4857 Résultats
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Bringing together nearly all of her artwork to date, this lavishly illustrated volume situates the work of Amy Sherald (b. 1973) within the context of American realist and figurative painting. Encompassing the full arc of her career, from her poetic early works to the distinctive figure paintings and portraits that have become her hallmark, "Amy Sherald: American sublime"(...)
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Bringing together nearly all of her artwork to date, this lavishly illustrated volume situates the work of Amy Sherald (b. 1973) within the context of American realist and figurative painting. Encompassing the full arc of her career, from her poetic early works to the distinctive figure paintings and portraits that have become her hallmark, "Amy Sherald: American sublime"(...)
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Amy Sherrald: American sublime
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Bringing together nearly all of her artwork to date, this lavishly illustrated volume situates the work of Amy Sherald (b. 1973) within the context of American realist and figurative painting. Encompassing the full arc of her career, from her poetic early works to the distinctive figure paintings and portraits that have become her hallmark, "Amy Sherald: American sublime" unfolds her method of selecting individuals she meets on the street and using facial expression, body language, and clothing choices to create paintings that transcend portraiture and expand the canon of American art. Essays by curators Sarah Roberts and Rhea Combs; poet and writer Elizabeth Alexander; artist Dario Calmese; and renowned scholar Deborah Willis contextualize and illuminate Sherald’s creation of a new form of imaginative portraiture.
Amy Sherrald: American sublime
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Bringing together nearly all of her artwork to date, this lavishly illustrated volume situates the work of Amy Sherald (b. 1973) within the context of American realist and figurative painting. Encompassing the full arc of her career, from her poetic early works to the distinctive figure paintings and portraits that have become her hallmark, "Amy Sherald: American sublime" unfolds her method of selecting individuals she meets on the street and using facial expression, body language, and clothing choices to create paintings that transcend portraiture and expand the canon of American art. Essays by curators Sarah Roberts and Rhea Combs; poet and writer Elizabeth Alexander; artist Dario Calmese; and renowned scholar Deborah Willis contextualize and illuminate Sherald’s creation of a new form of imaginative portraiture.
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livres
livres
Publication:
novembre 2024
novembre 2024
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livres
livres
Titre:
Isa Genzken
Isa Genzken
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Interview – in her discussion with Diedrich Diedrichsen the artist considers her relationship to the many sources behind her work : minimal sculpture, modernist architecture, conceptual art, and other multi-media artists` practices, such as Bruce Nauman’s. Survey – Alex Farquharson examines the principal themes in Genzken’s work since her now-legendary first exhibition in(...)
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Interview – in her discussion with Diedrich Diedrichsen the artist considers her relationship to the many sources behind her work : minimal sculpture, modernist architecture, conceptual art, and other multi-media artists` practices, such as Bruce Nauman’s. Survey – Alex Farquharson examines the principal themes in Genzken’s work since her now-legendary first exhibition in(...)
Publication:
octobre 2005, London
octobre 2005, London
Titre:
Isa Genzken
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Interview – in her discussion with Diedrich Diedrichsen the artist considers her relationship to the many sources behind her work : minimal sculpture, modernist architecture, conceptual art, and other multi-media artists` practices, such as Bruce Nauman’s. Survey – Alex Farquharson examines the principal themes in Genzken’s work since her now-legendary first exhibition in Berlin whilst still a student of Gerhard Richter. Focus – Sabine Breitwieser looks at Genzken’s little known ‘Hi-Fi’ series of photographic works, which centre on magazine advertisements for stereo equipment. Artist’s choice – "The bad glazier" by Charles Baudelaire (1869). Artist’s writings – notes from a 1973 exercise based on instructions by Bruce Nauman ; an previously unpublishd 1996 film script ; a 2003 interview with Wolfgang Tillmans ; and two new artist`s statements. Chronology and bibliography.
Isa Genzken
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Interview – in her discussion with Diedrich Diedrichsen the artist considers her relationship to the many sources behind her work : minimal sculpture, modernist architecture, conceptual art, and other multi-media artists` practices, such as Bruce Nauman’s. Survey – Alex Farquharson examines the principal themes in Genzken’s work since her now-legendary first exhibition in Berlin whilst still a student of Gerhard Richter. Focus – Sabine Breitwieser looks at Genzken’s little known ‘Hi-Fi’ series of photographic works, which centre on magazine advertisements for stereo equipment. Artist’s choice – "The bad glazier" by Charles Baudelaire (1869). Artist’s writings – notes from a 1973 exercise based on instructions by Bruce Nauman ; an previously unpublishd 1996 film script ; a 2003 interview with Wolfgang Tillmans ; and two new artist`s statements. Chronology and bibliography.
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livres
Publication:
octobre 2005, London
octobre 2005, London
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livres
livres
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Spartacus Chetwynd
Spartacus Chetwynd
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The British artist Spartacus Chetwynd (*1973, lives and works in London) is known for her baroque and surreal performances which, with great humor, bring together multiple image quotations from art history and pop culture. In the tradition of the grotesque she draws on elements from Giotto frescoes, characters from works by Hieronymus Bosch, or Yves Kleins(...)
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The British artist Spartacus Chetwynd (*1973, lives and works in London) is known for her baroque and surreal performances which, with great humor, bring together multiple image quotations from art history and pop culture. In the tradition of the grotesque she draws on elements from Giotto frescoes, characters from works by Hieronymus Bosch, or Yves Kleins(...)
Publication:
octobre 2007, Zurich
octobre 2007, Zurich
Titre:
Spartacus Chetwynd
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The British artist Spartacus Chetwynd (*1973, lives and works in London) is known for her baroque and surreal performances which, with great humor, bring together multiple image quotations from art history and pop culture. In the tradition of the grotesque she draws on elements from Giotto frescoes, characters from works by Hieronymus Bosch, or Yves Kleins "Anthropometries" (1960) together with heavy metal musicians, Michael Jacksons music video "Thriller," or the 1980s television series "The Hulk," and creates a unified whole. As well as performances, Chetwynd, who graduated from the Royal College of Art with an MA in painting, produced a series small canvases under the title "Bat Opera" (2004/2005), which also present quotations from pop culture, but in addition feature more romantic borrowings.
Spartacus Chetwynd
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The British artist Spartacus Chetwynd (*1973, lives and works in London) is known for her baroque and surreal performances which, with great humor, bring together multiple image quotations from art history and pop culture. In the tradition of the grotesque she draws on elements from Giotto frescoes, characters from works by Hieronymus Bosch, or Yves Kleins "Anthropometries" (1960) together with heavy metal musicians, Michael Jacksons music video "Thriller," or the 1980s television series "The Hulk," and creates a unified whole. As well as performances, Chetwynd, who graduated from the Royal College of Art with an MA in painting, produced a series small canvases under the title "Bat Opera" (2004/2005), which also present quotations from pop culture, but in addition feature more romantic borrowings.
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livres
livres
Publication:
octobre 2007, Zurich
octobre 2007, Zurich
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livres
livres
Titre:
L'univers Playboy
L'univers Playboy
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Né en 1926, Hugh Hefner est à l'origine du magazine Playboy et de sa compagne indissociable : la playmate. Pourtant, en dépit d'un tirage centuplé entre 1953 et 1973, il faut se défaire de ce storytelling de banal self-made-man. Car à mi-chemin de Walt Disney et d'Albert R. Broccoli (le principal producteur des films de James Bond), Hefner est d'abord un authentique(...)
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Né en 1926, Hugh Hefner est à l'origine du magazine Playboy et de sa compagne indissociable : la playmate. Pourtant, en dépit d'un tirage centuplé entre 1953 et 1973, il faut se défaire de ce storytelling de banal self-made-man. Car à mi-chemin de Walt Disney et d'Albert R. Broccoli (le principal producteur des films de James Bond), Hefner est d'abord un authentique(...)
Titre:
L'univers Playboy
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$41.00
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Né en 1926, Hugh Hefner est à l'origine du magazine Playboy et de sa compagne indissociable : la playmate. Pourtant, en dépit d'un tirage centuplé entre 1953 et 1973, il faut se défaire de ce storytelling de banal self-made-man. Car à mi-chemin de Walt Disney et d'Albert R. Broccoli (le principal producteur des films de James Bond), Hefner est d'abord un authentique créateur d'univers. Sexy pour les uns, sexiste pour les autres, l'excentricité érotique de ses penthouses cache en réalité une cosmétique bien plus vaste. Avec son jet privé Big Bunny, ses hôtesses, ses clubs, ses Manoirs Est et Ouest, sa Grotte, son zoo, son lit connecté et ses filiales multimédias, Hefner a finalement inventé un monde illusoire à l'image de l'Amérique : le sien.
L'univers Playboy
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Né en 1926, Hugh Hefner est à l'origine du magazine Playboy et de sa compagne indissociable : la playmate. Pourtant, en dépit d'un tirage centuplé entre 1953 et 1973, il faut se défaire de ce storytelling de banal self-made-man. Car à mi-chemin de Walt Disney et d'Albert R. Broccoli (le principal producteur des films de James Bond), Hefner est d'abord un authentique créateur d'univers. Sexy pour les uns, sexiste pour les autres, l'excentricité érotique de ses penthouses cache en réalité une cosmétique bien plus vaste. Avec son jet privé Big Bunny, ses hôtesses, ses clubs, ses Manoirs Est et Ouest, sa Grotte, son zoo, son lit connecté et ses filiales multimédias, Hefner a finalement inventé un monde illusoire à l'image de l'Amérique : le sien.
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livres
livres
Publication:
novembre 2016
novembre 2016
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
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La critique du mouvement moderne s’exprime dans les travaux de Robert Venturi et Charles Jencks, mais c’est au travers de trois expositions italiennes retentissantes que va être mis en exergue l’éclectisme de ce que l’on a appelé le post-modernisme. La XVe Triennale de Milan (1973), Roma Interrotta (1978) et la première biennale d’architecture de Venise (1980) réunissent(...)
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La critique du mouvement moderne s’exprime dans les travaux de Robert Venturi et Charles Jencks, mais c’est au travers de trois expositions italiennes retentissantes que va être mis en exergue l’éclectisme de ce que l’on a appelé le post-modernisme. La XVe Triennale de Milan (1973), Roma Interrotta (1978) et la première biennale d’architecture de Venise (1980) réunissent(...)
Titre:
Quand le post-modernisme s'expose
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La critique du mouvement moderne s’exprime dans les travaux de Robert Venturi et Charles Jencks, mais c’est au travers de trois expositions italiennes retentissantes que va être mis en exergue l’éclectisme de ce que l’on a appelé le post-modernisme. La XVe Triennale de Milan (1973), Roma Interrotta (1978) et la première biennale d’architecture de Venise (1980) réunissent les protagonistes américains et européens qui explorent de nouvelles voies dans la conception du projet architectural et urbain, et alimentent un dialogue renouvelé avec l’histoire et une redéfinition de l’urbanité. À travers des concepts et des scénographies diverses (cadavre exquis, collage, kitsch, citation, …), ces manifestations invitent à s’interroger autant sur ce que doit être une exposition d’architecture que sur le message qu’elle doit véhiculer.
Quand le post-modernisme s'expose
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La critique du mouvement moderne s’exprime dans les travaux de Robert Venturi et Charles Jencks, mais c’est au travers de trois expositions italiennes retentissantes que va être mis en exergue l’éclectisme de ce que l’on a appelé le post-modernisme. La XVe Triennale de Milan (1973), Roma Interrotta (1978) et la première biennale d’architecture de Venise (1980) réunissent les protagonistes américains et européens qui explorent de nouvelles voies dans la conception du projet architectural et urbain, et alimentent un dialogue renouvelé avec l’histoire et une redéfinition de l’urbanité. À travers des concepts et des scénographies diverses (cadavre exquis, collage, kitsch, citation, …), ces manifestations invitent à s’interroger autant sur ce que doit être une exposition d’architecture que sur le message qu’elle doit véhiculer.
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livres
livres
Publication:
décembre 2015
décembre 2015
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
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$57.50
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This book documents a unique collaboration between the artist Louise Bourgeois (1911–2010) and the architect Peter Zumthor (born 1973). The Steilneset Memorial, opened in 2011, is a monument in Vardø, Norway, commemorating the 17th-century trial and execution of 91 women for witchcraft. The brainchild of the National Tourist Routes project in Norway (a(...)
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This book documents a unique collaboration between the artist Louise Bourgeois (1911–2010) and the architect Peter Zumthor (born 1973). The Steilneset Memorial, opened in 2011, is a monument in Vardø, Norway, commemorating the 17th-century trial and execution of 91 women for witchcraft. The brainchild of the National Tourist Routes project in Norway (a(...)
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Louise Bourgeois and Peter Zumthor: Steilneset Memorial
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This book documents a unique collaboration between the artist Louise Bourgeois (1911–2010) and the architect Peter Zumthor (born 1973). The Steilneset Memorial, opened in 2011, is a monument in Vardø, Norway, commemorating the 17th-century trial and execution of 91 women for witchcraft. The brainchild of the National Tourist Routes project in Norway (a government-sponsored initiative which aims to attract visitors to remote but exceptionally beautiful locations), the Steilneset Memorial started out as a modest monument to honor the victims of the witchcraft trials, to be built on the site where the burnings originally took place. But the project, which would be Bourgeois’ last major work, grew in the hands of Zumthor and Bourgeois into two distinct, haunting structures.
Louise Bourgeois and Peter Zumthor: Steilneset Memorial
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This book documents a unique collaboration between the artist Louise Bourgeois (1911–2010) and the architect Peter Zumthor (born 1973). The Steilneset Memorial, opened in 2011, is a monument in Vardø, Norway, commemorating the 17th-century trial and execution of 91 women for witchcraft. The brainchild of the National Tourist Routes project in Norway (a government-sponsored initiative which aims to attract visitors to remote but exceptionally beautiful locations), the Steilneset Memorial started out as a modest monument to honor the victims of the witchcraft trials, to be built on the site where the burnings originally took place. But the project, which would be Bourgeois’ last major work, grew in the hands of Zumthor and Bourgeois into two distinct, haunting structures.
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livres
livres
Publication:
décembre 2016
décembre 2016
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$105.00
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La villa Noailles est le lieu emblématique de la modernité ou plutôt des modernités qui ont profondément marqué les décennies qui ont suivies la Première Guerre mondiale. Construit par Robert Mallet-Stevens, meublé par Pierre Chareau, Sonia Delaunay, Djo Bourgeois, Jean-Michel Franck, ce «château cubiste» accueille Man Ray, Alberto Giacometti, Salvador Dali, Jean Cocteau,(...)
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La villa Noailles est le lieu emblématique de la modernité ou plutôt des modernités qui ont profondément marqué les décennies qui ont suivies la Première Guerre mondiale. Construit par Robert Mallet-Stevens, meublé par Pierre Chareau, Sonia Delaunay, Djo Bourgeois, Jean-Michel Franck, ce «château cubiste» accueille Man Ray, Alberto Giacometti, Salvador Dali, Jean Cocteau,(...)
Publication:
août 2018
août 2018
Titre:
Charles et Marie-Laure de Noailles: mécènes du XXe siècle
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La villa Noailles est le lieu emblématique de la modernité ou plutôt des modernités qui ont profondément marqué les décennies qui ont suivies la Première Guerre mondiale. Construit par Robert Mallet-Stevens, meublé par Pierre Chareau, Sonia Delaunay, Djo Bourgeois, Jean-Michel Franck, ce «château cubiste» accueille Man Ray, Alberto Giacometti, Salvador Dali, Jean Cocteau, Francis Poulenc, Luis Bunuel, André Breton, etc. Cet ouvrage présente toutes les facettes du mécénat de Charles et Marie-Laure de Noailles, qui de 1923 à 1973, ont acquis ou commandé des oeuvres d'art issues de toutes disciplines : art, cinéma, musique ou encore littérature. Toutes leurs vies, quitte à choquer ou à être critiqué, ils furent en éveil face aux enjeux plastiques et intellectuels de leurs temps, les ont stimulés et soutenus.
Charles et Marie-Laure de Noailles: mécènes du XXe siècle
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La villa Noailles est le lieu emblématique de la modernité ou plutôt des modernités qui ont profondément marqué les décennies qui ont suivies la Première Guerre mondiale. Construit par Robert Mallet-Stevens, meublé par Pierre Chareau, Sonia Delaunay, Djo Bourgeois, Jean-Michel Franck, ce «château cubiste» accueille Man Ray, Alberto Giacometti, Salvador Dali, Jean Cocteau, Francis Poulenc, Luis Bunuel, André Breton, etc. Cet ouvrage présente toutes les facettes du mécénat de Charles et Marie-Laure de Noailles, qui de 1923 à 1973, ont acquis ou commandé des oeuvres d'art issues de toutes disciplines : art, cinéma, musique ou encore littérature. Toutes leurs vies, quitte à choquer ou à être critiqué, ils furent en éveil face aux enjeux plastiques et intellectuels de leurs temps, les ont stimulés et soutenus.
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livres
livres
Publication:
août 2018
août 2018
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livres
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$56.00
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Appraising the 'tropical architecture' of Latin America, ''On specific ambiguity,'' authored by Colombian architect Camilo Retrespo (born 1973), is a manifesto-cum-monograph on the notion of tropical space. Retrespo argues for a form of architecture that 'accepts contradiction and ambiguity, as a space, as an attitude: Specific Ambiguity as a double way of thinking and(...)
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Appraising the 'tropical architecture' of Latin America, ''On specific ambiguity,'' authored by Colombian architect Camilo Retrespo (born 1973), is a manifesto-cum-monograph on the notion of tropical space. Retrespo argues for a form of architecture that 'accepts contradiction and ambiguity, as a space, as an attitude: Specific Ambiguity as a double way of thinking and(...)
Titre:
On specific ambiguity by the idea of tropical space or the reasoned practice of the forms
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Appraising the 'tropical architecture' of Latin America, ''On specific ambiguity,'' authored by Colombian architect Camilo Retrespo (born 1973), is a manifesto-cum-monograph on the notion of tropical space. Retrespo argues for a form of architecture that 'accepts contradiction and ambiguity, as a space, as an attitude: Specific Ambiguity as a double way of thinking and creating an ambivalent, complex and contradictory, imprecise, mestizo, and multireferential architecture.' Retrespo is cofounder (with Juliana Gallego Martinez) of the Medellin-based firm AGENdA, and a large portion of this volume is devoted to a selection of works by the firm, mostly located in Medellin and Mexico. In 2020 AGENdA was selected as one of the most creative, interesting and promising emerging architects by Domus magazine.
On specific ambiguity by the idea of tropical space or the reasoned practice of the forms
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Appraising the 'tropical architecture' of Latin America, ''On specific ambiguity,'' authored by Colombian architect Camilo Retrespo (born 1973), is a manifesto-cum-monograph on the notion of tropical space. Retrespo argues for a form of architecture that 'accepts contradiction and ambiguity, as a space, as an attitude: Specific Ambiguity as a double way of thinking and creating an ambivalent, complex and contradictory, imprecise, mestizo, and multireferential architecture.' Retrespo is cofounder (with Juliana Gallego Martinez) of the Medellin-based firm AGENdA, and a large portion of this volume is devoted to a selection of works by the firm, mostly located in Medellin and Mexico. In 2020 AGENdA was selected as one of the most creative, interesting and promising emerging architects by Domus magazine.
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livres
livres
Publication:
juillet 2023
juillet 2023
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$65.00
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Internationally acclaimed photographer Arnaud Maggs is best known for detailed, grid-like portrait studies that betray a stark intimacy. These include 64 Portrait Studies (1978) and 48 Views (1981-83), a series that included such Canadian celebrities as Yousuf Karsh and Leonard Cohen. In 1973 after a career as a graphic designer (Maggs designed the album cover for Jazz at(...)
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Internationally acclaimed photographer Arnaud Maggs is best known for detailed, grid-like portrait studies that betray a stark intimacy. These include 64 Portrait Studies (1978) and 48 Views (1981-83), a series that included such Canadian celebrities as Yousuf Karsh and Leonard Cohen. In 1973 after a career as a graphic designer (Maggs designed the album cover for Jazz at(...)
Publication:
mai 2012
mai 2012
Titre:
Arnaud Maggs : identification
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Internationally acclaimed photographer Arnaud Maggs is best known for detailed, grid-like portrait studies that betray a stark intimacy. These include 64 Portrait Studies (1978) and 48 Views (1981-83), a series that included such Canadian celebrities as Yousuf Karsh and Leonard Cohen. In 1973 after a career as a graphic designer (Maggs designed the album cover for Jazz at Massey Hall released by Charles Mingus in 1955), Arnaud Maggs decided to become a visual artist at the age of 47. For nearly 40 years his work has been marked by questions of mortality and reverberates with historical and anthropological meaning. This first career-overview showcases his monumental photographic installations, documentation of found ephemera, books, typography, classification systems and diagrammatic drawings.
Arnaud Maggs : identification
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Internationally acclaimed photographer Arnaud Maggs is best known for detailed, grid-like portrait studies that betray a stark intimacy. These include 64 Portrait Studies (1978) and 48 Views (1981-83), a series that included such Canadian celebrities as Yousuf Karsh and Leonard Cohen. In 1973 after a career as a graphic designer (Maggs designed the album cover for Jazz at Massey Hall released by Charles Mingus in 1955), Arnaud Maggs decided to become a visual artist at the age of 47. For nearly 40 years his work has been marked by questions of mortality and reverberates with historical and anthropological meaning. This first career-overview showcases his monumental photographic installations, documentation of found ephemera, books, typography, classification systems and diagrammatic drawings.
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livres
livres
Publication:
mai 2012
mai 2012
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livres
livres
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Speaking of Art presents 43 artists, composers and curators who have changed the course of recent art history. Collected from the archives of Audio Arts, a one-of-a-kind audiocassette magazine begun in 1973, Speaking of Art provides invaluable insight into the most creative minds of modern and contemporary art, from Marcel Duchamp, John Cage, Joseph Beuys, Jeff Wall,(...)
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Speaking of Art presents 43 artists, composers and curators who have changed the course of recent art history. Collected from the archives of Audio Arts, a one-of-a-kind audiocassette magazine begun in 1973, Speaking of Art provides invaluable insight into the most creative minds of modern and contemporary art, from Marcel Duchamp, John Cage, Joseph Beuys, Jeff Wall,(...)
Titre:
Speaking of art: four decades of art in conversation
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Speaking of Art presents 43 artists, composers and curators who have changed the course of recent art history. Collected from the archives of Audio Arts, a one-of-a-kind audiocassette magazine begun in 1973, Speaking of Art provides invaluable insight into the most creative minds of modern and contemporary art, from Marcel Duchamp, John Cage, Joseph Beuys, Jeff Wall, Damien Hirst and Tacita Dean. Dennis Oppenheim, Tadeusz Kantor, Philip Glass, Richard Long, Frank Stella, Joseph Beuys, Mona Hatoum, Roy Lichtenstein, Ilya Kabakov, Jeff Koons, Anish Kapoor, Rachel Whiteread, Mike Kelley, Richard Serra, Marina Abramovic, Bill Viola, Tacita Dean, Ed Ruscha, Wolfgang Tillmans, Damien Hirst, Jeff Wall, Gilbert & George, Thomas Demand, Hans Ulrich Obrist, John Baldessari, Shirin Neshat and many more.
Speaking of art: four decades of art in conversation
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Speaking of Art presents 43 artists, composers and curators who have changed the course of recent art history. Collected from the archives of Audio Arts, a one-of-a-kind audiocassette magazine begun in 1973, Speaking of Art provides invaluable insight into the most creative minds of modern and contemporary art, from Marcel Duchamp, John Cage, Joseph Beuys, Jeff Wall, Damien Hirst and Tacita Dean. Dennis Oppenheim, Tadeusz Kantor, Philip Glass, Richard Long, Frank Stella, Joseph Beuys, Mona Hatoum, Roy Lichtenstein, Ilya Kabakov, Jeff Koons, Anish Kapoor, Rachel Whiteread, Mike Kelley, Richard Serra, Marina Abramovic, Bill Viola, Tacita Dean, Ed Ruscha, Wolfgang Tillmans, Damien Hirst, Jeff Wall, Gilbert & George, Thomas Demand, Hans Ulrich Obrist, John Baldessari, Shirin Neshat and many more.
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livres
livres
Publication:
mars 2010
mars 2010
Sujet:
Théorie de l’art
Théorie de l’art
