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Frank Herfort travelled all over Russia for a photographic project that lasted several years, following the ideas of architectural photography and taking pictures of skyscrapers that had been quickly built after the collapse of the Soviet Union. The force and magnitude of these buildings appears bizarre, pompous and exotic; equally they evoke larger-than-life Soviet(...)
Frank Herfort: imperial pomp: post-soviet high-rise
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Frank Herfort travelled all over Russia for a photographic project that lasted several years, following the ideas of architectural photography and taking pictures of skyscrapers that had been quickly built after the collapse of the Soviet Union. The force and magnitude of these buildings appears bizarre, pompous and exotic; equally they evoke larger-than-life Soviet memorials. They express a longing for lost greatness and the ambition to go one better. Contextual contradictions however add another completely different grace note: the Russian residential buildings and faded idylls around the new constructions introduce a second level of meaning to the images, which poses questions and raises enigmas.
Monographies photo
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Maps of the Dieppe school, commissioned for wealthy households rather than for use in navigation, often presented explorers’ latest discoveries alongside fantastical creatures and allusions to myth. In 1550 cartographer Pierre Desceliers presented to France’s King Henry II one such map, a work of extraordinary beauty and value showing the world as it was known at the(...)
The world for a king: Pierre Desceliers map of 1550
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Maps of the Dieppe school, commissioned for wealthy households rather than for use in navigation, often presented explorers’ latest discoveries alongside fantastical creatures and allusions to myth. In 1550 cartographer Pierre Desceliers presented to France’s King Henry II one such map, a work of extraordinary beauty and value showing the world as it was known at the time. This map, one of the most important of the Dieppe school, includes descriptions of French attempts to colonize Canada and the conquest of Peru by the Spanish in addition to descriptions of the legendary king Prester John in Ethiopia and a race of Amazons in Russia.
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xii, 428 pages : illustrations ; 24 cm.
Napoli : Liguori, 2009.
Architettura dell'eclettismo : il rapporto tra l'architettura e le arti, 1930-1960 / a cura di Loretta Mozzoni e Stefano Santini.
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xii, 428 pages : illustrations ; 24 cm.
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Napoli : Liguori, 2009.
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123 pages : illustrations (some color) ; 22 cm
Paris : Editions Dis voir, [1995]
Dan Graham / Alain Charre, Marie-Paule Macdonald, Marc Perelman.
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123 pages : illustrations (some color) ; 22 cm
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Paris : Editions Dis voir, [1995]
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1 online resource
[Place of publication not identified] : Franklin Street Works, 2018.
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[Place of publication not identified] : Franklin Street Works, 2018.
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RabRab Press 2015
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RabRab Press 2015
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297 pages : illustrations (some color) ; 24 cm
London : I.B. Tauris & Co. Ltd., 2017., ©2017
The architecture of psychoanalysis : spaces of transition / Jane Rendell.
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297 pages : illustrations (some color) ; 24 cm
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London : I.B. Tauris & Co. Ltd., 2017., ©2017
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143 pages : illustrations (some color) ; 21 cm
Moscow : Raduga Publishers, ©1983.
Vladimir : a guide / Sergei Gordeyev ; [translated from the russian by Sheena Wakefield].
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143 pages : illustrations (some color) ; 21 cm
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Moscow : Raduga Publishers, ©1983.
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Soviet field fortifications, 1941-45 / Gordon L Rottman ; illustrated by Chris Taylor & Brian Delf.
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64 pages : illustrations (some color) ; 25 cm.
Oxford [England] ; New York : Osprey Pub., ©2007.
Soviet field fortifications, 1941-45 / Gordon L Rottman ; illustrated by Chris Taylor & Brian Delf.
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64 pages : illustrations (some color) ; 25 cm.
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Oxford [England] ; New York : Osprey Pub., ©2007.
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In the 1920s and �30s, Paul Schuitema was one of the pioneers of New Typography and New Photography in the Netherlands, along with Piet Zwart and Gerard Kiljan. They distinguished themselves by conveying the message in a clear, concise and forceful manner. Schuitema himself referred to it as �right ahead�. In an international context, this typography and photography(...)
Peter Schuitema : Visual organizer
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In the 1920s and �30s, Paul Schuitema was one of the pioneers of New Typography and New Photography in the Netherlands, along with Piet Zwart and Gerard Kiljan. They distinguished themselves by conveying the message in a clear, concise and forceful manner. Schuitema himself referred to it as �right ahead�. In an international context, this typography and photography matched the work of El Lissitzky and Alexander Rodchenko in Russia, Karel Teige and Nadislav Sutnar in the erstwhile Czechoslovakia, and Herbert Bayer, Joost Schmidt and Laszlo Moholy-Nagy in Germany. This book, the first monograph on Paul Schuitema, not only deals with his graphic work, but also with his activities as a photographer, film-maker, and furniture designer.