4906 Résultats
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Following his Getty Center in Los Angeles and the Museum of Contemporary Art in Barcelona, celebrated American architect Richard Meier (born 1934) has created another stunning example of museum architecture. Full of light, the Sammlung Frieder Burda in Baden-Baden sits alongside the Staatliche Kunsthalle, and the two are linked via glass bridge. In contrast to the(...)
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Following his Getty Center in Los Angeles and the Museum of Contemporary Art in Barcelona, celebrated American architect Richard Meier (born 1934) has created another stunning example of museum architecture. Full of light, the Sammlung Frieder Burda in Baden-Baden sits alongside the Staatliche Kunsthalle, and the two are linked via glass bridge. In contrast to the(...)
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Richard Meier: Museum Frieder Burda
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Following his Getty Center in Los Angeles and the Museum of Contemporary Art in Barcelona, celebrated American architect Richard Meier (born 1934) has created another stunning example of museum architecture. Full of light, the Sammlung Frieder Burda in Baden-Baden sits alongside the Staatliche Kunsthalle, and the two are linked via glass bridge. In contrast to the neo-classical Kunsthalle, Sammlung Frieder Burda has the air of a California mansion, distinguished by its elegance, transparency and openness. Set on the city's historic Lichtentaler Allee park and arboretum, the building is referred to by many--including its architect--as the “jewel in the park.” This newly revised assessment of the project charts the museum from its early phases to completion through numerous sketches, plans and photographs. The book also features essays by art historians and architecture critics that expand upon the structure, its function and its location.
Richard Meier: Museum Frieder Burda
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Following his Getty Center in Los Angeles and the Museum of Contemporary Art in Barcelona, celebrated American architect Richard Meier (born 1934) has created another stunning example of museum architecture. Full of light, the Sammlung Frieder Burda in Baden-Baden sits alongside the Staatliche Kunsthalle, and the two are linked via glass bridge. In contrast to the neo-classical Kunsthalle, Sammlung Frieder Burda has the air of a California mansion, distinguished by its elegance, transparency and openness. Set on the city's historic Lichtentaler Allee park and arboretum, the building is referred to by many--including its architect--as the “jewel in the park.” This newly revised assessment of the project charts the museum from its early phases to completion through numerous sketches, plans and photographs. The book also features essays by art historians and architecture critics that expand upon the structure, its function and its location.
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livres
livres
Publication:
août 2011
août 2011
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Architecture, monographies
Architecture, monographies
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livres
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The earliest libraries belonged to temples and administrative bodies, resembled our modern archives, and were usually restricted to the aristocracy, nobility, theologians, and for the use of scholars. Dispersed along the shelves of the British Library today are many volumes that once stood side by side in private libraries. This collection of essays explores some of(...)
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The earliest libraries belonged to temples and administrative bodies, resembled our modern archives, and were usually restricted to the aristocracy, nobility, theologians, and for the use of scholars. Dispersed along the shelves of the British Library today are many volumes that once stood side by side in private libraries. This collection of essays explores some of(...)
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janvier 2010
janvier 2010
Titre:
Libraries within the library: the origins of the Bristish library's printed collections
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The earliest libraries belonged to temples and administrative bodies, resembled our modern archives, and were usually restricted to the aristocracy, nobility, theologians, and for the use of scholars. Dispersed along the shelves of the British Library today are many volumes that once stood side by side in private libraries. This collection of essays explores some of the most important printed collections which have been brought together within the British Museum Library since its foundation in 1753, casting new light on the individuals whose personal interests and taste they reflect. Ranging from the library of Henry VIII to Sir Joseph Banks, and from Sir Hans Sloane to George III, this volume also acts as a handbook to provenance within the British Library collections, providing guidance on the interpretation of marks of ownership, stamps, shelfmarks and other forms of evidence to be found in particular copies.
Libraries within the library: the origins of the Bristish library's printed collections
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The earliest libraries belonged to temples and administrative bodies, resembled our modern archives, and were usually restricted to the aristocracy, nobility, theologians, and for the use of scholars. Dispersed along the shelves of the British Library today are many volumes that once stood side by side in private libraries. This collection of essays explores some of the most important printed collections which have been brought together within the British Museum Library since its foundation in 1753, casting new light on the individuals whose personal interests and taste they reflect. Ranging from the library of Henry VIII to Sir Joseph Banks, and from Sir Hans Sloane to George III, this volume also acts as a handbook to provenance within the British Library collections, providing guidance on the interpretation of marks of ownership, stamps, shelfmarks and other forms of evidence to be found in particular copies.
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livres
livres
Publication:
janvier 2010
janvier 2010
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Daido Moriyama (born 1938) first attracted international attention in the 1970s, with his gritty, black-and-white photographs of Shinjuku, a bustling area of Tokyo. Published for a spring 2012 exhibition at Reflex Art Gallery, Amsterdam, and with more than 230 large-scale images, Journey for Something offers an exciting overview of Moriyama’s new work, as well as his(...)
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Daido Moriyama (born 1938) first attracted international attention in the 1970s, with his gritty, black-and-white photographs of Shinjuku, a bustling area of Tokyo. Published for a spring 2012 exhibition at Reflex Art Gallery, Amsterdam, and with more than 230 large-scale images, Journey for Something offers an exciting overview of Moriyama’s new work, as well as his(...)
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Daido Moriyama: journey for something
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Daido Moriyama (born 1938) first attracted international attention in the 1970s, with his gritty, black-and-white photographs of Shinjuku, a bustling area of Tokyo. Published for a spring 2012 exhibition at Reflex Art Gallery, Amsterdam, and with more than 230 large-scale images, Journey for Something offers an exciting overview of Moriyama’s new work, as well as his classic images and some never-before-seen photographs that have been carefully selected by the artist for this volume. Many of Moriyama’s photographs are shot with a light, hand-held camera, at times through a window or from across the street, often as if he were a tourist himself. A wide assortment of playful and almost surrealist images, Journey for Something follows Moriyama from Tokyo to Osaka, from shimmering rows of nightclubs to shoes dangling from a telephone wire and a man running naked through the streets.
Daido Moriyama: journey for something
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Daido Moriyama (born 1938) first attracted international attention in the 1970s, with his gritty, black-and-white photographs of Shinjuku, a bustling area of Tokyo. Published for a spring 2012 exhibition at Reflex Art Gallery, Amsterdam, and with more than 230 large-scale images, Journey for Something offers an exciting overview of Moriyama’s new work, as well as his classic images and some never-before-seen photographs that have been carefully selected by the artist for this volume. Many of Moriyama’s photographs are shot with a light, hand-held camera, at times through a window or from across the street, often as if he were a tourist himself. A wide assortment of playful and almost surrealist images, Journey for Something follows Moriyama from Tokyo to Osaka, from shimmering rows of nightclubs to shoes dangling from a telephone wire and a man running naked through the streets.
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livres
livres
Publication:
janvier 2013
janvier 2013
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$65.00
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In 1958, Swiss-French architect and urban planner Le Corbusier designed the Philips Pavilion for the World's Fair in Brussels. It is the only building the artist produced for a Dutch client. The unconventional pavilion was the setting for the experimental performance "Le Poème électronique," by avant-garde composer Edgard Varèse, seen by one and a half million visitors.(...)
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In 1958, Swiss-French architect and urban planner Le Corbusier designed the Philips Pavilion for the World's Fair in Brussels. It is the only building the artist produced for a Dutch client. The unconventional pavilion was the setting for the experimental performance "Le Poème électronique," by avant-garde composer Edgard Varèse, seen by one and a half million visitors.(...)
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Inside Le Corbusier's Philips Pavilion
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In 1958, Swiss-French architect and urban planner Le Corbusier designed the Philips Pavilion for the World's Fair in Brussels. It is the only building the artist produced for a Dutch client. The unconventional pavilion was the setting for the experimental performance "Le Poème électronique," by avant-garde composer Edgard Varèse, seen by one and a half million visitors. Combining film, color, music and light, this event is regarded as the first multimedia performance for the general public. After its demolition in 1959, the pavilion became an icon of 20th-century art. The Rijksmuseum in Amsterdam hosts a scale model of the pavilion and also provides the eight-minute soundtrack of "Le Poème électronique." EYE Filmmuseum, also in Amsterdam, has kept the film footage of the performance. This monograph includes a complete overview of the Philips Pavilion, including its history, construction and detailed documentation of "Le Poème électronique."
Inside Le Corbusier's Philips Pavilion
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In 1958, Swiss-French architect and urban planner Le Corbusier designed the Philips Pavilion for the World's Fair in Brussels. It is the only building the artist produced for a Dutch client. The unconventional pavilion was the setting for the experimental performance "Le Poème électronique," by avant-garde composer Edgard Varèse, seen by one and a half million visitors. Combining film, color, music and light, this event is regarded as the first multimedia performance for the general public. After its demolition in 1959, the pavilion became an icon of 20th-century art. The Rijksmuseum in Amsterdam hosts a scale model of the pavilion and also provides the eight-minute soundtrack of "Le Poème électronique." EYE Filmmuseum, also in Amsterdam, has kept the film footage of the performance. This monograph includes a complete overview of the Philips Pavilion, including its history, construction and detailed documentation of "Le Poème électronique."
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livres
livres
Publication:
août 2015
août 2015
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$30.00
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This book accompanies Saying It, an exhibition by artists Mieke Bal & Michelle Williams Gamaker and Renate Ferro at the Freud Museum, London, curated by Joanne Morra. Besides images, and descriptions of the works in the exhibition written by the artists themselves, the book contains new essays by Cathy Caruth, Marjorie Garber, Miguel Á. Hernández-Navarro, Ranjana Khanna(...)
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This book accompanies Saying It, an exhibition by artists Mieke Bal & Michelle Williams Gamaker and Renate Ferro at the Freud Museum, London, curated by Joanne Morra. Besides images, and descriptions of the works in the exhibition written by the artists themselves, the book contains new essays by Cathy Caruth, Marjorie Garber, Miguel Á. Hernández-Navarro, Ranjana Khanna(...)
Publication:
décembre 2012
décembre 2012
Titre:
Saying it: Mieke Bal, Michelle Williams Gamaker, Renate Ferro
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This book accompanies Saying It, an exhibition by artists Mieke Bal & Michelle Williams Gamaker and Renate Ferro at the Freud Museum, London, curated by Joanne Morra. Besides images, and descriptions of the works in the exhibition written by the artists themselves, the book contains new essays by Cathy Caruth, Marjorie Garber, Miguel Á. Hernández-Navarro, Ranjana Khanna and Joanne Morra, as well as a foreword by Carol Seigel, Director of the Freud Museum. Together, the artists’ words and those of the other authors underscore the significance of Saying It as what Morra terms a ‘site-responsive’ exhibition : not only do Bal & Williams Gamaker and Ferro shed light on key concepts of psychoanalysis (psychosis, transference, screen memories), but they reveal new layers of narrative and meaning enfolded in the site where their work is displayed, namely the former home of Anna and Sigmund Freud, now a world-renowned museum and archive.
Saying it: Mieke Bal, Michelle Williams Gamaker, Renate Ferro
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This book accompanies Saying It, an exhibition by artists Mieke Bal & Michelle Williams Gamaker and Renate Ferro at the Freud Museum, London, curated by Joanne Morra. Besides images, and descriptions of the works in the exhibition written by the artists themselves, the book contains new essays by Cathy Caruth, Marjorie Garber, Miguel Á. Hernández-Navarro, Ranjana Khanna and Joanne Morra, as well as a foreword by Carol Seigel, Director of the Freud Museum. Together, the artists’ words and those of the other authors underscore the significance of Saying It as what Morra terms a ‘site-responsive’ exhibition : not only do Bal & Williams Gamaker and Ferro shed light on key concepts of psychoanalysis (psychosis, transference, screen memories), but they reveal new layers of narrative and meaning enfolded in the site where their work is displayed, namely the former home of Anna and Sigmund Freud, now a world-renowned museum and archive.
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livres
livres
Publication:
décembre 2012
décembre 2012
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Feminist Art Coalition 2020
Feminist Art Coalition 2020
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livres
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Feminist Art Coalition 2020
Feminist Art Coalition 2020
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1 volume (unpaged) : color illustrations ; 33 cm
Description:
1 volume (unpaged) : color illustrations ; 33 cm
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[Santa Monica, CA.] ; [Tokyo] : [RAM (Research of Art Media)], [©1991]
[Santa Monica, CA.] ; [Tokyo] : [RAM (Research of Art Media)], [©1991]
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Barbara Kasten, 1986-1990 / [edited by Maya Ishiwata, Theresa Luisotti ; designed by Hideyuki Taguchi, translated by Tetsuo Kinoshita].
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1 volume (unpaged) : color illustrations ; 33 cm
Barbara Kasten, 1986-1990 / [edited by Maya Ishiwata, Theresa Luisotti ; designed by Hideyuki Taguchi, translated by Tetsuo Kinoshita].
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1 volume (unpaged) : color illustrations ; 33 cm
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[Santa Monica, CA.] ; [Tokyo] : [RAM (Research of Art Media)], [©1991]
[Santa Monica, CA.] ; [Tokyo] : [RAM (Research of Art Media)], [©1991]
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In 1976, Sol LeWitt made a large group of pencil drawings on the internal walls of the Vecchia Torre, a medieval tower in the Umbrian town of Spoleto, Italy. These fragile drawings, made on walls that are susceptible to degradation, have rarely been seen and never been documented, yet they represent one of LeWitt's major works and a milestone in American conceptual art.(...)
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In 1976, Sol LeWitt made a large group of pencil drawings on the internal walls of the Vecchia Torre, a medieval tower in the Umbrian town of Spoleto, Italy. These fragile drawings, made on walls that are susceptible to degradation, have rarely been seen and never been documented, yet they represent one of LeWitt's major works and a milestone in American conceptual art.(...)
Titre:
Sol Lewitt's studio drawings in the Vecchia Torre
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In 1976, Sol LeWitt made a large group of pencil drawings on the internal walls of the Vecchia Torre, a medieval tower in the Umbrian town of Spoleto, Italy. These fragile drawings, made on walls that are susceptible to degradation, have rarely been seen and never been documented, yet they represent one of LeWitt's major works and a milestone in American conceptual art. This groundbreaking volume brings together an extended essay on LeWitt's work by art historian Rye Dag Holmboe and a series of 60 photographic plates of the drawings by artist Joschi Herczeg, giving readers an intimate experience of this singular, site-specific work. A visual archive, this book situates LeWitt's provisional, material, bodily, and highly personal drawings in their historical, biographical, and theoretical contexts. The result is nothing less than a reconsideration of LeWitt's lifework. At once a work of conservation and a reflection on the relationship between drawing and architecture, the volume sheds new and welcome light on an unseen masterpiece.
Sol Lewitt's studio drawings in the Vecchia Torre
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In 1976, Sol LeWitt made a large group of pencil drawings on the internal walls of the Vecchia Torre, a medieval tower in the Umbrian town of Spoleto, Italy. These fragile drawings, made on walls that are susceptible to degradation, have rarely been seen and never been documented, yet they represent one of LeWitt's major works and a milestone in American conceptual art. This groundbreaking volume brings together an extended essay on LeWitt's work by art historian Rye Dag Holmboe and a series of 60 photographic plates of the drawings by artist Joschi Herczeg, giving readers an intimate experience of this singular, site-specific work. A visual archive, this book situates LeWitt's provisional, material, bodily, and highly personal drawings in their historical, biographical, and theoretical contexts. The result is nothing less than a reconsideration of LeWitt's lifework. At once a work of conservation and a reflection on the relationship between drawing and architecture, the volume sheds new and welcome light on an unseen masterpiece.
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livres
livres
Publication:
avril 2023
avril 2023
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livres
livres
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$68.95
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James Carpenter is an artist and sculptor whose work focuses on developing new glass and material technologies. His interest in architecture has evolved into a unique design practice that ranges from technical glass and materials consulting to designing curtain walls, roofing systems, bridges, and sculptures. In "James Carpenter: environmental refractions", the artist's(...)
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James Carpenter is an artist and sculptor whose work focuses on developing new glass and material technologies. His interest in architecture has evolved into a unique design practice that ranges from technical glass and materials consulting to designing curtain walls, roofing systems, bridges, and sculptures. In "James Carpenter: environmental refractions", the artist's(...)
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James carpenter : environmental refractions
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James Carpenter is an artist and sculptor whose work focuses on developing new glass and material technologies. His interest in architecture has evolved into a unique design practice that ranges from technical glass and materials consulting to designing curtain walls, roofing systems, bridges, and sculptures. In "James Carpenter: environmental refractions", the artist's first monograph, author Sandro Marpillero explores the unique opportunities afforded by the transparency, reflectivity, and compressive strength of glass. With over 300 images, this book brings to light the work of an exciting designer crossing the boundaries between architecture, engineering, and fine arts. James Carpenter Design Associates, founded in 1978, has worked collaboratively with architects and engineers in the United States and abroad—including Norman Foster, Richard Meier, SOM, and Michael Van Valkenburgh — creating the artistic complement to many significant buildings. James Carpenter, in collaboration with Hellmuth, Obata + Kassabaum, have been chosen to design and build an undulating glass dome for the new Penn Station.
James carpenter : environmental refractions
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James Carpenter is an artist and sculptor whose work focuses on developing new glass and material technologies. His interest in architecture has evolved into a unique design practice that ranges from technical glass and materials consulting to designing curtain walls, roofing systems, bridges, and sculptures. In "James Carpenter: environmental refractions", the artist's first monograph, author Sandro Marpillero explores the unique opportunities afforded by the transparency, reflectivity, and compressive strength of glass. With over 300 images, this book brings to light the work of an exciting designer crossing the boundaries between architecture, engineering, and fine arts. James Carpenter Design Associates, founded in 1978, has worked collaboratively with architects and engineers in the United States and abroad—including Norman Foster, Richard Meier, SOM, and Michael Van Valkenburgh — creating the artistic complement to many significant buildings. James Carpenter, in collaboration with Hellmuth, Obata + Kassabaum, have been chosen to design and build an undulating glass dome for the new Penn Station.
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livres
livres
Publication:
août 2006, New York
août 2006, New York
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
Titre:
Thomas Ruff : m.d.p.n.
Thomas Ruff : m.d.p.n.
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" Shortly after graduating in Bridge and Road Engineering in 1929 and being appointed to the rank of reserve lieutenant, I took a look around my city. There were no patterns to follow—only examples to imitate. The grand extravagant projects were the monopoly of the regime of arrogance and favoritism. A modern fish market was needed to replace the grubby “pietra del pesce”(...)
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" Shortly after graduating in Bridge and Road Engineering in 1929 and being appointed to the rank of reserve lieutenant, I took a look around my city. There were no patterns to follow—only examples to imitate. The grand extravagant projects were the monopoly of the regime of arrogance and favoritism. A modern fish market was needed to replace the grubby “pietra del pesce”(...)
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Monographies photo
Monographies photo
Publication:
janvier 2006, Milan
janvier 2006, Milan
Titre:
Thomas Ruff : m.d.p.n.
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" Shortly after graduating in Bridge and Road Engineering in 1929 and being appointed to the rank of reserve lieutenant, I took a look around my city. There were no patterns to follow—only examples to imitate. The grand extravagant projects were the monopoly of the regime of arrogance and favoritism. A modern fish market was needed to replace the grubby “pietra del pesce” on Via Marina. I studied the problem on the spot and visited various other fish markets in Pozzuoli, Milan, Venice, Marseilles, Ostend, Hamburg. " This is how Luigi Cosenza (Naples 1905–1984) describes the genesis of his first project. The Fish Market of Naples—built in 1929 and considered the manifesto of the city’s rational architecture. This book documents the building with series of images produced by Thomas Ruff, a major contemporary artist from Germany, beginning with photos taken in the dazzling light of an early afternoon back in September 2002.
Thomas Ruff : m.d.p.n.
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" Shortly after graduating in Bridge and Road Engineering in 1929 and being appointed to the rank of reserve lieutenant, I took a look around my city. There were no patterns to follow—only examples to imitate. The grand extravagant projects were the monopoly of the regime of arrogance and favoritism. A modern fish market was needed to replace the grubby “pietra del pesce” on Via Marina. I studied the problem on the spot and visited various other fish markets in Pozzuoli, Milan, Venice, Marseilles, Ostend, Hamburg. " This is how Luigi Cosenza (Naples 1905–1984) describes the genesis of his first project. The Fish Market of Naples—built in 1929 and considered the manifesto of the city’s rational architecture. This book documents the building with series of images produced by Thomas Ruff, a major contemporary artist from Germany, beginning with photos taken in the dazzling light of an early afternoon back in September 2002.
Classification:
livres
livres
Publication:
janvier 2006, Milan
janvier 2006, Milan
Sujet:
Monographies photo
Monographies photo
