7319 Résultats
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP184.S3
Description:
Series 3, Advanced Trading Floor Operations Center, 1998-2004, combined two projects in the built environment, the Command Center and the Executive Ramp, both conceived as a technological expansion on the existing NYSE Trading Floor. This series includes textual and born-digital components, as well as a number of drawing sets. The real-time virtual reality environment returned to the physical environment with the design and construction of the Command Center and Executive Ramp. The Command Center project involved the construction of a raised platform from the Main Room to the Blue Room; features included an information desk, a systems desk, and a video wall, the last of which displayed various stock data. It was later renovated during the Executive Ramp project, which primarily involved the installation of a multi-screen display of the 3DTF into the Command Center. Together, the two projects make up the Advanced Trading Floor Operations Center, often referred to as “the ramp.” The textual records for this series include correspondence and a small number of photographs. Digital files for the Advanced Trading Floor primarily include handouts for presentation meetings; there is also a small body of photographs of NYSE and press material. Additionally, there are also approximately 65 plans, which document the design and construction of the Command Center. These include preliminary drawings, construction sets, and addendums. Notably, the oversized materials also contain a photograph of former U.S. President Bill Clinton standing on the ramp.
AP184.S3
Description:
Series 3, Advanced Trading Floor Operations Center, 1998-2004, combined two projects in the built environment, the Command Center and the Executive Ramp, both conceived as a technological expansion on the existing NYSE Trading Floor. This series includes textual and born-digital components, as well as a number of drawing sets. The real-time virtual reality environment returned to the physical environment with the design and construction of the Command Center and Executive Ramp. The Command Center project involved the construction of a raised platform from the Main Room to the Blue Room; features included an information desk, a systems desk, and a video wall, the last of which displayed various stock data. It was later renovated during the Executive Ramp project, which primarily involved the installation of a multi-screen display of the 3DTF into the Command Center. Together, the two projects make up the Advanced Trading Floor Operations Center, often referred to as “the ramp.” The textual records for this series include correspondence and a small number of photographs. Digital files for the Advanced Trading Floor primarily include handouts for presentation meetings; there is also a small body of photographs of NYSE and press material. Additionally, there are also approximately 65 plans, which document the design and construction of the Command Center. These include preliminary drawings, construction sets, and addendums. Notably, the oversized materials also contain a photograph of former U.S. President Bill Clinton standing on the ramp.
Personnes et institutions:
Date:
1998 - 2004
1998 - 2004
Titre:
Advanced Trading Floor Command Center
Actions:
AP184.S3
Description:
Series 3, Advanced Trading Floor Operations Center, 1998-2004, combined two projects in the built environment, the Command Center and the Executive Ramp, both conceived as a technological expansion on the existing NYSE Trading Floor. This series includes textual and born-digital components, as well as a number of drawing sets. The real-time virtual reality environment returned to the physical environment with the design and construction of the Command Center and Executive Ramp. The Command Center project involved the construction of a raised platform from the Main Room to the Blue Room; features included an information desk, a systems desk, and a video wall, the last of which displayed various stock data. It was later renovated during the Executive Ramp project, which primarily involved the installation of a multi-screen display of the 3DTF into the Command Center. Together, the two projects make up the Advanced Trading Floor Operations Center, often referred to as “the ramp.” The textual records for this series include correspondence and a small number of photographs. Digital files for the Advanced Trading Floor primarily include handouts for presentation meetings; there is also a small body of photographs of NYSE and press material. Additionally, there are also approximately 65 plans, which document the design and construction of the Command Center. These include preliminary drawings, construction sets, and addendums. Notably, the oversized materials also contain a photograph of former U.S. President Bill Clinton standing on the ramp.
Advanced Trading Floor Command Center
Actions:
AP184.S3
Description:
Series 3, Advanced Trading Floor Operations Center, 1998-2004, combined two projects in the built environment, the Command Center and the Executive Ramp, both conceived as a technological expansion on the existing NYSE Trading Floor. This series includes textual and born-digital components, as well as a number of drawing sets. The real-time virtual reality environment returned to the physical environment with the design and construction of the Command Center and Executive Ramp. The Command Center project involved the construction of a raised platform from the Main Room to the Blue Room; features included an information desk, a systems desk, and a video wall, the last of which displayed various stock data. It was later renovated during the Executive Ramp project, which primarily involved the installation of a multi-screen display of the 3DTF into the Command Center. Together, the two projects make up the Advanced Trading Floor Operations Center, often referred to as “the ramp.” The textual records for this series include correspondence and a small number of photographs. Digital files for the Advanced Trading Floor primarily include handouts for presentation meetings; there is also a small body of photographs of NYSE and press material. Additionally, there are also approximately 65 plans, which document the design and construction of the Command Center. These include preliminary drawings, construction sets, and addendums. Notably, the oversized materials also contain a photograph of former U.S. President Bill Clinton standing on the ramp.
Niveau de description archivistique:
Series
Series
Date:
1998 - 2004
1998 - 2004
Personnes et institutions:
Classification:
dessins, né numérique, photographies
dessins, né numérique, photographies
Numéro de référence:
CD041.S2.006
Description:
File includes both a disk image and digital files carved from the disk image using the Sleuth Kit command line utility tsk_recover. Most common file formats: Tagged Image File Format. - Fraternity house for Phi Epsilon Pi, Montréal, Québec; - Golf Clubhouse, Mirabel, Québec; - Marina, Expo 67, Montréal, Québec; - Manoir Outremont, Outremont, Québec; - 1 unidentified project.
CD041.S2.006
Description:
File includes both a disk image and digital files carved from the disk image using the Sleuth Kit command line utility tsk_recover. Most common file formats: Tagged Image File Format. - Fraternity house for Phi Epsilon Pi, Montréal, Québec; - Golf Clubhouse, Mirabel, Québec; - Marina, Expo 67, Montréal, Québec; - Manoir Outremont, Outremont, Québec; - 1 unidentified project.
Personnes et institutions:
Date:
2006
2006
Titre:
Photographs and drawings from various projects by Rosen, Caruso, Vecsei Architects
Actions:
CD041.S2.006
Description:
File includes both a disk image and digital files carved from the disk image using the Sleuth Kit command line utility tsk_recover. Most common file formats: Tagged Image File Format. - Fraternity house for Phi Epsilon Pi, Montréal, Québec; - Golf Clubhouse, Mirabel, Québec; - Marina, Expo 67, Montréal, Québec; - Manoir Outremont, Outremont, Québec; - 1 unidentified project.
Photographs and drawings from various projects by Rosen, Caruso, Vecsei Architects
Actions:
CD041.S2.006
Description:
File includes both a disk image and digital files carved from the disk image using the Sleuth Kit command line utility tsk_recover. Most common file formats: Tagged Image File Format. - Fraternity house for Phi Epsilon Pi, Montréal, Québec; - Golf Clubhouse, Mirabel, Québec; - Marina, Expo 67, Montréal, Québec; - Manoir Outremont, Outremont, Québec; - 1 unidentified project.
Classification:
dessins, né numérique, photographies
dessins, né numérique, photographies
Date:
2006
2006
Personnes et institutions:
Classification:
né numérique
né numérique
Numéro de référence:
AP184.S1.019
Description:
Complete contents of CD-R ARCH268300, labeled "Trading Floor 3D Visualization Project Phase 2.3 presentation disc 1 asymptote 11/13/97".. File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Unidentified, Macintosh PICT Image, Quicktime.
AP184.S1.019
Description:
Complete contents of CD-R ARCH268300, labeled "Trading Floor 3D Visualization Project Phase 2.3 presentation disc 1 asymptote 11/13/97".. File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Unidentified, Macintosh PICT Image, Quicktime.
Personnes et institutions:
Date:
19 October 1997 - 4 December 1997
19 October 1997 - 4 December 1997
Titre:
Presentation videos and images of Three Dimensional Trading Floor, Phase 2.3 (1 of 2)
Actions:
AP184.S1.019
Description:
Complete contents of CD-R ARCH268300, labeled "Trading Floor 3D Visualization Project Phase 2.3 presentation disc 1 asymptote 11/13/97".. File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Unidentified, Macintosh PICT Image, Quicktime.
Presentation videos and images of Three Dimensional Trading Floor, Phase 2.3 (1 of 2)
Actions:
AP184.S1.019
Description:
Complete contents of CD-R ARCH268300, labeled "Trading Floor 3D Visualization Project Phase 2.3 presentation disc 1 asymptote 11/13/97".. File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Unidentified, Macintosh PICT Image, Quicktime.
Classification:
né numérique
né numérique
Date:
19 October 1997 - 4 December 1997
19 October 1997 - 4 December 1997
Personnes et institutions:
Classification:
né numérique
né numérique
Numéro de référence:
AP184.S1.031
Description:
Complete contents of CD-R ARCH268244, labeled “TF3DV Phase 2.32 HTML Document”. File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Hypertext Markup Language, JPEG File Interchange Format, Plain Text File, Graphics Interchange Format, Unidentified.
AP184.S1.031
Description:
Complete contents of CD-R ARCH268244, labeled “TF3DV Phase 2.32 HTML Document”. File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Hypertext Markup Language, JPEG File Interchange Format, Plain Text File, Graphics Interchange Format, Unidentified.
Personnes et institutions:
Date:
30 October 1997 - 17 December 1997
30 October 1997 - 17 December 1997
Titre:
HTML documents for Three Dimensional Trading Floor, Phase 2.32
Actions:
AP184.S1.031
Description:
Complete contents of CD-R ARCH268244, labeled “TF3DV Phase 2.32 HTML Document”. File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Hypertext Markup Language, JPEG File Interchange Format, Plain Text File, Graphics Interchange Format, Unidentified.
HTML documents for Three Dimensional Trading Floor, Phase 2.32
Actions:
AP184.S1.031
Description:
Complete contents of CD-R ARCH268244, labeled “TF3DV Phase 2.32 HTML Document”. File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Hypertext Markup Language, JPEG File Interchange Format, Plain Text File, Graphics Interchange Format, Unidentified.
Classification:
né numérique
né numérique
Date:
30 October 1997 - 17 December 1997
30 October 1997 - 17 December 1997
Personnes et institutions:
Classification:
né numérique
né numérique
Numéro de référence:
AP184.S1.032
Description:
Complete contents of CD-R ARCH268241, labeled “TF3DV Phase 2.32 SGI Databases (Nov 18)”. File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Unidentified, Plain Text File, 3D Studio Shapes, Tape Archive Format, Adobe Photoshop.
AP184.S1.032
Description:
Complete contents of CD-R ARCH268241, labeled “TF3DV Phase 2.32 SGI Databases (Nov 18)”. File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Unidentified, Plain Text File, 3D Studio Shapes, Tape Archive Format, Adobe Photoshop.
Personnes et institutions:
Date:
17 November 1997 - 18 November 1997
17 November 1997 - 18 November 1997
Titre:
SGI databases for Three Dimensional Trading Floor, Phase 2.32
Actions:
AP184.S1.032
Description:
Complete contents of CD-R ARCH268241, labeled “TF3DV Phase 2.32 SGI Databases (Nov 18)”. File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Unidentified, Plain Text File, 3D Studio Shapes, Tape Archive Format, Adobe Photoshop.
SGI databases for Three Dimensional Trading Floor, Phase 2.32
Actions:
AP184.S1.032
Description:
Complete contents of CD-R ARCH268241, labeled “TF3DV Phase 2.32 SGI Databases (Nov 18)”. File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Unidentified, Plain Text File, 3D Studio Shapes, Tape Archive Format, Adobe Photoshop.
Classification:
né numérique
né numérique
Date:
17 November 1997 - 18 November 1997
17 November 1997 - 18 November 1997
Personnes et institutions:
Classification:
dessins, né numérique
dessins, né numérique
Numéro de référence:
AP184.S1.054
Description:
Complete contents of CD-R labeled "Asymptote NY STTY 99 SIAC". File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Tagged Image File Format, Unidentified, Adobe Photoshop, Quark Xpress Data File, Alias Pix Image File.
AP184.S1.054
Description:
Complete contents of CD-R labeled "Asymptote NY STTY 99 SIAC". File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Tagged Image File Format, Unidentified, Adobe Photoshop, Quark Xpress Data File, Alias Pix Image File.
Personnes et institutions:
Date:
11 May 1999 - 9 June 1999
11 May 1999 - 9 June 1999
Titre:
Alias wireframe models and renderings showing graphs for Three Dimensional Trading Floor (1 of 2)
Actions:
AP184.S1.054
Description:
Complete contents of CD-R labeled "Asymptote NY STTY 99 SIAC". File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Tagged Image File Format, Unidentified, Adobe Photoshop, Quark Xpress Data File, Alias Pix Image File.
Alias wireframe models and renderings showing graphs for Three Dimensional Trading Floor (1 of 2)
Actions:
AP184.S1.054
Description:
Complete contents of CD-R labeled "Asymptote NY STTY 99 SIAC". File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Tagged Image File Format, Unidentified, Adobe Photoshop, Quark Xpress Data File, Alias Pix Image File.
Classification:
dessins, né numérique
dessins, né numérique
Date:
11 May 1999 - 9 June 1999
11 May 1999 - 9 June 1999
Personnes et institutions:
Classification:
né numérique
né numérique
Numéro de référence:
AP184.S1.058
Description:
Complete contents of CD-R labeled "3DTF_Handouts 8/25/00 Phase 4". File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Tagged Image File Format, Adobe Photoshop, Adobe Illustrator, Unidentified, JPEG File Interchange Format.
AP184.S1.058
Description:
Complete contents of CD-R labeled "3DTF_Handouts 8/25/00 Phase 4". File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Tagged Image File Format, Adobe Photoshop, Adobe Illustrator, Unidentified, JPEG File Interchange Format.
Personnes et institutions:
Date:
8 June 1999 - 13 January 2000
8 June 1999 - 13 January 2000
Titre:
Images for presentation handout of Three Dimensional Virtual Trading Floor, Phase 4.0, August 2000
Actions:
AP184.S1.058
Description:
Complete contents of CD-R labeled "3DTF_Handouts 8/25/00 Phase 4". File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Tagged Image File Format, Adobe Photoshop, Adobe Illustrator, Unidentified, JPEG File Interchange Format.
Images for presentation handout of Three Dimensional Virtual Trading Floor, Phase 4.0, August 2000
Actions:
AP184.S1.058
Description:
Complete contents of CD-R labeled "3DTF_Handouts 8/25/00 Phase 4". File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Tagged Image File Format, Adobe Photoshop, Adobe Illustrator, Unidentified, JPEG File Interchange Format.
Classification:
né numérique
né numérique
Date:
8 June 1999 - 13 January 2000
8 June 1999 - 13 January 2000
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Personnes et institutions:
Date:
1994 - 2004
1994 - 2004
Titre:
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Niveau de description archivistique:
Series
Series
Date:
1994 - 2004
1994 - 2004
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1999.D5
Description:
The project series documents the competition entry for the high-speed train station and hub Zaragoza-Delicias. The project was developed by Abalos & Herreros in collaboration with the firms MECSA and ARUP. The project made it to the second round of the competition. The firm identified this project as number 118. Among the essential characteristics of a train station, such as platforms, arrival, departure and waiting areas, the design also includes a large roof that supports two buildings of mixed housing, offices, hotels and space for other uses. Documenting this project are models, conceptual and design development drawings, correspondence, budgets, project descriptions, clippings, contracts, and reference and digital materials.
AP164.S1.1999.D5
Description:
The project series documents the competition entry for the high-speed train station and hub Zaragoza-Delicias. The project was developed by Abalos & Herreros in collaboration with the firms MECSA and ARUP. The project made it to the second round of the competition. The firm identified this project as number 118. Among the essential characteristics of a train station, such as platforms, arrival, departure and waiting areas, the design also includes a large roof that supports two buildings of mixed housing, offices, hotels and space for other uses. Documenting this project are models, conceptual and design development drawings, correspondence, budgets, project descriptions, clippings, contracts, and reference and digital materials.
Personnes et institutions:
Date:
1999
1999
Titre:
Estación Zaragoza, Spain (1999)
Actions:
AP164.S1.1999.D5
Description:
The project series documents the competition entry for the high-speed train station and hub Zaragoza-Delicias. The project was developed by Abalos & Herreros in collaboration with the firms MECSA and ARUP. The project made it to the second round of the competition. The firm identified this project as number 118. Among the essential characteristics of a train station, such as platforms, arrival, departure and waiting areas, the design also includes a large roof that supports two buildings of mixed housing, offices, hotels and space for other uses. Documenting this project are models, conceptual and design development drawings, correspondence, budgets, project descriptions, clippings, contracts, and reference and digital materials.
Estación Zaragoza, Spain (1999)
Actions:
AP164.S1.1999.D5
Description:
The project series documents the competition entry for the high-speed train station and hub Zaragoza-Delicias. The project was developed by Abalos & Herreros in collaboration with the firms MECSA and ARUP. The project made it to the second round of the competition. The firm identified this project as number 118. Among the essential characteristics of a train station, such as platforms, arrival, departure and waiting areas, the design also includes a large roof that supports two buildings of mixed housing, offices, hotels and space for other uses. Documenting this project are models, conceptual and design development drawings, correspondence, budgets, project descriptions, clippings, contracts, and reference and digital materials.
Niveau de description archivistique:
Project
Project
Date:
1999
1999
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2013.PR03
Description:
The project series documents the film "Vive l'architecture" produced by Pettena in 2013. The film shows a series of religious Renaissance paintings, however, the human subjects were removed leaving only the architectural elements of the paintings. "Usually considered just a support and background to the scene represented, architecture is instead a subject itself, and a fundamental one, of the painting." [1] The project series contains digital versions of the film, a film still, and a project description in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-vive-l-architecture-2013-1/ (last accessed 27 January 2020)
AP207.S1.2013.PR03
Description:
The project series documents the film "Vive l'architecture" produced by Pettena in 2013. The film shows a series of religious Renaissance paintings, however, the human subjects were removed leaving only the architectural elements of the paintings. "Usually considered just a support and background to the scene represented, architecture is instead a subject itself, and a fundamental one, of the painting." [1] The project series contains digital versions of the film, a film still, and a project description in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-vive-l-architecture-2013-1/ (last accessed 27 January 2020)
Personnes et institutions:
Date:
2012-2015
2012-2015
Titre:
Vive L'Architectute (circa 2013)
Actions:
AP207.S1.2013.PR03
Description:
The project series documents the film "Vive l'architecture" produced by Pettena in 2013. The film shows a series of religious Renaissance paintings, however, the human subjects were removed leaving only the architectural elements of the paintings. "Usually considered just a support and background to the scene represented, architecture is instead a subject itself, and a fundamental one, of the painting." [1] The project series contains digital versions of the film, a film still, and a project description in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-vive-l-architecture-2013-1/ (last accessed 27 January 2020)
Vive L'Architectute (circa 2013)
Actions:
AP207.S1.2013.PR03
Description:
The project series documents the film "Vive l'architecture" produced by Pettena in 2013. The film shows a series of religious Renaissance paintings, however, the human subjects were removed leaving only the architectural elements of the paintings. "Usually considered just a support and background to the scene represented, architecture is instead a subject itself, and a fundamental one, of the painting." [1] The project series contains digital versions of the film, a film still, and a project description in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-vive-l-architecture-2013-1/ (last accessed 27 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2012-2015
2012-2015
Personnes et institutions:
