4528 Résultats
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New York City is home to some of the most recognizable places in the world. As familiar as the sight of New Year’s Eve in Times Square or a protest in front of City Hall may be to us, do we understand who controls what happens there? Kristine Miller delves into six of New York’s most important public spaces to trace how design influences their complicated lives. Miller(...)
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New York City is home to some of the most recognizable places in the world. As familiar as the sight of New Year’s Eve in Times Square or a protest in front of City Hall may be to us, do we understand who controls what happens there? Kristine Miller delves into six of New York’s most important public spaces to trace how design influences their complicated lives. Miller(...)
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Designs on the Public : The private lives of New York's public spaces
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New York City is home to some of the most recognizable places in the world. As familiar as the sight of New Year’s Eve in Times Square or a protest in front of City Hall may be to us, do we understand who controls what happens there? Kristine Miller delves into six of New York’s most important public spaces to trace how design influences their complicated lives. Miller chronicles controversies in the histories of New York locations including Times Square, Trump Tower, the IBM Atrium, and Sony Plaza. The story of each location reveals that public space is not a concrete or fixed reality, but rather a constantly changing situation open to the forces of law, corporations, bureaucracy, and government. The qualities of public spaces we consider essential, including accessibility, public ownership, and ties to democratic life, are, at best, temporary conditions and often completely absent. Design is, in Miller’s view, complicit in regulation of public spaces in New York City to exclude undesirables, restrict activities, and privilege commercial interests, and in this work she shows how design can reactivate public space and public life.
Designs on the Public : The private lives of New York's public spaces
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New York City is home to some of the most recognizable places in the world. As familiar as the sight of New Year’s Eve in Times Square or a protest in front of City Hall may be to us, do we understand who controls what happens there? Kristine Miller delves into six of New York’s most important public spaces to trace how design influences their complicated lives. Miller chronicles controversies in the histories of New York locations including Times Square, Trump Tower, the IBM Atrium, and Sony Plaza. The story of each location reveals that public space is not a concrete or fixed reality, but rather a constantly changing situation open to the forces of law, corporations, bureaucracy, and government. The qualities of public spaces we consider essential, including accessibility, public ownership, and ties to democratic life, are, at best, temporary conditions and often completely absent. Design is, in Miller’s view, complicit in regulation of public spaces in New York City to exclude undesirables, restrict activities, and privilege commercial interests, and in this work she shows how design can reactivate public space and public life.
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livres
livres
Publication:
décembre 2007, Minneapolis
décembre 2007, Minneapolis
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
Titre:
The Strip
The Strip
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The Las Vegas Strip has impersonated the Wild West, with saloon doors and wagon wheels; it has decked itself out in midcentury modern sleekness. It has illuminated itself with twenty-story-high neon signs, then junked them. After that came Disney-like theme parks featuring castles and pirates, followed by replicas of Venetian canals, New York skyscrapers, and the Eiffel(...)
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The Las Vegas Strip has impersonated the Wild West, with saloon doors and wagon wheels; it has decked itself out in midcentury modern sleekness. It has illuminated itself with twenty-story-high neon signs, then junked them. After that came Disney-like theme parks featuring castles and pirates, followed by replicas of Venetian canals, New York skyscrapers, and the Eiffel(...)
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The Strip
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The Las Vegas Strip has impersonated the Wild West, with saloon doors and wagon wheels; it has decked itself out in midcentury modern sleekness. It has illuminated itself with twenty-story-high neon signs, then junked them. After that came Disney-like theme parks featuring castles and pirates, followed by replicas of Venetian canals, New York skyscrapers, and the Eiffel Tower. (It might be noted that forty-two million people visited Las Vegas in 2015—ten million more than visited the real Paris.) More recently, the Strip decided to get classy, with casinos designed by famous architects and zillion-dollar collections of art. Las Vegas became the “implosion capital of the world” as developers, driven by competition, got rid of the old to make way for the new—offering a non-metaphorical definition of “creative destruction.” In "The StripW, Stefan Al examines the many transformations of the Las Vegas Strip, arguing that they mirror transformations in America itself. The Strip is not, as popularly supposed, a display of architectural freaks but representative of architectural trends and a record of social, cultural, and economic change.
The Strip
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The Las Vegas Strip has impersonated the Wild West, with saloon doors and wagon wheels; it has decked itself out in midcentury modern sleekness. It has illuminated itself with twenty-story-high neon signs, then junked them. After that came Disney-like theme parks featuring castles and pirates, followed by replicas of Venetian canals, New York skyscrapers, and the Eiffel Tower. (It might be noted that forty-two million people visited Las Vegas in 2015—ten million more than visited the real Paris.) More recently, the Strip decided to get classy, with casinos designed by famous architects and zillion-dollar collections of art. Las Vegas became the “implosion capital of the world” as developers, driven by competition, got rid of the old to make way for the new—offering a non-metaphorical definition of “creative destruction.” In "The StripW, Stefan Al examines the many transformations of the Las Vegas Strip, arguing that they mirror transformations in America itself. The Strip is not, as popularly supposed, a display of architectural freaks but representative of architectural trends and a record of social, cultural, and economic change.
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livres
livres
Publication:
mars 2017
mars 2017
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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audio
audio
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1 online resource.
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[Place of publication not identified] : Scratching the Surface, 2016.
[Place of publication not identified] : Scratching the Surface, 2016.
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audio
audio
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[Place of publication not identified] : Scratching the Surface, 2016.
[Place of publication not identified] : Scratching the Surface, 2016.
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Description:
387 pages : color illustrations ; 29 cm
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387 pages : color illustrations ; 29 cm
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[London] ; [New York, N.Y.] : Thames and Hudson, ©1994.
[London] ; [New York, N.Y.] : Thames and Hudson, ©1994.
Titre:
The Chapel of the Magi : Benozzo Gozzoli's frescoes in the Palazzo Medici-Riccardi Florence / edited by Cristina Acidini Luchinat ; [translated from the Italian La Cappella dei Magi by Eleanor Daunt ; The restoration of the pictorial cycle translated by Diane Kunzelman].
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387 pages : color illustrations ; 29 cm
The Chapel of the Magi : Benozzo Gozzoli's frescoes in the Palazzo Medici-Riccardi Florence / edited by Cristina Acidini Luchinat ; [translated from the Italian La Cappella dei Magi by Eleanor Daunt ; The restoration of the pictorial cycle translated by Diane Kunzelman].
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387 pages : color illustrations ; 29 cm
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[London] ; [New York, N.Y.] : Thames and Hudson, ©1994.
[London] ; [New York, N.Y.] : Thames and Hudson, ©1994.
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$67.50
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Founded by Alexander the Great in 332 BC, Alexandria was for a long time the largest city in the ancient world. Flattened by a tsunami in 365 AD, it was little more than a fishing village when captured by Napoleon in 1798. The 19th century saw it become the center of the Egyptian cotton trade, bringing prosperity and an influx of European merchants. Then came the(...)
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Founded by Alexander the Great in 332 BC, Alexandria was for a long time the largest city in the ancient world. Flattened by a tsunami in 365 AD, it was little more than a fishing village when captured by Napoleon in 1798. The 19th century saw it become the center of the Egyptian cotton trade, bringing prosperity and an influx of European merchants. Then came the(...)
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Alexandria architectural guide
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Founded by Alexander the Great in 332 BC, Alexandria was for a long time the largest city in the ancient world. Flattened by a tsunami in 365 AD, it was little more than a fishing village when captured by Napoleon in 1798. The 19th century saw it become the center of the Egyptian cotton trade, bringing prosperity and an influx of European merchants. Then came the bombardment by the English in 1882, which almost flattened the city a second time, and the revolution of 1952, which in effect condemned many of its residential buildings to slow but picturesque decay. The ebbs and flows of history and different cultures (especially Arabic, Muslim, Greek, Italian, English, and, not least, Jewish) have all left their marks on Alexandria's architecture. There are classical ruins; Ottoman fortifications; Egyptian okelles (medieval merchants' buildings); a colorful fishing port; mosques, shrines, churches, and synagogues; mansions and apartment buildings in the neo-Renaissance, art deco, and international styles; brutalist post-revolutionary institutions. And then are oddities such as the Cotton Palace Tower, a skyscraper intended for use as the headquarters of the country s cotton industry but inexplicably abandoned before completion.
Alexandria architectural guide
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Founded by Alexander the Great in 332 BC, Alexandria was for a long time the largest city in the ancient world. Flattened by a tsunami in 365 AD, it was little more than a fishing village when captured by Napoleon in 1798. The 19th century saw it become the center of the Egyptian cotton trade, bringing prosperity and an influx of European merchants. Then came the bombardment by the English in 1882, which almost flattened the city a second time, and the revolution of 1952, which in effect condemned many of its residential buildings to slow but picturesque decay. The ebbs and flows of history and different cultures (especially Arabic, Muslim, Greek, Italian, English, and, not least, Jewish) have all left their marks on Alexandria's architecture. There are classical ruins; Ottoman fortifications; Egyptian okelles (medieval merchants' buildings); a colorful fishing port; mosques, shrines, churches, and synagogues; mansions and apartment buildings in the neo-Renaissance, art deco, and international styles; brutalist post-revolutionary institutions. And then are oddities such as the Cotton Palace Tower, a skyscraper intended for use as the headquarters of the country s cotton industry but inexplicably abandoned before completion.
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livres
livres
Publication:
juillet 2021
juillet 2021
Sujet:
Guides des villes
Guides des villes
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This new flexi edition of an architectural and historical journey across the world's greatest bridges explains why these structures continue to fascinate us as examples of engineering genius and artistic vision. Whether they span rivers or harbors, cultures or countries, bridges have long been a symbol of man's ingenuity and perseverance. Starting with ancient bridges(...)
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This new flexi edition of an architectural and historical journey across the world's greatest bridges explains why these structures continue to fascinate us as examples of engineering genius and artistic vision. Whether they span rivers or harbors, cultures or countries, bridges have long been a symbol of man's ingenuity and perseverance. Starting with ancient bridges(...)
Sujet:
Structures d’ingénierie
Structures d’ingénierie
Publication:
septembre 2005, München, Berlin, London, New York
septembre 2005, München, Berlin, London, New York
Titre:
Bridges that changed the world
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This new flexi edition of an architectural and historical journey across the world's greatest bridges explains why these structures continue to fascinate us as examples of engineering genius and artistic vision. Whether they span rivers or harbors, cultures or countries, bridges have long been a symbol of man's ingenuity and perseverance. Starting with ancient bridges built by the Mongol and Roman Empires through today's most striking examples of bridges, this book examines the world's most important bridges and the history, legends, and people behind them. Two-page spreads filled with photographs, plans, drawings, and informative texts deepen readers' appreciation of the science and technology of bridge-building. The book also introduces historic events in which bridges have played a central role, profiles the figures who commissioned and built the bridges, and offers reexaminations of some of the world's most familiar bridges. From the glory of the Golden Gate bridge through the imposing presence of London's Tower Bridge to the grandeur of the Millau Viaduct in France, "Bridges that changed the world" is a celebration of our steadfast desire to connect with and discover the world around us.
Bridges that changed the world
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This new flexi edition of an architectural and historical journey across the world's greatest bridges explains why these structures continue to fascinate us as examples of engineering genius and artistic vision. Whether they span rivers or harbors, cultures or countries, bridges have long been a symbol of man's ingenuity and perseverance. Starting with ancient bridges built by the Mongol and Roman Empires through today's most striking examples of bridges, this book examines the world's most important bridges and the history, legends, and people behind them. Two-page spreads filled with photographs, plans, drawings, and informative texts deepen readers' appreciation of the science and technology of bridge-building. The book also introduces historic events in which bridges have played a central role, profiles the figures who commissioned and built the bridges, and offers reexaminations of some of the world's most familiar bridges. From the glory of the Golden Gate bridge through the imposing presence of London's Tower Bridge to the grandeur of the Millau Viaduct in France, "Bridges that changed the world" is a celebration of our steadfast desire to connect with and discover the world around us.
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livres
livres
Publication:
septembre 2005, München, Berlin, London, New York
septembre 2005, München, Berlin, London, New York
Sujet:
Structures d’ingénierie
Structures d’ingénierie
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livres
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$56.50
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All but forgotten today, eight historic gardens that once flourished along the length of the Thames in early Tudor London are here historically recreated and analyzed in this richly illustrated book. One of the gardens belonged to Sir Thomas More, and the others to politically powerful friends and acquaintances of his. The stories of these long-lost gardens, brought(...)
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All but forgotten today, eight historic gardens that once flourished along the length of the Thames in early Tudor London are here historically recreated and analyzed in this richly illustrated book. One of the gardens belonged to Sir Thomas More, and the others to politically powerful friends and acquaintances of his. The stories of these long-lost gardens, brought(...)
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The riverside gardens of Thomas More's London
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All but forgotten today, eight historic gardens that once flourished along the length of the Thames in early Tudor London are here historically recreated and analyzed in this richly illustrated book. One of the gardens belonged to Sir Thomas More, and the others to politically powerful friends and acquaintances of his. The stories of these long-lost gardens, brought together here for the first time, shed new light not only on London’s garden history and that of its first gardeners but also on the lives and outlooks of some of the most important figures within and around the court of Henry VIII. The locations of these gardens range from the Tower of London to More’s own country manor at Chelsea, from Cardinal Wolsey’s York Place in Westminster (later transformed into Whitehall Palace by Henry VIII) to Hampton Court. More than any single garden could, the group of eight riverside gardens illuminates not only the practical realities but also the political importance of gardens. The book explores in detail the gardens that More knew so well and shows how their histories are intimately connected to his own.
The riverside gardens of Thomas More's London
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All but forgotten today, eight historic gardens that once flourished along the length of the Thames in early Tudor London are here historically recreated and analyzed in this richly illustrated book. One of the gardens belonged to Sir Thomas More, and the others to politically powerful friends and acquaintances of his. The stories of these long-lost gardens, brought together here for the first time, shed new light not only on London’s garden history and that of its first gardeners but also on the lives and outlooks of some of the most important figures within and around the court of Henry VIII. The locations of these gardens range from the Tower of London to More’s own country manor at Chelsea, from Cardinal Wolsey’s York Place in Westminster (later transformed into Whitehall Palace by Henry VIII) to Hampton Court. More than any single garden could, the group of eight riverside gardens illuminates not only the practical realities but also the political importance of gardens. The book explores in detail the gardens that More knew so well and shows how their histories are intimately connected to his own.
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livres
livres
Publication:
janvier 1900, New Haven, London
janvier 1900, New Haven, London
Sujet:
Jardins
Jardins
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livres
livres
Titre:
Mad Dinner
Mad Dinner
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$49.95
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"In China, we like to sit around a big round table for dinner. We place our dishes on a big spinning disk in the center of the table so that we can all reach the food. Everyone, whether or not he or she has anything to say, and every discussion, whether it is important or not, has an equal place around the table. We hope to have such a dinner and to invite to our table(...)
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"In China, we like to sit around a big round table for dinner. We place our dishes on a big spinning disk in the center of the table so that we can all reach the food. Everyone, whether or not he or she has anything to say, and every discussion, whether it is important or not, has an equal place around the table. We hope to have such a dinner and to invite to our table(...)
Publication:
janvier 2008, Barcelona
janvier 2008, Barcelona
Titre:
Mad Dinner
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$49.95
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"In China, we like to sit around a big round table for dinner. We place our dishes on a big spinning disk in the center of the table so that we can all reach the food. Everyone, whether or not he or she has anything to say, and every discussion, whether it is important or not, has an equal place around the table. We hope to have such a dinner and to invite to our table those who don't usually come together in real life to share their experiences, opinions, and observations. Their concerns are really also our concerns." Mad Dinner MAD is a Beijing-based studio that has won numerous international design competitions, including the Absolute Tower in Toronto. Divided thematically, the book looks at MADs designs to illustrate the freedoms and limitations of the worlds fastest growing urbanization. It explores idealism and free market realities, the role of the media and cultural icons, enacting change in Chinas political landscape, and projects for environmental protection. A journalistic approach with a series of interviews reconnects architecture to the daily cultural landscape: A taxi driver speaks on China's economy, a doctor describes his ideal architecture.
Mad Dinner
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$49.95
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"In China, we like to sit around a big round table for dinner. We place our dishes on a big spinning disk in the center of the table so that we can all reach the food. Everyone, whether or not he or she has anything to say, and every discussion, whether it is important or not, has an equal place around the table. We hope to have such a dinner and to invite to our table those who don't usually come together in real life to share their experiences, opinions, and observations. Their concerns are really also our concerns." Mad Dinner MAD is a Beijing-based studio that has won numerous international design competitions, including the Absolute Tower in Toronto. Divided thematically, the book looks at MADs designs to illustrate the freedoms and limitations of the worlds fastest growing urbanization. It explores idealism and free market realities, the role of the media and cultural icons, enacting change in Chinas political landscape, and projects for environmental protection. A journalistic approach with a series of interviews reconnects architecture to the daily cultural landscape: A taxi driver speaks on China's economy, a doctor describes his ideal architecture.
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livres
livres
Publication:
janvier 2008, Barcelona
janvier 2008, Barcelona
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livres
livres
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$29.95
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After World War II, concrete became increasingly popular as a building medium around the world. Brutalism, the fashion for plain, heavy design, reigned. Toronto was particularly affected. The city has concrete buildings of all stripes – international landmarks, metropolitan infrastructure and even the single family home. Hundreds of these structures were built,(...)
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After World War II, concrete became increasingly popular as a building medium around the world. Brutalism, the fashion for plain, heavy design, reigned. Toronto was particularly affected. The city has concrete buildings of all stripes – international landmarks, metropolitan infrastructure and even the single family home. Hundreds of these structures were built,(...)
Sujet:
Architecture du Canada
Architecture du Canada
Publication:
novembre 2007, Toronto
novembre 2007, Toronto
Titre:
Concrete Toronto : a guidebook to concrete architecture from the fifties to the seventies
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After World War II, concrete became increasingly popular as a building medium around the world. Brutalism, the fashion for plain, heavy design, reigned. Toronto was particularly affected. The city has concrete buildings of all stripes – international landmarks, metropolitan infrastructure and even the single family home. Hundreds of these structures were built, including Viljo Revell’s groundbreaking New City Hall, John Andrew’s seminal Scarborough College and the record-smashing CN Tower. Toronto is a city cast in concrete. However, as architectural fashion has shifted from postmodernism to the glass-and-steel neomodernism of today, these concrete structures have been ignored, misunderstood and, in some cases, demolished. Concrete Toronto acts as a guide to the city’s extensive concrete heritage. A diverse group of experts has been assembled to re-examine the uniqueness and value of these buildings. Included are the insights of many of the original concrete architects, university faculty, local practitioners, journalists and industry experts. Together they explore the past and future of Toronto’s concrete buildings. Included is a wealth of new and archival photos, drawings, interviews, articles, as well as case studies of Toronto’s major concrete architecture.
Concrete Toronto : a guidebook to concrete architecture from the fifties to the seventies
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After World War II, concrete became increasingly popular as a building medium around the world. Brutalism, the fashion for plain, heavy design, reigned. Toronto was particularly affected. The city has concrete buildings of all stripes – international landmarks, metropolitan infrastructure and even the single family home. Hundreds of these structures were built, including Viljo Revell’s groundbreaking New City Hall, John Andrew’s seminal Scarborough College and the record-smashing CN Tower. Toronto is a city cast in concrete. However, as architectural fashion has shifted from postmodernism to the glass-and-steel neomodernism of today, these concrete structures have been ignored, misunderstood and, in some cases, demolished. Concrete Toronto acts as a guide to the city’s extensive concrete heritage. A diverse group of experts has been assembled to re-examine the uniqueness and value of these buildings. Included are the insights of many of the original concrete architects, university faculty, local practitioners, journalists and industry experts. Together they explore the past and future of Toronto’s concrete buildings. Included is a wealth of new and archival photos, drawings, interviews, articles, as well as case studies of Toronto’s major concrete architecture.
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livres
livres
Publication:
novembre 2007, Toronto
novembre 2007, Toronto
Sujet:
Architecture du Canada
Architecture du Canada
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livres
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$22.50
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The works of the New York-based artist Vito Acconci are more often than not about creating a public defined via the body - from his radical performances at the beginning of the seventies to his unusual architectural designs since the establishment of the Acconci Studio at the end of the eighties. His work Courtyard in the Wind for the new building of the Technisches(...)
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The works of the New York-based artist Vito Acconci are more often than not about creating a public defined via the body - from his radical performances at the beginning of the seventies to his unusual architectural designs since the establishment of the Acconci Studio at the end of the eighties. His work Courtyard in the Wind for the new building of the Technisches(...)
Titre:
Vito Acconci : courtyard in the wind
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$22.50
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The works of the New York-based artist Vito Acconci are more often than not about creating a public defined via the body - from his radical performances at the beginning of the seventies to his unusual architectural designs since the establishment of the Acconci Studio at the end of the eighties. His work Courtyard in the Wind for the new building of the Technisches Rathaus in Munich, a building which houses the city´s architectural department, was the first permanent structure by Acconci to be realized in a public space: A revolving ring of landscape in the courtyard may be moved with the aid of the artist´s wind power plant located on top of the Rathaus tower. This title is the first to document this project by the artist and at the same time grants valuable insights into the paradigm of architectural designs by the Acconci Studio. The book also features texts by Vito Acconci about the body, architecture and public space. An instructive essay by Heinz Schütz reviewing Acconci's works from the last decades opens up the horizon against which Courtyard in the Wind is set.
Vito Acconci : courtyard in the wind
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The works of the New York-based artist Vito Acconci are more often than not about creating a public defined via the body - from his radical performances at the beginning of the seventies to his unusual architectural designs since the establishment of the Acconci Studio at the end of the eighties. His work Courtyard in the Wind for the new building of the Technisches Rathaus in Munich, a building which houses the city´s architectural department, was the first permanent structure by Acconci to be realized in a public space: A revolving ring of landscape in the courtyard may be moved with the aid of the artist´s wind power plant located on top of the Rathaus tower. This title is the first to document this project by the artist and at the same time grants valuable insights into the paradigm of architectural designs by the Acconci Studio. The book also features texts by Vito Acconci about the body, architecture and public space. An instructive essay by Heinz Schütz reviewing Acconci's works from the last decades opens up the horizon against which Courtyard in the Wind is set.
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livres
livres
Publication:
août 2003, Ostfildern
août 2003, Ostfildern
Sujet:
Architecture, monographies
Architecture, monographies
