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Over the past twenty years, Camille Henrot has developed a critically acclaimed practice that moves seamlessly between drawing, painting, sculpture, installation, and film. ''Mother Tongue'' is Henrot’s first publication focused solely on painting and drawing, bringing together over 200 works from the series ''System of Attachment'', ''Wet Job'', and ''Soon'', created(...)
août 2023
Camille Henrot: Mother tongue
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Over the past twenty years, Camille Henrot has developed a critically acclaimed practice that moves seamlessly between drawing, painting, sculpture, installation, and film. ''Mother Tongue'' is Henrot’s first publication focused solely on painting and drawing, bringing together over 200 works from the series ''System of Attachment'', ''Wet Job'', and ''Soon'', created between 2018 and 2022. This recent body of work addresses the ambivalent nature of care and the tension between the simultaneous developmental need for attachment and independence, beginning at infancy and continuing throughout life. Her deeply personal and intimate interrogations ultimately relate to broader questions such as the expectations placed on mothers and the representation of the female body. This richly illustrated catalogue is accompanied by texts from Emily LaBarge, Legacy Russell, Marcus Steinweg, Hélene Cixous, Seamus Kealy, and a conversation with Camille Henrot and curator Julika Bosch.
Militant media: CRA 2
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Since its founding in 2005, the Centre for Research Architecture (CRA) at Goldsmiths, University of London, has brought together a diverse group of architects, artists, urbanists, geographers, lawyers, scientists, journalists and activists to develop research methodologies and investigative techniques to address contemporary spatial politics. Militant Media, the second(...)
Militant media: CRA 2
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Since its founding in 2005, the Centre for Research Architecture (CRA) at Goldsmiths, University of London, has brought together a diverse group of architects, artists, urbanists, geographers, lawyers, scientists, journalists and activists to develop research methodologies and investigative techniques to address contemporary spatial politics. Militant Media, the second volume in CRA’s series of publications, engages with the ethical and political implications of media and technology in relation to contemporary conflicts. In doing so, it also reflects upon the changing role of media in justice and human rights campaigns, examining a range of topics from the use of images in campaigning to the investigative potential of digital materials. In addition to critical and theoretical reflections, Militant Media offers a wide range of practice-based projects that have developed oppositional modes of representation and created new aesthetic strategies and tools.
Théorie/ philosophie
$72.00
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This catalog traces German photographer Wolfgang Tillmans' unique 2025 project at the Centre Pompidou, for which he was given a generous carte blanche. The result occupied the entire second floor of the Public Information Library, where Tillmans' experimental installation transformed the space, establishing a dialogue with the former library and questioning it both as(...)
Wolfgang Tillmans: Nothing could have prepared us – Everything could have prepared us
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This catalog traces German photographer Wolfgang Tillmans' unique 2025 project at the Centre Pompidou, for which he was given a generous carte blanche. The result occupied the entire second floor of the Public Information Library, where Tillmans' experimental installation transformed the space, establishing a dialogue with the former library and questioning it both as architecture and as a locus for the transmission of knowledge. The work explores over 35 years of artistic practice through various photographic genres and constitutes another very personal representation of his universe, whose order and logic are activated in response to the library space. With 600 images, an index of the works alternates with numerous installation shots that show how the artist made this space his own, while a varied selection of essays by a younger generation of authors sheds new light on the various aspects of Tillmans' work.
Monographies photo
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To confront the Anthropocene, designers must increasingly move between scales and across disciplines to develop new structures of knowledge and tools of representation: from the embodied to the technical, the investigative to the projective. Ultimately, this volume asks: What stakes are embedded in contemporary architectural environmental media, and how are designers(...)
Architecture as environmental media: Rendering the planetary
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To confront the Anthropocene, designers must increasingly move between scales and across disciplines to develop new structures of knowledge and tools of representation: from the embodied to the technical, the investigative to the projective. Ultimately, this volume asks: What stakes are embedded in contemporary architectural environmental media, and how are designers re-imagining this media landscape today? Chapters in the book explore counter-cartographies of migration and materials, forest ecologies and theories of abundance, hyperreal visualization and environmental simulation, architecture’s extractive and colonial systems, and pedagogies and practices for environmental futures. This book organizes these efforts into three threads of media practice: rendering visible, rendering sensible, and rendering actionable. While these categories are inextricably intertwined, they represent distinct tactical approaches to media production, each exploring possible methods to develop new knowledge systems, shift aesthetic regimes, and transform collective politics.
L'écologie de l'architecure
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''After the crisis'' offers a platform for discussions between some of today’s leading artists, writers, theorists, curators, and historians aimed at questioning the very status of photography today. Contributors come from the realms of critical theory, fiction, performance art, fashion photography, and museums, as well as film and design, and their conversations bring(...)
After the crisis: contemporary states of photography
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''After the crisis'' offers a platform for discussions between some of today’s leading artists, writers, theorists, curators, and historians aimed at questioning the very status of photography today. Contributors come from the realms of critical theory, fiction, performance art, fashion photography, and museums, as well as film and design, and their conversations bring together history and the contemporary. Comparing the current situation of photographic images with the crisis experienced by representation at the time of the birth of photography, they set our relationship with photographic images in the digital era in perspective. Through these discussions, we come to sense the existential burden of being surrounded by images, while also beginning to grasp the historical depth of a questioning of images that started long before the current generation and engages with crucial political and cultural issues of our time.
Théorie de la photographie
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This book presents an overview of the avant-garde photographic oeuvre of Shigeru Onishi from the 1950s. Whether depicting nudes, cityscapes, trees or interiors (or combinations of these realized through multiple exposures or photomontages), most striking about Onishi’s photos are his unorthodox printing methods: using a brush to coat the photographic paper with emulsion,(...)
Onishi Shigeru : A metamathematical proposition
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This book presents an overview of the avant-garde photographic oeuvre of Shigeru Onishi from the 1950s. Whether depicting nudes, cityscapes, trees or interiors (or combinations of these realized through multiple exposures or photomontages), most striking about Onishi’s photos are his unorthodox printing methods: using a brush to coat the photographic paper with emulsion, fogging, discoloration with acetic acid, creating the effect that the fixing process was incomplete, and color correction by varying the temperature during development. The painterly results show Onishi’s interest to be not conventional representation but, in his words, the visual “formation of ideas,” and bringing out “the flavors of the image as they change” by embracing all aspects of chance involved in the photographic process. “In truth,” he argues, “if your photograph consists only of planned elements, it is essentially identical to a drawing of a single equilateral triangle.”
Monographies photo
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In recent years, the specific formats and challenges of exhibiting architecture and design, both built and speculative, have often been used as critical devices for identifying, communicating, and convening the public around shared matters of concern. These have increasingly included urgent questions of equity and justice, labor, gender, race, class, community, and(...)
Futures of the architectural exhibition: Five conversations on the display of space
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In recent years, the specific formats and challenges of exhibiting architecture and design, both built and speculative, have often been used as critical devices for identifying, communicating, and convening the public around shared matters of concern. These have increasingly included urgent questions of equity and justice, labor, gender, race, class, community, and lifestyle in relation to spatial issues of density, economy, policy, infrastructure, climate, and sustainability. This book records a discussion of critical approaches to the representation of architecture through conversations with seven contemporary curators working inside and outside of the museum. Mario Ballesteros (Archivo Diseño y Arquitectura), Giovanna Borasi (Canadian Center for Architecture), Ann Lui (Future Firm), Ana Miljacki (Critical Broadcasting Lab, MIT), Zoë Ryan (ICA, University of Pennsylvania), Martino Stierli (Museum of Modern Art), and Shirley Surya (M+, Hong Kong) speculate on the specific challenges and potentials of exhibiting space.
Muséologie
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This volume examines architecture and urban design games that have been conceived and created by architects, urban designers, artists and game developers since the end of the 20th century, from doll’s houses to construction games and city building games, from SimCity to Block by Block. ''Serious fun'' examines games from both a technical and an architectural-critical(...)
Serious fun: Architecture & games
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This volume examines architecture and urban design games that have been conceived and created by architects, urban designers, artists and game developers since the end of the 20th century, from doll’s houses to construction games and city building games, from SimCity to Block by Block. ''Serious fun'' examines games from both a technical and an architectural-critical point of view. As much attention is paid to the games themselves—the way they look, their construction and rules—as to their sociospatial implications, addressing the following questions: what perception of, and interaction with, the built environment do they express? What messages do the games communicate? How critical and innovative are the underlying concepts? ''Serious fun'' presents games and playfulness as tools worthy of earnest investigation, concluding with a triptych about alternative forms of representation and communication in architecture and urban design.
Théorie de l’architecture
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This follow-up to Kate Nesbitt's best-selling anthology Theorizing a New Agenda collects twenty-eight essays that address architecture theory from the mid-1990s, where Nesbitt left off, through the present. Kristin Sykes offers an overview of the myriad approaches and attitudes adopted by architects and architectural theorists during this era. Multiple themes—including(...)
Constructing a new agenda: architectural theory, 1993-2009
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This follow-up to Kate Nesbitt's best-selling anthology Theorizing a New Agenda collects twenty-eight essays that address architecture theory from the mid-1990s, where Nesbitt left off, through the present. Kristin Sykes offers an overview of the myriad approaches and attitudes adopted by architects and architectural theorists during this era. Multiple themes—including the impact of digital technologies on processes of architectural design, production, materiality, and representation; the implications of globalization and networks of information; the growing emphasis on sustainable and green architecture; and the phenomenon of the "starchitect" and iconic architecture—appear against a background colored by architectural theory, as it existed from the 1960s on, in a period of transition (if not crisis) that centers around the perceived abyss between theory and practice. Theory's transitional state persists today, rendering its immediate history particularly relevant to contemporary thought and practice.
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Given today's multitude of demands on the built environment, the role of the architect has extended from being a mere designer and builder to acting as a mediator within a much larger network of expertise. This mediation takes place on multiple levels – within the building industry, between public, clients and designers, and between public, clients and designers, and(...)
AA Agenda 11 : mediating architecture
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Given today's multitude of demands on the built environment, the role of the architect has extended from being a mere designer and builder to acting as a mediator within a much larger network of expertise. This mediation takes place on multiple levels – within the building industry, between public, clients and designers, and between public, clients and designers, and between the actual design and its environment. To achieve this, the field of work, the tools of design and the representation of architects needs to develop. The architect has to design the design process itself. Mediating Architecture demonstrates the extended role of the architect through the applied work of AA's Diploma Unit 14 within London's Thames Gateway over three consecutive years. A series of essays reflect this methodology from the multi-disciplinary perspectives of architecture, urban design, landscape design and philosophy.
Théorie de l’architecture