2031 Résultats
Niveau de description archivistique:
Projet
Projet
Titre:
Fun Palace Project
Fun Palace Project
Numéro de référence:
AP144.S2.D46
Description:
File documents the various unexecuted proposals for the Fun Palace Project, an interactive and adaptable, educational and cultural complex to be located in London, England. The project was commissioned by Joan Littlewood, to be erected on disused public land slated for redevelopment and intended to be dismantled after 10 years. Conceptual and design development drawings were created for a typical Fun Palace that could be erected on any suitable site, and several sites were considered, some belonging to the Civic Trust. Presentation drawings were elaborated for a Fun Palace in the Lea Valley at Mill Meads and for a later modified Pilot Project in Camden Town. Publication drawings were also created for an article in Price, Cedric. "Fun Palace Project." 'Architectural Review'. (January 1965), 74-75. The Fun Palace Trust was created to oversee the project and the file contains material from related activities of the Trust which was active until the 1970's. Existing conditions drawings begin in 1961 and include regional, zoning, and transportation maps of Greater London and a photocollage of the site. Conceptual and diagrammatic drawings include: perspectives for the structural system; plans for site access; charts for modular systems; axonometrics for modules; preliminary drawings for escalators and service towers; and studies for activity areas. A "Table of Kindred and Affinity" separates modular components physically and visually by means of activity types, circulation, and individual/group accommodations. Design development drawings for the Fun Palace Project include: plans for activity areas, site plans, typical plans, site movement/circulation plans, theatre seating plans, diagrammatic sections, volumetric structural diagrams, perspectives, charts for services for mass activities, typical mass activity enclosure types, charts for required equipment for activities, and "clamp" structural systems and studies for three dimensional versatility and modular feasibility. Design development drawings for the 1963 Camden Town Pilot Project include: site plans; diagrammatic plans showing circulation patterns; drawings showing basic cubes with components and structural panel types; details for component connections; charts for individual activity module requirements; and network analysis charts. Presentation material includes: aerial photographs mounted on board; enlargements of clippings; reprographic copies of photographs of the design models. Material in this file was created between 1961 and 1985 but predominantly between 1961 and 1974. File contains conceptual drawings, design development drawings, presentation drawings and panels, publication drawings, reference drawings, an artefact, a film reel, models, photographic material, and textual records.
AP144.S2.D46
Description:
File documents the various unexecuted proposals for the Fun Palace Project, an interactive and adaptable, educational and cultural complex to be located in London, England. The project was commissioned by Joan Littlewood, to be erected on disused public land slated for redevelopment and intended to be dismantled after 10 years. Conceptual and design development drawings were created for a typical Fun Palace that could be erected on any suitable site, and several sites were considered, some belonging to the Civic Trust. Presentation drawings were elaborated for a Fun Palace in the Lea Valley at Mill Meads and for a later modified Pilot Project in Camden Town. Publication drawings were also created for an article in Price, Cedric. "Fun Palace Project." 'Architectural Review'. (January 1965), 74-75. The Fun Palace Trust was created to oversee the project and the file contains material from related activities of the Trust which was active until the 1970's. Existing conditions drawings begin in 1961 and include regional, zoning, and transportation maps of Greater London and a photocollage of the site. Conceptual and diagrammatic drawings include: perspectives for the structural system; plans for site access; charts for modular systems; axonometrics for modules; preliminary drawings for escalators and service towers; and studies for activity areas. A "Table of Kindred and Affinity" separates modular components physically and visually by means of activity types, circulation, and individual/group accommodations. Design development drawings for the Fun Palace Project include: plans for activity areas, site plans, typical plans, site movement/circulation plans, theatre seating plans, diagrammatic sections, volumetric structural diagrams, perspectives, charts for services for mass activities, typical mass activity enclosure types, charts for required equipment for activities, and "clamp" structural systems and studies for three dimensional versatility and modular feasibility. Design development drawings for the 1963 Camden Town Pilot Project include: site plans; diagrammatic plans showing circulation patterns; drawings showing basic cubes with components and structural panel types; details for component connections; charts for individual activity module requirements; and network analysis charts. Presentation material includes: aerial photographs mounted on board; enlargements of clippings; reprographic copies of photographs of the design models. Material in this file was created between 1961 and 1985 but predominantly between 1961 and 1974. File contains conceptual drawings, design development drawings, presentation drawings and panels, publication drawings, reference drawings, an artefact, a film reel, models, photographic material, and textual records.
Personnes et institutions:
Date:
1961-1985, predominant 1961-1974
1961-1985, predominant 1961-1974
Titre:
Fun Palace Project
Actions:
AP144.S2.D46
Description:
File documents the various unexecuted proposals for the Fun Palace Project, an interactive and adaptable, educational and cultural complex to be located in London, England. The project was commissioned by Joan Littlewood, to be erected on disused public land slated for redevelopment and intended to be dismantled after 10 years. Conceptual and design development drawings were created for a typical Fun Palace that could be erected on any suitable site, and several sites were considered, some belonging to the Civic Trust. Presentation drawings were elaborated for a Fun Palace in the Lea Valley at Mill Meads and for a later modified Pilot Project in Camden Town. Publication drawings were also created for an article in Price, Cedric. "Fun Palace Project." 'Architectural Review'. (January 1965), 74-75. The Fun Palace Trust was created to oversee the project and the file contains material from related activities of the Trust which was active until the 1970's. Existing conditions drawings begin in 1961 and include regional, zoning, and transportation maps of Greater London and a photocollage of the site. Conceptual and diagrammatic drawings include: perspectives for the structural system; plans for site access; charts for modular systems; axonometrics for modules; preliminary drawings for escalators and service towers; and studies for activity areas. A "Table of Kindred and Affinity" separates modular components physically and visually by means of activity types, circulation, and individual/group accommodations. Design development drawings for the Fun Palace Project include: plans for activity areas, site plans, typical plans, site movement/circulation plans, theatre seating plans, diagrammatic sections, volumetric structural diagrams, perspectives, charts for services for mass activities, typical mass activity enclosure types, charts for required equipment for activities, and "clamp" structural systems and studies for three dimensional versatility and modular feasibility. Design development drawings for the 1963 Camden Town Pilot Project include: site plans; diagrammatic plans showing circulation patterns; drawings showing basic cubes with components and structural panel types; details for component connections; charts for individual activity module requirements; and network analysis charts. Presentation material includes: aerial photographs mounted on board; enlargements of clippings; reprographic copies of photographs of the design models. Material in this file was created between 1961 and 1985 but predominantly between 1961 and 1974. File contains conceptual drawings, design development drawings, presentation drawings and panels, publication drawings, reference drawings, an artefact, a film reel, models, photographic material, and textual records.
Fun Palace Project
Actions:
AP144.S2.D46
Description:
File documents the various unexecuted proposals for the Fun Palace Project, an interactive and adaptable, educational and cultural complex to be located in London, England. The project was commissioned by Joan Littlewood, to be erected on disused public land slated for redevelopment and intended to be dismantled after 10 years. Conceptual and design development drawings were created for a typical Fun Palace that could be erected on any suitable site, and several sites were considered, some belonging to the Civic Trust. Presentation drawings were elaborated for a Fun Palace in the Lea Valley at Mill Meads and for a later modified Pilot Project in Camden Town. Publication drawings were also created for an article in Price, Cedric. "Fun Palace Project." 'Architectural Review'. (January 1965), 74-75. The Fun Palace Trust was created to oversee the project and the file contains material from related activities of the Trust which was active until the 1970's. Existing conditions drawings begin in 1961 and include regional, zoning, and transportation maps of Greater London and a photocollage of the site. Conceptual and diagrammatic drawings include: perspectives for the structural system; plans for site access; charts for modular systems; axonometrics for modules; preliminary drawings for escalators and service towers; and studies for activity areas. A "Table of Kindred and Affinity" separates modular components physically and visually by means of activity types, circulation, and individual/group accommodations. Design development drawings for the Fun Palace Project include: plans for activity areas, site plans, typical plans, site movement/circulation plans, theatre seating plans, diagrammatic sections, volumetric structural diagrams, perspectives, charts for services for mass activities, typical mass activity enclosure types, charts for required equipment for activities, and "clamp" structural systems and studies for three dimensional versatility and modular feasibility. Design development drawings for the 1963 Camden Town Pilot Project include: site plans; diagrammatic plans showing circulation patterns; drawings showing basic cubes with components and structural panel types; details for component connections; charts for individual activity module requirements; and network analysis charts. Presentation material includes: aerial photographs mounted on board; enlargements of clippings; reprographic copies of photographs of the design models. Material in this file was created between 1961 and 1985 but predominantly between 1961 and 1974. File contains conceptual drawings, design development drawings, presentation drawings and panels, publication drawings, reference drawings, an artefact, a film reel, models, photographic material, and textual records.
Niveau de description archivistique:
File 46
File 46
Date:
1961-1985, predominant 1961-1974
1961-1985, predominant 1961-1974
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
Personnes et institutions:
Date:
2004-2006
2004-2006
Titre:
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
Niveau de description archivistique:
Series
Series
Date:
2004-2006
2004-2006
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP046.S1.1983.PR01
Description:
This project series documents the design and construction of the Canadian Centre for Architecture, Montréal, Québec. After initially working as a consultant on the CCA warehouse project in the early 1980s, Peter Rose began designing the current CCA building in 1983. Architect, Erol Argun joined the project in 1985. The CCA building integrates the historic Shaughnessy House whose restoration ran concurrently with the CCA construction and was supervised by architect Denis St-Louis. For the realization of the Canadian Centre for Architecture, Rose worked in collaboration with the CCA’s founder and consulting architect, Phyllis Lambert and architects Erol Argun and Denis St. Louis. The CCA’s unique design and construction earned Rose a Prix d'excellence from the Ordre des architectes du Québec (1989), a National Honour Award from the American Institute of Architects (1992), a Governor General’s Award for Architecture (1992), and a Medal of Excellence from the Royal Architectural Institute of Canada (1993). The drawings in this project are largely arranged chronologically from the restoration of the Shaughnessy House to the design and construction of the CCA building. The bulk of the drawings are dated between 1985 and 1989 which correspond with the dates of construction, however there is a large number of sketches from 1983 on. Any materials which are not explicitly dated have been given the date range of the project. The textual records include minutes, correspondence with contractors, consultants and suppliers which often include discussions of design revisions, reports, architectural plan record sets, administrative files, architectural change orders, and files specific to the Shaughnessy House restoration. The majority of the records follow the original file structure, the largest two categories being Consultants, and Builder / Construction manager. There are also approximately 1.32 l.m. of architectural and shop drawings which were kept with the textual records. The photographic material includes mainly research and reference photographs and documents the CCA construction phases as well as a few photographs that document the Shaughnessy House restoration. The models are presentation and development models for the CCA building. These models provide views of Shaughnessy House, the entrance pavilion to the CCA, the galleries, library, Alcan Scholar’s wing, the Paul Desmarais Theatre, mock-ups of the CCA’s handrails and exterior wall facades as well as lamp bases for the Shaughnessy House. In order to better navigate the materials it is important to note that when referring exclusively to the CCA floor plans or to floor plans which show both the CCA and Shaughnessy House, Rose often uses the term “level” with the height in feet above sea level, for example, level 149’ 9” is the main floor. However, architectural plans exclusively for Shaughnessy House often use floor numbers. It should also be noted that all plans for the Paul Desmarais Theatre are labeled as auditorium.
AP046.S1.1983.PR01
Description:
This project series documents the design and construction of the Canadian Centre for Architecture, Montréal, Québec. After initially working as a consultant on the CCA warehouse project in the early 1980s, Peter Rose began designing the current CCA building in 1983. Architect, Erol Argun joined the project in 1985. The CCA building integrates the historic Shaughnessy House whose restoration ran concurrently with the CCA construction and was supervised by architect Denis St-Louis. For the realization of the Canadian Centre for Architecture, Rose worked in collaboration with the CCA’s founder and consulting architect, Phyllis Lambert and architects Erol Argun and Denis St. Louis. The CCA’s unique design and construction earned Rose a Prix d'excellence from the Ordre des architectes du Québec (1989), a National Honour Award from the American Institute of Architects (1992), a Governor General’s Award for Architecture (1992), and a Medal of Excellence from the Royal Architectural Institute of Canada (1993). The drawings in this project are largely arranged chronologically from the restoration of the Shaughnessy House to the design and construction of the CCA building. The bulk of the drawings are dated between 1985 and 1989 which correspond with the dates of construction, however there is a large number of sketches from 1983 on. Any materials which are not explicitly dated have been given the date range of the project. The textual records include minutes, correspondence with contractors, consultants and suppliers which often include discussions of design revisions, reports, architectural plan record sets, administrative files, architectural change orders, and files specific to the Shaughnessy House restoration. The majority of the records follow the original file structure, the largest two categories being Consultants, and Builder / Construction manager. There are also approximately 1.32 l.m. of architectural and shop drawings which were kept with the textual records. The photographic material includes mainly research and reference photographs and documents the CCA construction phases as well as a few photographs that document the Shaughnessy House restoration. The models are presentation and development models for the CCA building. These models provide views of Shaughnessy House, the entrance pavilion to the CCA, the galleries, library, Alcan Scholar’s wing, the Paul Desmarais Theatre, mock-ups of the CCA’s handrails and exterior wall facades as well as lamp bases for the Shaughnessy House. In order to better navigate the materials it is important to note that when referring exclusively to the CCA floor plans or to floor plans which show both the CCA and Shaughnessy House, Rose often uses the term “level” with the height in feet above sea level, for example, level 149’ 9” is the main floor. However, architectural plans exclusively for Shaughnessy House often use floor numbers. It should also be noted that all plans for the Paul Desmarais Theatre are labeled as auditorium.
Personnes et institutions:
Date:
1983-1989
1983-1989
Titre:
Canadian Centre for Architecture, Montréal, Québec
Actions:
AP046.S1.1983.PR01
Description:
This project series documents the design and construction of the Canadian Centre for Architecture, Montréal, Québec. After initially working as a consultant on the CCA warehouse project in the early 1980s, Peter Rose began designing the current CCA building in 1983. Architect, Erol Argun joined the project in 1985. The CCA building integrates the historic Shaughnessy House whose restoration ran concurrently with the CCA construction and was supervised by architect Denis St-Louis. For the realization of the Canadian Centre for Architecture, Rose worked in collaboration with the CCA’s founder and consulting architect, Phyllis Lambert and architects Erol Argun and Denis St. Louis. The CCA’s unique design and construction earned Rose a Prix d'excellence from the Ordre des architectes du Québec (1989), a National Honour Award from the American Institute of Architects (1992), a Governor General’s Award for Architecture (1992), and a Medal of Excellence from the Royal Architectural Institute of Canada (1993). The drawings in this project are largely arranged chronologically from the restoration of the Shaughnessy House to the design and construction of the CCA building. The bulk of the drawings are dated between 1985 and 1989 which correspond with the dates of construction, however there is a large number of sketches from 1983 on. Any materials which are not explicitly dated have been given the date range of the project. The textual records include minutes, correspondence with contractors, consultants and suppliers which often include discussions of design revisions, reports, architectural plan record sets, administrative files, architectural change orders, and files specific to the Shaughnessy House restoration. The majority of the records follow the original file structure, the largest two categories being Consultants, and Builder / Construction manager. There are also approximately 1.32 l.m. of architectural and shop drawings which were kept with the textual records. The photographic material includes mainly research and reference photographs and documents the CCA construction phases as well as a few photographs that document the Shaughnessy House restoration. The models are presentation and development models for the CCA building. These models provide views of Shaughnessy House, the entrance pavilion to the CCA, the galleries, library, Alcan Scholar’s wing, the Paul Desmarais Theatre, mock-ups of the CCA’s handrails and exterior wall facades as well as lamp bases for the Shaughnessy House. In order to better navigate the materials it is important to note that when referring exclusively to the CCA floor plans or to floor plans which show both the CCA and Shaughnessy House, Rose often uses the term “level” with the height in feet above sea level, for example, level 149’ 9” is the main floor. However, architectural plans exclusively for Shaughnessy House often use floor numbers. It should also be noted that all plans for the Paul Desmarais Theatre are labeled as auditorium.
Canadian Centre for Architecture, Montréal, Québec
Actions:
AP046.S1.1983.PR01
Description:
This project series documents the design and construction of the Canadian Centre for Architecture, Montréal, Québec. After initially working as a consultant on the CCA warehouse project in the early 1980s, Peter Rose began designing the current CCA building in 1983. Architect, Erol Argun joined the project in 1985. The CCA building integrates the historic Shaughnessy House whose restoration ran concurrently with the CCA construction and was supervised by architect Denis St-Louis. For the realization of the Canadian Centre for Architecture, Rose worked in collaboration with the CCA’s founder and consulting architect, Phyllis Lambert and architects Erol Argun and Denis St. Louis. The CCA’s unique design and construction earned Rose a Prix d'excellence from the Ordre des architectes du Québec (1989), a National Honour Award from the American Institute of Architects (1992), a Governor General’s Award for Architecture (1992), and a Medal of Excellence from the Royal Architectural Institute of Canada (1993). The drawings in this project are largely arranged chronologically from the restoration of the Shaughnessy House to the design and construction of the CCA building. The bulk of the drawings are dated between 1985 and 1989 which correspond with the dates of construction, however there is a large number of sketches from 1983 on. Any materials which are not explicitly dated have been given the date range of the project. The textual records include minutes, correspondence with contractors, consultants and suppliers which often include discussions of design revisions, reports, architectural plan record sets, administrative files, architectural change orders, and files specific to the Shaughnessy House restoration. The majority of the records follow the original file structure, the largest two categories being Consultants, and Builder / Construction manager. There are also approximately 1.32 l.m. of architectural and shop drawings which were kept with the textual records. The photographic material includes mainly research and reference photographs and documents the CCA construction phases as well as a few photographs that document the Shaughnessy House restoration. The models are presentation and development models for the CCA building. These models provide views of Shaughnessy House, the entrance pavilion to the CCA, the galleries, library, Alcan Scholar’s wing, the Paul Desmarais Theatre, mock-ups of the CCA’s handrails and exterior wall facades as well as lamp bases for the Shaughnessy House. In order to better navigate the materials it is important to note that when referring exclusively to the CCA floor plans or to floor plans which show both the CCA and Shaughnessy House, Rose often uses the term “level” with the height in feet above sea level, for example, level 149’ 9” is the main floor. However, architectural plans exclusively for Shaughnessy House often use floor numbers. It should also be noted that all plans for the Paul Desmarais Theatre are labeled as auditorium.
Niveau de description archivistique:
Project
Project
Date:
1983-1989
1983-1989
Personnes et institutions:
Classification:
dessins
dessins
Titre:
Elevation of a palace façade
Elevation of a palace façade
Actions:
Numéro de référence:
DR1970:0003
Description:
This drawing shows an exterior of a residential building. The artist uses color to suggest the materials used in construction; blue-grey for the pitched slate roof, brown for masonry details and architectural sculpture, and red striations for brickwork. This combination of materials was common in early modern France, where a play on color and materiality enlivened the façades of well-known royal edifices including the chateaux of Fontainebleau and Saint-Germain-en-Laye. As with the construction technique that interwove stone with brick, the architectural style depicted in the drawing combines traditional French ideas about building with classicizing elements imported to France via Italian artists and architects as well as through printed translations of Vitruvius’s 'De architectura' and Sebastiano Serlio’s architectural treatise. The inclusion of masonry rustication and the decorative urns that punctuate the roofline suggest a knowledge of classicizing trends in architectural ornament and a familiarity with the œuvre of artists working in the circle of the first and second Écoles de Fontainebleau. The structure’s elongated form suggests a gallery and the organization of the façade borrows the combination of slightly protruding vertical bays and long horizontal registers that characterizes Pierre Lescot’s wing of the Louvre, a project that would have been well-known in court circles in the latter half of the sixteenth century. Similarly, the two winged allegorical figures flanking the central pediment are reminiscent of Jean Goujon’s sculptural additions to the Lescot wing. In the Canadian Centre for Architecture’s drawing both figures hold palms, but the artist omitted any further identifying attributes, perhaps – along with the empty niches – as an invitation for the patron to imagine his or her own thematic program for the project.
DR1970:0003
Description:
This drawing shows an exterior of a residential building. The artist uses color to suggest the materials used in construction; blue-grey for the pitched slate roof, brown for masonry details and architectural sculpture, and red striations for brickwork. This combination of materials was common in early modern France, where a play on color and materiality enlivened the façades of well-known royal edifices including the chateaux of Fontainebleau and Saint-Germain-en-Laye. As with the construction technique that interwove stone with brick, the architectural style depicted in the drawing combines traditional French ideas about building with classicizing elements imported to France via Italian artists and architects as well as through printed translations of Vitruvius’s 'De architectura' and Sebastiano Serlio’s architectural treatise. The inclusion of masonry rustication and the decorative urns that punctuate the roofline suggest a knowledge of classicizing trends in architectural ornament and a familiarity with the œuvre of artists working in the circle of the first and second Écoles de Fontainebleau. The structure’s elongated form suggests a gallery and the organization of the façade borrows the combination of slightly protruding vertical bays and long horizontal registers that characterizes Pierre Lescot’s wing of the Louvre, a project that would have been well-known in court circles in the latter half of the sixteenth century. Similarly, the two winged allegorical figures flanking the central pediment are reminiscent of Jean Goujon’s sculptural additions to the Lescot wing. In the Canadian Centre for Architecture’s drawing both figures hold palms, but the artist omitted any further identifying attributes, perhaps – along with the empty niches – as an invitation for the patron to imagine his or her own thematic program for the project.
Personnes et institutions:
Date:
first quarter of the 16th century
first quarter of the 16th century
Titre:
Elevation of a palace façade
Actions:
DR1970:0003
Description:
This drawing shows an exterior of a residential building. The artist uses color to suggest the materials used in construction; blue-grey for the pitched slate roof, brown for masonry details and architectural sculpture, and red striations for brickwork. This combination of materials was common in early modern France, where a play on color and materiality enlivened the façades of well-known royal edifices including the chateaux of Fontainebleau and Saint-Germain-en-Laye. As with the construction technique that interwove stone with brick, the architectural style depicted in the drawing combines traditional French ideas about building with classicizing elements imported to France via Italian artists and architects as well as through printed translations of Vitruvius’s 'De architectura' and Sebastiano Serlio’s architectural treatise. The inclusion of masonry rustication and the decorative urns that punctuate the roofline suggest a knowledge of classicizing trends in architectural ornament and a familiarity with the œuvre of artists working in the circle of the first and second Écoles de Fontainebleau. The structure’s elongated form suggests a gallery and the organization of the façade borrows the combination of slightly protruding vertical bays and long horizontal registers that characterizes Pierre Lescot’s wing of the Louvre, a project that would have been well-known in court circles in the latter half of the sixteenth century. Similarly, the two winged allegorical figures flanking the central pediment are reminiscent of Jean Goujon’s sculptural additions to the Lescot wing. In the Canadian Centre for Architecture’s drawing both figures hold palms, but the artist omitted any further identifying attributes, perhaps – along with the empty niches – as an invitation for the patron to imagine his or her own thematic program for the project.
Elevation of a palace façade
Actions:
DR1970:0003
Description:
This drawing shows an exterior of a residential building. The artist uses color to suggest the materials used in construction; blue-grey for the pitched slate roof, brown for masonry details and architectural sculpture, and red striations for brickwork. This combination of materials was common in early modern France, where a play on color and materiality enlivened the façades of well-known royal edifices including the chateaux of Fontainebleau and Saint-Germain-en-Laye. As with the construction technique that interwove stone with brick, the architectural style depicted in the drawing combines traditional French ideas about building with classicizing elements imported to France via Italian artists and architects as well as through printed translations of Vitruvius’s 'De architectura' and Sebastiano Serlio’s architectural treatise. The inclusion of masonry rustication and the decorative urns that punctuate the roofline suggest a knowledge of classicizing trends in architectural ornament and a familiarity with the œuvre of artists working in the circle of the first and second Écoles de Fontainebleau. The structure’s elongated form suggests a gallery and the organization of the façade borrows the combination of slightly protruding vertical bays and long horizontal registers that characterizes Pierre Lescot’s wing of the Louvre, a project that would have been well-known in court circles in the latter half of the sixteenth century. Similarly, the two winged allegorical figures flanking the central pediment are reminiscent of Jean Goujon’s sculptural additions to the Lescot wing. In the Canadian Centre for Architecture’s drawing both figures hold palms, but the artist omitted any further identifying attributes, perhaps – along with the empty niches – as an invitation for the patron to imagine his or her own thematic program for the project.
Classification:
dessins
dessins
Date:
first quarter of the 16th century
first quarter of the 16th century
Personnes et institutions:
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
ARCH270969
Description:
Contains presentation drawings from several projects by Abalos & Herreros: - Edificio administrativo por el Ministerio del Interior, Madrid (AP164.S1.1990.D3); - Edificio de oficinas de RENFE, Fuencarral, Madrid (AP164.S1.1989.D3); - Parque Cristina Enea, San Sebastián (AP164.S1.2002.D3); - + Madrid. Desarrollo urbanistico del centro historico de Madrid y de las Orillas del rio Manzanares, Madrid (AP164.S1.2004.D16); - Operación Chamartin, Madrid (AP164.S1.2002.D9); - Ordenación ferrocarril Almería (AP164.S1.2002.D15); - Urbanización del sector La Lastra, León (AP164.S1.2003.D10); - Ordenación del área de Abandoibarra, Bilbao (AP164.S1.1993.D5); - Aula medioambiental y oficinas, Arico, Tenerife (AP164.S1.1998.D1); - Recualificación de la planta de compostaje La Paloma (AP164.S1.2002.D6); - Jardines Valdemingómez, Madrid (AP164.S1.2000.D4); - El mirador: torre mixta en la bahía de Algeciras (AP164.S1.1999.D10); - Pabellón de gimnasia en el parque del Retiro, Madrid (AP164.S1.2000.D3); - Sala municipal y plaza en Colmenarejo, Madrid (AP164.S1.1997.D11); - Palencia Parque Europa (AP164.S1.1991.D2); - Viviendas, locales y garajes en la M-30, Madrid (AP164.S1.1988.D3); - Estudio Gordillo, Villanueva de la Cañada, Madrid (AP164.S1.1999.D6); - Casa Gordillo, Villanueva de la Cañada, Madrid (AP164.S1.1993.D2); - Ciudad Real (AP164.S1.2001.D8); - 10JH, Sant Andreu viviendas para jóvenes (AP164.S1.2002.D8); - Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria (AP164.S1.2002.D2); - Barcelona Forum 2004: Lineas de mobiliario urbano Xurret (AP164.S1.2000.D9.SD1); - Barcelona Forum 2004: Lineas de mobiliario urbano PEP (AP164.S1.2000.D9.SD1). Despite its imprinted title "Curr. China Bases", there is no record related to China or about any potential project or competition.
ARCH270969
Description:
Contains presentation drawings from several projects by Abalos & Herreros: - Edificio administrativo por el Ministerio del Interior, Madrid (AP164.S1.1990.D3); - Edificio de oficinas de RENFE, Fuencarral, Madrid (AP164.S1.1989.D3); - Parque Cristina Enea, San Sebastián (AP164.S1.2002.D3); - + Madrid. Desarrollo urbanistico del centro historico de Madrid y de las Orillas del rio Manzanares, Madrid (AP164.S1.2004.D16); - Operación Chamartin, Madrid (AP164.S1.2002.D9); - Ordenación ferrocarril Almería (AP164.S1.2002.D15); - Urbanización del sector La Lastra, León (AP164.S1.2003.D10); - Ordenación del área de Abandoibarra, Bilbao (AP164.S1.1993.D5); - Aula medioambiental y oficinas, Arico, Tenerife (AP164.S1.1998.D1); - Recualificación de la planta de compostaje La Paloma (AP164.S1.2002.D6); - Jardines Valdemingómez, Madrid (AP164.S1.2000.D4); - El mirador: torre mixta en la bahía de Algeciras (AP164.S1.1999.D10); - Pabellón de gimnasia en el parque del Retiro, Madrid (AP164.S1.2000.D3); - Sala municipal y plaza en Colmenarejo, Madrid (AP164.S1.1997.D11); - Palencia Parque Europa (AP164.S1.1991.D2); - Viviendas, locales y garajes en la M-30, Madrid (AP164.S1.1988.D3); - Estudio Gordillo, Villanueva de la Cañada, Madrid (AP164.S1.1999.D6); - Casa Gordillo, Villanueva de la Cañada, Madrid (AP164.S1.1993.D2); - Ciudad Real (AP164.S1.2001.D8); - 10JH, Sant Andreu viviendas para jóvenes (AP164.S1.2002.D8); - Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria (AP164.S1.2002.D2); - Barcelona Forum 2004: Lineas de mobiliario urbano Xurret (AP164.S1.2000.D9.SD1); - Barcelona Forum 2004: Lineas de mobiliario urbano PEP (AP164.S1.2000.D9.SD1). Despite its imprinted title "Curr. China Bases", there is no record related to China or about any potential project or competition.
Personnes et institutions:
Date:
circa 2004
circa 2004
Titre:
Portfolio containing dummies of a curriculum vitae of the firm Abalos & Herreros
Actions:
ARCH270969
Description:
Contains presentation drawings from several projects by Abalos & Herreros: - Edificio administrativo por el Ministerio del Interior, Madrid (AP164.S1.1990.D3); - Edificio de oficinas de RENFE, Fuencarral, Madrid (AP164.S1.1989.D3); - Parque Cristina Enea, San Sebastián (AP164.S1.2002.D3); - + Madrid. Desarrollo urbanistico del centro historico de Madrid y de las Orillas del rio Manzanares, Madrid (AP164.S1.2004.D16); - Operación Chamartin, Madrid (AP164.S1.2002.D9); - Ordenación ferrocarril Almería (AP164.S1.2002.D15); - Urbanización del sector La Lastra, León (AP164.S1.2003.D10); - Ordenación del área de Abandoibarra, Bilbao (AP164.S1.1993.D5); - Aula medioambiental y oficinas, Arico, Tenerife (AP164.S1.1998.D1); - Recualificación de la planta de compostaje La Paloma (AP164.S1.2002.D6); - Jardines Valdemingómez, Madrid (AP164.S1.2000.D4); - El mirador: torre mixta en la bahía de Algeciras (AP164.S1.1999.D10); - Pabellón de gimnasia en el parque del Retiro, Madrid (AP164.S1.2000.D3); - Sala municipal y plaza en Colmenarejo, Madrid (AP164.S1.1997.D11); - Palencia Parque Europa (AP164.S1.1991.D2); - Viviendas, locales y garajes en la M-30, Madrid (AP164.S1.1988.D3); - Estudio Gordillo, Villanueva de la Cañada, Madrid (AP164.S1.1999.D6); - Casa Gordillo, Villanueva de la Cañada, Madrid (AP164.S1.1993.D2); - Ciudad Real (AP164.S1.2001.D8); - 10JH, Sant Andreu viviendas para jóvenes (AP164.S1.2002.D8); - Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria (AP164.S1.2002.D2); - Barcelona Forum 2004: Lineas de mobiliario urbano Xurret (AP164.S1.2000.D9.SD1); - Barcelona Forum 2004: Lineas de mobiliario urbano PEP (AP164.S1.2000.D9.SD1). Despite its imprinted title "Curr. China Bases", there is no record related to China or about any potential project or competition.
Portfolio containing dummies of a curriculum vitae of the firm Abalos & Herreros
Actions:
ARCH270969
Description:
Contains presentation drawings from several projects by Abalos & Herreros: - Edificio administrativo por el Ministerio del Interior, Madrid (AP164.S1.1990.D3); - Edificio de oficinas de RENFE, Fuencarral, Madrid (AP164.S1.1989.D3); - Parque Cristina Enea, San Sebastián (AP164.S1.2002.D3); - + Madrid. Desarrollo urbanistico del centro historico de Madrid y de las Orillas del rio Manzanares, Madrid (AP164.S1.2004.D16); - Operación Chamartin, Madrid (AP164.S1.2002.D9); - Ordenación ferrocarril Almería (AP164.S1.2002.D15); - Urbanización del sector La Lastra, León (AP164.S1.2003.D10); - Ordenación del área de Abandoibarra, Bilbao (AP164.S1.1993.D5); - Aula medioambiental y oficinas, Arico, Tenerife (AP164.S1.1998.D1); - Recualificación de la planta de compostaje La Paloma (AP164.S1.2002.D6); - Jardines Valdemingómez, Madrid (AP164.S1.2000.D4); - El mirador: torre mixta en la bahía de Algeciras (AP164.S1.1999.D10); - Pabellón de gimnasia en el parque del Retiro, Madrid (AP164.S1.2000.D3); - Sala municipal y plaza en Colmenarejo, Madrid (AP164.S1.1997.D11); - Palencia Parque Europa (AP164.S1.1991.D2); - Viviendas, locales y garajes en la M-30, Madrid (AP164.S1.1988.D3); - Estudio Gordillo, Villanueva de la Cañada, Madrid (AP164.S1.1999.D6); - Casa Gordillo, Villanueva de la Cañada, Madrid (AP164.S1.1993.D2); - Ciudad Real (AP164.S1.2001.D8); - 10JH, Sant Andreu viviendas para jóvenes (AP164.S1.2002.D8); - Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria (AP164.S1.2002.D2); - Barcelona Forum 2004: Lineas de mobiliario urbano Xurret (AP164.S1.2000.D9.SD1); - Barcelona Forum 2004: Lineas de mobiliario urbano PEP (AP164.S1.2000.D9.SD1). Despite its imprinted title "Curr. China Bases", there is no record related to China or about any potential project or competition.
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
circa 2004
circa 2004
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP177
Résumé:
The RUR Architecture Kansai-kan of the National Diet Library project records, circa 1996, document the New York based firm’s competition entry for the Kansai Science City branch of Japan’s National Diet Library. Records show integration of landscape in the building’s design, exploration of the relationship between structure and surface, and a multimedia approach to building design. Records include 169 digital files, mostly CAD models and images; 42 drawings and printed renderings; and 5 models and casts.
AP177
Résumé:
The RUR Architecture Kansai-kan of the National Diet Library project records, circa 1996, document the New York based firm’s competition entry for the Kansai Science City branch of Japan’s National Diet Library. Records show integration of landscape in the building’s design, exploration of the relationship between structure and surface, and a multimedia approach to building design. Records include 169 digital files, mostly CAD models and images; 42 drawings and printed renderings; and 5 models and casts.
Personnes et institutions:
Date:
1996-2015
1996-2015
Titre:
Documents d’archives de RUR Architecture pour le projet Kansai-kan, National Diet Library
Actions:
AP177
Résumé:
The RUR Architecture Kansai-kan of the National Diet Library project records, circa 1996, document the New York based firm’s competition entry for the Kansai Science City branch of Japan’s National Diet Library. Records show integration of landscape in the building’s design, exploration of the relationship between structure and surface, and a multimedia approach to building design. Records include 169 digital files, mostly CAD models and images; 42 drawings and printed renderings; and 5 models and casts.
Documents d’archives de RUR Architecture pour le projet Kansai-kan, National Diet Library
Actions:
AP177
Résumé:
The RUR Architecture Kansai-kan of the National Diet Library project records, circa 1996, document the New York based firm’s competition entry for the Kansai Science City branch of Japan’s National Diet Library. Records show integration of landscape in the building’s design, exploration of the relationship between structure and surface, and a multimedia approach to building design. Records include 169 digital files, mostly CAD models and images; 42 drawings and printed renderings; and 5 models and casts.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1996-2015
1996-2015
Personnes et institutions:
Classification:
audio
audio
Titre:
Lectures
Lectures
Numéro de référence:
DR1999:0361
Description:
audiocassettes include: 1986 (X1) August 4th: PDE & J. H - House I & House II; 1987 (X2) October 13th: Grotesque II Cooper; October 27th - Cooper: Grotesque III; 1988 (X8) April: 15th - Arizona State, Grotesque; September: 12th - P.E. at Cooper Union; 20th , 26th - P.E. at Cooper on Terragni; October: 4th ,10th - P.E. at Cooper on Terragni; 14th - P.E/Kipnis at OSU; 17th - Asilo Infantile/Terragni at Cooper; 1989 (X50) March: 6th - Cooper; April: 6th & 13th - OSU; 12th - University of California, Irvine (X2); 13th - OSU May: 4th - Texas Tech " Weak Image"; 25th - OSU (X3); August: 22nd - Kip & Eisenman; September: 11th , 12th - Cooper; 13th - Kip & Johnson on PDE; 28th - Cooper; 28th , 29th- OSU; October: 2nd , 3rd , 9th , 10th - Cooper; 13th - OSU (X6); 16th , 18th - Cooper; 20th - OSU; 23rd , 31st - Cooper; November: 2nd - Cooper; 3rd - Cooper (X2); 9th - Cooper; 10th - OSU (X2); 17th - OSU (X2); 20th - Cooper; December: 4th - OSU; Undated: All School Lecture Series Fall 1989; Eisenman/Hejduk; Wexner Center for the Visual Arts, 1989; 1990 (X36) February: 5th, 12th , 20th, 26th, 27th - Cooper; March: 1st - Cincinnati Presentation; 5th, 19th, 20th, 26th - Cooper; lecture on Guardiola House (Sintra Portugal); April: 3rd - Cooper; 5th , 11th- Chicago; 16th - Cooper; 19th - Eisenman/R.M.; 24th - Cooper; 25th - Chicago; May: 1st - Cooper; 2nd - Chicago; 7th - Cooper; 10th & 11th , 18th, 29th - Chicago; June: 16th - Any: One Etc. Meeting June 14, 1990; 18th - summer seminar (X2); July: 3rd - Koizumi lecture; 18th - summer seminar (X2); August: 15th - seminar # 4; 22nd - seminar; September: 20th - PDE & Yatsuka; October: 15th - Cooper (Yale essays introduction); December: 18th , 19th - Frankfurt Competition; 1991 (X4) April: 22nd - Cooper/Blanchard; May: 7th - Cooper/Blanchard; June: 12th - Gehry/Eisenman; July: 30th - P.E. seminar #3; 1992 (X15) January: 9th - Philip Johnson; March ?: Rice University Kennon Memorial (X2); May: 7th - Empay; July: 2nd - PDE seminar #2; 10th - seminar #2; 24th - seminar #3; 24th - seminar #4; 31st - seminar; August: 31st - Düsseldorf; December: 15th - Max Reinhardt Haus; 29th - WOSU FM Columbus; 1992 - 1993 (X3) Proust; 1993 (X8) summer lecture '93 Derrida Conference (X3); August: 6th , 13th, 20th, 27th - summer seminar; September: 22nd - Inside: The Difference; UNDATED (X32): Cooper/Blanchard 3; Blanchot; The Sea; Cooper/Blanchard; Eisenman Pt. 3; Hejduk & Eisenman House I & House II; Blanchot; Eisenman #1; "The Writing of the Disaster"; PDE & Isozaki July 10th; Banyoles staff meeting 10/5; DAAP project meeting; Alberti; German interview; Cooper/Blanchot 2; Nakamura & P. Johnson on PDE; P.E. Heimrod 9/16; Eisenman/Hejduk #3; Eisenman/Hejduk #4; unidentified; lecture on pinchin; unidentified; lecture on classicism - architecture; Eisenman & Hejduk #2; Cooper Bataille; Folding in Architecture; unidentified; Alcatraz; PDE seminar #3; PDE seminar #6; Eisenman #4; Eisenman #2;
DR1999:0361
Description:
audiocassettes include: 1986 (X1) August 4th: PDE & J. H - House I & House II; 1987 (X2) October 13th: Grotesque II Cooper; October 27th - Cooper: Grotesque III; 1988 (X8) April: 15th - Arizona State, Grotesque; September: 12th - P.E. at Cooper Union; 20th , 26th - P.E. at Cooper on Terragni; October: 4th ,10th - P.E. at Cooper on Terragni; 14th - P.E/Kipnis at OSU; 17th - Asilo Infantile/Terragni at Cooper; 1989 (X50) March: 6th - Cooper; April: 6th & 13th - OSU; 12th - University of California, Irvine (X2); 13th - OSU May: 4th - Texas Tech " Weak Image"; 25th - OSU (X3); August: 22nd - Kip & Eisenman; September: 11th , 12th - Cooper; 13th - Kip & Johnson on PDE; 28th - Cooper; 28th , 29th- OSU; October: 2nd , 3rd , 9th , 10th - Cooper; 13th - OSU (X6); 16th , 18th - Cooper; 20th - OSU; 23rd , 31st - Cooper; November: 2nd - Cooper; 3rd - Cooper (X2); 9th - Cooper; 10th - OSU (X2); 17th - OSU (X2); 20th - Cooper; December: 4th - OSU; Undated: All School Lecture Series Fall 1989; Eisenman/Hejduk; Wexner Center for the Visual Arts, 1989; 1990 (X36) February: 5th, 12th , 20th, 26th, 27th - Cooper; March: 1st - Cincinnati Presentation; 5th, 19th, 20th, 26th - Cooper; lecture on Guardiola House (Sintra Portugal); April: 3rd - Cooper; 5th , 11th- Chicago; 16th - Cooper; 19th - Eisenman/R.M.; 24th - Cooper; 25th - Chicago; May: 1st - Cooper; 2nd - Chicago; 7th - Cooper; 10th & 11th , 18th, 29th - Chicago; June: 16th - Any: One Etc. Meeting June 14, 1990; 18th - summer seminar (X2); July: 3rd - Koizumi lecture; 18th - summer seminar (X2); August: 15th - seminar # 4; 22nd - seminar; September: 20th - PDE & Yatsuka; October: 15th - Cooper (Yale essays introduction); December: 18th , 19th - Frankfurt Competition; 1991 (X4) April: 22nd - Cooper/Blanchard; May: 7th - Cooper/Blanchard; June: 12th - Gehry/Eisenman; July: 30th - P.E. seminar #3; 1992 (X15) January: 9th - Philip Johnson; March ?: Rice University Kennon Memorial (X2); May: 7th - Empay; July: 2nd - PDE seminar #2; 10th - seminar #2; 24th - seminar #3; 24th - seminar #4; 31st - seminar; August: 31st - Düsseldorf; December: 15th - Max Reinhardt Haus; 29th - WOSU FM Columbus; 1992 - 1993 (X3) Proust; 1993 (X8) summer lecture '93 Derrida Conference (X3); August: 6th , 13th, 20th, 27th - summer seminar; September: 22nd - Inside: The Difference; UNDATED (X32): Cooper/Blanchard 3; Blanchot; The Sea; Cooper/Blanchard; Eisenman Pt. 3; Hejduk & Eisenman House I & House II; Blanchot; Eisenman #1; "The Writing of the Disaster"; PDE & Isozaki July 10th; Banyoles staff meeting 10/5; DAAP project meeting; Alberti; German interview; Cooper/Blanchot 2; Nakamura & P. Johnson on PDE; P.E. Heimrod 9/16; Eisenman/Hejduk #3; Eisenman/Hejduk #4; unidentified; lecture on pinchin; unidentified; lecture on classicism - architecture; Eisenman & Hejduk #2; Cooper Bataille; Folding in Architecture; unidentified; Alcatraz; PDE seminar #3; PDE seminar #6; Eisenman #4; Eisenman #2;
Personnes et institutions:
Titre:
Lectures
Actions:
DR1999:0361
Description:
audiocassettes include: 1986 (X1) August 4th: PDE & J. H - House I & House II; 1987 (X2) October 13th: Grotesque II Cooper; October 27th - Cooper: Grotesque III; 1988 (X8) April: 15th - Arizona State, Grotesque; September: 12th - P.E. at Cooper Union; 20th , 26th - P.E. at Cooper on Terragni; October: 4th ,10th - P.E. at Cooper on Terragni; 14th - P.E/Kipnis at OSU; 17th - Asilo Infantile/Terragni at Cooper; 1989 (X50) March: 6th - Cooper; April: 6th & 13th - OSU; 12th - University of California, Irvine (X2); 13th - OSU May: 4th - Texas Tech " Weak Image"; 25th - OSU (X3); August: 22nd - Kip & Eisenman; September: 11th , 12th - Cooper; 13th - Kip & Johnson on PDE; 28th - Cooper; 28th , 29th- OSU; October: 2nd , 3rd , 9th , 10th - Cooper; 13th - OSU (X6); 16th , 18th - Cooper; 20th - OSU; 23rd , 31st - Cooper; November: 2nd - Cooper; 3rd - Cooper (X2); 9th - Cooper; 10th - OSU (X2); 17th - OSU (X2); 20th - Cooper; December: 4th - OSU; Undated: All School Lecture Series Fall 1989; Eisenman/Hejduk; Wexner Center for the Visual Arts, 1989; 1990 (X36) February: 5th, 12th , 20th, 26th, 27th - Cooper; March: 1st - Cincinnati Presentation; 5th, 19th, 20th, 26th - Cooper; lecture on Guardiola House (Sintra Portugal); April: 3rd - Cooper; 5th , 11th- Chicago; 16th - Cooper; 19th - Eisenman/R.M.; 24th - Cooper; 25th - Chicago; May: 1st - Cooper; 2nd - Chicago; 7th - Cooper; 10th & 11th , 18th, 29th - Chicago; June: 16th - Any: One Etc. Meeting June 14, 1990; 18th - summer seminar (X2); July: 3rd - Koizumi lecture; 18th - summer seminar (X2); August: 15th - seminar # 4; 22nd - seminar; September: 20th - PDE & Yatsuka; October: 15th - Cooper (Yale essays introduction); December: 18th , 19th - Frankfurt Competition; 1991 (X4) April: 22nd - Cooper/Blanchard; May: 7th - Cooper/Blanchard; June: 12th - Gehry/Eisenman; July: 30th - P.E. seminar #3; 1992 (X15) January: 9th - Philip Johnson; March ?: Rice University Kennon Memorial (X2); May: 7th - Empay; July: 2nd - PDE seminar #2; 10th - seminar #2; 24th - seminar #3; 24th - seminar #4; 31st - seminar; August: 31st - Düsseldorf; December: 15th - Max Reinhardt Haus; 29th - WOSU FM Columbus; 1992 - 1993 (X3) Proust; 1993 (X8) summer lecture '93 Derrida Conference (X3); August: 6th , 13th, 20th, 27th - summer seminar; September: 22nd - Inside: The Difference; UNDATED (X32): Cooper/Blanchard 3; Blanchot; The Sea; Cooper/Blanchard; Eisenman Pt. 3; Hejduk & Eisenman House I & House II; Blanchot; Eisenman #1; "The Writing of the Disaster"; PDE & Isozaki July 10th; Banyoles staff meeting 10/5; DAAP project meeting; Alberti; German interview; Cooper/Blanchot 2; Nakamura & P. Johnson on PDE; P.E. Heimrod 9/16; Eisenman/Hejduk #3; Eisenman/Hejduk #4; unidentified; lecture on pinchin; unidentified; lecture on classicism - architecture; Eisenman & Hejduk #2; Cooper Bataille; Folding in Architecture; unidentified; Alcatraz; PDE seminar #3; PDE seminar #6; Eisenman #4; Eisenman #2;
Lectures
Actions:
DR1999:0361
Description:
audiocassettes include: 1986 (X1) August 4th: PDE & J. H - House I & House II; 1987 (X2) October 13th: Grotesque II Cooper; October 27th - Cooper: Grotesque III; 1988 (X8) April: 15th - Arizona State, Grotesque; September: 12th - P.E. at Cooper Union; 20th , 26th - P.E. at Cooper on Terragni; October: 4th ,10th - P.E. at Cooper on Terragni; 14th - P.E/Kipnis at OSU; 17th - Asilo Infantile/Terragni at Cooper; 1989 (X50) March: 6th - Cooper; April: 6th & 13th - OSU; 12th - University of California, Irvine (X2); 13th - OSU May: 4th - Texas Tech " Weak Image"; 25th - OSU (X3); August: 22nd - Kip & Eisenman; September: 11th , 12th - Cooper; 13th - Kip & Johnson on PDE; 28th - Cooper; 28th , 29th- OSU; October: 2nd , 3rd , 9th , 10th - Cooper; 13th - OSU (X6); 16th , 18th - Cooper; 20th - OSU; 23rd , 31st - Cooper; November: 2nd - Cooper; 3rd - Cooper (X2); 9th - Cooper; 10th - OSU (X2); 17th - OSU (X2); 20th - Cooper; December: 4th - OSU; Undated: All School Lecture Series Fall 1989; Eisenman/Hejduk; Wexner Center for the Visual Arts, 1989; 1990 (X36) February: 5th, 12th , 20th, 26th, 27th - Cooper; March: 1st - Cincinnati Presentation; 5th, 19th, 20th, 26th - Cooper; lecture on Guardiola House (Sintra Portugal); April: 3rd - Cooper; 5th , 11th- Chicago; 16th - Cooper; 19th - Eisenman/R.M.; 24th - Cooper; 25th - Chicago; May: 1st - Cooper; 2nd - Chicago; 7th - Cooper; 10th & 11th , 18th, 29th - Chicago; June: 16th - Any: One Etc. Meeting June 14, 1990; 18th - summer seminar (X2); July: 3rd - Koizumi lecture; 18th - summer seminar (X2); August: 15th - seminar # 4; 22nd - seminar; September: 20th - PDE & Yatsuka; October: 15th - Cooper (Yale essays introduction); December: 18th , 19th - Frankfurt Competition; 1991 (X4) April: 22nd - Cooper/Blanchard; May: 7th - Cooper/Blanchard; June: 12th - Gehry/Eisenman; July: 30th - P.E. seminar #3; 1992 (X15) January: 9th - Philip Johnson; March ?: Rice University Kennon Memorial (X2); May: 7th - Empay; July: 2nd - PDE seminar #2; 10th - seminar #2; 24th - seminar #3; 24th - seminar #4; 31st - seminar; August: 31st - Düsseldorf; December: 15th - Max Reinhardt Haus; 29th - WOSU FM Columbus; 1992 - 1993 (X3) Proust; 1993 (X8) summer lecture '93 Derrida Conference (X3); August: 6th , 13th, 20th, 27th - summer seminar; September: 22nd - Inside: The Difference; UNDATED (X32): Cooper/Blanchard 3; Blanchot; The Sea; Cooper/Blanchard; Eisenman Pt. 3; Hejduk & Eisenman House I & House II; Blanchot; Eisenman #1; "The Writing of the Disaster"; PDE & Isozaki July 10th; Banyoles staff meeting 10/5; DAAP project meeting; Alberti; German interview; Cooper/Blanchot 2; Nakamura & P. Johnson on PDE; P.E. Heimrod 9/16; Eisenman/Hejduk #3; Eisenman/Hejduk #4; unidentified; lecture on pinchin; unidentified; lecture on classicism - architecture; Eisenman & Hejduk #2; Cooper Bataille; Folding in Architecture; unidentified; Alcatraz; PDE seminar #3; PDE seminar #6; Eisenman #4; Eisenman #2;
Classification:
audio
audio
Personnes et institutions:
Classification:
périodiques
périodiques
Titre:
Any : Architecture New York.
Any : Architecture New York.
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Exemplaires:
Description:
27 v. : ill. ; 38 cm.
Description:
27 v. : ill. ; 38 cm.
Auteur:
Sujet:
Publication:
New York, NY : Anyone Corp., c1993-c2000.
New York, NY : Anyone Corp., c1993-c2000.
Classification:
périodiques
périodiques
Publication:
New York, NY : Anyone Corp., c1993-c2000.
New York, NY : Anyone Corp., c1993-c2000.
Auteur:
Sujet:
Classification:
périodiques
périodiques
Titre:
Any : Architecture New York.
Any : Architecture New York.
Actions:
Auteur:
Sujet:
Publication:
New York, NY : Anyone Corp., ©1993-
New York, NY : Anyone Corp., ©1993-
Classification:
périodiques
périodiques
Publication:
New York, NY : Anyone Corp., ©1993-
New York, NY : Anyone Corp., ©1993-
Auteur:
Sujet:
Classification:
archives
archives
Classification:
archives
archives
Sujet:
