4667 Résultats
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livres
livres
Titre:
Koechlin House
Koechlin House
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This book by photographer and architect Daisuke Hirabayashi is a meditation on the often overlooked lives of buildings after the architect has left. Through a sequence of intimate, immersive images, Hirabayashi explores Koechlin House, an early private home designed by now-celebrated architects Herzog & de Meuron in Basel, Switzerland. His images picture the house as a(...)
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This book by photographer and architect Daisuke Hirabayashi is a meditation on the often overlooked lives of buildings after the architect has left. Through a sequence of intimate, immersive images, Hirabayashi explores Koechlin House, an early private home designed by now-celebrated architects Herzog & de Meuron in Basel, Switzerland. His images picture the house as a(...)
Titre:
Koechlin House
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This book by photographer and architect Daisuke Hirabayashi is a meditation on the often overlooked lives of buildings after the architect has left. Through a sequence of intimate, immersive images, Hirabayashi explores Koechlin House, an early private home designed by now-celebrated architects Herzog & de Meuron in Basel, Switzerland. His images picture the house as a site of everyday life, with all its small joys, surprises, awkward infelicities, rituals, and revelations. The original clients left long ago, and this book quietly studies the current owner’s unplanned, harmonious occupation. The Koechlin House was designed ''inside out'', prioritising the experience of the interior home over its outward-facing appearance. In this sense, Hirabayashi works in the spirit of the building, centring the embodied experience within and disregarding the omniscient and dehumanised view prevalent in so many accounts of architecture. Alongside a text by architects and writers Ellena Ehrl and Tibor Bielicky, and an afterword by Nicolas Jérôme Hünerwadel, these images encourage us to rethink the perspectives and details we deem ''architectural'' and leave us newly aware of the long and many-storied lives of buildings.
Koechlin House
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Résumé:
This book by photographer and architect Daisuke Hirabayashi is a meditation on the often overlooked lives of buildings after the architect has left. Through a sequence of intimate, immersive images, Hirabayashi explores Koechlin House, an early private home designed by now-celebrated architects Herzog & de Meuron in Basel, Switzerland. His images picture the house as a site of everyday life, with all its small joys, surprises, awkward infelicities, rituals, and revelations. The original clients left long ago, and this book quietly studies the current owner’s unplanned, harmonious occupation. The Koechlin House was designed ''inside out'', prioritising the experience of the interior home over its outward-facing appearance. In this sense, Hirabayashi works in the spirit of the building, centring the embodied experience within and disregarding the omniscient and dehumanised view prevalent in so many accounts of architecture. Alongside a text by architects and writers Ellena Ehrl and Tibor Bielicky, and an afterword by Nicolas Jérôme Hünerwadel, these images encourage us to rethink the perspectives and details we deem ''architectural'' and leave us newly aware of the long and many-storied lives of buildings.
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livres
livres
Publication:
août 2023
août 2023
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Naoya Hatakeyama
Naoya Hatakeyama
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Naoya Hatakeyama is one of the most noteworthy contemporary Japanese photo artists. Related predominantly to architecture, his oeuvre has been shaped by almost archaeological rigor and interest. Hatakeyama's work encompasses a range of themes, from series devoted to limestone landscapes and architectures - his Lime Work and Lime Hill (1987-1992), which are reminiscent at(...)
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Naoya Hatakeyama is one of the most noteworthy contemporary Japanese photo artists. Related predominantly to architecture, his oeuvre has been shaped by almost archaeological rigor and interest. Hatakeyama's work encompasses a range of themes, from series devoted to limestone landscapes and architectures - his Lime Work and Lime Hill (1987-1992), which are reminiscent at(...)
Titre:
Naoya Hatakeyama
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Naoya Hatakeyama is one of the most noteworthy contemporary Japanese photo artists. Related predominantly to architecture, his oeuvre has been shaped by almost archaeological rigor and interest. Hatakeyama's work encompasses a range of themes, from series devoted to limestone landscapes and architectures - his Lime Work and Lime Hill (1987-1992), which are reminiscent at times of lunar landscapes or prehistoric scenes - to his Underground series, in which the artist pursues urban tectonics in a vertical photographic progression from the air down into the depths of the city sewer system with its almost theatrical lighting effects. At the same time, his consistently serial works also reveal the presence of a horizontal principle as an expression of the importance of the aspect of time in his art - in highly explosive moments, for example, as in Blasts (1995/96), photos of detonations in quarries, or in the urban tableaux conceived as extended-time studies in 48 or 72 parts in his Unlimited series (1989-1997). One of the first monographs devoted to this artist, this book covers all of his serial work as well as some of his most recent projects.
Naoya Hatakeyama
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Naoya Hatakeyama is one of the most noteworthy contemporary Japanese photo artists. Related predominantly to architecture, his oeuvre has been shaped by almost archaeological rigor and interest. Hatakeyama's work encompasses a range of themes, from series devoted to limestone landscapes and architectures - his Lime Work and Lime Hill (1987-1992), which are reminiscent at times of lunar landscapes or prehistoric scenes - to his Underground series, in which the artist pursues urban tectonics in a vertical photographic progression from the air down into the depths of the city sewer system with its almost theatrical lighting effects. At the same time, his consistently serial works also reveal the presence of a horizontal principle as an expression of the importance of the aspect of time in his art - in highly explosive moments, for example, as in Blasts (1995/96), photos of detonations in quarries, or in the urban tableaux conceived as extended-time studies in 48 or 72 parts in his Unlimited series (1989-1997). One of the first monographs devoted to this artist, this book covers all of his serial work as well as some of his most recent projects.
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livres
livres
Publication:
mai 2002, Ostfildern-Ruit, Germany
mai 2002, Ostfildern-Ruit, Germany
Sujet:
Monographies photo
Monographies photo
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livres
livres
Prix:
$72.00
(disponible en magasin)
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Marking the first museum exhibition devoted solely to the photographs of Ellsworth Kelly, this volume features each photograph in the Santa Barbara Museum of Art’s illuminating presentation of this lesser-known aspect of Kelly’s art. From the late 1940s on, Kelly created an era-defining body of abstract art based on many kinds of visual phenomena he perceived around him.(...)
$72.00
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Marking the first museum exhibition devoted solely to the photographs of Ellsworth Kelly, this volume features each photograph in the Santa Barbara Museum of Art’s illuminating presentation of this lesser-known aspect of Kelly’s art. From the late 1940s on, Kelly created an era-defining body of abstract art based on many kinds of visual phenomena he perceived around him.(...)
Titre:
Shape, ground, shadow: The photographs of Ellsworth Kelly
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$72.00
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Marking the first museum exhibition devoted solely to the photographs of Ellsworth Kelly, this volume features each photograph in the Santa Barbara Museum of Art’s illuminating presentation of this lesser-known aspect of Kelly’s art. From the late 1940s on, Kelly created an era-defining body of abstract art based on many kinds of visual phenomena he perceived around him. Largely made for himself, Kelly’s photographs record these discoveries in tightly-composed images of nature and architecture that often reverberate with striking sunlight and shadow. Similar as they may appear, Kelly did not base his paintings, sculpture and works on paper on his photographs. The camera for Kelly was yet one more artistic tool he used to brilliantly transcribe his lived surroundings into an art that, however abstract, always resonated with his subjective experiences of actual, everyday worlds. Kelly’s rich sensory fascination with such worlds, from shadows on a beachside staircase to the curve of a snowy hillside, courses throughout this handsome book. To those familiar with or new to the artist, these photographs offer a vividly direct chance to see Ellsworth Kelly’s eye and mind at work unlike any other genre in which this groundbreaking artist ever worked.
Shape, ground, shadow: The photographs of Ellsworth Kelly
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Résumé:
Marking the first museum exhibition devoted solely to the photographs of Ellsworth Kelly, this volume features each photograph in the Santa Barbara Museum of Art’s illuminating presentation of this lesser-known aspect of Kelly’s art. From the late 1940s on, Kelly created an era-defining body of abstract art based on many kinds of visual phenomena he perceived around him. Largely made for himself, Kelly’s photographs record these discoveries in tightly-composed images of nature and architecture that often reverberate with striking sunlight and shadow. Similar as they may appear, Kelly did not base his paintings, sculpture and works on paper on his photographs. The camera for Kelly was yet one more artistic tool he used to brilliantly transcribe his lived surroundings into an art that, however abstract, always resonated with his subjective experiences of actual, everyday worlds. Kelly’s rich sensory fascination with such worlds, from shadows on a beachside staircase to the curve of a snowy hillside, courses throughout this handsome book. To those familiar with or new to the artist, these photographs offer a vividly direct chance to see Ellsworth Kelly’s eye and mind at work unlike any other genre in which this groundbreaking artist ever worked.
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livres
livres
Publication:
mars 2024
mars 2024
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
John Lehr: The last things
John Lehr: The last things
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"The last things" explores the artifacts of an American archeological present. The work in this series depicts vernacular forms of architecture, signage, images, and objects that were hastily made in a rush for attention, or abandoned in place after their usefulness had expired. Lehr posits them as symptomatic symbols of the repetitive cycles of decline, rehabilitation,(...)
$168.95
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"The last things" explores the artifacts of an American archeological present. The work in this series depicts vernacular forms of architecture, signage, images, and objects that were hastily made in a rush for attention, or abandoned in place after their usefulness had expired. Lehr posits them as symptomatic symbols of the repetitive cycles of decline, rehabilitation,(...)
Titre:
John Lehr: The last things
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"The last things" explores the artifacts of an American archeological present. The work in this series depicts vernacular forms of architecture, signage, images, and objects that were hastily made in a rush for attention, or abandoned in place after their usefulness had expired. Lehr posits them as symptomatic symbols of the repetitive cycles of decline, rehabilitation, violence, and mourning that are woven into the fabric of contemporary American life. These light-drenched photographs vividly describe a nation speaking through the language of capitalism. Words and images repeat and contradict throughout the work, reflecting emphatic pleas and shifting priorities. At other times, language breaks down completely, giving way to pictographic forms that are both primitive and utterly contemporary. Flaking paint morphs into JPEG vinyl printouts and LED displays, blurring the line between commercial speech and individual expression. Embedded in the work is a belief in the power and absurdity of objects that—like a body—bear the traces of collective experience. In its distilled and emphatic sequencing "The last things" reads as a prose poem and a cryptic cipher about a country at the brink of a tipping point.
John Lehr: The last things
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"The last things" explores the artifacts of an American archeological present. The work in this series depicts vernacular forms of architecture, signage, images, and objects that were hastily made in a rush for attention, or abandoned in place after their usefulness had expired. Lehr posits them as symptomatic symbols of the repetitive cycles of decline, rehabilitation, violence, and mourning that are woven into the fabric of contemporary American life. These light-drenched photographs vividly describe a nation speaking through the language of capitalism. Words and images repeat and contradict throughout the work, reflecting emphatic pleas and shifting priorities. At other times, language breaks down completely, giving way to pictographic forms that are both primitive and utterly contemporary. Flaking paint morphs into JPEG vinyl printouts and LED displays, blurring the line between commercial speech and individual expression. Embedded in the work is a belief in the power and absurdity of objects that—like a body—bear the traces of collective experience. In its distilled and emphatic sequencing "The last things" reads as a prose poem and a cryptic cipher about a country at the brink of a tipping point.
Classification:
livres
livres
Publication:
novembre 2024
novembre 2024
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Robert Polidori's metropolis
Robert Polidori's metropolis
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Not only is he one of the world’s preeminent architecture photographers, Robert Polidori is also--as his popular book Havana proved--a master of urban portraiture. The Montreal-born photographer has made haunting studies of bombed-out buildings in Beirut, decaying New York tenements, Versailles rooms in dusty disarray, Brasilia's paean to spare '50s modernism, and, most(...)
$84.50
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Not only is he one of the world’s preeminent architecture photographers, Robert Polidori is also--as his popular book Havana proved--a master of urban portraiture. The Montreal-born photographer has made haunting studies of bombed-out buildings in Beirut, decaying New York tenements, Versailles rooms in dusty disarray, Brasilia's paean to spare '50s modernism, and, most(...)
Sujet:
Monographies photo
Monographies photo
Publication:
novembre 2004, New York
novembre 2004, New York
Titre:
Robert Polidori's metropolis
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Not only is he one of the world’s preeminent architecture photographers, Robert Polidori is also--as his popular book Havana proved--a master of urban portraiture. The Montreal-born photographer has made haunting studies of bombed-out buildings in Beirut, decaying New York tenements, Versailles rooms in dusty disarray, Brasilia's paean to spare '50s modernism, and, most recently, the abandoned, contaminated cities of Chernobyl and Pripyat. Taken together, they add to his ongoing project: the interpretation of the interrupted urban landscape. This new monograph combines the eye of a celebrated photographer with the distinctive voice of an artist and adventurer. Each breathtaking image--meticulously selected by the photographer from his own personal archive--is accompanied by a compelling first person account, based on interviews conducted by Martin C. Pedersen, executive editor of Metropolis magazine. Polidori tells behind-the-scene stories about the making of his photographs, takes us to war-torn Beirut and Brasilia and other world capitals, talks about what makes a building photogenic, how he shoots buildings he doesn’t like, his favorite architects, and his love of mosques. A look at the world’s great cities as seen through the eyes of a sharp social observer
Robert Polidori's metropolis
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Résumé:
Not only is he one of the world’s preeminent architecture photographers, Robert Polidori is also--as his popular book Havana proved--a master of urban portraiture. The Montreal-born photographer has made haunting studies of bombed-out buildings in Beirut, decaying New York tenements, Versailles rooms in dusty disarray, Brasilia's paean to spare '50s modernism, and, most recently, the abandoned, contaminated cities of Chernobyl and Pripyat. Taken together, they add to his ongoing project: the interpretation of the interrupted urban landscape. This new monograph combines the eye of a celebrated photographer with the distinctive voice of an artist and adventurer. Each breathtaking image--meticulously selected by the photographer from his own personal archive--is accompanied by a compelling first person account, based on interviews conducted by Martin C. Pedersen, executive editor of Metropolis magazine. Polidori tells behind-the-scene stories about the making of his photographs, takes us to war-torn Beirut and Brasilia and other world capitals, talks about what makes a building photogenic, how he shoots buildings he doesn’t like, his favorite architects, and his love of mosques. A look at the world’s great cities as seen through the eyes of a sharp social observer
Classification:
livres
livres
Publication:
novembre 2004, New York
novembre 2004, New York
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Prix:
$100.00
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Résumé:
In "Sticks & Stones", Lee Friedlander offers his view of America as seen through its architecture. In 192 square-format pictures shot over the past 15 years, Friedlander has framed the familiar through his own unique way of seeing the world. Whether he's representing modest vernacular buildings or monumental skyscrapers, Friedlander liberates them from our preconceived(...)
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In "Sticks & Stones", Lee Friedlander offers his view of America as seen through its architecture. In 192 square-format pictures shot over the past 15 years, Friedlander has framed the familiar through his own unique way of seeing the world. Whether he's representing modest vernacular buildings or monumental skyscrapers, Friedlander liberates them from our preconceived(...)
Titre:
Lee Friedlander : sticks and stones, architectural America
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In "Sticks & Stones", Lee Friedlander offers his view of America as seen through its architecture. In 192 square-format pictures shot over the past 15 years, Friedlander has framed the familiar through his own unique way of seeing the world. Whether he's representing modest vernacular buildings or monumental skyscrapers, Friedlander liberates them from our preconceived notions and gives us a new way of looking at our surrounding environment. Shot during the course of countless trips to urban and rural areas across the country, many of them made by car (the driver's window sometimes providing Friedlander with an extra frame), these pictures capture an America as unblemished by romanticized notions of human nature as it is full of quirky human touches. Nevertheless, man's presence is not at stake here; streets, roads, façades, and buildings offer their own visual intrigue, without reference to their makers. And in the end, it is not even the grand buildings themselves that prick our interest, but rather the forgettable architectural elements--the poles, posts, sidewalks, fences, phone booths, alleys, parked cars--that through photographic juxtaposition with all kinds of buildings help us to discover the spirit of an Architectural America.
Lee Friedlander : sticks and stones, architectural America
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In "Sticks & Stones", Lee Friedlander offers his view of America as seen through its architecture. In 192 square-format pictures shot over the past 15 years, Friedlander has framed the familiar through his own unique way of seeing the world. Whether he's representing modest vernacular buildings or monumental skyscrapers, Friedlander liberates them from our preconceived notions and gives us a new way of looking at our surrounding environment. Shot during the course of countless trips to urban and rural areas across the country, many of them made by car (the driver's window sometimes providing Friedlander with an extra frame), these pictures capture an America as unblemished by romanticized notions of human nature as it is full of quirky human touches. Nevertheless, man's presence is not at stake here; streets, roads, façades, and buildings offer their own visual intrigue, without reference to their makers. And in the end, it is not even the grand buildings themselves that prick our interest, but rather the forgettable architectural elements--the poles, posts, sidewalks, fences, phone booths, alleys, parked cars--that through photographic juxtaposition with all kinds of buildings help us to discover the spirit of an Architectural America.
Classification:
livres
livres
Publication:
octobre 2004, New York
octobre 2004, New York
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
In focus : Eugène Atget
In focus : Eugène Atget
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Eugène Atget (1857-1927) spent nearly thirty years photographing details of often-inconspicuous buildings, side streets, cul-de-sacs, and public sculptures in his beloved Paris. Yet before his death, he was practically unknown outside of that city. His genius was first recognized(...)
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Eugène Atget (1857-1927) spent nearly thirty years photographing details of often-inconspicuous buildings, side streets, cul-de-sacs, and public sculptures in his beloved Paris. Yet before his death, he was practically unknown outside of that city. His genius was first recognized(...)
Sujet:
Monographies photo
Monographies photo
Publication:
juin 2000, Los Angeles
juin 2000, Los Angeles
Titre:
In focus : Eugène Atget
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Eugène Atget (1857-1927) spent nearly thirty years photographing details of often-inconspicuous buildings, side streets, cul-de-sacs, and public sculptures in his beloved Paris. Yet before his death, he was practically unknown outside of that city. His genius was first recognized about 1924 by two young Americans living and working in Paris—Man Ray and his studio assistant, Berenice Abbott—who appreciated the elements of contradiction, ambivalence, and ambiguity in Atget's images of Parisian architecture, streets, and parks. Presented in this volume are more than fifty of the Getty Museum's two hundred ninety-five pictures by Atget, with commentary on each image by Gordon Baldwin, associate curator of photographs at the J. Paul Getty Museum. "In Focus: Eugène Atget" also contains a chronological overview of his life and an edited transcript of a colloquium on his career, with participants Baldwin; David Featherstone, independent editor and curator; photographer Robbert Flick, professor of art at the University of Southern California; independent scholar David Harris; Weston Naef, curator of photographs, Getty Museum; Francoise Reynaud, curator of photographs at the Musée Carnavalet, Paris; and Michael S. Roth, president, California College of Arts and Crafts.
In focus : Eugène Atget
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Eugène Atget (1857-1927) spent nearly thirty years photographing details of often-inconspicuous buildings, side streets, cul-de-sacs, and public sculptures in his beloved Paris. Yet before his death, he was practically unknown outside of that city. His genius was first recognized about 1924 by two young Americans living and working in Paris—Man Ray and his studio assistant, Berenice Abbott—who appreciated the elements of contradiction, ambivalence, and ambiguity in Atget's images of Parisian architecture, streets, and parks. Presented in this volume are more than fifty of the Getty Museum's two hundred ninety-five pictures by Atget, with commentary on each image by Gordon Baldwin, associate curator of photographs at the J. Paul Getty Museum. "In Focus: Eugène Atget" also contains a chronological overview of his life and an edited transcript of a colloquium on his career, with participants Baldwin; David Featherstone, independent editor and curator; photographer Robbert Flick, professor of art at the University of Southern California; independent scholar David Harris; Weston Naef, curator of photographs, Getty Museum; Francoise Reynaud, curator of photographs at the Musée Carnavalet, Paris; and Michael S. Roth, president, California College of Arts and Crafts.
Classification:
livres
livres
Publication:
juin 2000, Los Angeles
juin 2000, Los Angeles
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Prix:
$65.00
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Résumé:
Designed by Irish architect and designer Eileen Gray (1878–1976), E-1027 has only recently taken on the status of an architectural icon. Jürgen Beck’s photographs of the house approach the building as if in search of something. He captures the overgrown paths that he walks to take him to the house, while steering clear of views of the coast and the Côte d’Azur beach and(...)
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Designed by Irish architect and designer Eileen Gray (1878–1976), E-1027 has only recently taken on the status of an architectural icon. Jürgen Beck’s photographs of the house approach the building as if in search of something. He captures the overgrown paths that he walks to take him to the house, while steering clear of views of the coast and the Côte d’Azur beach and(...)
Titre:
Jürgen Beck: Sun Breakers. Late August, Roquebrune-Cap-Martin
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Designed by Irish architect and designer Eileen Gray (1878–1976), E-1027 has only recently taken on the status of an architectural icon. Jürgen Beck’s photographs of the house approach the building as if in search of something. He captures the overgrown paths that he walks to take him to the house, while steering clear of views of the coast and the Côte d’Azur beach and avoiding long shots, as these would falsely enlarge the space, which was designed as an intimate place for work and leisure activities. This establishes a dialogue between the photographs and the architecture; just like Gray herself in the space she designed, the pictures are in search of an expression of openness that admits other forms of life and work, a flexible structure to accommodate the rhythm of the days and everyday situations. Beck directs our eye to a design that takes into consideration people’s psychological and emotional needs and gives things their own name and their own relationships. The images are accompanied by an essay by Swiss author Dorothee Elmiger, who extends Beck’s view of Gray by introducing fragments of text that switch between analysis and impressionistic accounts.
Jürgen Beck: Sun Breakers. Late August, Roquebrune-Cap-Martin
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Designed by Irish architect and designer Eileen Gray (1878–1976), E-1027 has only recently taken on the status of an architectural icon. Jürgen Beck’s photographs of the house approach the building as if in search of something. He captures the overgrown paths that he walks to take him to the house, while steering clear of views of the coast and the Côte d’Azur beach and avoiding long shots, as these would falsely enlarge the space, which was designed as an intimate place for work and leisure activities. This establishes a dialogue between the photographs and the architecture; just like Gray herself in the space she designed, the pictures are in search of an expression of openness that admits other forms of life and work, a flexible structure to accommodate the rhythm of the days and everyday situations. Beck directs our eye to a design that takes into consideration people’s psychological and emotional needs and gives things their own name and their own relationships. The images are accompanied by an essay by Swiss author Dorothee Elmiger, who extends Beck’s view of Gray by introducing fragments of text that switch between analysis and impressionistic accounts.
Classification:
livres
livres
Publication:
novembre 2023
novembre 2023
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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$65.00
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Résumé:
In ''Tbilisi Interiors'', photographer Anna Tsitsishvili returns to the subject that defined her acclaimed debut, Tbilisi, with a renewed and intimate focus. This follow-up photobook shifts the lens inward—literally—inviting us beyond the façades of the Georgian capital to explore the layered and often surprising worlds within. Where her first book captured the(...)
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Résumé:
In ''Tbilisi Interiors'', photographer Anna Tsitsishvili returns to the subject that defined her acclaimed debut, Tbilisi, with a renewed and intimate focus. This follow-up photobook shifts the lens inward—literally—inviting us beyond the façades of the Georgian capital to explore the layered and often surprising worlds within. Where her first book captured the(...)
Titre:
Anna Tsitsishvili: Tbilisi interiors
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In ''Tbilisi Interiors'', photographer Anna Tsitsishvili returns to the subject that defined her acclaimed debut, Tbilisi, with a renewed and intimate focus. This follow-up photobook shifts the lens inward—literally—inviting us beyond the façades of the Georgian capital to explore the layered and often surprising worlds within. Where her first book captured the textured urban landscapes of Tbilisi’s streets and architecture, ''Tbilisi Interiors'' reveals the hidden lives behind closed doors: eclectic rooms filled with faded grandeur, modest apartments shaped by decades of personal history, and spaces that quietly tell stories of resilience, creativity, and cultural continuity. Through Tsitsishvili’s eye, interiors become portraits—of individuals, families, and the city itself. This collection is not merely about design or decor; it is an emotional and aesthetic mapping of Tbilisi’s soul. With sensitivity and an artist’s sense of composition, Tsitsishvili documents spaces both curated and chaotic, refined and improvised, capturing the poetry of everyday life in Georgia’s capital.Tbilisi Interiors is a love letter to a city in transition, seen from within.With sensitivity and an artist’s sense of composition, Tsitsishvili documents spaces both curated and chaotic, refined and improvised, capturing the poetry of everyday life in Georgia’s capital.
Anna Tsitsishvili: Tbilisi interiors
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Résumé:
In ''Tbilisi Interiors'', photographer Anna Tsitsishvili returns to the subject that defined her acclaimed debut, Tbilisi, with a renewed and intimate focus. This follow-up photobook shifts the lens inward—literally—inviting us beyond the façades of the Georgian capital to explore the layered and often surprising worlds within. Where her first book captured the textured urban landscapes of Tbilisi’s streets and architecture, ''Tbilisi Interiors'' reveals the hidden lives behind closed doors: eclectic rooms filled with faded grandeur, modest apartments shaped by decades of personal history, and spaces that quietly tell stories of resilience, creativity, and cultural continuity. Through Tsitsishvili’s eye, interiors become portraits—of individuals, families, and the city itself. This collection is not merely about design or decor; it is an emotional and aesthetic mapping of Tbilisi’s soul. With sensitivity and an artist’s sense of composition, Tsitsishvili documents spaces both curated and chaotic, refined and improvised, capturing the poetry of everyday life in Georgia’s capital.Tbilisi Interiors is a love letter to a city in transition, seen from within.With sensitivity and an artist’s sense of composition, Tsitsishvili documents spaces both curated and chaotic, refined and improvised, capturing the poetry of everyday life in Georgia’s capital.
Classification:
livres
livres
Publication:
janvier 2026
janvier 2026
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Cristian Ordóñez: Frequency
Cristian Ordóñez: Frequency
Actions:
Prix:
$75.00
(disponible sur commande)
Résumé:
With the habit of walking, Cristian Ordóñez observes and studies the architecture, urbanism and the natural landscape that surrounds him, under the feelings of desolation, anxiety and uncertainty presented in the environment in recent years. The selection of pictures reflect on the human experience with the desire to build a personalized habitable world full of structures(...)
$75.00
(disponible sur commande)
Résumé:
With the habit of walking, Cristian Ordóñez observes and studies the architecture, urbanism and the natural landscape that surrounds him, under the feelings of desolation, anxiety and uncertainty presented in the environment in recent years. The selection of pictures reflect on the human experience with the desire to build a personalized habitable world full of structures(...)
Titre:
Cristian Ordóñez: Frequency
Actions:
Prix:
$75.00
(disponible sur commande)
Résumé:
With the habit of walking, Cristian Ordóñez observes and studies the architecture, urbanism and the natural landscape that surrounds him, under the feelings of desolation, anxiety and uncertainty presented in the environment in recent years. The selection of pictures reflect on the human experience with the desire to build a personalized habitable world full of structures and rules, the tension between nature and this system with many conflicts, scars and patches that constantly needs maintenance.
Cristian Ordóñez: Frequency
Actions:
Prix:
$75.00
(disponible sur commande)
Résumé:
With the habit of walking, Cristian Ordóñez observes and studies the architecture, urbanism and the natural landscape that surrounds him, under the feelings of desolation, anxiety and uncertainty presented in the environment in recent years. The selection of pictures reflect on the human experience with the desire to build a personalized habitable world full of structures and rules, the tension between nature and this system with many conflicts, scars and patches that constantly needs maintenance.
Classification:
livres
livres
Publication:
mai 2023
mai 2023
