Membrane structures
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In this comprehensive work to date on membrane technology for architecture, pioneers show how one of the world's oldest forms of building material is also its most innovative. Today, the cutting edge in architecture is not sharp but curved and undulating. It is also impermeable to moisture, resistant to extreme temperatures, flexible and portable. Known as the fifth(...)
Membrane structures
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$115.00
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In this comprehensive work to date on membrane technology for architecture, pioneers show how one of the world's oldest forms of building material is also its most innovative. Today, the cutting edge in architecture is not sharp but curved and undulating. It is also impermeable to moisture, resistant to extreme temperatures, flexible and portable. Known as the fifth building material after wood, stone, glass, and metal, membranes are popping up everywhere: in Olympic stadiums in Berlin and Atlanta, in airports from Denver to Bangkok, over fashion shows, formal gardens, and soccer fields. Membranes' ability to not only let in but also reflect light portends enormous possibilities for harnessing energy. This fascinating survey of membrane structures throughout the world discusses the history of the medium, describes the materials and their uses, explores the technology of membrane construction, and investigates numerous current and future projects. A final chapter offers a reasoned argument for further research and experimentation in this rapidly expanding field and a projection of its future.
Structures d’ingénierie
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Western thinking has long been dominated by essence, by a preoccupation with that which dwells in itself and delimits itself from the other. By contrast, Far Eastern thought is centred not on essence but on absence. The fundamental topos of Far Eastern thinking is not being but ‘the way’ (dao), which lacks the solidity and fixedness of essence. The difference between(...)
Absence: On the culture and philosophy of the Far East
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Western thinking has long been dominated by essence, by a preoccupation with that which dwells in itself and delimits itself from the other. By contrast, Far Eastern thought is centred not on essence but on absence. The fundamental topos of Far Eastern thinking is not being but ‘the way’ (dao), which lacks the solidity and fixedness of essence. The difference between essence and absence is the difference between being and path, between dwelling and wandering. '‘A Zen monk should be without fixed abode, like the clouds, and without fixed support, like water’', said the Japanese Zen master Dogen. Drawing on this fundamental distinction between essence and absence, Byung-Chul Han explores the differences between Western and Far Eastern philosophy, aesthetics, architecture and art, shedding fresh light on a culture of absence that may at first sight appear strange and unfamiliar to those in the West whose ways of thinking have been shaped for centuries by the preoccupation with essence.
Théorie/ philosophie
The house next door
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One house, then another, is built off in the distance. Then a road is paved through his field, and more and more houses appear all around. The house closes his shutters to wait out this alarming development. But in the dark, the house notices he is no longer pushed by the snowdrifts or battered by spring storms. And when he peeks open a shutter, he sees the house next(...)
The house next door
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One house, then another, is built off in the distance. Then a road is paved through his field, and more and more houses appear all around. The house closes his shutters to wait out this alarming development. But in the dark, the house notices he is no longer pushed by the snowdrifts or battered by spring storms. And when he peeks open a shutter, he sees the house next door glowing with a golden light. Just like his. Throwing open his shutters, he finds himself surrounded by a diverse neighborhood of homes. Together, they look forward to seeing what the wind will blow in next. With great wit and an eye-popping use of cardboard, paint and fabric, multimedia artist Claudine Crangle explores our fear of difference through the viewpoint of a small country house beset by urbanization. But not everything that’s new is bad, as the little farmhouse learns in this timely and hopeful picture book about embracing the changes in life we can’t control.
Littérature jeunesse
Pigments
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Over the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colors outside the spectrum of the natural world. "Pigments" brings together leading(...)
juin 2024
Pigments
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Over the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colors outside the spectrum of the natural world. "Pigments" brings together leading art historians and conservators to trace the history of the materials used to create color and their invention across diverse cultures and time periods. This richly illustrated book features incisive historical essays and case studies that shed light on the many forms of pigments—the organic and inorganic; the edible and the toxic; and those that are more precious than gold. It shows how pigments were as central to the earliest art forms and global trade networks as they are to commerce, ornamentation, and artistic expression today. The book reveals the innate instability and mutability of most pigments and discusses how few artworks or objects look as they did when they were first created.
$134.99
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Since the era of pre-industrial religious pilgrimages, architecture has beckoned travellers. This book charts the relationship, and even the entanglement, between architecture and tourism. It reveals how architecture is always tied to its physical site, yet is transportable in our imagination—and into the virtual spheres of social media and armchair travel. Illustrated(...)
Architectural tourism: Monumental Itineraries, Cultural Heritage, and Sites of memory
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Since the era of pre-industrial religious pilgrimages, architecture has beckoned travellers. This book charts the relationship, and even the entanglement, between architecture and tourism. It reveals how architecture is always tied to its physical site, yet is transportable in our imagination—and into the virtual spheres of social media and armchair travel. Illustrated with a range of studies of key buildings from history and the present-day, the book engagingly sheds light on topics such as the culture of ruins, the evolution of how tourists capture images of places, the rise of the designer museum, and architecture on television, film, and in other media. It asks why architectural monuments and buildings attract and compel us to visit, why we feel the need to understand cities through architectural sites such as museums, historic sites, and monuments, and how national identity is galvanised through its architecture and tourism. Sightseeing is, whether virtual or actual, site-seeing.
Théorie de l’architecture
Robert Irwin : Getty garden
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In the early 1990s the design and creation of the Central Garden at the Getty Center were entrusted to the distinguished contemporary visual artist Robert Irwin. Irwin, a member of California's "light and space" movement, was an unexpected choice for this major commission, and his work has aroused intense interest in the art world and among gardening enthusiasts and(...)
Robert Irwin : Getty garden
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In the early 1990s the design and creation of the Central Garden at the Getty Center were entrusted to the distinguished contemporary visual artist Robert Irwin. Irwin, a member of California's "light and space" movement, was an unexpected choice for this major commission, and his work has aroused intense interest in the art world and among gardening enthusiasts and visitors to the Getty Center. In "Robert Irwin Getty Garden", Lawrence Weschler offers a lively account of the creation of what Irwin has playfully termed "a sculpture in the form of a garden aspiring to be art." Weschler's narrative is followed by a transcript of conversations in which he and Irwin, in a series of walks through the garden, discuss in detail the decisions, both philosophical and practical, that shaped the making of this major art work in Southern California. The book contains more than 150 colour illustrations, many of them specially commissioned from photographer Becky Cohen.
Jardins
livres
The House at Capo d'Orso
$33.95
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How does a house shape experience? How does architecture establish a practice of living? Architect Sebastiano Brandolini invites readers on a meditative tour of his family’s house on the Sardinian coast, describing everything from the geology of the rocks beneath, to the history of the surrounding villages, to the way the shifting light measures the day. More than the(...)
The House at Capo d'Orso
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How does a house shape experience? How does architecture establish a practice of living? Architect Sebastiano Brandolini invites readers on a meditative tour of his family’s house on the Sardinian coast, describing everything from the geology of the rocks beneath, to the history of the surrounding villages, to the way the shifting light measures the day. More than the story of a single summer home written by an accomplished architect, this is a study of how place, the built environment, and daily practice make up our lives, at the most minute level of detail. Recalling the essays of Walter Benjamin, Bill Bryson, Rebecca Solnit, and Lawrence Weschler, Brandolini’s writing weaves literature, art history, and the transformation of Sardinia since the 1960s into a single fabric. "The House at Capo d’Orso" is not only a study of architecture and life in the built environment, but of family life, and the way the Brandolini family adapted themselves to the house they built.
livres
mai 2023
Théorie de l’architecture
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Dependent on the extractive practices of fossil-fueled industrial capitalism, chemical photography’s emulsions and films were highly sensitive to polluted atmospheres, and photographic companies had to work hard to control this sensitivity. Drawing on histories of empire, coal, and chemistry and from the archives of British photographic manufacturer Ilford Limited,(...)
A dirty history of photography: Chemistry, fog, and empire
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Dependent on the extractive practices of fossil-fueled industrial capitalism, chemical photography’s emulsions and films were highly sensitive to polluted atmospheres, and photographic companies had to work hard to control this sensitivity. Drawing on histories of empire, coal, and chemistry and from the archives of British photographic manufacturer Ilford Limited, Michelle Henning exposes the ways photography shaped how we see and understand the atmosphere while leaving its toxic residues in the air, soil, and water. Structured as thirty-six short chapters and with over seventy illustrations, this innovative book begins in interwar London, follows the supply of Ilford products to photographers on the West African coast, and considers photography as a military technology linked to the development of chemical warfare. Combining close readings of photographs with discussions of low-light, tropical, and aerial photography, Henning examines the extraction and development of photographic materials, their role in the current environmental crisis, and how they have shaped experiences of time and the environment.
Monographies photo
livres
Le Corbusier
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Le Corbusier is probably the most famous and certainly the most controversial architect of the twentieth century. His impact on the urban fabric around us and on the way we live has been gigantic because of the richness and variety of his work and his(...)
Le Corbusier
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Le Corbusier is probably the most famous and certainly the most controversial architect of the twentieth century. His impact on the urban fabric around us and on the way we live has been gigantic because of the richness and variety of his work and his passionately expressed philosophy of architecture. Weaving through his long and prolific life are certain recurrent themes — his perennial drive toward new types of dwelling, from the early white villas to the U'ité d'Habitation at Marseille; his evolving concepts of urban form, including the Plan Voisin of 1925 with its cruciform towers imposed on the city of Paris and his work at Chandigarh in India; and his belief in a new technocratic order. The distinguished critic and historian Kenneth Frampton reexamines all these facets of his artistic and philosophical worldview in the light of recent discoveries, and presents us with a Le Corbusier for the twenty-first century.
livres
juin 2001, London
Architecture, monographies
$56.00
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At the dawn of his international fame, architect Richard Neutra was approached by a St. Louis socialite, Grace Lewis Miller, to design a small winter home on the edge of glamour-baked Palm Springs. Miller wanted an open, light-filled house that could also act as a studio for her fashionably avant-garde exercise course in posture and grace, "The Mensendieck System." This(...)
Richard Neutra's Miller House
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At the dawn of his international fame, architect Richard Neutra was approached by a St. Louis socialite, Grace Lewis Miller, to design a small winter home on the edge of glamour-baked Palm Springs. Miller wanted an open, light-filled house that could also act as a studio for her fashionably avant-garde exercise course in posture and grace, "The Mensendieck System." This unique program, combined with the desert landscape and the proactive, health-minded client appealed to the idealist in Neutra. The frequent, fervent dialog between Neutra and Miller, who had great mutual respect, produced a work of forward-thinking and artful architecture. In "Richard Neutra's Miller House", Stephen Leet traces the conception and realization of the house, examines the complex relationship between architect and client, and shows how the Mensendieck System influenced the creation of this seminal Neutra project. Beautiful duotone photographs by Julius Shulman, excerpts from the detailed correspondence between Neutra and Miller, and sketches and drawings provide valuable insight into the design process.
Architecture, monographies