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In 1960, before his skyscrapers and teapots made him a household name, Michael Graves set out on a journey once considered obligatory for a young architect: a grand tour of the great monuments of Europe. As a recipient of the prestigious Prix de Rome, Graves traveled through Italy, Greece, Turkey, Spain, England, Germany, and France, studying and recording the masterworks(...)
Michael Graves : images of a grand tour
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In 1960, before his skyscrapers and teapots made him a household name, Michael Graves set out on a journey once considered obligatory for a young architect: a grand tour of the great monuments of Europe. As a recipient of the prestigious Prix de Rome, Graves traveled through Italy, Greece, Turkey, Spain, England, Germany, and France, studying and recording the masterworks of both ancient and modern architecture. "Michael Graves: Images of A Grand Tour" collects for the first time the stunning artwork produced during this trip. Delicate pencil sketches, striking ink washes, and colourful photographs show the deep connection Graves had to the places he visited, from the Roman Forum to the Grecian Acropolis to Wiltshires Stonehenge. They also tell something of the education of an architect, bringing to light the classical buildings that caused Graves to reexamine his early devotion to modernism. A foreword by Graves reflects on these travels from the distance of forty years, while author Brian Ambroziak puts the tour into the context of Graves's life and work.
Architecture, monographies
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Finnish modern church buildings appeal to the visitor with their minimalist character. The essential strength of their architecture lies in the presence of light and nature. The buildings and their interiors are attuned to the passing of each day and the change of seasons. "Sacral space" beckons the reader to step into twelve churches and chapels, each one of which(...)
janvier 1900, Helsinki
Sacral space : modern Finnish churches
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Finnish modern church buildings appeal to the visitor with their minimalist character. The essential strength of their architecture lies in the presence of light and nature. The buildings and their interiors are attuned to the passing of each day and the change of seasons. "Sacral space" beckons the reader to step into twelve churches and chapels, each one of which represents Finnish church architecture at its best: Resurrection Chapel by Erik Bryggman, Otaniemi Chapel by Kaija ja Heikki Siren, The Church of the Three Crosses by Alvar Aalto, Vatiala Chapel by Viljo Revell, Hyvinkää Church by Aarno Ruusuvuori, Kaleva Church by Raili and Reima Pietilä, Temppeliaukio Church by Timo and Tuomo Suomalainen, The Chapel of the Holy Cross by Pekka Pitkänen, Olari Church by Käpy and Simo Paavilainen, Kauniainen Church by Kristian Gullichsen, St. Johns’s Church Männistö by Juha Leiviskä and St. Henry’s Ecumenical Chapel by Matti Sanaksenaho. Jari Jetsonen’s photographs, the architects’ drawings, photographs taken during the construction, architect Sirkkaliisa Jetsonen’s texts and professor Fred Thompson’s accompanying article bring out the uniqueness and history of each church building.
Climatic Architecture
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Architecture and urbanism were traditionally based on climate and health, as we can read in the treatises of Vitruvius, Palladio or Alberti, where exposure to wind and sun, variations in temperature and humidity influenced the forms of cities and buildings. These fundamental causes of urban planning and buildings were ignored in the second half of the 20th century thanks(...)
Climatic Architecture
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Architecture and urbanism were traditionally based on climate and health, as we can read in the treatises of Vitruvius, Palladio or Alberti, where exposure to wind and sun, variations in temperature and humidity influenced the forms of cities and buildings. These fundamental causes of urban planning and buildings were ignored in the second half of the 20th century thanks to the enormous use of fossil energy by heating and air conditioning systems, pumps and refrigerators, that today cause the greenhouse effect and global warming. The fight against climate change forces architects and urban designers to take seriously the climatic issue in order to base their design on its the local climatic context and energy resources. Faced with the climatic challenge of the 21st century, we propose to reset our discipline on its intrinsic atmospheric qualities, where air, light, heat or humidity are recognized are real materials of building, convection, thermal conduction, evaporation, emissivity, or effusivity are becoming design tools for composing architecture and cities, and through materialism dialectic, are able to revolutionize esthetic and social values.
Architecture, monographies
Anne Lass: Triple seven
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Red, violet, and blue colors permeate the images, but there’s more at play than just form and color. The Danish-German photographer lived in Berlin from 2007 to 2014, where she was fascinated by the many gambling halls in the Berlin cityscape, most of which was located in the poorer neighborhoods. Lass visited over 100 of Berlin’s approximately 500 small casinos and went(...)
Anne Lass: Triple seven
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Red, violet, and blue colors permeate the images, but there’s more at play than just form and color. The Danish-German photographer lived in Berlin from 2007 to 2014, where she was fascinated by the many gambling halls in the Berlin cityscape, most of which was located in the poorer neighborhoods. Lass visited over 100 of Berlin’s approximately 500 small casinos and went on a picture hunt in these often closed and private environments. Here, she documented old machines, gaming tables, and the people who frequented them. Not to condemn, but to try to understand and take the players’ desires seriously: the hope for a better life and the longing for a bit of happiness. The project sheds light on a phenomenon that is relevant beyond the borders of Berlin – humanity’s eternal pursuit of (financial) happiness. At the same time, it is a visual investigation of the signs, symbols, and objects deliberately used to seduce. It is a photographic record of districts undergoing change due to crises and gentrification, and a documentation of places that have not been extensively explored until now.
Monographies photo
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Windows are moments in modern architecture where we look to ascertain elegance, technical expression and material language or to capture a certain atmosphere. A window opening is as much an interval and an opportunity as it is a device for admitting light, air or views; it is simultaneously a physical aperture but also a philosophical opening of collaboration and(...)
Great windows in modern architecture
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Windows are moments in modern architecture where we look to ascertain elegance, technical expression and material language or to capture a certain atmosphere. A window opening is as much an interval and an opportunity as it is a device for admitting light, air or views; it is simultaneously a physical aperture but also a philosophical opening of collaboration and reflection. In order to understand the language of a building we might look to the detail of the window. But what does this mean and why does modern architecture invest so much expression in the window? This book explores how the act of detailing and situating windows in buildings is a key proponent in the language of architecture, which both informs and works with the contingencies of design and construction. It investigates 18 case studies in-depth using painstakingly drawn details and vivid photographs in full colour to define what makes these windows “great” and how each window is situated within both its technical and philosophical context and as an overall development of modern architecture.
Modernisme
Jeff Wall
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Since the late 1970s, Canadian photographer Jeff Wall has made significant contributions to establishing photography as an autonomous medium. He is considered the founder of "staged" photography and generates mostly large-format photographs—often inspired by literature, film and art history—composed in a multilayered and subtle way from a multitude of individual shots.(...)
Jeff Wall
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Since the late 1970s, Canadian photographer Jeff Wall has made significant contributions to establishing photography as an autonomous medium. He is considered the founder of "staged" photography and generates mostly large-format photographs—often inspired by literature, film and art history—composed in a multilayered and subtle way from a multitude of individual shots. Wall makes a distinction between his documentary still life photos and his "cinematographic" pictures, the latter of which take months or even years to complete. His contemporary genre scenes invoke famous works by Hokusai, Manet, Kafka, Ellison and others.Among the more than 50 works collected in the catalog of the large-scale solo exhibition at the Fondation Beyeler are Wall’s iconic large-format slides in light boxes, black-and-white photographs and color photographic prints. His most recent images, representing the entire spectrum of his oeuvre, enter into a dialogue with works from the time of Wall’s beginnings as an artist and reveal a wide range of references in terms of content and form.
Monographies photo
Concrete architecture
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Featuring 300 examples of some of the most incredible and inspiring concrete architecture from the early twentieth century to the present day. Organised visually, with one building per page, "Concrete architecture" celebrates the might, majesty, and sculptural beauty of concrete buildings from all over the globe and is grounded with a contextualising essay on the long(...)
Concrete architecture
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Featuring 300 examples of some of the most incredible and inspiring concrete architecture from the early twentieth century to the present day. Organised visually, with one building per page, "Concrete architecture" celebrates the might, majesty, and sculptural beauty of concrete buildings from all over the globe and is grounded with a contextualising essay on the long history of concrete architecture, reaching back more than a thousand years to the classical civilisations of Greece and Rome. Including buildings from the pioneering Modern masters of concrete Marcel Breuer, Le Corbusier, Louis Kahn, I. M. Pei, John Lautner, and Frank Lloyd Wright as well as work by some of the most revered architects of the late twentieth century including Tadao Ando, Steven Holl, Herzog and de Meuron, and Zaha Hadid, Concrete Architecture also brings to light the contemporary stars using concrete in spectacular ways, including Grafton Architects, Elemental, and Pezo von Elrichshausen. This awe-inspiring collection of concrete buildings from around the globe is a visual feast for lovers of Brutalism, one of the hottest topics in popular architecture.
Matériaux et éclairage
livres
Sugimoto : architecture
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Known for his long-exposure photographic series of empty movie theaters and drive-ins, seascapes, museum dioramas, and waxworks, Hiroshi Sugimoto has been turning his camera on international icons of 20th-century architecture since 1997. His deliberately blurred and seemingly timeless photographs depict structures as diverse as the Empire State Building, Le Corbusier's(...)
Monographies photo
mars 2003, New York
Sugimoto : architecture
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Known for his long-exposure photographic series of empty movie theaters and drive-ins, seascapes, museum dioramas, and waxworks, Hiroshi Sugimoto has been turning his camera on international icons of 20th-century architecture since 1997. His deliberately blurred and seemingly timeless photographs depict structures as diverse as the Empire State Building, Le Corbusier's Chapel de Nôtre Dame du Haut, and Tadao Ando's Church of Light in Osaka. The resulting black-and-white photographs, shot distinctly out of focus and from unusual angles, are not attempts at documentation but rather evocation--meant to isolate the buildings from their contexts, allowing them to exist as dreamlike, uninhabited ideals. Among the other buildings represented in the series are Philippe Starck's Asahi Breweries, Fumihiko Maki's Fujisawa Municipal Gymnasium, the United Nations Building, the Chrysler Building, Giuseppi Terragni's Santelia Monument Como, the World Trade Center, Mies van der Rohe's Seagram Building, Antonio Gaudí's Casa Batlló II, the 1922 Schindler House, and buildings by Frank Gehry, Frank Lloyd Wright, and many others in Europe, North America, and Asia.
livres
mars 2003, New York
Monographies photo
Ed Ruscha
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Ed Ruscha initially gained attention in the early 1960s with paintings, drawings, and photgraphic books that focused on his fascination with the unique culture, vernacular, and sensibility of his adopted home of Los Angeles. Ruscha has been considered a 'West Coast' artist, and although Los Angeles is undeniably the source of inspiration for his art, the themes he(...)
septembre 2003, London
Ed Ruscha
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Ed Ruscha initially gained attention in the early 1960s with paintings, drawings, and photgraphic books that focused on his fascination with the unique culture, vernacular, and sensibility of his adopted home of Los Angeles. Ruscha has been considered a 'West Coast' artist, and although Los Angeles is undeniably the source of inspiration for his art, the themes he addresses are far-reaching and universal. A growing interest in Ruscha's work in recent years has led to major exhibitions that toured the United States, and a number of individual shows in Europe, which re-evaluate his art in the broader scope. This monograph on Ruscha's work looks at the prolific and many-faceted career of an artist whose work has been variously described as pop, conceptual, or surrealist a painter as well as a print-, book-, and filmmaker. The thematic and loosely chronological structure of the book brings to light the diversity and depth of Ruscha's art, while at the same time underlining the continuity and recurrence of themes and ideas within his ever surprising and prolific career.
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Each chapter of the book is dedicated to one decade, with an essay outlining general developments during those ten years and a discussion of the most distinctive projects; the most important projects are illustrated. The images consist to a large extent of historic and new photographic material, supplemented where necessary with plans and design drawings. Through the(...)
20th century garden and landscape architecture in the Netherlands
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Each chapter of the book is dedicated to one decade, with an essay outlining general developments during those ten years and a discussion of the most distinctive projects; the most important projects are illustrated. The images consist to a large extent of historic and new photographic material, supplemented where necessary with plans and design drawings. Through the decades, the themes discussed include: the transition from 'utilitarian greenery' to 'greenery for consumption', the Zuiderzee Works - the construction of the massive Afsluitdijk (Enclosing Dike) to close off the Zuiderzee from the Waddenzee, the changes in agriculture, the Ecological Master Plan, garden design on country estates, the transformation of managed nature into 'new nature', and the development of public gardens and parks. The design or the designer are the main focus throughout, always considered in the light of broad social developments, such as fashionable trends, the increase of scale and intensification in agriculture, and changing recreational demands. The book contains work of a.o. Zocher, De Bazel, Granpré Molière, Mien Ruys, Van Eesteren, Dudok, Bijhouwer, Le Roy, Fortuyn/O'Brien, Baljon, Van Gessel and West 8.
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