10704 Résultats
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Personnes et institutions:
Date:
1994 - 2004
1994 - 2004
Titre:
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Niveau de description archivistique:
Series
Series
Date:
1994 - 2004
1994 - 2004
Personnes et institutions:
Classification:
événements
événements
Description:
David Howes, professeur d’anthropologie et directeur du Centre for Sensory Studies de l’université Concordia, aborde de façon sensorielle l’étude d’une série d’intérieurs qu’il a observés au cours de ses recherches anthropologiques et archivistiques. Elles vont de la maison des hommes dans la région du fleuve Sepik en Papouasie-Nouvelle-Guinée à lintérieur exclusivement(...)
David Howes, professeur d’anthropologie et directeur du Centre for Sensory Studies de l’université Concordia, aborde de façon sensorielle l’étude d’une série d’intérieurs qu’il a observés au cours de ses recherches anthropologiques et archivistiques. Elles vont de la maison des hommes dans la région du fleuve Sepik en Papouasie-Nouvelle-Guinée à lintérieur exclusivement(...)
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Date:
26 février 2015 , 18h
26 février 2015 , 18h
Titre:
L’intérieur sensoriel
Actions:
Description:
David Howes, professeur d’anthropologie et directeur du Centre for Sensory Studies de l’université Concordia, aborde de façon sensorielle l’étude d’une série d’intérieurs qu’il a observés au cours de ses recherches anthropologiques et archivistiques. Elles vont de la maison des hommes dans la région du fleuve Sepik en Papouasie-Nouvelle-Guinée à lintérieur exclusivement(...)
L’intérieur sensoriel
Actions:
Description:
David Howes, professeur d’anthropologie et directeur du Centre for Sensory Studies de l’université Concordia, aborde de façon sensorielle l’étude d’une série d’intérieurs qu’il a observés au cours de ses recherches anthropologiques et archivistiques. Elles vont de la maison des hommes dans la région du fleuve Sepik en Papouasie-Nouvelle-Guinée à lintérieur exclusivement(...)
Classification:
événements
événements
Date:
26 février 2015
18h
26 février 2015
18h
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Classification:
dessins, oeuvres d'art
dessins, oeuvres d'art
Titre:
Album of drawings and prints for a Hôtel de préfecture and a Hôtel de ville, Poitiers, France
Album of drawings and prints for a Hôtel de préfecture and a Hôtel de ville, Poitiers, France
Actions:
Numéro de référence:
DR1974:0002:020:001-050
Description:
- This album contains drawings by Charles Rohault de Fleury which range from preliminary sketches to finished drawings - mostly plans, elevations and sections - for unexecuted projects for a Hôtel de préfecture and a Hôtel de ville for the city of Poitiers (Département de Vienne). Highly finished conceptual drawings dated September 1859 depict the general appearance and layout of the Hôtel de préfecture, however, the plans pertain primarily to the Hôtel du Préfet (DR1974:0002:020:003 - DR1974:0002:020:011). Transfer lithographs of working drawings for the Hôtel de préfecture dated November 1859 have detailed measurements showing the layout and construction of all the major building components (DR1974:0002:020:014 - DR1974:0002:020:018 and DR1974:0002:020:020). Also included are a plan and elevation dated February 1860 (DR1974:0002:020:013 and DR1974:0002:020:019). A site plan and perspective view for this Louis XIIIth style hôtel de préfecture have detailed keys (DR1974:0002:020:001 and DR1974:0002:020:002). The utilitarian structures for the Hôtel de préfecture, such as the portico pavilions and the Archives building, are constructed in a sparser style than the Hôtel du Préfet. The project for the Hôtel de ville is much less developed than that for the Hôtel de préfecture. Most of the drawings are unbound at the end of the album (DR1974:0002:020:035 - DR1974:0002:020:050). The two designs for this project, dated October 1859 and December 1859, are similar and depict an Italianate (Francis I ?) two-storey arcuated façade with pedimented windows, and coupled Corinthian columns. The construction materials are brick and stone. The two designs differ in the disposition of their flanking pavilions: the earlier project is housed under one roof (DR1974:0002:020:037), while the later project shows separate roofs for the pavilions (DR1974:0002:020:040 and DR1974:0002:020:042). Site plan DR1974:0002:020:012 indicates the proposed locations of the Hôtel de préfecture and Hôtel de ville: the former is situated near the train station between rue des Carmelites and boulevard Solferino, and the latter on a newly created square just west of the Hôtel de préfecture between rue des Grandes Écoles and rue de la Mairie.
DR1974:0002:020:001-050
Description:
- This album contains drawings by Charles Rohault de Fleury which range from preliminary sketches to finished drawings - mostly plans, elevations and sections - for unexecuted projects for a Hôtel de préfecture and a Hôtel de ville for the city of Poitiers (Département de Vienne). Highly finished conceptual drawings dated September 1859 depict the general appearance and layout of the Hôtel de préfecture, however, the plans pertain primarily to the Hôtel du Préfet (DR1974:0002:020:003 - DR1974:0002:020:011). Transfer lithographs of working drawings for the Hôtel de préfecture dated November 1859 have detailed measurements showing the layout and construction of all the major building components (DR1974:0002:020:014 - DR1974:0002:020:018 and DR1974:0002:020:020). Also included are a plan and elevation dated February 1860 (DR1974:0002:020:013 and DR1974:0002:020:019). A site plan and perspective view for this Louis XIIIth style hôtel de préfecture have detailed keys (DR1974:0002:020:001 and DR1974:0002:020:002). The utilitarian structures for the Hôtel de préfecture, such as the portico pavilions and the Archives building, are constructed in a sparser style than the Hôtel du Préfet. The project for the Hôtel de ville is much less developed than that for the Hôtel de préfecture. Most of the drawings are unbound at the end of the album (DR1974:0002:020:035 - DR1974:0002:020:050). The two designs for this project, dated October 1859 and December 1859, are similar and depict an Italianate (Francis I ?) two-storey arcuated façade with pedimented windows, and coupled Corinthian columns. The construction materials are brick and stone. The two designs differ in the disposition of their flanking pavilions: the earlier project is housed under one roof (DR1974:0002:020:037), while the later project shows separate roofs for the pavilions (DR1974:0002:020:040 and DR1974:0002:020:042). Site plan DR1974:0002:020:012 indicates the proposed locations of the Hôtel de préfecture and Hôtel de ville: the former is situated near the train station between rue des Carmelites and boulevard Solferino, and the latter on a newly created square just west of the Hôtel de préfecture between rue des Grandes Écoles and rue de la Mairie.
Personnes et institutions:
Sujet:
architecture, design d'intérieur
architecture, design d'intérieur
Date:
1859-1860, printed 1859-1860
1859-1860, printed 1859-1860
Titre:
Album of drawings and prints for a Hôtel de préfecture and a Hôtel de ville, Poitiers, France
Actions:
DR1974:0002:020:001-050
Description:
- This album contains drawings by Charles Rohault de Fleury which range from preliminary sketches to finished drawings - mostly plans, elevations and sections - for unexecuted projects for a Hôtel de préfecture and a Hôtel de ville for the city of Poitiers (Département de Vienne). Highly finished conceptual drawings dated September 1859 depict the general appearance and layout of the Hôtel de préfecture, however, the plans pertain primarily to the Hôtel du Préfet (DR1974:0002:020:003 - DR1974:0002:020:011). Transfer lithographs of working drawings for the Hôtel de préfecture dated November 1859 have detailed measurements showing the layout and construction of all the major building components (DR1974:0002:020:014 - DR1974:0002:020:018 and DR1974:0002:020:020). Also included are a plan and elevation dated February 1860 (DR1974:0002:020:013 and DR1974:0002:020:019). A site plan and perspective view for this Louis XIIIth style hôtel de préfecture have detailed keys (DR1974:0002:020:001 and DR1974:0002:020:002). The utilitarian structures for the Hôtel de préfecture, such as the portico pavilions and the Archives building, are constructed in a sparser style than the Hôtel du Préfet. The project for the Hôtel de ville is much less developed than that for the Hôtel de préfecture. Most of the drawings are unbound at the end of the album (DR1974:0002:020:035 - DR1974:0002:020:050). The two designs for this project, dated October 1859 and December 1859, are similar and depict an Italianate (Francis I ?) two-storey arcuated façade with pedimented windows, and coupled Corinthian columns. The construction materials are brick and stone. The two designs differ in the disposition of their flanking pavilions: the earlier project is housed under one roof (DR1974:0002:020:037), while the later project shows separate roofs for the pavilions (DR1974:0002:020:040 and DR1974:0002:020:042). Site plan DR1974:0002:020:012 indicates the proposed locations of the Hôtel de préfecture and Hôtel de ville: the former is situated near the train station between rue des Carmelites and boulevard Solferino, and the latter on a newly created square just west of the Hôtel de préfecture between rue des Grandes Écoles and rue de la Mairie.
Album of drawings and prints for a Hôtel de préfecture and a Hôtel de ville, Poitiers, France
Actions:
DR1974:0002:020:001-050
Description:
- This album contains drawings by Charles Rohault de Fleury which range from preliminary sketches to finished drawings - mostly plans, elevations and sections - for unexecuted projects for a Hôtel de préfecture and a Hôtel de ville for the city of Poitiers (Département de Vienne). Highly finished conceptual drawings dated September 1859 depict the general appearance and layout of the Hôtel de préfecture, however, the plans pertain primarily to the Hôtel du Préfet (DR1974:0002:020:003 - DR1974:0002:020:011). Transfer lithographs of working drawings for the Hôtel de préfecture dated November 1859 have detailed measurements showing the layout and construction of all the major building components (DR1974:0002:020:014 - DR1974:0002:020:018 and DR1974:0002:020:020). Also included are a plan and elevation dated February 1860 (DR1974:0002:020:013 and DR1974:0002:020:019). A site plan and perspective view for this Louis XIIIth style hôtel de préfecture have detailed keys (DR1974:0002:020:001 and DR1974:0002:020:002). The utilitarian structures for the Hôtel de préfecture, such as the portico pavilions and the Archives building, are constructed in a sparser style than the Hôtel du Préfet. The project for the Hôtel de ville is much less developed than that for the Hôtel de préfecture. Most of the drawings are unbound at the end of the album (DR1974:0002:020:035 - DR1974:0002:020:050). The two designs for this project, dated October 1859 and December 1859, are similar and depict an Italianate (Francis I ?) two-storey arcuated façade with pedimented windows, and coupled Corinthian columns. The construction materials are brick and stone. The two designs differ in the disposition of their flanking pavilions: the earlier project is housed under one roof (DR1974:0002:020:037), while the later project shows separate roofs for the pavilions (DR1974:0002:020:040 and DR1974:0002:020:042). Site plan DR1974:0002:020:012 indicates the proposed locations of the Hôtel de préfecture and Hôtel de ville: the former is situated near the train station between rue des Carmelites and boulevard Solferino, and the latter on a newly created square just west of the Hôtel de préfecture between rue des Grandes Écoles and rue de la Mairie.
Classification:
dessins, oeuvres d'art
dessins, oeuvres d'art
Date:
1859-1860, printed 1859-1860
1859-1860, printed 1859-1860
Personnes et institutions:
Sujet:
architecture, design d'intérieur
architecture, design d'intérieur
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP170.S2
Description:
Series 2, Software and related documentation, 1990 – 2014, contains unique iterations of the ACDC, Aegis, and HypoSurface software, and contains roughly 45,000 digital files. The bulk of the files date from approximately 2000 – 2001. This series chiefly consists of the materials received from Xavier Robitaille. This includes a virtual machine and DOS emulator for Aegis HypoSurface, as well as ACDC and Aegis Simulator software for Microsoft DOS and Win32 for Hyposurface installations. There is also a small amount of email correspondence in MBOX format between Robitaille, Mark Goulthorpe, and other project members documenting their work on the project. Additionally, there are two computer backups in this series. One is for Goulthorpe’s computer. The files from the disk image were carved out and only unique files were kept. It includes his files for the Aegis HypoSurface project and reflects his working environment. The second backup is a disk image of Paul Steenhuisen’s Mac G5 computer. The Mac G5 computer is a clone of an earlier G4, and is included with the archive to allow demonstration of the interactive logic that was developed through CeBIT, the International Manufacturers Technology Show (IMTS), and the Biotechnology Industry Organization (BIO) conference at the Boston Convention Centre, including an interactive soundscape piece executed by artist Paul Steenhuisen. The G5 has a copy of FIELD, the user interface software developed for HypoSurface 2 and HypoSurface 3. The files from this computer were processed and made available in Series 3: Projects and events, and Series 4: Promotional materials. The disk image of the internal hard drive was retained in case future emulation is necessary. Because much of this series is software, roughly 42,000 files are or relate to executable programs. Formats for these materials are largely Java source code and Java object code, but also include HTML, plain text files, Aegis pattern files, and some unidentified formats. The remaining files in this series are chiefly vector and raster images referenced in the software. Notably, the Steenhuisen disk image is approximately 250 GB, and represents the largest part of this series. This series overlaps significantly with Series 3: Projects and events. This series contains software generally, while Series 3 contains any software related to a specific project or event.
AP170.S2
Description:
Series 2, Software and related documentation, 1990 – 2014, contains unique iterations of the ACDC, Aegis, and HypoSurface software, and contains roughly 45,000 digital files. The bulk of the files date from approximately 2000 – 2001. This series chiefly consists of the materials received from Xavier Robitaille. This includes a virtual machine and DOS emulator for Aegis HypoSurface, as well as ACDC and Aegis Simulator software for Microsoft DOS and Win32 for Hyposurface installations. There is also a small amount of email correspondence in MBOX format between Robitaille, Mark Goulthorpe, and other project members documenting their work on the project. Additionally, there are two computer backups in this series. One is for Goulthorpe’s computer. The files from the disk image were carved out and only unique files were kept. It includes his files for the Aegis HypoSurface project and reflects his working environment. The second backup is a disk image of Paul Steenhuisen’s Mac G5 computer. The Mac G5 computer is a clone of an earlier G4, and is included with the archive to allow demonstration of the interactive logic that was developed through CeBIT, the International Manufacturers Technology Show (IMTS), and the Biotechnology Industry Organization (BIO) conference at the Boston Convention Centre, including an interactive soundscape piece executed by artist Paul Steenhuisen. The G5 has a copy of FIELD, the user interface software developed for HypoSurface 2 and HypoSurface 3. The files from this computer were processed and made available in Series 3: Projects and events, and Series 4: Promotional materials. The disk image of the internal hard drive was retained in case future emulation is necessary. Because much of this series is software, roughly 42,000 files are or relate to executable programs. Formats for these materials are largely Java source code and Java object code, but also include HTML, plain text files, Aegis pattern files, and some unidentified formats. The remaining files in this series are chiefly vector and raster images referenced in the software. Notably, the Steenhuisen disk image is approximately 250 GB, and represents the largest part of this series. This series overlaps significantly with Series 3: Projects and events. This series contains software generally, while Series 3 contains any software related to a specific project or event.
Personnes et institutions:
Date:
1990 - 2014
1990 - 2014
Titre:
Software and related documentation
Actions:
AP170.S2
Description:
Series 2, Software and related documentation, 1990 – 2014, contains unique iterations of the ACDC, Aegis, and HypoSurface software, and contains roughly 45,000 digital files. The bulk of the files date from approximately 2000 – 2001. This series chiefly consists of the materials received from Xavier Robitaille. This includes a virtual machine and DOS emulator for Aegis HypoSurface, as well as ACDC and Aegis Simulator software for Microsoft DOS and Win32 for Hyposurface installations. There is also a small amount of email correspondence in MBOX format between Robitaille, Mark Goulthorpe, and other project members documenting their work on the project. Additionally, there are two computer backups in this series. One is for Goulthorpe’s computer. The files from the disk image were carved out and only unique files were kept. It includes his files for the Aegis HypoSurface project and reflects his working environment. The second backup is a disk image of Paul Steenhuisen’s Mac G5 computer. The Mac G5 computer is a clone of an earlier G4, and is included with the archive to allow demonstration of the interactive logic that was developed through CeBIT, the International Manufacturers Technology Show (IMTS), and the Biotechnology Industry Organization (BIO) conference at the Boston Convention Centre, including an interactive soundscape piece executed by artist Paul Steenhuisen. The G5 has a copy of FIELD, the user interface software developed for HypoSurface 2 and HypoSurface 3. The files from this computer were processed and made available in Series 3: Projects and events, and Series 4: Promotional materials. The disk image of the internal hard drive was retained in case future emulation is necessary. Because much of this series is software, roughly 42,000 files are or relate to executable programs. Formats for these materials are largely Java source code and Java object code, but also include HTML, plain text files, Aegis pattern files, and some unidentified formats. The remaining files in this series are chiefly vector and raster images referenced in the software. Notably, the Steenhuisen disk image is approximately 250 GB, and represents the largest part of this series. This series overlaps significantly with Series 3: Projects and events. This series contains software generally, while Series 3 contains any software related to a specific project or event.
Software and related documentation
Actions:
AP170.S2
Description:
Series 2, Software and related documentation, 1990 – 2014, contains unique iterations of the ACDC, Aegis, and HypoSurface software, and contains roughly 45,000 digital files. The bulk of the files date from approximately 2000 – 2001. This series chiefly consists of the materials received from Xavier Robitaille. This includes a virtual machine and DOS emulator for Aegis HypoSurface, as well as ACDC and Aegis Simulator software for Microsoft DOS and Win32 for Hyposurface installations. There is also a small amount of email correspondence in MBOX format between Robitaille, Mark Goulthorpe, and other project members documenting their work on the project. Additionally, there are two computer backups in this series. One is for Goulthorpe’s computer. The files from the disk image were carved out and only unique files were kept. It includes his files for the Aegis HypoSurface project and reflects his working environment. The second backup is a disk image of Paul Steenhuisen’s Mac G5 computer. The Mac G5 computer is a clone of an earlier G4, and is included with the archive to allow demonstration of the interactive logic that was developed through CeBIT, the International Manufacturers Technology Show (IMTS), and the Biotechnology Industry Organization (BIO) conference at the Boston Convention Centre, including an interactive soundscape piece executed by artist Paul Steenhuisen. The G5 has a copy of FIELD, the user interface software developed for HypoSurface 2 and HypoSurface 3. The files from this computer were processed and made available in Series 3: Projects and events, and Series 4: Promotional materials. The disk image of the internal hard drive was retained in case future emulation is necessary. Because much of this series is software, roughly 42,000 files are or relate to executable programs. Formats for these materials are largely Java source code and Java object code, but also include HTML, plain text files, Aegis pattern files, and some unidentified formats. The remaining files in this series are chiefly vector and raster images referenced in the software. Notably, the Steenhuisen disk image is approximately 250 GB, and represents the largest part of this series. This series overlaps significantly with Series 3: Projects and events. This series contains software generally, while Series 3 contains any software related to a specific project or event.
Niveau de description archivistique:
Series
Series
Date:
1990 - 2014
1990 - 2014
Personnes et institutions:
Classification:
dessins, photographies
dessins, photographies
Numéro de référence:
DR2012:0012:075:002
Description:
Box containing printouts with annotations related to the folliwing project: - A Chicago construction (14 printouts, 13 transparencies, 7 drawings); - Front page constructions (8 printouts). Original box included two self-stick notes inscribed in graphite: ARCHIVAL MATERIAL A CHICAGO CONSTRUCTION, and DOCUMENTATION.
DR2012:0012:075:002
Description:
Box containing printouts with annotations related to the folliwing project: - A Chicago construction (14 printouts, 13 transparencies, 7 drawings); - Front page constructions (8 printouts). Original box included two self-stick notes inscribed in graphite: ARCHIVAL MATERIAL A CHICAGO CONSTRUCTION, and DOCUMENTATION.
Personnes et institutions:
Date:
1981
1981
Titre:
Installation plans, installation views, and reproduction of press clippings, A Chicago Construction
Actions:
DR2012:0012:075:002
Description:
Box containing printouts with annotations related to the folliwing project: - A Chicago construction (14 printouts, 13 transparencies, 7 drawings); - Front page constructions (8 printouts). Original box included two self-stick notes inscribed in graphite: ARCHIVAL MATERIAL A CHICAGO CONSTRUCTION, and DOCUMENTATION.
Installation plans, installation views, and reproduction of press clippings, A Chicago Construction
Actions:
DR2012:0012:075:002
Description:
Box containing printouts with annotations related to the folliwing project: - A Chicago construction (14 printouts, 13 transparencies, 7 drawings); - Front page constructions (8 printouts). Original box included two self-stick notes inscribed in graphite: ARCHIVAL MATERIAL A CHICAGO CONSTRUCTION, and DOCUMENTATION.
Classification:
dessins, photographies
dessins, photographies
Date:
1981
1981
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP012.S1.SS1.D1
Description:
Le dossier est constitué d'un dessin de présentation relié au projet de Dépôt d'archives.
AP012.S1.SS1.D1
Description:
Le dossier est constitué d'un dessin de présentation relié au projet de Dépôt d'archives.
Personnes et institutions:
Date:
s.d.
s.d.
Titre:
Un dépôt d'archives
Actions:
AP012.S1.SS1.D1
Description:
Le dossier est constitué d'un dessin de présentation relié au projet de Dépôt d'archives.
Un dépôt d'archives
Actions:
AP012.S1.SS1.D1
Description:
Le dossier est constitué d'un dessin de présentation relié au projet de Dépôt d'archives.
Niveau de description archivistique:
Dossier 1
Dossier 1
Date:
s.d.
s.d.
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Arthur Erickson
Fonds Arthur Erickson
Numéro de référence:
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
Personnes et institutions:
Date:
1947-2002 (predominant 1963-2000)
1947-2002 (predominant 1963-2000)
Titre:
Fonds Arthur Erickson
Actions:
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
Fonds Arthur Erickson
Actions:
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1947-2002 (predominant 1963-2000)
1947-2002 (predominant 1963-2000)
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
L’exposition témoigne de l’œuvre d’Ernest Isbell Barott, un architecte montréalais actif de1912 à 1966. Les dessins et photographies qu’on y présente sont en majorité tirés du fonds Ernest lsbell Barott, conservé au CCA. La carrière d’Ernest Barott coïncide avec une ère de profondes transformations physiques et sociales au Canada, qui fut une époque de grande fierté et(...)
L’exposition témoigne de l’œuvre d’Ernest Isbell Barott, un architecte montréalais actif de1912 à 1966. Les dessins et photographies qu’on y présente sont en majorité tirés du fonds Ernest lsbell Barott, conservé au CCA. La carrière d’Ernest Barott coïncide avec une ère de profondes transformations physiques et sociales au Canada, qui fut une époque de grande fierté et(...)
Localisation:
1440 rue Sainte-Catherine Ouest
1440 rue Sainte-Catherine Ouest
Date:
5 juin 1985 au 6 septembre 1985
5 juin 1985 au 6 septembre 1985
Titre:
Ernest Isbell Barott, architecte/architect : une introduction/an introduction
Actions:
Description:
L’exposition témoigne de l’œuvre d’Ernest Isbell Barott, un architecte montréalais actif de1912 à 1966. Les dessins et photographies qu’on y présente sont en majorité tirés du fonds Ernest lsbell Barott, conservé au CCA. La carrière d’Ernest Barott coïncide avec une ère de profondes transformations physiques et sociales au Canada, qui fut une époque de grande fierté et(...)
Ernest Isbell Barott, architecte/architect : une introduction/an introduction
Actions:
Description:
L’exposition témoigne de l’œuvre d’Ernest Isbell Barott, un architecte montréalais actif de1912 à 1966. Les dessins et photographies qu’on y présente sont en majorité tirés du fonds Ernest lsbell Barott, conservé au CCA. La carrière d’Ernest Barott coïncide avec une ère de profondes transformations physiques et sociales au Canada, qui fut une époque de grande fierté et(...)
Classification:
expositions
expositions
Date:
5 juin 1985 au
6 septembre 1985
5 juin 1985 au
6 septembre 1985
Localisation:
1440 rue Sainte-Catherine Ouest
1440 rue Sainte-Catherine Ouest
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH255601
Description:
24 files - R-Z alphabetical files - Royal Architectural Institute of Canada, R miscellaneous; S miscellaneous; Transcendental Meditation Soc., telex messages, travelling exhibition, trip file, T miscellaneous; U-Z miscellaneous including University of Calgary archived inventory of drawings; Who's Who correspondence and biographical sketches.
ARCH255601
Description:
24 files - R-Z alphabetical files - Royal Architectural Institute of Canada, R miscellaneous; S miscellaneous; Transcendental Meditation Soc., telex messages, travelling exhibition, trip file, T miscellaneous; U-Z miscellaneous including University of Calgary archived inventory of drawings; Who's Who correspondence and biographical sketches.
Personnes et institutions:
Date:
1979-1986
1979-1986
Titre:
R-Z alphabetical files
Actions:
ARCH255601
Description:
24 files - R-Z alphabetical files - Royal Architectural Institute of Canada, R miscellaneous; S miscellaneous; Transcendental Meditation Soc., telex messages, travelling exhibition, trip file, T miscellaneous; U-Z miscellaneous including University of Calgary archived inventory of drawings; Who's Who correspondence and biographical sketches.
R-Z alphabetical files
Actions:
ARCH255601
Description:
24 files - R-Z alphabetical files - Royal Architectural Institute of Canada, R miscellaneous; S miscellaneous; Transcendental Meditation Soc., telex messages, travelling exhibition, trip file, T miscellaneous; U-Z miscellaneous including University of Calgary archived inventory of drawings; Who's Who correspondence and biographical sketches.
Classification:
documents textuels
documents textuels
Date:
1979-1986
1979-1986
Personnes et institutions:
Classification:
dessins, documents textuels, né numérique
dessins, documents textuels, né numérique
Numéro de référence:
AP181.S1.006
Description:
Original directory name: "05_Konsulenten". File contains records created and shared by COOP HIMMELB(L)AU and the various consultants on the project. These include PRO-Elektroplan GmbH, Bollinger+Grohmann, Dr. Pfeiler GmbH, Kersken + Kirchner GmbH., KBP Beratende Ingenieure GmbH, pbb planungsbüro balke, Ingenieurgemeinschaft BDP, a.g Licht, Realgruen Landschaftsarchitekten ,Lang + Burkhardt Verkehrsplanung und Städtebau, Emmer Pfenninger Partner AG, IB Rüdiger Schönenberg, Thomas A. Weisse + Partner. Bulk dates run from 2003-2006. Consultant expertise ranges from electricity, (electrical conveyor technology, Foerdertechnik) to structural physics (bauphysik), including open space planning (Freiflächenplanung), interior design (Inneneinrichtung), fire protection (Brandschutz), stage technology (Buehnentechnik), kitchen planning (Küchenplanung), facade engineering (Fassadentechnik), light design and planning (Lichtplaner), and solar panels for the roof. The records, largely plans, show the specific parts on which each of these consultants was working. The bulk of the records may be found under the “k_SSF_Ausführungsplanung/G_Pläne” directory which contains close to half of the records in this file. These are plans and views of the different areas and components of the BMW Welt building. These often include a CAD and a PDF version, some of which are annotated digitally or by hand prior to being digitized. CAD files include 2D drawings or 3D models, wireframes, screen captures, renderings, and plotter files. Records also include project management files, lists of the components of each room, engineering and analyses reports, many of which were digitized. Related to electrical and building engineering, there are a few databases in "c_PRO_Elektro_Foerdertechnik" and "b_KBP_Haustechnik". These contain information on the rooms and their technical requirements, such as equipment for plumbing, heat and ventilation, refrigeration systems, building automation, etc. Some database reports are also part of the records. Various sub-directories are named “quelldaten” (source data), which are typically zipped archives and often contain duplicate files. Duplicates were kept due to possible dependencies. Finally, the more than 7,000 plotter files across most directories suggest that printing physical copies of digital drawings for consultation was common practice. Early files (1997-2000) are AutoCAD Compiled Shape/Font File, AutoCAD Font Mapping Table, TrueType Font, and AutoCAD Colour-Dependant Plot Style Table. CAD files may depend on these to display drawings accurately. Most common file formats: Hewlett Packard Vector Graphic Plotter File, AutoCAD Drawing, Acrobat PDF 1.3 - Portable Document Format, Acrobat PDF 1.4 - Portable Document Format, ZIP Format
AP181.S1.006
Description:
Original directory name: "05_Konsulenten". File contains records created and shared by COOP HIMMELB(L)AU and the various consultants on the project. These include PRO-Elektroplan GmbH, Bollinger+Grohmann, Dr. Pfeiler GmbH, Kersken + Kirchner GmbH., KBP Beratende Ingenieure GmbH, pbb planungsbüro balke, Ingenieurgemeinschaft BDP, a.g Licht, Realgruen Landschaftsarchitekten ,Lang + Burkhardt Verkehrsplanung und Städtebau, Emmer Pfenninger Partner AG, IB Rüdiger Schönenberg, Thomas A. Weisse + Partner. Bulk dates run from 2003-2006. Consultant expertise ranges from electricity, (electrical conveyor technology, Foerdertechnik) to structural physics (bauphysik), including open space planning (Freiflächenplanung), interior design (Inneneinrichtung), fire protection (Brandschutz), stage technology (Buehnentechnik), kitchen planning (Küchenplanung), facade engineering (Fassadentechnik), light design and planning (Lichtplaner), and solar panels for the roof. The records, largely plans, show the specific parts on which each of these consultants was working. The bulk of the records may be found under the “k_SSF_Ausführungsplanung/G_Pläne” directory which contains close to half of the records in this file. These are plans and views of the different areas and components of the BMW Welt building. These often include a CAD and a PDF version, some of which are annotated digitally or by hand prior to being digitized. CAD files include 2D drawings or 3D models, wireframes, screen captures, renderings, and plotter files. Records also include project management files, lists of the components of each room, engineering and analyses reports, many of which were digitized. Related to electrical and building engineering, there are a few databases in "c_PRO_Elektro_Foerdertechnik" and "b_KBP_Haustechnik". These contain information on the rooms and their technical requirements, such as equipment for plumbing, heat and ventilation, refrigeration systems, building automation, etc. Some database reports are also part of the records. Various sub-directories are named “quelldaten” (source data), which are typically zipped archives and often contain duplicate files. Duplicates were kept due to possible dependencies. Finally, the more than 7,000 plotter files across most directories suggest that printing physical copies of digital drawings for consultation was common practice. Early files (1997-2000) are AutoCAD Compiled Shape/Font File, AutoCAD Font Mapping Table, TrueType Font, and AutoCAD Colour-Dependant Plot Style Table. CAD files may depend on these to display drawings accurately. Most common file formats: Hewlett Packard Vector Graphic Plotter File, AutoCAD Drawing, Acrobat PDF 1.3 - Portable Document Format, Acrobat PDF 1.4 - Portable Document Format, ZIP Format
Personnes et institutions:
Date:
1996-2008
1996-2008
Titre:
Consultants files for construction planning phase, BMW Welt, Munich
Actions:
AP181.S1.006
Description:
Original directory name: "05_Konsulenten". File contains records created and shared by COOP HIMMELB(L)AU and the various consultants on the project. These include PRO-Elektroplan GmbH, Bollinger+Grohmann, Dr. Pfeiler GmbH, Kersken + Kirchner GmbH., KBP Beratende Ingenieure GmbH, pbb planungsbüro balke, Ingenieurgemeinschaft BDP, a.g Licht, Realgruen Landschaftsarchitekten ,Lang + Burkhardt Verkehrsplanung und Städtebau, Emmer Pfenninger Partner AG, IB Rüdiger Schönenberg, Thomas A. Weisse + Partner. Bulk dates run from 2003-2006. Consultant expertise ranges from electricity, (electrical conveyor technology, Foerdertechnik) to structural physics (bauphysik), including open space planning (Freiflächenplanung), interior design (Inneneinrichtung), fire protection (Brandschutz), stage technology (Buehnentechnik), kitchen planning (Küchenplanung), facade engineering (Fassadentechnik), light design and planning (Lichtplaner), and solar panels for the roof. The records, largely plans, show the specific parts on which each of these consultants was working. The bulk of the records may be found under the “k_SSF_Ausführungsplanung/G_Pläne” directory which contains close to half of the records in this file. These are plans and views of the different areas and components of the BMW Welt building. These often include a CAD and a PDF version, some of which are annotated digitally or by hand prior to being digitized. CAD files include 2D drawings or 3D models, wireframes, screen captures, renderings, and plotter files. Records also include project management files, lists of the components of each room, engineering and analyses reports, many of which were digitized. Related to electrical and building engineering, there are a few databases in "c_PRO_Elektro_Foerdertechnik" and "b_KBP_Haustechnik". These contain information on the rooms and their technical requirements, such as equipment for plumbing, heat and ventilation, refrigeration systems, building automation, etc. Some database reports are also part of the records. Various sub-directories are named “quelldaten” (source data), which are typically zipped archives and often contain duplicate files. Duplicates were kept due to possible dependencies. Finally, the more than 7,000 plotter files across most directories suggest that printing physical copies of digital drawings for consultation was common practice. Early files (1997-2000) are AutoCAD Compiled Shape/Font File, AutoCAD Font Mapping Table, TrueType Font, and AutoCAD Colour-Dependant Plot Style Table. CAD files may depend on these to display drawings accurately. Most common file formats: Hewlett Packard Vector Graphic Plotter File, AutoCAD Drawing, Acrobat PDF 1.3 - Portable Document Format, Acrobat PDF 1.4 - Portable Document Format, ZIP Format
Consultants files for construction planning phase, BMW Welt, Munich
Actions:
AP181.S1.006
Description:
Original directory name: "05_Konsulenten". File contains records created and shared by COOP HIMMELB(L)AU and the various consultants on the project. These include PRO-Elektroplan GmbH, Bollinger+Grohmann, Dr. Pfeiler GmbH, Kersken + Kirchner GmbH., KBP Beratende Ingenieure GmbH, pbb planungsbüro balke, Ingenieurgemeinschaft BDP, a.g Licht, Realgruen Landschaftsarchitekten ,Lang + Burkhardt Verkehrsplanung und Städtebau, Emmer Pfenninger Partner AG, IB Rüdiger Schönenberg, Thomas A. Weisse + Partner. Bulk dates run from 2003-2006. Consultant expertise ranges from electricity, (electrical conveyor technology, Foerdertechnik) to structural physics (bauphysik), including open space planning (Freiflächenplanung), interior design (Inneneinrichtung), fire protection (Brandschutz), stage technology (Buehnentechnik), kitchen planning (Küchenplanung), facade engineering (Fassadentechnik), light design and planning (Lichtplaner), and solar panels for the roof. The records, largely plans, show the specific parts on which each of these consultants was working. The bulk of the records may be found under the “k_SSF_Ausführungsplanung/G_Pläne” directory which contains close to half of the records in this file. These are plans and views of the different areas and components of the BMW Welt building. These often include a CAD and a PDF version, some of which are annotated digitally or by hand prior to being digitized. CAD files include 2D drawings or 3D models, wireframes, screen captures, renderings, and plotter files. Records also include project management files, lists of the components of each room, engineering and analyses reports, many of which were digitized. Related to electrical and building engineering, there are a few databases in "c_PRO_Elektro_Foerdertechnik" and "b_KBP_Haustechnik". These contain information on the rooms and their technical requirements, such as equipment for plumbing, heat and ventilation, refrigeration systems, building automation, etc. Some database reports are also part of the records. Various sub-directories are named “quelldaten” (source data), which are typically zipped archives and often contain duplicate files. Duplicates were kept due to possible dependencies. Finally, the more than 7,000 plotter files across most directories suggest that printing physical copies of digital drawings for consultation was common practice. Early files (1997-2000) are AutoCAD Compiled Shape/Font File, AutoCAD Font Mapping Table, TrueType Font, and AutoCAD Colour-Dependant Plot Style Table. CAD files may depend on these to display drawings accurately. Most common file formats: Hewlett Packard Vector Graphic Plotter File, AutoCAD Drawing, Acrobat PDF 1.3 - Portable Document Format, Acrobat PDF 1.4 - Portable Document Format, ZIP Format
Classification:
dessins, documents textuels, né numérique
dessins, documents textuels, né numérique
Date:
1996-2008
1996-2008
Personnes et institutions:
