4858 Résultats
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"Tendrils" threads through grief, joy and solidarity toward futures shaped by collaboration and care. Reaching through ecological crises, these poems seek new ways of living kinship in the more-than-human world. This anthology gathers international voices that entangle, illuminate and resist: a collective turn to the future with renewal and possibility.
$26.95
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Résumé:
"Tendrils" threads through grief, joy and solidarity toward futures shaped by collaboration and care. Reaching through ecological crises, these poems seek new ways of living kinship in the more-than-human world. This anthology gathers international voices that entangle, illuminate and resist: a collective turn to the future with renewal and possibility.
Titre:
Tendrils: Ecopoetics of community and justice
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"Tendrils" threads through grief, joy and solidarity toward futures shaped by collaboration and care. Reaching through ecological crises, these poems seek new ways of living kinship in the more-than-human world. This anthology gathers international voices that entangle, illuminate and resist: a collective turn to the future with renewal and possibility.
Tendrils: Ecopoetics of community and justice
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$26.95
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"Tendrils" threads through grief, joy and solidarity toward futures shaped by collaboration and care. Reaching through ecological crises, these poems seek new ways of living kinship in the more-than-human world. This anthology gathers international voices that entangle, illuminate and resist: a collective turn to the future with renewal and possibility.
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livres
livres
Publication:
février 2026
février 2026
Sujet:
Littérature et poésie
Littérature et poésie
Classification:
périodiques
périodiques
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$37.95
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L’enseignement du paysage. Cela peut s’entendre en deux sens. Tout d’abord un sens pédagogique : comment le paysage peut-il s’enseigner, quelles matières en nourrissent l’approche, quelles sont les finalités de cet enseignement ? C’est à tenter de les démêler que ce numéro 12 des Cahiers de l’École de Blois est consacré.
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L’enseignement du paysage. Cela peut s’entendre en deux sens. Tout d’abord un sens pédagogique : comment le paysage peut-il s’enseigner, quelles matières en nourrissent l’approche, quelles sont les finalités de cet enseignement ? C’est à tenter de les démêler que ce numéro 12 des Cahiers de l’École de Blois est consacré.
Titre:
Cahiers de l'École de Blois, no 12: l'enseignement du paysage
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L’enseignement du paysage. Cela peut s’entendre en deux sens. Tout d’abord un sens pédagogique : comment le paysage peut-il s’enseigner, quelles matières en nourrissent l’approche, quelles sont les finalités de cet enseignement ? C’est à tenter de les démêler que ce numéro 12 des Cahiers de l’École de Blois est consacré.
Cahiers de l'École de Blois, no 12: l'enseignement du paysage
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L’enseignement du paysage. Cela peut s’entendre en deux sens. Tout d’abord un sens pédagogique : comment le paysage peut-il s’enseigner, quelles matières en nourrissent l’approche, quelles sont les finalités de cet enseignement ? C’est à tenter de les démêler que ce numéro 12 des Cahiers de l’École de Blois est consacré.
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périodiques
périodiques
Publication:
août 2014
août 2014
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Revues
Revues
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Description:
xxii, 173 pages : illustrations ; 24 cm.
Description:
xxii, 173 pages : illustrations ; 24 cm.
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London ; New York : Routledge, Taylor & Francis Group, 2015.
London ; New York : Routledge, Taylor & Francis Group, 2015.
Titre:
Intersections of space and ethos / edited by Kyriaki Tsoukala, Nikolaos-Ion Terzoglou and Charikleia Pantelidou.
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xxii, 173 pages : illustrations ; 24 cm.
Intersections of space and ethos / edited by Kyriaki Tsoukala, Nikolaos-Ion Terzoglou and Charikleia Pantelidou.
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Description:
xxii, 173 pages : illustrations ; 24 cm.
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livres
Publication:
London ; New York : Routledge, Taylor & Francis Group, 2015.
London ; New York : Routledge, Taylor & Francis Group, 2015.
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Description:
xxiv, 415 pages : illustrations, maps ; 25 cm
Description:
xxiv, 415 pages : illustrations, maps ; 25 cm
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New York : Routledge, 2005.
New York : Routledge, 2005.
Titre:
Comparative planning cultures / edited by Bishwapriya Sanyal.
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xxiv, 415 pages : illustrations, maps ; 25 cm
Comparative planning cultures / edited by Bishwapriya Sanyal.
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Description:
xxiv, 415 pages : illustrations, maps ; 25 cm
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livres
Publication:
New York : Routledge, 2005.
New York : Routledge, 2005.
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496 pages : illustrations (some color), maps, plans ; 27 cm
Description:
496 pages : illustrations (some color), maps, plans ; 27 cm
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Berlin : Ruby Press, [2014], ©2014
Berlin : Ruby Press, [2014], ©2014
Titre:
Minha casa--nossa cidade : innovating mass housing for social change in Brazil / [edited by Marc Angélil & Rainer Hehl in collaboration with Something Fantastic].
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496 pages : illustrations (some color), maps, plans ; 27 cm
Minha casa--nossa cidade : innovating mass housing for social change in Brazil / [edited by Marc Angélil & Rainer Hehl in collaboration with Something Fantastic].
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496 pages : illustrations (some color), maps, plans ; 27 cm
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Berlin : Ruby Press, [2014], ©2014
Berlin : Ruby Press, [2014], ©2014
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$89.95
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Collage is an artistic language comprising found images, fragmentary forms, and unexpected juxtapositions. While it first gained status as high art in the early twentieth century, the past decade has seen a fresh explosion of artists using this dynamic and experimental approach to image making. Organised in an A-Z sequence by artist, the book features both well-known(...)
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Collage is an artistic language comprising found images, fragmentary forms, and unexpected juxtapositions. While it first gained status as high art in the early twentieth century, the past decade has seen a fresh explosion of artists using this dynamic and experimental approach to image making. Organised in an A-Z sequence by artist, the book features both well-known(...)
Titre:
Vitamin C: Collage in contemporary art
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Collage is an artistic language comprising found images, fragmentary forms, and unexpected juxtapositions. While it first gained status as high art in the early twentieth century, the past decade has seen a fresh explosion of artists using this dynamic and experimental approach to image making. Organised in an A-Z sequence by artist, the book features both well-known collagists, and a plethora of lesser-known names deserving of greater attention. Taking a broad definition – from analog cut-and-paste compositions and photomontages to digital composed imagery and animations – Vitamin C+ showcases 108 living artists who employ collage as a central part of their visual-art practice, as selected by 69 leading experts, including museum directors, curators, critics, and collectors. The survey also features an engaging and informative introduction by Yuval Etgar, an internationally renowned expert in the area.
Vitamin C: Collage in contemporary art
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Collage is an artistic language comprising found images, fragmentary forms, and unexpected juxtapositions. While it first gained status as high art in the early twentieth century, the past decade has seen a fresh explosion of artists using this dynamic and experimental approach to image making. Organised in an A-Z sequence by artist, the book features both well-known collagists, and a plethora of lesser-known names deserving of greater attention. Taking a broad definition – from analog cut-and-paste compositions and photomontages to digital composed imagery and animations – Vitamin C+ showcases 108 living artists who employ collage as a central part of their visual-art practice, as selected by 69 leading experts, including museum directors, curators, critics, and collectors. The survey also features an engaging and informative introduction by Yuval Etgar, an internationally renowned expert in the area.
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livres
livres
Publication:
mai 2023
mai 2023
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$64.95
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In the late 1980s, more than 30 of the era’s most acclaimed artists – including Jean-Michel Basquiat, David Hockney, Roy Lichtenstein, Salvador Dalí, and Keith Haring – designed unique and fully operational fairground attractions specifically for the original park, including rides, interactive sculptures, games, performances, and music. Each artist’s contribution is(...)
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In the late 1980s, more than 30 of the era’s most acclaimed artists – including Jean-Michel Basquiat, David Hockney, Roy Lichtenstein, Salvador Dalí, and Keith Haring – designed unique and fully operational fairground attractions specifically for the original park, including rides, interactive sculptures, games, performances, and music. Each artist’s contribution is(...)
Titre:
Luna Luna: The art amusement park
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In the late 1980s, more than 30 of the era’s most acclaimed artists – including Jean-Michel Basquiat, David Hockney, Roy Lichtenstein, Salvador Dalí, and Keith Haring – designed unique and fully operational fairground attractions specifically for the original park, including rides, interactive sculptures, games, performances, and music. Each artist’s contribution is documented in photographs that show the artist at work, with details of the artworks, and showing the art in the context of the exhibition. Giving access to rare artworks that have not been widely viewed in 35 years, this book is being published for the first time in English with an updated preface.
Luna Luna: The art amusement park
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In the late 1980s, more than 30 of the era’s most acclaimed artists – including Jean-Michel Basquiat, David Hockney, Roy Lichtenstein, Salvador Dalí, and Keith Haring – designed unique and fully operational fairground attractions specifically for the original park, including rides, interactive sculptures, games, performances, and music. Each artist’s contribution is documented in photographs that show the artist at work, with details of the artworks, and showing the art in the context of the exhibition. Giving access to rare artworks that have not been widely viewed in 35 years, this book is being published for the first time in English with an updated preface.
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livres
livres
Publication:
février 2023
février 2023
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livres
livres
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$68.75
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The research exhibition ''BioMedia: The age of media with life-like behavior'' at ZKM | Center for Art and Media Karlsruhe presents works that intersect the realms of art, science, and technology. The media systems on show, which range from digital, computer-generated, and computer-simulated systems to complex adaptive robots and interactive installations, simulate(...)
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The research exhibition ''BioMedia: The age of media with life-like behavior'' at ZKM | Center for Art and Media Karlsruhe presents works that intersect the realms of art, science, and technology. The media systems on show, which range from digital, computer-generated, and computer-simulated systems to complex adaptive robots and interactive installations, simulate(...)
Titre:
BioMedia: The age of media with life-like behavior
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The research exhibition ''BioMedia: The age of media with life-like behavior'' at ZKM | Center for Art and Media Karlsruhe presents works that intersect the realms of art, science, and technology. The media systems on show, which range from digital, computer-generated, and computer-simulated systems to complex adaptive robots and interactive installations, simulate various different aspects of life beyond movement and raise fundamental questions about the interaction between human and non-human beings and what inorganic life might mean in the future. The term ''BioMedia'' or biomimetic media is used here to refer to media that exhibit life-like forms of behaviour. Over sixty artists have contributed works illustrating the exhibition themes. The book accompanying the show focuses on the artworks, which are described in detail in richly illustrated texts.
BioMedia: The age of media with life-like behavior
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$68.75
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The research exhibition ''BioMedia: The age of media with life-like behavior'' at ZKM | Center for Art and Media Karlsruhe presents works that intersect the realms of art, science, and technology. The media systems on show, which range from digital, computer-generated, and computer-simulated systems to complex adaptive robots and interactive installations, simulate various different aspects of life beyond movement and raise fundamental questions about the interaction between human and non-human beings and what inorganic life might mean in the future. The term ''BioMedia'' or biomimetic media is used here to refer to media that exhibit life-like forms of behaviour. Over sixty artists have contributed works illustrating the exhibition themes. The book accompanying the show focuses on the artworks, which are described in detail in richly illustrated texts.
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livres
livres
Publication:
février 2023
février 2023
Classification:
livres
livres
Prix:
$54.95
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Résumé:
What use can we make today of a prints collection dating between the 16th and 19th century housed in a library storage room? What does it tell us of the periods in which it was created, preserved and reorganised? How can this information relate to the contemporary? Can an artist re-enact shared scenarios emphasising what of the old persists in the present? This(...)
$54.95
(disponible en magasin)
Résumé:
What use can we make today of a prints collection dating between the 16th and 19th century housed in a library storage room? What does it tell us of the periods in which it was created, preserved and reorganised? How can this information relate to the contemporary? Can an artist re-enact shared scenarios emphasising what of the old persists in the present? This(...)
Titre:
Present archives: Reflections from a collection of prints
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$54.95
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What use can we make today of a prints collection dating between the 16th and 19th century housed in a library storage room? What does it tell us of the periods in which it was created, preserved and reorganised? How can this information relate to the contemporary? Can an artist re-enact shared scenarios emphasising what of the old persists in the present? This publication collects three years' work within present_continuous, a project aimed at enhancing a collection of prints housed at the Biblioteca Nazionale Universitaria in Turin. A still rather unexplored point of excellence in the institution’s holdings, which was organised in albums in the 1860s by the eclectic Piedmontese collector and connoisseur Giovanni Volpato. The project includes a cataloguing campaign, a symposium whose purpose was to renew the contemporary perception of the archive and in an international call was opened in order to select two artists – Alessandra Messali and Ryts Monet (Enrico De Napoli) – for a residency program dedicated to creating new perspectives, right from the collection of print, trying to voicing the social and cultural issues of our time.
Present archives: Reflections from a collection of prints
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$54.95
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Résumé:
What use can we make today of a prints collection dating between the 16th and 19th century housed in a library storage room? What does it tell us of the periods in which it was created, preserved and reorganised? How can this information relate to the contemporary? Can an artist re-enact shared scenarios emphasising what of the old persists in the present? This publication collects three years' work within present_continuous, a project aimed at enhancing a collection of prints housed at the Biblioteca Nazionale Universitaria in Turin. A still rather unexplored point of excellence in the institution’s holdings, which was organised in albums in the 1860s by the eclectic Piedmontese collector and connoisseur Giovanni Volpato. The project includes a cataloguing campaign, a symposium whose purpose was to renew the contemporary perception of the archive and in an international call was opened in order to select two artists – Alessandra Messali and Ryts Monet (Enrico De Napoli) – for a residency program dedicated to creating new perspectives, right from the collection of print, trying to voicing the social and cultural issues of our time.
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livres
livres
Publication:
octobre 2019
octobre 2019
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livres
livres
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$71.95
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It was at Black Mountain College that Merce Cunningham formed his dance company, John Cage staged his first "happening," and Buckminster Fuller built his first dome. Although it lasted only twenty-four years (1933-1957) and enrolled fewer than 1,200 students, Black Mountain College launched a remarkable number of the artists who spearheaded the avant-garde in America of(...)
$71.95
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It was at Black Mountain College that Merce Cunningham formed his dance company, John Cage staged his first "happening," and Buckminster Fuller built his first dome. Although it lasted only twenty-four years (1933-1957) and enrolled fewer than 1,200 students, Black Mountain College launched a remarkable number of the artists who spearheaded the avant-garde in America of(...)
Publication:
mai 2002, Cambridge, Mass.
mai 2002, Cambridge, Mass.
Titre:
The arts at Black Mountain College
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$71.95
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It was at Black Mountain College that Merce Cunningham formed his dance company, John Cage staged his first "happening," and Buckminster Fuller built his first dome. Although it lasted only twenty-four years (1933-1957) and enrolled fewer than 1,200 students, Black Mountain College launched a remarkable number of the artists who spearheaded the avant-garde in America of the 1960s. The faculty included such diverse talents as Anni and Josef Albers, Eric Bentley, Ilya Bolotowsky, Robert Creeley, Willem de Kooning, Robert Duncan, Lyonel Feininger, Paul Goodman, Walter Gropius, Franz Kline, Robert Motherwell, and Charles Olson. Among the students were Ruth Asawa, John Chamberlain, Francine du Plessix Gray, Kenneth Noland, Arthur Penn, Robert Rauschenberg, Kenneth Snelson, Cy Twombly, Stan Vanderbeek, and Jose Yglesias. In this definitive account of the arts at Black Mountain College, back in print after many years, Mary Emma Harris describes a unique educational experiment and the artists and writers who conducted it. She replaces the myth of the college as a haphazardly conceived venture with a portrait of a consciously directed liberal arts school that grew out of the progressive education movement. Proceeding chronologically through the four major periods of the college’s history, Harris covers every aspect of its extraordinary curriculum in the visual, literary, and performing arts.
The arts at Black Mountain College
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$71.95
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It was at Black Mountain College that Merce Cunningham formed his dance company, John Cage staged his first "happening," and Buckminster Fuller built his first dome. Although it lasted only twenty-four years (1933-1957) and enrolled fewer than 1,200 students, Black Mountain College launched a remarkable number of the artists who spearheaded the avant-garde in America of the 1960s. The faculty included such diverse talents as Anni and Josef Albers, Eric Bentley, Ilya Bolotowsky, Robert Creeley, Willem de Kooning, Robert Duncan, Lyonel Feininger, Paul Goodman, Walter Gropius, Franz Kline, Robert Motherwell, and Charles Olson. Among the students were Ruth Asawa, John Chamberlain, Francine du Plessix Gray, Kenneth Noland, Arthur Penn, Robert Rauschenberg, Kenneth Snelson, Cy Twombly, Stan Vanderbeek, and Jose Yglesias. In this definitive account of the arts at Black Mountain College, back in print after many years, Mary Emma Harris describes a unique educational experiment and the artists and writers who conducted it. She replaces the myth of the college as a haphazardly conceived venture with a portrait of a consciously directed liberal arts school that grew out of the progressive education movement. Proceeding chronologically through the four major periods of the college’s history, Harris covers every aspect of its extraordinary curriculum in the visual, literary, and performing arts.
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livres
livres
Publication:
mai 2002, Cambridge, Mass.
mai 2002, Cambridge, Mass.
