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At age eleven, Michael Kenna developed his first roll of black and white film in a makeshift darkroom at St. Joseph’s College, Upholland, the seminary he attended with the idea of becoming a Catholic priest. Kenna abandoned his religious calling after leaving the seminary, but his experiences there have continued to inform his work for decades. These photographs were(...)
Michael Kenna: St. Josephs College, Upholland
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At age eleven, Michael Kenna developed his first roll of black and white film in a makeshift darkroom at St. Joseph’s College, Upholland, the seminary he attended with the idea of becoming a Catholic priest. Kenna abandoned his religious calling after leaving the seminary, but his experiences there have continued to inform his work for decades. These photographs were taken when Kenna returned to visit the now-shuttered school in the early 2000s. Kenna is also revisiting a way of life that may be disappearing—not only the, at times, ruthless discipline of the British boarding school, but also the somber beauty of religious practice. His camera captures the architecture of the school’s built environment as well as its spiritual architecture. Kenna’s detailed biographical essay about his experiences and observations at St. Joseph's reveal much about the way Kenna thinks and works. A critical essay by Vincent Miles focuses on the 110-year history of the college, contextualizing Kenna’s time there.
Monographies photo
Dan Graham's New Jersey
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Dan Graham, one of North America’s most important contemporary artists, is best known today for his sculptural works and installations. His photographic works are generally not so well known, despite the fact that he first became famous for his photographic series Homes for America, pictures of typical American suburbia. To this day the theme of architecture and its(...)
Dan Graham's New Jersey
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Dan Graham, one of North America’s most important contemporary artists, is best known today for his sculptural works and installations. His photographic works are generally not so well known, despite the fact that he first became famous for his photographic series Homes for America, pictures of typical American suburbia. To this day the theme of architecture and its surfaces in the context of postmodern everyday culture represents an extremely important facet of his work. This publication presents new photographs by Dan Graham together with original photographs from the Homes for America series. The new images exhibit stark similarities to the old pictures, as they were taken in the same locations, the same deserts of suburban streets and housing that Graham photographed in the sixties. Creating a fascinating, multilayered reference system of repetitions and differences, both spatially as well as temporally, it raises questions about architecture and public space and their function in society.
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Archphoto 2.0 00: 1861-2011
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archphoto 2.0 is a print magazine spawned by the now well-established Archphoto.it, a digital webzine started in 2002 as a critical review of architecture and design issues in connection with visual arts- and social sciences-related disciplines. This new venture aims at consolidating the critical thought expressed on the web by Archphoto, that will go on and will be(...)
Archphoto 2.0 00: 1861-2011
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archphoto 2.0 is a print magazine spawned by the now well-established Archphoto.it, a digital webzine started in 2002 as a critical review of architecture and design issues in connection with visual arts- and social sciences-related disciplines. This new venture aims at consolidating the critical thought expressed on the web by Archphoto, that will go on and will be complemented by the print magazine’s new contributions. A debate on the theoretical discussion of the issues related to architecture and society seen from the multiple points of view of the disciplines that complement architecture: contemporary art, anthropology, sociology, photography, cinema, literature, music, design.
Revues
George Tice : Paterson II
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Photographer George Tice began his thirty-year documentation of the vernacular architecture of his home state with Paterson in 1972, which formed part of his one-man show at Metropolitan Museum of Art. In Paterson II, Tice revisits his source of inspiration, adding scores of new images, and making a statement about time and change in both a small Northeastern city and in(...)
Monographies photo
janvier 1900, New York
George Tice : Paterson II
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Photographer George Tice began his thirty-year documentation of the vernacular architecture of his home state with Paterson in 1972, which formed part of his one-man show at Metropolitan Museum of Art. In Paterson II, Tice revisits his source of inspiration, adding scores of new images, and making a statement about time and change in both a small Northeastern city and in much of America.
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Aglaia Konrad’s work often takes the form of a book, each conceived as an edited archive of the ways in which she uses photography to investigate urban landscapes. Two of her book projects were part of "The lives of documents—Photography as project", the project curated by Stefano Graziani and Bas Princen, and it was while putting this exhibition together that Konrad(...)
Alina, Barbara, Halina, Helena, Zofia
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Aglaia Konrad’s work often takes the form of a book, each conceived as an edited archive of the ways in which she uses photography to investigate urban landscapes. Two of her book projects were part of "The lives of documents—Photography as project", the project curated by Stefano Graziani and Bas Princen, and it was while putting this exhibition together that Konrad shared her enthusiasm after researching the work of five women that conceived several residential neighbourhoods in Warsaw after the Second World War and redefined the city as a green haven. If the two book projects she presented in our exhibition—Atlas (2000) and Copy Cities (2003–2004)—brought together multiple fragments of her extensive and systematic documentary work on cities, her survey of the work of Alina Scholtz, Barbara Brukalska, Halina Skibniewska, Helena Syrkus, and Zofia Hansen leads now to a travel diary that reflects on the role of architecture and landscape architecture in defining places of bonding and belonging.
Publications du CCA
livres
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Photographer John Humble has lived in Los Angeles for thirty years. In that time he has created a strong body of work that captures the unique architecture and natural environment of Southern California. A Place in the Sun is a celebration of Humble's distinctive view of Los Angeles, from the concrete channels of the Los Angeles River to the instantly recognizable(...)
A place in the sun : photographs of Los Angeles
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Photographer John Humble has lived in Los Angeles for thirty years. In that time he has created a strong body of work that captures the unique architecture and natural environment of Southern California. A Place in the Sun is a celebration of Humble's distinctive view of Los Angeles, from the concrete channels of the Los Angeles River to the instantly recognizable cityscape through which that river winds.
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juin 2007, Los Angeles
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Spanish photographer Andre's Gallardo Albajar has traveled the globe to capture the mesmerizing silhouettes, colorful juxtapositions and angular forms of the world’s most exciting buildings. Symmetry, line, shadow and color: these photographs, taken in 20 cities across the world, provide an immersive visual tour of contemporary architecture. From Bilbao to Beijing,(...)
Andres Gallardo Albajar: Urban geometry
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Spanish photographer Andre's Gallardo Albajar has traveled the globe to capture the mesmerizing silhouettes, colorful juxtapositions and angular forms of the world’s most exciting buildings. Symmetry, line, shadow and color: these photographs, taken in 20 cities across the world, provide an immersive visual tour of contemporary architecture. From Bilbao to Beijing, Stockholm to Seoul, journey through the urban geometry that forms the spatial soundtrack to our lives.
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Rodchenko
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For many years respected gallerists Peter MacGill, Rudolf Kicken and Edwynn Houk have been collecting Aleksandr Rodchenko's photographs. This book is a curated selection of these images, mostly reproduced at their original sizes. The hallmarks of Rodchenko's inimitable Constructivist-influenced vision are here to see, regardless of whether he is photographing people,(...)
Rodchenko
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For many years respected gallerists Peter MacGill, Rudolf Kicken and Edwynn Houk have been collecting Aleksandr Rodchenko's photographs. This book is a curated selection of these images, mostly reproduced at their original sizes. The hallmarks of Rodchenko's inimitable Constructivist-influenced vision are here to see, regardless of whether he is photographing people, architecture or machinery: bold diagonals, abstract shapes and moving objects cutting through space.
Monographies photo
Mark Ruwedel
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Over the past three decades, Mark Ruwedel (born 1954) has examined the intersections of representation, cultural memory and shifting perceptions of space. His work is an epic account of North American civilization, extending from topologies of urban architecture to large-scale projects such as "The Ice Age" and "Westward the Course of Empire." Ruwedel represents landscape(...)
Mark Ruwedel
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Over the past three decades, Mark Ruwedel (born 1954) has examined the intersections of representation, cultural memory and shifting perceptions of space. His work is an epic account of North American civilization, extending from topologies of urban architecture to large-scale projects such as "The Ice Age" and "Westward the Course of Empire." Ruwedel represents landscape as a site where radically different scales of time intertwine.
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Hong Kong Inside Outside combines two major series of Wolf's work. For the first, Wolf has removed any trace of the horizon from the frame, capturing the relentless abstraction of the city’s residential high-rises while exploring the spatial experience of its inhabitants. For the second series, Wolf has juxtaposed the anonymity of these exteriors with interior portraits(...)
mai 2010
Michael Wolf: Hong Kong inside outside
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Hong Kong Inside Outside combines two major series of Wolf's work. For the first, Wolf has removed any trace of the horizon from the frame, capturing the relentless abstraction of the city’s residential high-rises while exploring the spatial experience of its inhabitants. For the second series, Wolf has juxtaposed the anonymity of these exteriors with interior portraits of 100 individuals and families surrounded by all of their belongings in identical public housing spaces that measure 100 square feet. This study forms in part a typology that allows the viewer to study how individuals make the confined spaces their own.