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Moderating urban density
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The architects Alfredo Brillembourg and Hubert Klumpner, over the last ten years, have developed the Caracas/Venezuela based Urban-Think Tank (UTT) into an international network to face the challenges of uncontrolled urban growth in the dense informal centers of the 21st century Mega-cities. The exhibit will include photos, videos and projects that question the notion(...)
Moderating urban density
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The architects Alfredo Brillembourg and Hubert Klumpner, over the last ten years, have developed the Caracas/Venezuela based Urban-Think Tank (UTT) into an international network to face the challenges of uncontrolled urban growth in the dense informal centers of the 21st century Mega-cities. The exhibit will include photos, videos and projects that question the notion of contemporary architecture and urbanism that pulls together some of the Urban Think Tanks most consistent propositions. UTT has moved to propose design solutions, to make that crucial passage from protest to project in an effort to make a real impact in Caracas and in Europe and North America, presenting the relevance of their ideas for the Stadtwerk in Salzburg and for a Vertical Gym in Spanish Harlem, New York. ‘Moderating Urban Density’ exhibit shows how negotiation and design can work in the interface between the social conflicts and the production of new urban infrastructures, architecture, and sustainable human environments in the so called “barrios” of the informal mega city.
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décembre 2006, Berlin
petits formats
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In cities around the world people use a variety of public spaces to relax, to protest, to buy and sell, to experiment and to celebrate. "Loose space" explores the many ways that urban residents, with creativity and determination, appropriate public space to meet their own needs and desires. Familiar or unexpected, spontaneous or planned, momentary or long-lasting, the(...)
Expositions en cours
décembre 2006, London, New York
Loose space : possibility and diversity in urban life
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In cities around the world people use a variety of public spaces to relax, to protest, to buy and sell, to experiment and to celebrate. "Loose space" explores the many ways that urban residents, with creativity and determination, appropriate public space to meet their own needs and desires. Familiar or unexpected, spontaneous or planned, momentary or long-lasting, the activities that make urban space loose continue to give cities life and vitality. The book examines physical spaces and how people use them. Contributors discuss a wide range of recreational, commercial and political activities; some are conventional, others are more experimental. Some of the activities occur alongside the intended uses of planned public spaces, such as sidewalks and plazas; other activities replace former uses, as in abandoned warehouses and industrial sites. The thirteen case studies, international in scope, demonstrate the continuing richness of urban public life that is created and sustained by urbanites themselves
Expositions en cours
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For some of us, the family is a source of love and support. But for many others, the family is a place of private horror, coercion, and personal domination. In a capitalist society, the private family carries the impossible demands of interpersonal care and social reproductive labor. Can we imagine a different future? In ''Family abolition'', author M.E. O'Brien uncovers(...)
Family abolition: Capitalism and the communizing of care
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For some of us, the family is a source of love and support. But for many others, the family is a place of private horror, coercion, and personal domination. In a capitalist society, the private family carries the impossible demands of interpersonal care and social reproductive labor. Can we imagine a different future? In ''Family abolition'', author M.E. O'Brien uncovers the history of struggles to create radical alternatives to the private family. O'Brien traces the changing family politics of racial capitalism in the industrial cities of Europe and the slave plantations and settler frontier of North America, explaining the rise and fall of the housewife-based family form. From early Marxists to Black and queer insurrectionists to today's mass protest movements, O'Brien finds revolutionaries seeking better ways of loving, caring, and living. ''Family abolition'' takes us through the past and present of family politics into a speculative future of the commune, imagining how care could be organized in a free society.
Social
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James Baldwin was a uniquely prophetic voice in American letters. His brilliant and provocative essays made him the literary voice of the Civil Rights Era, and they continue to speak with powerful urgency to us today, whether in the swirling debate over the Black Lives Matter movement or in the words of Raoul Peck's documentary "I Am Not Your Negro." Edited by Nobel(...)
James Baldwin: Collected essays
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James Baldwin was a uniquely prophetic voice in American letters. His brilliant and provocative essays made him the literary voice of the Civil Rights Era, and they continue to speak with powerful urgency to us today, whether in the swirling debate over the Black Lives Matter movement or in the words of Raoul Peck's documentary "I Am Not Your Negro." Edited by Nobel laureate Toni Morrison, the Library of America's Collected Essays is the most comprehensive gathering of Baldwin's nonfiction ever published. With burning passion and jabbing, epigrammatic wit, Baldwin fearlessly articulated issues of race and democracy and American identity in such famous essays as "The Harlem Ghetto," "Everybody's Protest Novel," "Many Thousands Gone," and "Stranger in the Village." Here are the complete texts of his early landmark collections, Notes of a Native Son (1955) and Nobody Knows My Name (1961), which established him as an essential intellectual voice of his time, fusing in unique fashion the personal, the literary, and the political.
Littérature et poésie
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What fuels and sustains activism and organizing when it feels like our worlds are collapsing? ''Let This Radicalize You" is a practical and imaginative resource for activists and organizers building power in an era of destabilization and catastrophe. Longtime organizers and movement educators Mariame Kaba and Kelly Hayes examine some of the political lessons of the(...)
Let this radicalize you: organizing and the revolution of reciprocal care
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What fuels and sustains activism and organizing when it feels like our worlds are collapsing? ''Let This Radicalize You" is a practical and imaginative resource for activists and organizers building power in an era of destabilization and catastrophe. Longtime organizers and movement educators Mariame Kaba and Kelly Hayes examine some of the political lessons of the COVID-19 pandemic, including the convergence of mass protest and mass formations of mutual aid, and consider what this confluence of power can teach us about a future that will require mass acts of care, rescue and defense, in the face of both state violence and environmental disaster. The book is intended to aid and empower activists and organizers as they attempt to map their own journeys through the work of justice-making. It includes insights from a spectrum of experienced organizers, including Sharon Lungo, Carlos Saavedra, Ejeris Dixon, Barbara Ransby, and Ruth Wilson Gilmore about some of the difficult and joyous lessons they have learned in their work.
Social
Art and the end of apartheid
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The first book to fully explore cosmopolitan modern art by black South Africans under apartheid Black South African artists have typically had their work labeled “African art” or “township art,” qualifiers that, when contrasted with simply “modernist art,” have been used to marginalize their work both in South Africa and internationally. In Art and the End of(...)
Art and the end of apartheid
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The first book to fully explore cosmopolitan modern art by black South Africans under apartheid Black South African artists have typically had their work labeled “African art” or “township art,” qualifiers that, when contrasted with simply “modernist art,” have been used to marginalize their work both in South Africa and internationally. In Art and the End of Apartheid,John Peffer considers in depth the work of black South African artists in the decades leading up to the end of apartheid in 1994. Peffer examines painting and graphic art, photography, avant-garde and performance art, and popular and protest art through artist collectives (such as the Thupelo Art Project and the Medu Art Ensemble) and individuals such as Durant Sihlali and Santu Mofokeng. He shows how South African artists imagined what “postapartheid” could mean during the time of apartheid, even as they struggled with immediate issues of censorship, militancy, street violence and torture, and, more broadly, the problem of self-representation and the social role of art.
Théorie de l’art
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A mother stitches a few lines of prayer into a bedcover for her son serving in the Union army during the Civil War. A formerly enslaved African American woman creates a quilt populated by Biblical figures alongside celestial events. A quilted Lady Liberty, George Washington and Abraham Lincoln mark the resignation of Richard Nixon. These are just a few of the diverse and(...)
juin 2021
Fabric of a Nation: American quilt stories
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A mother stitches a few lines of prayer into a bedcover for her son serving in the Union army during the Civil War. A formerly enslaved African American woman creates a quilt populated by Biblical figures alongside celestial events. A quilted Lady Liberty, George Washington and Abraham Lincoln mark the resignation of Richard Nixon. These are just a few of the diverse and sometimes hidden stories of the American experience told by quilts and bedcovers from the collection of the Museum of Fine Arts, Boston. Spanning more than 400 years, the 58 works of textile art in this book express the personal narratives of their makers and owners and connect to broader stories of global trade, immigration, industry, marginalization, and territorial and cultural expansion. Made by Americans of European, African, Native and Hispanic heritage, these quilts and bedcovers range from family heirlooms to acts of political protest, each with its own story to tell.
Why public space matters
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Public spaces — where people from all walks of life play, work, meet, talk, read, think, debate, and protest — are vital to a healthy civic life. And, as the eminent scholar of public space Setha Low argues in this book, even fleeting moments of visibility and encounter in these spaces tend to foster a broader worldview and our willingness to accept difference. Yet we are(...)
Why public space matters
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Public spaces — where people from all walks of life play, work, meet, talk, read, think, debate, and protest — are vital to a healthy civic life. And, as the eminent scholar of public space Setha Low argues in this book, even fleeting moments of visibility and encounter in these spaces tend to foster a broader worldview and our willingness to accept difference. Yet we are losing public spaces to accelerated urban development and the belief that public spaces are expendable. Low explores why public spaces matter today, how they are at risk, and what we can do about protecting these essential places that support our everyday lives. Finally, she shows how we can work to promote public space protection and expansion at both the grassroots and global levels. Throughout, she focuses on real public spaces and the people who use them in cities and regions across the Americas, from New Jersey to Costa Rica
Blue Moon Issue 9
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Since its inception, Blue Moon has focused on investigating mysticism and spirituality in contemporary art. In this issue, these themes surface the most densely to date. In the four interviews, Mike Brodie, Alanis Obomsawin, HVN, and Evangeline AdaLioryn discuss their practices through their own definitions of spiritual experiences and the pathways they walk down. Each(...)
Revues
octobre 2025
Blue Moon Issue 9
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Since its inception, Blue Moon has focused on investigating mysticism and spirituality in contemporary art. In this issue, these themes surface the most densely to date. In the four interviews, Mike Brodie, Alanis Obomsawin, HVN, and Evangeline AdaLioryn discuss their practices through their own definitions of spiritual experiences and the pathways they walk down. Each and every one is different, but ties to the unseeable and otherworldly weave throughout. It is poetic to see so many perspectives on what is greater than us, or at times, what seems null and void from the human experience. The feature subjects, Aaron Kudi, Caleb Giles, Sirui Ma, Fin Wells, Dylan Thadani, Luis Ramos, and the Very Powerful Foundation, give us glimpses into their worlds pointing to their positions as seekers, noticers, feelers and helpers as they process their experiences and vulnerably let us in. The 9th issue discusses freedom, faith, perseverance, protest, magic, and a myriad of other subjects formatted in a labyrinth of photo essays, interviews, and features. *Mike Brodie section folds out with 3 full page posters
Revues
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The extensive range of posters, collages, maquettes, postcards, magazines, and books featured in this exhibition catalogue attests to the enormous influence of photomontage in politics, social protest, and advertising, while also demonstrating the popularity of the technique among avant-garde artists during these two decades. Essays in this publication examine(...)
Photomontage between the wars : 1918-1939
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The extensive range of posters, collages, maquettes, postcards, magazines, and books featured in this exhibition catalogue attests to the enormous influence of photomontage in politics, social protest, and advertising, while also demonstrating the popularity of the technique among avant-garde artists during these two decades. Essays in this publication examine contemporary texts that the practice of photomontage inspired, and explore those qualities of photomontage that led to what was arguably the most important exhibition devoted to this artistic technique at the Kunstgewerbemuseum in Berlin in 1931. The present volume includes a facsimile reproduction and translation of the catalogue published on the occasion of that exhibition. In addition to a brief chronology, the interested reader will also find a selection of text - some scarcely familiar today - by authors of various nationalities that sheds further light on the practice. Produced to accompany the exhibition in Spain and available in North America for the first time, this entirely English-language publication offers an overview of the birth of the photomontage process specifically in Germany and the Soviet Union in the 1920s.
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