Modern futures
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There has been a groundswell of interest in modernist architecture in recent years, particularly buildings from the second half of the twentieth century. Individuals and groups are engaging with modernist environments in the form of popular histories, documentaries and community projects, and digital and social media. Alongside this growing popularity however, many of(...)
Modern futures
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$34.95
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There has been a groundswell of interest in modernist architecture in recent years, particularly buildings from the second half of the twentieth century. Individuals and groups are engaging with modernist environments in the form of popular histories, documentaries and community projects, and digital and social media. Alongside this growing popularity however, many of these buildings are under threat from demolition and regeneration. "Modern futures" explores these trends, their connections, and how more popular and creative engagements might be used to inform the uncertain future of modernist architecture.
Modernisme
(Dé)construire la ville
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Déconstruction ? Le mot est à la mode mais n’est pas dépourvu d’ambiguïtés. Habillage euphémique d’une pratique ancienne, la démolition, dont la brutalité s’abat plus souvent qu’à leur tour sur les maisons du peuple, il sert aussi à désigner un ensemble de processus, a priori vertueux, de sauvegarde, tri et recyclage des matériaux. Derrière l’ambiguïté et les glissements(...)
(Dé)construire la ville
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$55.00
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Déconstruction ? Le mot est à la mode mais n’est pas dépourvu d’ambiguïtés. Habillage euphémique d’une pratique ancienne, la démolition, dont la brutalité s’abat plus souvent qu’à leur tour sur les maisons du peuple, il sert aussi à désigner un ensemble de processus, a priori vertueux, de sauvegarde, tri et recyclage des matériaux. Derrière l’ambiguïté et les glissements de sens, il y a la réalité d’un outil de communication destiné à faire accepter des choix d’aménagement dont la finalité ultime reste la création ou la restauration de valeur foncière ou immobilière. Au rebours de cet exercice d’illusionniste, le présent ouvrage entend prendre le mot de déconstruction au sérieux. Les enjeux contemporains nous y invitent. Si l’horizon du présent et de l’avenir des villes reste indexé sur le récit enchanté (ou angoissant…) du devenir métropolitain, une autre réalité s’impose à bas bruit, celle de la décroissance démographique que la scénarisation parfois racoleuse du déclin des villes de la « Rust Belt » américaine contribue paradoxalement à occulter. Loin de constituer une exception spectaculaire, le rétrécissement urbain tend à discrètement se banaliser et à devenir l’ordinaire de nombre de villes de taille et de nature diverses. Dans ce contexte, la déconstruction entendue comme la réduction raisonnée du volume bâti, peut ouvrir sur l’opportunité de reconfigurer positivement des espaces urbains souvent hâtivement et négligemment construits, au bénéfice des habitants encore là. La déconstruction s’affirme alors comme une autre manière de faire la ville, soucieuse de la qualité de vie de ceux et celles qui l’habitent et la pratiquent quels qu’ils ou elles soient. Ce sont les perspectives de cette forme de réactualisation du droit à la ville que se propose d’explorer l’ouvrage en croisant les contributions des chercheuses et chercheurs avec les témoignages des acteurs/actrices et praticiennes et praticiens. Revisitant les démolitions de « tours et de barres HLM » au prisme de l’expérience des bailleurs sociaux en contexte détendu, explorant les choix et les logiques de quelques opérations pionnières dans l’urbain décroissant, portant un regard critique sur les limites et contraintes des pratiques de déconstruction raisonnée pour déboucher enfin sur la relation d’une expérience de mise en application de la réflexion sur la ville décroissante dans l’enseignement du projet, l’ouvrage entend entrainer ses lectrices et lecteurs sur les chemins incertains d’une manière inédite de penser et faire la ville, susceptible de répondre avec justice et justesse aux défis du monde qui vient.
Théorie de l’urbanisme
East German modern
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The buildings constructed in East Germany after the Second World War are often dismissed as drab, Soviet-style, prefabricated blocks of cement. But the architecture of the German Democratic Republic was created with an eye toward modernity and efficiency, and heralded the birth of a new country and a new economic and social system. Hans Engels has traveled throughout(...)
East German modern
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The buildings constructed in East Germany after the Second World War are often dismissed as drab, Soviet-style, prefabricated blocks of cement. But the architecture of the German Democratic Republic was created with an eye toward modernity and efficiency, and heralded the birth of a new country and a new economic and social system. Hans Engels has traveled throughout East Germany to photograph iconic modernist buildings that survived demolition. From movie theaters, high-rises, and restaurants to museums, convention centers, and transit stations, these buildings have all stood the test of time.
Modernisme
Reference #1
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Reference #1 is a limited edition print publication centered around an exploration of living design in recent history. The publication aims to highlight a myriad of approaches towards the topic, with subjects including the late Cristiano Toraldo di Francia of Superstudio, Ken Price, Polly Pocket, Stonehenge, Minitel, Japanese Demolition, and the Rosetta Stone, among(...)
Revues
octobre 2021
Reference #1
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Reference #1 is a limited edition print publication centered around an exploration of living design in recent history. The publication aims to highlight a myriad of approaches towards the topic, with subjects including the late Cristiano Toraldo di Francia of Superstudio, Ken Price, Polly Pocket, Stonehenge, Minitel, Japanese Demolition, and the Rosetta Stone, among others. Contributors include Joan Didion, Takashi Homma, Superstudio, Charlotte Wales, Eric Wrenn, Blommers & Schumm, Joe Gebbia, Image Group, Alessandro Bava, Calla Henkel and Max Pitegoff, Maciek Pozoga, Octave Perrault, and Nancy Meyers, among others.
Revues
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In the popular imagination, the controversial 1963 demolition of Pennsylvania Station gave birth to New York City’s historic preservation movement. As the author reveals, however, historic preservation has been a persistent force in the development of New York since the 1890s, when the city’s leading politicians, planners, and architects first recognized the need to(...)
The once and future New York: historic preservation and the modern city
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In the popular imagination, the controversial 1963 demolition of Pennsylvania Station gave birth to New York City’s historic preservation movement. As the author reveals, however, historic preservation has been a persistent force in the development of New York since the 1890s, when the city’s leading politicians, planners, and architects first recognized the need to preserve the rapidly evolving city’s past. Rich with archival research, this book documents the emergence of historic preservation in New York at the turn of the twentieth century. Between 1890 and 1920, preservationists saved and restored buildings, parks, and monuments throughout the city’s five boroughs that represented continuity with the past.
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A wooden Japanese house slated for demolition will instead be moved to Venice for exhibition. Yet the house put on display will not appear in its original form. Dismantled for shipping, it will be reassembled on-site in new configurations created by architects and artisans from Japan, who will add new or local materials and other elements in the process. In other words,(...)
Co-Ownership of action : trajectories of elements
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A wooden Japanese house slated for demolition will instead be moved to Venice for exhibition. Yet the house put on display will not appear in its original form. Dismantled for shipping, it will be reassembled on-site in new configurations created by architects and artisans from Japan, who will add new or local materials and other elements in the process. In other words, the exhibition of the house will be a fantastical installation that combines old and new in a composite of creative efforts by multiple designers and craftsmen. This book, edited by architect Kozo Kadowaki, explores the project in detail.
Biennale
Robert Polidori: Hotel Petra
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This book is Robert Polidori’s portrait of the interiors of the now demolished Hotel Petra in Beirut, a grand icon of the city’s prewar history. The Hotel Petra was once one of the most popular hotels in Beirut, conveniently located in the city center adjacent to the Grand Theatre. After the Lebanese Civil War of 1975–90, Rafiq al-Hariri founded a holding company,(...)
Robert Polidori: Hotel Petra
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This book is Robert Polidori’s portrait of the interiors of the now demolished Hotel Petra in Beirut, a grand icon of the city’s prewar history. The Hotel Petra was once one of the most popular hotels in Beirut, conveniently located in the city center adjacent to the Grand Theatre. After the Lebanese Civil War of 1975–90, Rafiq al-Hariri founded a holding company, Solidere, whose goal was the selective demolition and reconstruction of downtown Beirut’s urban fabric. In 1992 the Hotel Petra was set aside for later restoration, and from that moment essentially cut off from any human intervention.
Monographies photo
livres
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During his travels through China, Peter Bialobrzeski became aware of the constructions known as “nail houses” - derelict houses earmarked for demolition, whose owners refused to vacate. In Nail Houses or the Destruction of Lower Shanghai, the artist gathers photographs of these isolated structures, often captured in the evening hours, when brightly lit windows convey a(...)
Nail houses, or the destruction of Lower Shanghai
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During his travels through China, Peter Bialobrzeski became aware of the constructions known as “nail houses” - derelict houses earmarked for demolition, whose owners refused to vacate. In Nail Houses or the Destruction of Lower Shanghai, the artist gathers photographs of these isolated structures, often captured in the evening hours, when brightly lit windows convey a sense of the domestic comfort these homes provide for their owners, despite their condition. Bialobrzeski stands up for these stubborn homeowners, compelling the viewer to face uncomfortable questions and underscoring the right of every human being to a home and a feeling of security.
livres
août 2014
Monographies photo
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Part of the Chapters series developed by the Belgian architects 51N4E, this third instalment tells the story of two office towers from the 1970s that have been transformed according to the principles of reduce/reuse/recycle. Against all odds, the former World Trade Centre in Brussels is being repurposed in a previously unimaginable way. After many years of vacancy, the(...)
How to not demolish a building
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Part of the Chapters series developed by the Belgian architects 51N4E, this third instalment tells the story of two office towers from the 1970s that have been transformed according to the principles of reduce/reuse/recycle. Against all odds, the former World Trade Centre in Brussels is being repurposed in a previously unimaginable way. After many years of vacancy, the building now represents a new approach to urban development and a showcase for dealing in a more sustainable way with older buildings threatened with demolition. And although the adaptive reuse of this building is unique, the underlying concepts and processes are not – a lesson on how not to demolish a building.
Architecture, monographies
Learning from Hangzhou
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Over the last ten years, the ancient city of Hangzhou, China, has tripled in size and added over a million people to its population. Learning from Hangzhou is an extended photoessay that situates Hangzhou within the physically and culturally transformative pressures of China's unbridled economic expansion. Between 2003 and 2008, more than 3,000 images of Hangzhou were(...)
Learning from Hangzhou
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Over the last ten years, the ancient city of Hangzhou, China, has tripled in size and added over a million people to its population. Learning from Hangzhou is an extended photoessay that situates Hangzhou within the physically and culturally transformative pressures of China's unbridled economic expansion. Between 2003 and 2008, more than 3,000 images of Hangzhou were taken, and then sorted for recurrent subject matter. This resulting condensed portrait catalogues such themes as the ubiquity of demolition and construction in Hangzhou, its architectural eclecticism, graffiti, advertising and the tenuous relationship between architecture and signage. This photo essay is accompanied by texts that explicate Hangzhou's emblematic role in China's larger transformations.