small but growing group of today's knowledge workers actively seek a lifestyle of freedom, using technology to perform their jobs, traveling far and wide, and moving as often as they like. These digital nomads have left their local coffee shops behind and now proudly post their "office of the day" photos from exotic locales, but what do their lives really look like? In ''Digital nomads,'' Rachael Woldoff and Robert Litchfield take readers into an expatriate digital nomad community in Bali, Indonesia to better understand this growing demographic of typically Millennial workers. Through dozens of interviews and several stints living in a digital nomad hub, Woldoff and Litchfield present new answers to classic questions about community, creativity, and work. They further show why digital nomads leave their conventional lives behind, arguing that creative class and Millennial workers, though successful, often feel that their "world class cities" and desirable jobs are anything but paradise. They first follow their transitions into freelancing, entrepreneurship, and remote work, then explain how digital nomads create a fluid but intimate community abroad in the company of like-minded others. Ultimately, Woldoff and Litchfield provide insight into digital nomads' efforts to live and work in ways that balance freedom, community, and creative fulfillment in the digital age. A sympathetic yet critical take on this emerging group of workers, ''Digital nomads'' provides a revealing take on the changing nature of work and the problems of the new economy.
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In 2030, the world's population will be a staggering eight billion people. Of these, two-thirds will live in cities; most will be poor. With limited resources, this unbalanced growth will be one of the greatest challenges faced by societies across the globe. In the coming years, city authorities, urban planners, designers, economists and others will have to join forces to(...)
Uneven growth: tactical urbanisms for expanding megacities
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In 2030, the world's population will be a staggering eight billion people. Of these, two-thirds will live in cities; most will be poor. With limited resources, this unbalanced growth will be one of the greatest challenges faced by societies across the globe. In the coming years, city authorities, urban planners, designers, economists and others will have to join forces to avoid a major social and economic catastrophe and to ensure that these expanding megacities will be habitable. Exploring how emergent forms of tactical urbanism could address rapid and uneven urban growth around the globe, The Museum of Modern Art presents Uneven Growth: Tactical Urbanisms for Expanding Megacities, its third iteration of the Issues in Contemporary Architecture series. Uneven Growth is a combination of workshop, exhibition and publication that brings together ideas from an international group of scholars, practitioners and other experts on architecture and urbanism. Featuring proposals for six cities on five continents-New York, Mumbai, Rio de Janeiro, Istanbul, Hong Kong and Lagos, each developed by a pair of teams (one local to the host city and one abroad)-Uneven Growth also documents the brainstorming processes and the workshops. Contributions from each of the teams and essays by leading scholars on the issue make the publication a rich resource for students and professionals alike. Participating teams include Cohabitation Strategies with Situ Studio, POP Lab with URBZ, MAS Urban Design ETH with Rua Arquitetos, Atelier d'Architecture Autogérée with Superpool, Network Architecture Lab with MAP Office and Inteligencias Colectivas with NLÉ Architects.
Théorie de l’urbanisme