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This provocative survey reveals how four of the most destructive dictatorships of the 20th century - Nazi Germany, Fascist Italy, Soviet Russia and Communist China - used graphic design to sell their messages. Explores each regime's distinctive strategies for seducing public opinion and infiltrating people's lives, in media ranging from logos, flags, typefaces and posters(...)
Iron fists: Branding the 20th Century totalitarian state
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This provocative survey reveals how four of the most destructive dictatorships of the 20th century - Nazi Germany, Fascist Italy, Soviet Russia and Communist China - used graphic design to sell their messages. Explores each regime's distinctive strategies for seducing public opinion and infiltrating people's lives, in media ranging from logos, flags, typefaces and posters to children's books and figurines Remarkable archival photographs set the disturbingly powerful graphic devices in historical context. The perceptive text analyses how these four regimes established the most effective modes of visual propaganda, which were later adopted and adapted by many other dictatorships.
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For over a decade now, Gmür & Geschwentner Architekten have worked in the area of urban residential development. Exploiting their intuition for context and for the needs of users, they design buildings tailored to specific locales, each characterized by two principal traits: a conspicuous delight in narrating the residential biography of the respective town, and a sensual(...)
Gmür & Geschwentner Architekten: lost in transformation
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For over a decade now, Gmür & Geschwentner Architekten have worked in the area of urban residential development. Exploiting their intuition for context and for the needs of users, they design buildings tailored to specific locales, each characterized by two principal traits: a conspicuous delight in narrating the residential biography of the respective town, and a sensual approach to color in space. Through selected works, the exhibition “Secrets of Dwelling: What Drives the Hermit Crab into the Cozy Sanctum?” suggests how residential development can be straightforward and functional on the one hand, yet individualistic and personalized on the other.
petits formats
Unmarked sites
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In Unmarked Sites, Jessica Auer pursues photography like an archeologist, searching for cultural sites in Newfoundland and Labrador in an effort to reconcile its complex history. Looking to the land for signs of the past, she delves into the relationship between landscape and regional identity. The resulting narrative reveals the intricacies that relate exploration,(...)
Unmarked sites
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In Unmarked Sites, Jessica Auer pursues photography like an archeologist, searching for cultural sites in Newfoundland and Labrador in an effort to reconcile its complex history. Looking to the land for signs of the past, she delves into the relationship between landscape and regional identity. The resulting narrative reveals the intricacies that relate exploration, settlement, preservation and modern tourism. Inspired by the travelogue and set within the context of geological time, the artist takes the reader on a journey that travels between reality and the imaginary. These limited edition books are numbered and feature fold-out pages.
Afterword: J
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Afterword is a series of CCA publications that document and reflect on the realisation of projects. Each Afterword looks back on a selected CCA project after a pause to critically assess its context and process, to consider newly-disclosed aspects of the project and those whose relevance emerged only after time. Each volume is identified by a letter to create an(...)
Afterword: J
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Afterword is a series of CCA publications that document and reflect on the realisation of projects. Each Afterword looks back on a selected CCA project after a pause to critically assess its context and process, to consider newly-disclosed aspects of the project and those whose relevance emerged only after time. Each volume is identified by a letter to create an independent alphabet for ideas; this first volume J looks at the exhibition component of the project entitled Journeys: How travelling fruit, ideas and buildings rearrange our environment , its content and presentation within the CCA gallery spaces.
Publications du CCA
A+U 623: 6a architects
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Founded by Tom Emerson and Stephanie MacDonald in 2001, 6a architects is based in London and deeply immersed in the British art and design scene. With a sensitivity to the environment, community, and context, this edition presents 20 projects as distinct experiences, divided into four chapters – “Repairing,” “Gardening,” “Shaping,” and “Walking.” 6a’s earlier works at(...)
A+U 623: 6a architects
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Founded by Tom Emerson and Stephanie MacDonald in 2001, 6a architects is based in London and deeply immersed in the British art and design scene. With a sensitivity to the environment, community, and context, this edition presents 20 projects as distinct experiences, divided into four chapters – “Repairing,” “Gardening,” “Shaping,” and “Walking.” 6a’s earlier works at Raven Row and Clore Studio showcase how the architects “work with what is already there and understand time as part of that existing material.” Includes opening statements by the architects and essays by Sam Jacobs, Anna Puigjaner, Nicholas Lobo Brennan, and Lucia Allais.
Revues
Anthony McCall: breath
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Anthony McCall’s works can be defined as half way between sculpture and cinema. Sculpture because the shapes fill a three-dimensional space, and therefore one can move around them or walk through them; cinema because the shapes and spaces are made of projected light, that little by little changes its form in time. The book “Breath [the vertical works]” analyses the(...)
Anthony McCall: breath
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Anthony McCall’s works can be defined as half way between sculpture and cinema. Sculpture because the shapes fill a three-dimensional space, and therefore one can move around them or walk through them; cinema because the shapes and spaces are made of projected light, that little by little changes its form in time. The book “Breath [the vertical works]” analyses the artist’s works from their aesthetic peculiarities through the creative course of the author. The text by Hal Foster is rich in references to 20th century history and philosophy, and puts McCall’s works in the wide context of contemporary artistic research.
Lacaton & Vassal
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Designed by the architects’s themselves, this monograph is published in conjunction with an exhibition of their work at the Cité de l’Architecture et du Patrimoine in Paris. The illustrated monograph gathers all the projects that have been designed by the office and presents them in thematic groups, such as beginnings, landscape, dreams, freedom, transformation and the(...)
Lacaton & Vassal
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Designed by the architects’s themselves, this monograph is published in conjunction with an exhibition of their work at the Cité de l’Architecture et du Patrimoine in Paris. The illustrated monograph gathers all the projects that have been designed by the office and presents them in thematic groups, such as beginnings, landscape, dreams, freedom, transformation and the city – together, these themes are woven into a story that challenges the architects’s proposals. In denying the obvious, the architects seek to emphasise what is essential and specific to each situation and context, while in turn proposing an architecture that celebrates freedom.
Architecture, monographies
$78.00
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By far the most pervasive and affordable building material in the world, concrete has undergone ever-more-widespread dissemination, standardization, and technological innovation in the last twenty-five years. Recent scientific breakthroughs have yielded composites stronger than steel, lighter than water, and as beautiful as natural stone. In Solid States, an(...)
Solid states: Concrete in transition
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By far the most pervasive and affordable building material in the world, concrete has undergone ever-more-widespread dissemination, standardization, and technological innovation in the last twenty-five years. Recent scientific breakthroughs have yielded composites stronger than steel, lighter than water, and as beautiful as natural stone. In Solid States, an interdisciplinary group of architects, historians, theorists, engineers, fabricators, and materials scientists collectively explore the past, present, and future possibilities of this highly calibrated, fluid material. Solid States presents new theoretical and cultural analyses of concrete architecture, both historically and in the context of newly built work.
Matériaux et éclairage
The Sublime
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Providing a philosophical and cultural context for discourse around the sublime in recent art, the book surveys the diverse and sometimes conflicting interpretations of the term as it has evolved from the writings of Longinus, Burke, and Kant to present-day writers and artists. The sublime underlies the nobility of Classicism, the awe of Romantic nature, and the terror of(...)
The Sublime
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Providing a philosophical and cultural context for discourse around the sublime in recent art, the book surveys the diverse and sometimes conflicting interpretations of the term as it has evolved from the writings of Longinus, Burke, and Kant to present-day writers and artists. The sublime underlies the nobility of Classicism, the awe of Romantic nature, and the terror of the Gothic. In the last half-century, the sublime has haunted postwar abstraction, returned from the repression of theoretical formalism, and has become a key term in critical discussions of human otherness and posthuman realms of nature and technology.
Théorie de l’art
The century of Modern design
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The Stewart Collection -in Montreal—celebrates its thirtieth anniversary in 2010. The Collection incorporates iconic furniture, ceramics, textiles, posters, graphic art, jewelry, and everyday objects from the 1930s to today. This book presents items chronologically, highlighting contrasts and parallels between works including posters by Max Bill and an armchair by Frank(...)
The century of Modern design
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The Stewart Collection -in Montreal—celebrates its thirtieth anniversary in 2010. The Collection incorporates iconic furniture, ceramics, textiles, posters, graphic art, jewelry, and everyday objects from the 1930s to today. This book presents items chronologically, highlighting contrasts and parallels between works including posters by Max Bill and an armchair by Frank Lloyd Wright. Each decade of the twentieth century is introduced by an essay giving the context that shaped the works, providing a history of modern design. Great designers, including lesser-known but highly influential figures, are presented alongside their signature creations that retain a prominent place in the design world today.