5689 Résultats
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Energy humanities is a field of scholarship that, like medical humanities and digital humanities before it, overcomes traditional boundaries between the disciplines and between academic and applied research. Like its predecessors, energy humanities highlights the essential contribution that the insights and methods of the human sciences can make to areas of study and(...)
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Energy humanities is a field of scholarship that, like medical humanities and digital humanities before it, overcomes traditional boundaries between the disciplines and between academic and applied research. Like its predecessors, energy humanities highlights the essential contribution that the insights and methods of the human sciences can make to areas of study and(...)
Publication:
février 2017
février 2017
Titre:
Energy humanities: an anthology
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Energy humanities is a field of scholarship that, like medical humanities and digital humanities before it, overcomes traditional boundaries between the disciplines and between academic and applied research. Like its predecessors, energy humanities highlights the essential contribution that the insights and methods of the human sciences can make to areas of study and analysis once thought best left to the natural sciences. This isn't a case of the humanities simply helping their cross-campus colleagues to learn the mechanics of communication so that they might better articulate their ideas. Rather, these fields of scholarship are ones that demonstrate how the scale and complexity of the issues being explored demand insights and approaches that transcendold school disciplinary boundaries. "Energy humanities : a reader" offers a carefully curated selection of the best and most influential work in energy humanities that has appeared over the past decade. To stay true to the diverse work that makes up this emergent field, selections range from anthropology and geography to philosophy, history, and cultural studies to recent energy-focused interventions in art and literature. The three readers all agree that this is an important, ground-breaking collection of work.
Energy humanities: an anthology
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$64.95
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Energy humanities is a field of scholarship that, like medical humanities and digital humanities before it, overcomes traditional boundaries between the disciplines and between academic and applied research. Like its predecessors, energy humanities highlights the essential contribution that the insights and methods of the human sciences can make to areas of study and analysis once thought best left to the natural sciences. This isn't a case of the humanities simply helping their cross-campus colleagues to learn the mechanics of communication so that they might better articulate their ideas. Rather, these fields of scholarship are ones that demonstrate how the scale and complexity of the issues being explored demand insights and approaches that transcendold school disciplinary boundaries. "Energy humanities : a reader" offers a carefully curated selection of the best and most influential work in energy humanities that has appeared over the past decade. To stay true to the diverse work that makes up this emergent field, selections range from anthropology and geography to philosophy, history, and cultural studies to recent energy-focused interventions in art and literature. The three readers all agree that this is an important, ground-breaking collection of work.
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livres
Publication:
février 2017
février 2017
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livres
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Dadaglobe reconstructed
Dadaglobe reconstructed
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Dadaglobe was to be the definitive anthology of the Dada movement. Had it been published in 1921 as planned, it would have constituted more than one hundred artworks by some thirty artists from seven countries, showing Dada to be an artistic and literary movement with truly global reach. Yet, mainly due to a lack of funding, it remained unpublished, a remarkable void in(...)
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Dadaglobe was to be the definitive anthology of the Dada movement. Had it been published in 1921 as planned, it would have constituted more than one hundred artworks by some thirty artists from seven countries, showing Dada to be an artistic and literary movement with truly global reach. Yet, mainly due to a lack of funding, it remained unpublished, a remarkable void in(...)
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Dadaglobe reconstructed
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Dadaglobe was to be the definitive anthology of the Dada movement. Had it been published in 1921 as planned, it would have constituted more than one hundred artworks by some thirty artists from seven countries, showing Dada to be an artistic and literary movement with truly global reach. Yet, mainly due to a lack of funding, it remained unpublished, a remarkable void in the literature on this early-twentieth-century movement. On the one-hundredth anniversary of the founding of Dada in Zurich, Dadaglobe Reconstructed restores this fascinating literary artifact with reproductions of the works of art received by the Romanian poet and cofounder of the Dada movement Tristan Tzara. Tzara’s call for submissions in four categories—drawings, photographs of artworks, photographic self-portraits, and book layouts—was met not merely with existing works. In fact, the parameters for production also served as a catalyst for the creation of many new ones, including some of the Dada movement’s most iconic works. For the first time, the collection is presented here in full color and alongside essays examining Tzara’s concept and the history of Dada and Dadaglobe.
Dadaglobe reconstructed
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Dadaglobe was to be the definitive anthology of the Dada movement. Had it been published in 1921 as planned, it would have constituted more than one hundred artworks by some thirty artists from seven countries, showing Dada to be an artistic and literary movement with truly global reach. Yet, mainly due to a lack of funding, it remained unpublished, a remarkable void in the literature on this early-twentieth-century movement. On the one-hundredth anniversary of the founding of Dada in Zurich, Dadaglobe Reconstructed restores this fascinating literary artifact with reproductions of the works of art received by the Romanian poet and cofounder of the Dada movement Tristan Tzara. Tzara’s call for submissions in four categories—drawings, photographs of artworks, photographic self-portraits, and book layouts—was met not merely with existing works. In fact, the parameters for production also served as a catalyst for the creation of many new ones, including some of the Dada movement’s most iconic works. For the first time, the collection is presented here in full color and alongside essays examining Tzara’s concept and the history of Dada and Dadaglobe.
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livres
livres
Publication:
mai 2016
mai 2016
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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$74.95
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The Unknown City takes its place in the emerging architectural literature that looks beyond design process and buildings to discover new ways of looking at the urban experience. A multistranded contemplation of the notion of "knowing a place," it is about both the existence and the possibilities of architecture and the city. An important inspiration for the book is the(...)
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The Unknown City takes its place in the emerging architectural literature that looks beyond design process and buildings to discover new ways of looking at the urban experience. A multistranded contemplation of the notion of "knowing a place," it is about both the existence and the possibilities of architecture and the city. An important inspiration for the book is the(...)
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Publication:
juin 2000, Cambridge, Mass.
juin 2000, Cambridge, Mass.
Titre:
The unknown city : contesting architecture and social space
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The Unknown City takes its place in the emerging architectural literature that looks beyond design process and buildings to discover new ways of looking at the urban experience. A multistranded contemplation of the notion of "knowing a place," it is about both the existence and the possibilities of architecture and the city. An important inspiration for the book is the work of Henri Lefebvre, in particular his ideas on space as a historical production. Many of the essays also draw on the social critique and tactics of the Situationist movement. The international gathering of contributors includes art, architectural, and urban historians and theorists; urban geographers; architects, artists, and filmmakers; and literary and cultural theorists. The essays range from abstract considerations of spatial production and representation to such concrete examples of urban domination as video surveillance and Regency London as the site of male pleasure. Although many of the essays are driven by social, cultural, and urban theory, they also tell real stories about real places. Each piece is in some way a critique of capitalism and a thought experiment about how designers and city dwellers working together can shape the cities of tomorrow.
The unknown city : contesting architecture and social space
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The Unknown City takes its place in the emerging architectural literature that looks beyond design process and buildings to discover new ways of looking at the urban experience. A multistranded contemplation of the notion of "knowing a place," it is about both the existence and the possibilities of architecture and the city. An important inspiration for the book is the work of Henri Lefebvre, in particular his ideas on space as a historical production. Many of the essays also draw on the social critique and tactics of the Situationist movement. The international gathering of contributors includes art, architectural, and urban historians and theorists; urban geographers; architects, artists, and filmmakers; and literary and cultural theorists. The essays range from abstract considerations of spatial production and representation to such concrete examples of urban domination as video surveillance and Regency London as the site of male pleasure. Although many of the essays are driven by social, cultural, and urban theory, they also tell real stories about real places. Each piece is in some way a critique of capitalism and a thought experiment about how designers and city dwellers working together can shape the cities of tomorrow.
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livres
livres
Publication:
juin 2000, Cambridge, Mass.
juin 2000, Cambridge, Mass.
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
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$29.95
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This book explores the experience of driving cars as a way of encountering landscapes and cities around the world. A richly illustrated cultural history, drawing on social and urban history, art, literature and music, Drive explores in particular how car driving is portrayed in cinema and other moving images, from America to Europe and Asia, and from Hollywood to the(...)
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This book explores the experience of driving cars as a way of encountering landscapes and cities around the world. A richly illustrated cultural history, drawing on social and urban history, art, literature and music, Drive explores in particular how car driving is portrayed in cinema and other moving images, from America to Europe and Asia, and from Hollywood to the(...)
Titre:
Drive : journeys through film, cities and landscapes
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This book explores the experience of driving cars as a way of encountering landscapes and cities around the world. A richly illustrated cultural history, drawing on social and urban history, art, literature and music, Drive explores in particular how car driving is portrayed in cinema and other moving images, from America to Europe and Asia, and from Hollywood to the avant-garde. Drive is about dynamic journeys, experiences and speeds, rooted in specific places and roads, and expanded into the realm of cinema, art and video games. It moves from the gentle deserts of The Grapes of Wrath to the adventurous city streets of The Italian Job, from the aesthetic delights of Rain Man and Traffic to the existential musings of Two-Lane Blacktop, Thelma and Louise and Vanishing Point, from the contemplative freeway pleasures of Lift to the Scaffold, Radio On and London Orbital to the hallucinatory high-speed dangers of Crash, Bullitt, Death Proof and C’était un Rendezvous. It shows how various kinds of driving – with different speeds, cars, attitudes, roads and cities – provide experiences and values that we ignore at our peril.
Drive : journeys through film, cities and landscapes
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$29.95
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This book explores the experience of driving cars as a way of encountering landscapes and cities around the world. A richly illustrated cultural history, drawing on social and urban history, art, literature and music, Drive explores in particular how car driving is portrayed in cinema and other moving images, from America to Europe and Asia, and from Hollywood to the avant-garde. Drive is about dynamic journeys, experiences and speeds, rooted in specific places and roads, and expanded into the realm of cinema, art and video games. It moves from the gentle deserts of The Grapes of Wrath to the adventurous city streets of The Italian Job, from the aesthetic delights of Rain Man and Traffic to the existential musings of Two-Lane Blacktop, Thelma and Louise and Vanishing Point, from the contemplative freeway pleasures of Lift to the Scaffold, Radio On and London Orbital to the hallucinatory high-speed dangers of Crash, Bullitt, Death Proof and C’était un Rendezvous. It shows how various kinds of driving – with different speeds, cars, attitudes, roads and cities – provide experiences and values that we ignore at our peril.
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livres
livres
Publication:
septembre 2012
septembre 2012
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livres
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$32.95
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Dystopic imagery has figured prominently in modern depictions of the urban landscape. The city is often portrayed as a terrifying world of darkness, crisis, and catastrophe. Noir Urbanisms traces the history of the modern city through its critical representations in art, cinema, print journalism, literature, sociology, and architecture. It focuses on visual forms of(...)
$32.95
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Dystopic imagery has figured prominently in modern depictions of the urban landscape. The city is often portrayed as a terrifying world of darkness, crisis, and catastrophe. Noir Urbanisms traces the history of the modern city through its critical representations in art, cinema, print journalism, literature, sociology, and architecture. It focuses on visual forms of(...)
Titre:
Noir urbanisms: Dystopic images of the modern city
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Dystopic imagery has figured prominently in modern depictions of the urban landscape. The city is often portrayed as a terrifying world of darkness, crisis, and catastrophe. Noir Urbanisms traces the history of the modern city through its critical representations in art, cinema, print journalism, literature, sociology, and architecture. It focuses on visual forms of dystopic representation--because the history of the modern city is inseparable from the production and circulation of images--and examines their strengths and limits as urban criticism. Contributors explore dystopic images of the modern city in Germany, Mexico, Japan, India, South Africa, China, and the United States. Their topics include Weimar representations of urban dystopia in Fritz Lang's 1927 film Metropolis; 1960s modernist architecture in Mexico City; Hollywood film noir of the 1940s and 1950s; the recurring fictional destruction of Tokyo in postwar Japan's sci-fi doom culture; the urban fringe in Bombay cinema; fictional explorations of urban dystopia in postapartheid Johannesburg; and Delhi's out-of-control and media-saturated urbanism in the 1980s and 1990s. What emerges in Noir Urbanisms is the unsettling and disorienting alchemy between dark representations and the modern urban experience.
Noir urbanisms: Dystopic images of the modern city
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Dystopic imagery has figured prominently in modern depictions of the urban landscape. The city is often portrayed as a terrifying world of darkness, crisis, and catastrophe. Noir Urbanisms traces the history of the modern city through its critical representations in art, cinema, print journalism, literature, sociology, and architecture. It focuses on visual forms of dystopic representation--because the history of the modern city is inseparable from the production and circulation of images--and examines their strengths and limits as urban criticism. Contributors explore dystopic images of the modern city in Germany, Mexico, Japan, India, South Africa, China, and the United States. Their topics include Weimar representations of urban dystopia in Fritz Lang's 1927 film Metropolis; 1960s modernist architecture in Mexico City; Hollywood film noir of the 1940s and 1950s; the recurring fictional destruction of Tokyo in postwar Japan's sci-fi doom culture; the urban fringe in Bombay cinema; fictional explorations of urban dystopia in postapartheid Johannesburg; and Delhi's out-of-control and media-saturated urbanism in the 1980s and 1990s. What emerges in Noir Urbanisms is the unsettling and disorienting alchemy between dark representations and the modern urban experience.
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livres
livres
Publication:
octobre 2010
octobre 2010
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Description:
157 pages ; 26 cm.
Description:
157 pages ; 26 cm.
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Città del Vaticano : Biblioteca apostolica vaticana, 1986.
Città del Vaticano : Biblioteca apostolica vaticana, 1986.
Titre:
Tavole e indici generali dei volumi 201-300 di "Studi e testi" / a cura di Paolo Vian.
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Description:
157 pages ; 26 cm.
Tavole e indici generali dei volumi 201-300 di "Studi e testi" / a cura di Paolo Vian.
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157 pages ; 26 cm.
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Città del Vaticano : Biblioteca apostolica vaticana, 1986.
Città del Vaticano : Biblioteca apostolica vaticana, 1986.
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Description:
256 pages : color illustrations ; 29 cm
Description:
256 pages : color illustrations ; 29 cm
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Paris : Mana Books, [2022]
Paris : Mana Books, [2022]
Titre:
Anime architecture : mondes imaginaires et mégalopoles infinies / Stefan Riekeles ; traduction: Laurent Laget
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Description:
256 pages : color illustrations ; 29 cm
Anime architecture : mondes imaginaires et mégalopoles infinies / Stefan Riekeles ; traduction: Laurent Laget
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Description:
256 pages : color illustrations ; 29 cm
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Paris : Mana Books, [2022]
Paris : Mana Books, [2022]
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354 pages : illustrations (chiefly color) ; 21 cm
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354 pages : illustrations (chiefly color) ; 21 cm
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Amsterdam : Sandberg Instituut ; Berlin : Sternberg Press, 2019.
Amsterdam : Sandberg Instituut ; Berlin : Sternberg Press, 2019.
Titre:
Radical cut-up : nothing is original / Lukas Feireiss (ed.) ; authors, Thom Bettridge [and fourteen others].
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354 pages : illustrations (chiefly color) ; 21 cm
Radical cut-up : nothing is original / Lukas Feireiss (ed.) ; authors, Thom Bettridge [and fourteen others].
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354 pages : illustrations (chiefly color) ; 21 cm
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Amsterdam : Sandberg Instituut ; Berlin : Sternberg Press, 2019.
Amsterdam : Sandberg Instituut ; Berlin : Sternberg Press, 2019.
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2 volumes (915 pages) ; 25 cm.
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2 volumes (915 pages) ; 25 cm.
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Firenze : Edizioni Polistampa, ©2007.
Firenze : Edizioni Polistampa, ©2007.
Titre:
Alberti e la cultura del Quattrocento : atti del Convegno internazionale del Comitato nazionale VI centenario della nascita di Leon Battista Alberti, Firenze, 16-17-18 dicembre 2004 / a cura di Roberto Cardini e Mariangela Regoliosi.
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2 volumes (915 pages) ; 25 cm.
Alberti e la cultura del Quattrocento : atti del Convegno internazionale del Comitato nazionale VI centenario della nascita di Leon Battista Alberti, Firenze, 16-17-18 dicembre 2004 / a cura di Roberto Cardini e Mariangela Regoliosi.
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2 volumes (915 pages) ; 25 cm.
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Firenze : Edizioni Polistampa, ©2007.
Firenze : Edizioni Polistampa, ©2007.
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1 online resource (1 ressource en ligne.)
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Montreal : Presses de l'Universite de Montreal, 2025.
Montreal : Presses de l'Universite de Montreal, 2025.
Titre:
Culte de la distraction : miniatures urbaines et critiques de films (1925-1933) / Siegfried Kracauer ; textes presentes par Philippe Despoix ; traduits de l'allemand par Barbara Theriault et Sabine Cornille.
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1 online resource (1 ressource en ligne.)
Culte de la distraction : miniatures urbaines et critiques de films (1925-1933) / Siegfried Kracauer ; textes presentes par Philippe Despoix ; traduits de l'allemand par Barbara Theriault et Sabine Cornille.
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1 online resource (1 ressource en ligne.)
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livres
livres
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Montreal : Presses de l'Universite de Montreal, 2025.
Montreal : Presses de l'Universite de Montreal, 2025.
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