Art writing in crisis
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Fires burn around the world. Systemic discrimination persists, precarity is increasing, and the modern democratic project faces challenges from all sides. Art writing helps us to understand art, which in turn helps us to understand such crises. But art writing itself is in crisis. Newspapers and magazines offer fewer channels than ever for independent art criticism,(...)
Art writing in crisis
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Fires burn around the world. Systemic discrimination persists, precarity is increasing, and the modern democratic project faces challenges from all sides. Art writing helps us to understand art, which in turn helps us to understand such crises. But art writing itself is in crisis. Newspapers and magazines offer fewer channels than ever for independent art criticism, persistent institutional biases exclude the positions of many, and a proliferation of platforms presents opportunities and challenges in equal measure. This volume presents writing by established and emerging writers who address the social and political dimensions of art and art writing in the contemporary context and the ways in which new art writing and publishing practices promote critical engagement among readerships as never before.
Théorie de l’art
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Climate change is one of the major challenges facing cities in the future. Landscape architecture is particularly in demand here because it offers solutions that are characterized by complexity and interdisciplinarity and contribute to the quality of everyday life. These range from green roofs and facades to urban gardening and the landscaping of large-scale protection(...)
Resilient city: landscape architecture for climate change
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Climate change is one of the major challenges facing cities in the future. Landscape architecture is particularly in demand here because it offers solutions that are characterized by complexity and interdisciplinarity and contribute to the quality of everyday life. These range from green roofs and facades to urban gardening and the landscaping of large-scale protection works. This volume presents measures and plans of eleven major cities in North and South America, from Vancouver to Rio de Janeiro, to protect their inhabitants and their habitats against future storms, floods, landslides or long periods of heat and drought. Projects in the featured cities are analyzed in their geographic and climatic context. The author also addresses the social and cultural dimensions of resilience.
Practice practice
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"Practice practice" addresses the parallel trajectories of cooperatives in the United States and the professionalization of architecture. This contextual background highlights the coincident struggles of the labor movement and the emergence of the architectural corporation. Within this context, the cooperative model is presented as a challenge to the prevailing conditions(...)
Practice practice
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"Practice practice" addresses the parallel trajectories of cooperatives in the United States and the professionalization of architecture. This contextual background highlights the coincident struggles of the labor movement and the emergence of the architectural corporation. Within this context, the cooperative model is presented as a challenge to the prevailing conditions of the profession. Logistical frameworks for creating an architectural cooperative-- including diagrams, sample operating agreements, and bylaws-- are offered for any firm looking to transition or incorporate anew. The book projects the social, economic, and aesthetic benefits of the architectural cooperative by taking stock of cooperatives in other industries. Finally, "Practice practice" presents a vision for a cooperative network of small architecture firms as imagined in collaboration with the Architecture Lobby.
Architecture contemporaine
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Collectively referred to by the word tsuchi, earthy materials such as soil and clay are prolific in Japanese contemporary art. Highlighting works of photography, ceramics, and installation art, Bert Winther-Tamaki explores the many aesthetic manifestations of tsuchi and their connection to the country’s turbulent environmental history, investigating how Japanese artists(...)
Tsuchi: Earthy materials in contemporary Japanese art
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Collectively referred to by the word tsuchi, earthy materials such as soil and clay are prolific in Japanese contemporary art. Highlighting works of photography, ceramics, and installation art, Bert Winther-Tamaki explores the many aesthetic manifestations of tsuchi and their connection to the country’s turbulent environmental history, investigating how Japanese artists have continually sought a passionate and redemptive engagement with earth. By focusing on the role of tsuchi as a convergence point for a wide range of creative practices, this book offers a critical reassessment of contemporary art in Japan and its intrinsic relationship to the environment. Situating art within the context of ecology and urbanization, this volume shows artists striving to explore and reprocess raw forms of earth beneath the corruptions of human activity.
Théorie de l’art
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This book is about the everyday life of memorials. It explores their relationship to the pulses of daily life, their meaning within a quotidian context, and their place within the development of modern cities. Through Andrew Shanken’s close historical readings of memorials, both well-known and obscure, two distinct strands of scholarship are thus brought together: the(...)
The everyday life of memorials
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This book is about the everyday life of memorials. It explores their relationship to the pulses of daily life, their meaning within a quotidian context, and their place within the development of modern cities. Through Andrew Shanken’s close historical readings of memorials, both well-known and obscure, two distinct strands of scholarship are thus brought together: the study of the everyday and memory studies. This book explores how memorials end up where they are, grow invisible, fight with traffic, get moved, are assembled into memorial zones, and are drawn anew into commemorations and political maelstroms that their original sponsors never could have imagined. Finally, exploring how people behave at memorials and what memorials ask of people reveals just how strange the commemorative infrastructure of modernity is.
Théorie de l’architecture
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In the years of reconstruction and economic boom that followed the Second World War, the domestic sphere encountered new expectations regarding social behaviour, modes of living, and forms of dwelling. This book brings together an international group of scholars from architecture, design, urban planning, and interior design to reappraise mid-twentieth century modern life,(...)
Atomic dwelling: anxiety, domesticity, and postwar architecture
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In the years of reconstruction and economic boom that followed the Second World War, the domestic sphere encountered new expectations regarding social behaviour, modes of living, and forms of dwelling. This book brings together an international group of scholars from architecture, design, urban planning, and interior design to reappraise mid-twentieth century modern life, offering a timely reassessment of culture and the economic and political effects on civilian life. This collection contains essays that examine the material of art, objects, and spaces in the context of practices of dwelling over the long span of the postwar period. It asks what role material objects, interior spaces, and architecture played in quelling or fanning the anxieties of modernism’s ordinary denizens, and how this role informs their legacy today.
Théorie de l’architecture
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"Designed for Habitat presents potent evidence of the link between design and dignity, particularly in the context of low-income housing. It captures a crucial trifecta of perspectives - Habitat for Humanity leaders, homeowners, and designers. Their powerful, sometimes explosive stories aren't sugarcoated by Hinson and Miller; the pair makes clear that these(...)
Designed for habitat : collaborations with Habitat for humanity
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"Designed for Habitat presents potent evidence of the link between design and dignity, particularly in the context of low-income housing. It captures a crucial trifecta of perspectives - Habitat for Humanity leaders, homeowners, and designers. Their powerful, sometimes explosive stories aren't sugarcoated by Hinson and Miller; the pair makes clear that these collaborations present huge challenges for often-opposing cultures, but can yield unprecedented payoffs. With America's housing in a perpetual state of crisis, such partnerships are more important than ever. This highly-instructive, landmark book is an unmatched guide for future collaborations. It communicates so clearly and so convincingly to Habitat and its homeowners that they too deserve good design; indeed, we all do." -John Cary, Author, The Power of Pro Bono; Founder & Editor, PublicInterestDesign.org
Théorie de l’architecture
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One of the defining paintings of British Pop art, Richard Hamilton's Swingeing London 67(f) depicts two men--Mick Jagger and Hamilton's art dealer, Robert Fraser--handcuffed together in the back of a police van. The image is taken from a newspaper photograph that shows the two being driven from Lewes prison to Chichester Magistrates Court following their June 1967(...)
Richard Hamilton: Swingeing London 67 (f)
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One of the defining paintings of British Pop art, Richard Hamilton's Swingeing London 67(f) depicts two men--Mick Jagger and Hamilton's art dealer, Robert Fraser--handcuffed together in the back of a police van. The image is taken from a newspaper photograph that shows the two being driven from Lewes prison to Chichester Magistrates Court following their June 1967 arrest for possession of drugs. Andrew Wilson views Swingeing London 67 (f) as history painting, to be understood in the context of the struggle against the British state's attempt--aided and abetted by the popular press--to repress any expression of personal liberation. Hamilton's Pop art idiom of figuration and media images was his way of refusing the demands of an old aesthetic order.
Théorie de l’art
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Featuring work produced since 2000, "Graphic Design: Now in Production" explores the worlds of design-driven magazines, newspapers, books and posters; the entrepreneurial spirit of designer-produced goods; the renaissance in digital typeface design; the storytelling potential of film and television titling sequences; and the transformation of raw data into compelling(...)
novembre 2011
Graphic design: now in production
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Featuring work produced since 2000, "Graphic Design: Now in Production" explores the worlds of design-driven magazines, newspapers, books and posters; the entrepreneurial spirit of designer-produced goods; the renaissance in digital typeface design; the storytelling potential of film and television titling sequences; and the transformation of raw data into compelling information narratives. The catalogue features important original essays by leading designers that tackle themes such as the changing roles of reading and writing within the context of new technologies and self-publishing; the nature of design labor and production, from blue-collar handcraft and making to white-collar design thinking and strategy; and the impact and influence design programs and schools have had on shaping the direction of contemporary graphic design.
Scales Naoya Hatakeyama
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What if someone looked at an actual building and said, “That model is very large”? Scales is the result of a commission by the Canadian Centre for Architecture (CCA), Montréal, given to Naoya Hatakeyama to create a work in response to photographs of architectural models in the Collection. The commission was issued in the context of the Tangent project curated for the CCA(...)
Scales Naoya Hatakeyama
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What if someone looked at an actual building and said, “That model is very large”? Scales is the result of a commission by the Canadian Centre for Architecture (CCA), Montréal, given to Naoya Hatakeyama to create a work in response to photographs of architectural models in the Collection. The commission was issued in the context of the Tangent project curated for the CCA by Hubertus von Amelunxen. Tangent is a project constructed to bring contemporary artists into dialogue with the CCA's extraordinary collection. As described by von Amelunxen, the camera's eye, once it is trained on an architectural subject, acts as a tangent that touches a volume, a tangent that in turn undergoes a new tangential translation as it meets the gaze of a contemporary artist.
Publications du CCA