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Not all colors go together, it takes a nuanced approach to combine them in ways that both complement each other while creating a cohesive design that reflects both the client’s visual identity and contemporary trends in colorways. It’s a Complement showcases the latest in color palette creation by some of the world’s top talents as they navigate the colors of the(...)
It's a complement: Color palettes in graphic design
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Not all colors go together, it takes a nuanced approach to combine them in ways that both complement each other while creating a cohesive design that reflects both the client’s visual identity and contemporary trends in colorways. It’s a Complement showcases the latest in color palette creation by some of the world’s top talents as they navigate the colors of the spectrum. Beginning with a treatise on color psychology, the editors provide context before launching on exploration of modern color theory. From the bold maximalism of high saturation, to the more subdued minimalism of low saturation and the neutral greys, blacks and whites, no stone is left unturned. Features projects in visual identity, packaging, promotion design and more across a wide swath of media.
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Bringing together nearly all of her artwork to date, this lavishly illustrated volume situates the work of Amy Sherald (b. 1973) within the context of American realist and figurative painting. Encompassing the full arc of her career, from her poetic early works to the distinctive figure paintings and portraits that have become her hallmark, "Amy Sherald: American sublime"(...)
Amy Sherrald: American sublime
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Bringing together nearly all of her artwork to date, this lavishly illustrated volume situates the work of Amy Sherald (b. 1973) within the context of American realist and figurative painting. Encompassing the full arc of her career, from her poetic early works to the distinctive figure paintings and portraits that have become her hallmark, "Amy Sherald: American sublime" unfolds her method of selecting individuals she meets on the street and using facial expression, body language, and clothing choices to create paintings that transcend portraiture and expand the canon of American art. Essays by curators Sarah Roberts and Rhea Combs; poet and writer Elizabeth Alexander; artist Dario Calmese; and renowned scholar Deborah Willis contextualize and illuminate Sherald’s creation of a new form of imaginative portraiture.
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In 2023, the new Maison de la Chine was opened as part of the Cité Internationale Universitaire de Paris (CIUP), the French capital’s famous campus of student residencies founded in 1925. Designed by Beijing-based Atelier Feichang Jianzhu (Atelier FCJZ) and realized in collaboration with the French architecture firm Coldefy, the building continues the tradition of(...)
Architecture, monographies
octobre 2025
Maison de la Chine: A building by Atelier FCJZ
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In 2023, the new Maison de la Chine was opened as part of the Cité Internationale Universitaire de Paris (CIUP), the French capital’s famous campus of student residencies founded in 1925. Designed by Beijing-based Atelier Feichang Jianzhu (Atelier FCJZ) and realized in collaboration with the French architecture firm Coldefy, the building continues the tradition of national pavilions within the CIUP. The Maison de la Chine’s design bears the DNA of traditional Chinese architecture, yet Atelier FCJZ also clearly acknowledges its inspiration from Le Corbusier. "Maison de la Chine" documents the building and its design process in rich detail through sketches, drawings, plans, and photographs. Architectural historian and curator Martino Stierli places the Maison de la Chine in the context of the evolution of contemporary Chinese architecture.
Architecture, monographies
$69.95
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Focusing on the years 1958-1968, A Minimal Future? presents key works within the framework of a scholarly re-examination of minimal art's emergence and historical context. It reflects the early transitional period that begins in the late 1950s, through the so-called "canonization" of Minimalism by 1968, with an emphasis on work produced in the mid-to-late 1960s. The(...)
mai 2004, Cambridge
A minimal future? : art as object 1958-1968
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Focusing on the years 1958-1968, A Minimal Future? presents key works within the framework of a scholarly re-examination of minimal art's emergence and historical context. It reflects the early transitional period that begins in the late 1950s, through the so-called "canonization" of Minimalism by 1968, with an emphasis on work produced in the mid-to-late 1960s. The book includes works from the late 1950s through the late 1960s by 40 artists, including Carl Andre, Richard Artschwager, Jo Baer, Larry Bell, Mel Bochner, Judy Chicago, Dan Flavin, Robert Grosvenor, Eva Hesse, Donald Judd, Sol LeWitt, Agnes Martin, John McCracken, Robert Ryman, Frank Stella, Anne Truitt, and Lawrence Weiner that reflect the shifting object status of painting and sculpture.
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Since the first volume was published, the subject of patterns has continued to evolve: colorful patterned wallpapers have returned to private homes; patterns have become a determining factor in graphic design and architecture; and designers are asked to design an ever-increasing variety of new ornaments and pattern repeats. Patterns 2 provides the necessary inspiration.(...)
Ornementation
juillet 2008, Basel, Berlin, Boston
Patterns 2: design, art and architecture
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Since the first volume was published, the subject of patterns has continued to evolve: colorful patterned wallpapers have returned to private homes; patterns have become a determining factor in graphic design and architecture; and designers are asked to design an ever-increasing variety of new ornaments and pattern repeats. Patterns 2 provides the necessary inspiration. It describes current trends, presents contemporary experiments, and situates the development within the cultural-historical context. For this follow-up volume the editors have broadened the focus. In addition to architecture, design, and art, Patterns 2 now contains patterns from fashion and the sciences. These include graphic representations of whale songs and genetic codes and the latest creations of fashion designers like Paul Smith and Eley Kishimoto.
Ornementation
Sigmar Polke
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Stefan Gronert approaches "Girlfriends" through its deliberate and elusive ambiguity, providing technical detail and historical background that allow some of the work’s motivation and depth to become clearer. Gronert analyzes Polke’s relationship to his tutors and peers, especially Gerhard Richter; describes the art historical context in which Polke worked; and discusses(...)
Sigmar Polke
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Stefan Gronert approaches "Girlfriends" through its deliberate and elusive ambiguity, providing technical detail and historical background that allow some of the work’s motivation and depth to become clearer. Gronert analyzes Polke’s relationship to his tutors and peers, especially Gerhard Richter; describes the art historical context in which Polke worked; and discusses some of the social and political issues to which Girlfriends refers. Considering such topics as the distinction between Polke and Alain Jacquet in their use of photographed material, between Polke’s use of the raster technique and that of Roy Lichtenstein, and the feminist discourse of the time, Gronert draws on a variety of critical interpretations of Polke’s work, including some material that has not yet been translated into English.
Théorie de l’art
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Set within the cultural and political world of Vienna from the fin-de siecle to the present day, this book provides an insightful analysis of the city's extraordinarily rich architectural tradition. Beginning with Wagner’s polemical manifesto, ''Moderne Architektur'', it stresses the importance of the fraught and highly polarized cultural politics that engulfed Vienna for(...)
Rebel modernists: Viennese architecture since Otto Wagner
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Set within the cultural and political world of Vienna from the fin-de siecle to the present day, this book provides an insightful analysis of the city's extraordinarily rich architectural tradition. Beginning with Wagner’s polemical manifesto, ''Moderne Architektur'', it stresses the importance of the fraught and highly polarized cultural politics that engulfed Vienna for most of the twentieth century and ultimately produced much of what is modern in every field of culture and science. The book also places architectural history within the context of the political economy that has shaped Vienna and highlights the relatively unknown tradition of Viennese social housing, initiated by social democratic Red Vienna in the 1920s. Today, 60% of Vienna’s population lives in the most successful social housing in the world.
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Between 1949 and 1989, remarkable buildings of late modernity were constructed in the coastal city of Kuwait. Within these four decades, the city state on the Arabian Gulf was comprehensively restructured and practically redesigned. Following a first volume with 150 carefully selected exemplary buildings, this second volume features interviews, essays and arguments, as(...)
décembre 2017
Modern architecture Kuwait: essays, arguments, interviews
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Between 1949 and 1989, remarkable buildings of late modernity were constructed in the coastal city of Kuwait. Within these four decades, the city state on the Arabian Gulf was comprehensively restructured and practically redesigned. Following a first volume with 150 carefully selected exemplary buildings, this second volume features interviews, essays and arguments, as well as transcripts of contemporary publications of these years. The texts by local and international scholars focus on questions regarding the significance and function of the buildings along with the role of individual and corporate protagonists that influenced, defined and created this highly dynamic restructuring process. Furthermore, all aspects are integrated into a wider regional and international context. The contributions are complemented by an array of photographic, layout, and archive materials.
Graphics and industry
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Graphics and Industry is an illustrated bibliography, a collection of commercial catalogues that were created for design companies between 1906 and 2002. It is published to mark the exhibition of the same name held from 15 September to 24 December at the Bibliothèque des Arts Décoratifs in Paris, the book traces the history of Italian editorial graphic design through a(...)
Graphics and industry
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Graphics and Industry is an illustrated bibliography, a collection of commercial catalogues that were created for design companies between 1906 and 2002. It is published to mark the exhibition of the same name held from 15 September to 24 December at the Bibliothèque des Arts Décoratifs in Paris, the book traces the history of Italian editorial graphic design through a new and unusual context, the layout of commercial catalogues. Arranged alphabetically throughout the book with captions in Italian and English, there are brochures, booklets, catalogues and leaflets featuring innovative and revolutionary designs. A range of projects that saw some of Italy’s foremost designers, such as Gio Ponti, Ettore Sottsass, Enzo Mari and Giovanni Pintori, put their skills as graphic designers to the test.
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Kazuo Shinohara (1925–2006) is one of the greatest and most influential architects of Japan's postwar generation.Shinohare himself divided his creative work into four styles. In placing his later, institutional scale works of his fourth style, which have been overlooked until now, alongside the iconic houses of his earlier career, this book establishes the architect’s(...)
Kazuo Shinohara: traversing the house and the city
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Kazuo Shinohara (1925–2006) is one of the greatest and most influential architects of Japan's postwar generation.Shinohare himself divided his creative work into four styles. In placing his later, institutional scale works of his fourth style, which have been overlooked until now, alongside the iconic houses of his earlier career, this book establishes the architect’s insistence on the equivalation between the house and the city. New scholarly essays, interviews with clients and collaborators, and translations of Shinohara’s key texts are complemented by previously unpublished archival drawings and personal travel photographs by Shinohara. The volume reframes his architectural achievements in terms of his oeuvre as a whole and situates them in the broader cultural and social context in Japan and globally.
Architecture, monographies