Limber: essays
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Angela Pelster's startling essay collection charts the world's history through its trees: roots in the ground, rings across wood, topiaries, wind-sculpted pines, the skinny poplars of her youth in Canada, and a desert in Niger, where "The Loneliest Tree in the World" once grew. In her backyard, a squirrel's decomposing body below a towering maple prompts a discussion of(...)
Limber: essays
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Angela Pelster's startling essay collection charts the world's history through its trees: roots in the ground, rings across wood, topiaries, wind-sculpted pines, the skinny poplars of her youth in Canada, and a desert in Niger, where "The Loneliest Tree in the World" once grew. In her backyard, a squirrel's decomposing body below a towering maple prompts a discussion of the science of rot, as well as a metaphor for the ways in which nature programs us to consume ourselves. Pelster is a writer who looks and listens closely: She watches tree frogs and questions how long we can love one another, she listens to the music of an artist who places paper-thin slices of sectioned tree trunks on his record player and hears the sounds’ mourning. Beautiful, deeply thoughtful, and wholly original, Limber valiantly asks what it means to sustain life on this planet we've inherited.
Théorie du paysage
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Ever since anonymous spray-can art began appearing on city walls in New York and Philadelphia in the late 1960s, graffiti has been a ubiquitous presence in the urban landscape, its artists largely unsung heroes. As hip-hop culture spread from America, graffiti became a worldwide phenomenon, emerging in the 1980s as the symbolic artistic language of young people everywhere(...)
octobre 2004, New York
Graffiti world : street art from five continents
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Ever since anonymous spray-can art began appearing on city walls in New York and Philadelphia in the late 1960s, graffiti has been a ubiquitous presence in the urban landscape, its artists largely unsung heroes. As hip-hop culture spread from America, graffiti became a worldwide phenomenon, emerging in the 1980s as the symbolic artistic language of young people everywhere and one of the most potent influences on youth-oriented marketing and design. With more than 2,000 illustrations by over 150 artists from all over the world and interviews with many of them, this book is the most comprehensive survey of graffiti art ever published. Today's young graffiti artists incorporate a variety of mediums—including stickers, stencils, oils, acrylics, and oil-based chalk—as well as an ever-expanding range of social commentary. This evolution in style and subject matter has earned graffiti the respect of the art world and guaranteed its long-lasting influence on art, graphic design, and style around the world.
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The issue is broken down into three conceptual sections. Contributors include: 1. I Love To We Amy Franceschini, Fritz Haeg, Bonnie Fortune, Brett Bloom,Juliana Parr, Charlotte Sáenz (aka Lozeh Luna), Kelly Marie Martin, Aviv Kruglanski, Kate Rich, Ben Schaafsma, Aimee LeDuc, Mark Chamberlain, Lisa Ann Auerbach, Veronica Wiman, Town Hall Meetings (Daniel Tucker,(...)
Revues
novembre 2008, Los Angeles
Journal of aesthetics protest 6, 2008 / volume 2, issue 2 / #6 : theory in three acts
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The issue is broken down into three conceptual sections. Contributors include: 1. I Love To We Amy Franceschini, Fritz Haeg, Bonnie Fortune, Brett Bloom,Juliana Parr, Charlotte Sáenz (aka Lozeh Luna), Kelly Marie Martin, Aviv Kruglanski, Kate Rich, Ben Schaafsma, Aimee LeDuc, Mark Chamberlain, Lisa Ann Auerbach, Veronica Wiman, Town Hall Meetings (Daniel Tucker, Nato Thompson and LA Participants) 2. Antiwar Survey Respondents: Andrew Boyd, Ashley Hunt, Alexandra Juhasz, Steve A. Anderson, Veterans for Peace, Art for a Democratic Society, Janet Weil (of East Bay Code Pink), Center For Tactical Magic, Eric Estenzo, Ehren Tool, Hillary Mushkin, Jene Despain, Keith Hennessy, John Carr (of LA VS WAR), Lizabeth Eva Rossof, Melissa Day, Scott Campbell (of Direct Action to Stop the War), Sandy Wood 3. Another Theory Section Sharmina Afsana Hossain, Mikkel Bolt Rasmussen, J Cookson,Dorit Cypis, Karla Diaz, Mindy Faber and Open Youth Networks, Marc Leger, Ami Motevalli, Mark Rodriguez, Gregory Sholette, Greg Smithsimon, Steve Stuffit, Tran, T.Kim-Trang, Annette Weisser, Grant Wahlquist, Rebecca Zorach
Revues
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In all debates on school system reform, teaching methods, care facilities for young children or individual funding opportunities, educational objectives are almost always at the fore. The more often issues of all-day schooling and inclusion are dealt with, the more important spatial concepts and aspects of aesthetics become. Results of international performance tests and(...)
Best of DETAIL: building for children
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In all debates on school system reform, teaching methods, care facilities for young children or individual funding opportunities, educational objectives are almost always at the fore. The more often issues of all-day schooling and inclusion are dealt with, the more important spatial concepts and aspects of aesthetics become. Results of international performance tests and findings from the field of developmental psychology have revealed the considerable influence that quality architecture exerts – from professional handling of design, colours, light and more to one’s ability to learn, including self-determined learning and working. Therefore, the time has come for architects to deal with these issues and to familiarise themselves with the appropriate design principles. In addition to brief theoretical asides, the latest volume from the “best of Detail” series provides a wide range of completed projects – from crèche to high school and community centres for children to youth centres – that demonstrate fascinating solutions for diverse construction projects for children and adolescents.
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The radical youth movements of the 1960s and '70s gave rise to both militant political groups ranging from urban guerrilla groups to autonomist counterculture, as well as radical media, including radio, music, film, video, and television. This book is concerned with both of those tendencies considered as bifurcations of radical media ecologies in the 1970s. While some of(...)
Guerrilla networks: an anarchaeology of 1970s radical media ecologies
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The radical youth movements of the 1960s and '70s gave rise to both militant political groups ranging from urban guerrilla groups to autonomist counterculture, as well as radical media, including radio, music, film, video, and television. This book is concerned with both of those tendencies considered as bifurcations of radical media ecologies in the 1970s. While some of the forms of media creativity and invention mapped here, such as militant film and video, pirate radio and guerrilla television, fit within conventional definitions of media, others, such as urban guerrilla groups and autonomous movements, do not. Nevertheless what was at stake in all these ventures was the use of available means of expression in order to produce transformative effects, and they were all in different ways responding to ideas and practices of guerrilla struggle and specifically of guerrilla media. This book examines these radical media ecologies as guerrilla networks, emphasising the proximity and inseparability of radical media and political practices.
Théorie de l’art
Catching the light
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In this lyrical meditation about the why of writing poetry, Joy Harjo reflects on significant points of illumination, experience, and questioning from her fifty years as a poet. Composed of intimate vignettes that take us through the author’s life journey as a youth in the late 1960s, a single mother, and a champion of Native nations, this book offers a fresh(...)
Catching the light
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In this lyrical meditation about the why of writing poetry, Joy Harjo reflects on significant points of illumination, experience, and questioning from her fifty years as a poet. Composed of intimate vignettes that take us through the author’s life journey as a youth in the late 1960s, a single mother, and a champion of Native nations, this book offers a fresh understanding of how poetry functions as an expression of purpose, spirit, community, and memory—in both the private, individual journey and as a vehicle for prophetic, public witness. Harjo insists that the most meaningful poetry is birthed through cracks in history from what is broken and unseen. At the crossroads of this brokenness, she calls us to watch and listen for the songs of justice for all those America has denied. This is an homage to the power of words to defy erasure—to inscribe the story, again and again, of who we have been, who we are, and who we can be.
Littérature et poésie
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From a youth spent in different cities of the world, to his beginnings as an architect in Toronto, the author has long recognized that cities at their best provide much of what we seek in a place to call home. Community, places of culture and business that we can walk to, mass transit and a wealth of amenities that couldn't be supported without a city's density: the(...)
Walking home: the life and lessons of a city builder
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From a youth spent in different cities of the world, to his beginnings as an architect in Toronto, the author has long recognized that cities at their best provide much of what we seek in a place to call home. Community, places of culture and business that we can walk to, mass transit and a wealth of amenities that couldn't be supported without a city's density: the mid-century drive to suburbanization deprived us of these inherent advantages of urban living. The realization of this loss, in tandem with pressing recent concerns about energy scarcity and global warming, has made us see cities with fresh eyes and a growing understanding that they can provide us with an unparalleled measure of sustainability. This publication explains how turning the world's urban spaces back into places that can give us not only a platform to face the challenges of the future, but also a place we can call, with pride and satisfaction, home.
Théorie de l’urbanisme
Raymond Pettibon: to Wit
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In the summer of 2013, Raymond Pettibon (born 1957) converted the David Zwirner exhibition space into an improvised studio, in order to prepare the drawings and collages for his critically acclaimed show at the gallery. The works ranged from depictions of Joe DiMaggio as a young boy, Bob Dylan and the comic strip character Bazooka Joe to pieces dovetailing popular imagery(...)
Raymond Pettibon: to Wit
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In the summer of 2013, Raymond Pettibon (born 1957) converted the David Zwirner exhibition space into an improvised studio, in order to prepare the drawings and collages for his critically acclaimed show at the gallery. The works ranged from depictions of Joe DiMaggio as a young boy, Bob Dylan and the comic strip character Bazooka Joe to pieces dovetailing popular imagery with quotations from Marcel Proust, William Faulkner, Henry James, Gustave Flaubert or the Bible, and addressing themes of violence, humor, sex, evolution, religion, politics, literature, youth, art history and sports. This volume documents both the making of these works during Pettibon's intensive tenure in the space and the finished works themselves. Boasting a drawing made especially for the cover, Raymond Pettibon: To Wit includes an essay by Lucas Zwirner titled "A Month with Raymond" that describes the show's making and offers fresh observations on the relationship between word and image, and reading and writing, in Pettibon's art.
Illustration
Ari Marcopoulos: Not yet
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The definitive monograph of Ari Marcopoulos, the renowned photographer whose explicit and startling visual intimacy bridges art and street photography. For nearly four decades, Ari Marcopoulos has broken conventions with his candid and raw style. His photographs documenting subcultures such as skateboarding, snowboarding, and hip-hop; his tendencies to photograph stark(...)
Ari Marcopoulos: Not yet
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The definitive monograph of Ari Marcopoulos, the renowned photographer whose explicit and startling visual intimacy bridges art and street photography. For nearly four decades, Ari Marcopoulos has broken conventions with his candid and raw style. His photographs documenting subcultures such as skateboarding, snowboarding, and hip-hop; his tendencies to photograph stark landscapes, portraits of artists, and celebrities; and his extremely quiet and intimate photos of his family and friends have all been hugely influential in helping to establish the visual rawness of youth culture, as well as the ephemeral aesthetic of contemporary photography. ''Ari Marcopoulos: Not yet'' is an unprecedented journey through the artist’s celebrated career, from skateboarding and snowboarding to rural landscapes and cityscapes. This volume includes both iconic and never-before-published photographs from the 1980s to now. Each chapter is edited by a different celebrated artist or family member—all close to Marcopoulos—and it is through these personal reflections on the artist’s work that this monograph takes on a deeper level of intimacy, drawing a more complete portrait of his oeuvre.
Expositions en cours
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What makes a good city? This question has long preoccupied groups interested and involved in the making and remaking of city spaces. In "The moral economy of cities", Evelyn S. Ruppert contends that the vision of the ‘good city’ embraced by professionals in the business of city making recognizes the interests of a dominant public, namely middle class consumers, office(...)
The moral economy of cities : shaping good citizens
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What makes a good city? This question has long preoccupied groups interested and involved in the making and remaking of city spaces. In "The moral economy of cities", Evelyn S. Ruppert contends that the vision of the ‘good city’ embraced by professionals in the business of city making recognizes the interests of a dominant public, namely middle class consumers, office workers, tourists, and families. This vision stigmatizes certain members of the public like street youth, panhandlers, discount-and low-income shoppers, and the language used to extol the virtues of the good city inherently moralizes social conduct in the city. Using the redevelopment of the Yonge-Dundas intersection in downtown Toronto in the mid-1990s as a case study, Ruppert examines the language of planners, urban designers, architects, and marketing analysts to reveal the extent to which moralization legitimizes these professions in the public eye and buttresses the very projects they produce. Ruppert’s conclusion that economic practices are not free from moral investment encourages the considerable task of re-examining the implications of city planning and development worldwide.
Théorie de l’urbanisme