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DEMO:POLIS draws on architecture, sociology, and urban studies to offer a dynamic interdisciplinary exploration of the contemporary meaning of public space. Featuring exemplary projects—such as the High Line and Brooklyn Bridge Park in New York, Alexanderplatz and Tempelhofer Feld in Berlin, Trafalgar Square in London, the Le Ventana de Mar park in Puerto Rico, and(...)
Demo:Polis. The right to public space
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DEMO:POLIS draws on architecture, sociology, and urban studies to offer a dynamic interdisciplinary exploration of the contemporary meaning of public space. Featuring exemplary projects—such as the High Line and Brooklyn Bridge Park in New York, Alexanderplatz and Tempelhofer Feld in Berlin, Trafalgar Square in London, the Le Ventana de Mar park in Puerto Rico, and Madrid’s Campo de Cebada—as well as a range of recent, at times controversial, artistic and urban design interventions that reflect criticisms of the status quo, the book delves into various approaches to the design—and redesign—of public space.
Théorie de l’urbanisme
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The Atelier de la Conception de l’Espace (ALICE), affiliated with the School of Architecture at the École Polytechnique Fédérale de Lausanne, is an educational facility focusing on preparing students for the practice of architecture. To cultivate the ability to create or shape space, students must be confronted with an educational frame¬work that prepares them for the(...)
Théorie de l’architecture
avril 2016
The invention of space: all about space, vol.I
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The Atelier de la Conception de l’Espace (ALICE), affiliated with the School of Architecture at the École Polytechnique Fédérale de Lausanne, is an educational facility focusing on preparing students for the practice of architecture. To cultivate the ability to create or shape space, students must be confronted with an educational frame¬work that prepares them for the field’s many practical challenges, from cultural, social, environmental, and physical concerns to working with the wide range of collaborators who must bring their creativity and expertise together in the design process. The Invention of Space is the initial volume in a four-part series on ALICE, this new book focuses on how its innovative curriculum primes students to recognize the cultural practices embedded in the invention of space. Architectural spaces are conceived—and experienced—collectively within the incorporating culture. How can culture, together with a raft of com¬peting concerns, be best translated in the design process? The book explores this and related questions through a fictional narrative, in essays and with more than three-hundred images. ALICE plays a key role in the success of one of Europe’s leading schools of architecture, and this book, together with the three other volumes in the series, provides an opportunity to explore the exceptional learning environment ALICE offers.
Théorie de l’architecture
Kew Gardens
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This short story by Virginia Woolf, is set on a hot July day in Kew Gardens. Woolf creates an impressionistic world with snippets of conversation, wondering thoughts and sparks of colour. The gentle narrative drifts between different characters as they stroll through the world famous botanic gardens.
Kew Gardens
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This short story by Virginia Woolf, is set on a hot July day in Kew Gardens. Woolf creates an impressionistic world with snippets of conversation, wondering thoughts and sparks of colour. The gentle narrative drifts between different characters as they stroll through the world famous botanic gardens.
Théorie du paysage
Picturing
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The first volume in a new series on critical concerns in the history of American art, 'Picturing' brings together essays by scholars who discuss the creation and consumption of images from the early modern period through the end of the twentieth century. Some of the contributions focus on art critical texts, like Gertrude Stein’s portrait of Cézanne, while others have as(...)
Picturing
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The first volume in a new series on critical concerns in the history of American art, 'Picturing' brings together essays by scholars who discuss the creation and consumption of images from the early modern period through the end of the twentieth century. Some of the contributions focus on art critical texts, like Gertrude Stein’s portrait of Cézanne, while others have as their point of departure particular artworks, from a portrait of Benjamin Franklin to Eadweard Muybridge’s nineteenth-century photographs of the California Coast. Works that addressed images and image making were not confined to the academy; they spilled out into poetry, literature, theater, and philosophy, and the essays’ considerations likewise range freely, from painting to natural history illustrations, travel narratives, and popular fiction. Together, the contributions demonstrate a rich deliberation that thoroughly debunks the notion that American art is merely derivative of a European tradition.
Théorie de l’art
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From transportation to climate change, urban design to education, 'You Belong to the Universe' demonstrates that Buckminster Fuller's holistic problem-solving techniques may be the only means of addressing some of the world's most pressing issues. Jonathan Keats's timely book challenges each of us to become comprehensive anticipatory design scientists, providing the(...)
You belong to the universe: Buckminster Fuller and the future
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From transportation to climate change, urban design to education, 'You Belong to the Universe' demonstrates that Buckminster Fuller's holistic problem-solving techniques may be the only means of addressing some of the world's most pressing issues. Jonathan Keats's timely book challenges each of us to become comprehensive anticipatory design scientists, providing the necessary tools for continuing Fuller's legacy of improving the world.
Théorie de l’architecture
Deleuze and the city
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'Deleuze and the City' asks what a city can do, how its human and non-human relations can be made sufficiently durable, how we can make ourselves worthy of our encounters in the city, how we might expand and contract its influence, and participate in the formation of affirmative rather than destructive subjective, social and environmental ecologies.
Théorie de l’architecture
janvier 2016
Deleuze and the city
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'Deleuze and the City' asks what a city can do, how its human and non-human relations can be made sufficiently durable, how we can make ourselves worthy of our encounters in the city, how we might expand and contract its influence, and participate in the formation of affirmative rather than destructive subjective, social and environmental ecologies.
Théorie de l’architecture
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Leslie Sklair: Argues that the almost exclusive focus of the media on iconic architecture and starchitects presents a misleading account of the industry. Posits that iconic architecture at the city, national, and global scales is part of an ideological and cultural strategy. Draws on a series of formal interviews with practicing architects and people working in and around(...)
The icon project: architecture, cities, and capitalist globalization
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Leslie Sklair: Argues that the almost exclusive focus of the media on iconic architecture and starchitects presents a misleading account of the industry. Posits that iconic architecture at the city, national, and global scales is part of an ideological and cultural strategy. Draws on a series of formal interviews with practicing architects and people working in and around architecture from all over the world. Features the first attempt to establish empirically the structure of the architecture industry worldwide in the 21st century, using industry sources of data
Théorie de l’architecture
The ways of the world
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In 'The Ways of the World', Harvey has gathered his most important essays from the past four decades. They form a career-spanning collection that tracks not only the development of Harvey over time as an intellectual, but also a dialectical vision that gradually expanded its reach from the slums of Baltimore to global environmental degradation to the American imperium.(...)
The ways of the world
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In 'The Ways of the World', Harvey has gathered his most important essays from the past four decades. They form a career-spanning collection that tracks not only the development of Harvey over time as an intellectual, but also a dialectical vision that gradually expanded its reach from the slums of Baltimore to global environmental degradation to the American imperium. While Harvey's coverage is wide-ranging, all of the pieces tackle the core concerns that have always animated his work: capitalism past and present, social change, freedom, class, imperialism, the city, nature, social justice, postmodernity, globalization, and-not least-the crises that inhere in capitalism.
Théorie de l’architecture
Becoming Jane Jacobs
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Jane Jacobs is universally recognized as one of the key figures in American urbanism. The author of "The Death and Life of Great American Cities," she uncovered the complex and intertwined physical and social fabric of the city and excoriated the urban renewal policies of the 1950s. As the legend goes, Jacobs, a housewife, single-handedly stood up to Robert Moses, New(...)
Becoming Jane Jacobs
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Jane Jacobs is universally recognized as one of the key figures in American urbanism. The author of "The Death and Life of Great American Cities," she uncovered the complex and intertwined physical and social fabric of the city and excoriated the urban renewal policies of the 1950s. As the legend goes, Jacobs, a housewife, single-handedly stood up to Robert Moses, New York City's powerful master builder, and other city planners who sought first to level her Greenwich Village neighborhood and then to drive a highway through it. Jacobs's most effective weapons in these David-versus-Goliath battles, and in writing her book, were her powers of observation and common sense.
Théorie de l’urbanisme
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Can architectural discourse rethink itself in terms of a radical emancipatory project? And if so, what would be the contours of such a discourse?
Can architecture be an emancipatory project? Dialogues on architecture and the left
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Can architectural discourse rethink itself in terms of a radical emancipatory project? And if so, what would be the contours of such a discourse?
Théorie de l’architecture