artéfacts
Bismillahi rahmani rahim
Description:
1 model : metal, marble ; 19 x 18 x 15 cm
[197-?]
Bismillahi rahmani rahim
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Description:
1 model : metal, marble ; 19 x 18 x 15 cm
artéfacts
[197-?]
livres
Description:
1 online resource (349 pages)
London : Open Humanities Press, 2018.
The Neganthropocene / edited, translated, and with an introduction by Daniel Ross.
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Description:
1 online resource (349 pages)
livres
London : Open Humanities Press, 2018.
artéfacts
[Belgian village].
Description:
1 model village : wood, color ; various sizes. + 1 ground plan ([1] leaf : color ; 59 x 64 cm)
[approximately 1935] (Bruxelles : Jouet Belge)
[Belgian village].
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Description:
1 model village : wood, color ; various sizes. + 1 ground plan ([1] leaf : color ; 59 x 64 cm)
artéfacts
[approximately 1935] (Bruxelles : Jouet Belge)
In the swarm
$18.95
(disponible sur commande)
Résumé:
Digital communication and social media have taken over our lives. In this contrarian reflection on digitized life, Byung-Chul Han counters the cheerleaders for Twitter revolutions and Facebook activism by arguing that digital communication is in fact responsible for the disintegration of community and public space and is slowly eroding any possibility for real political(...)
In the swarm
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Prix:
$18.95
(disponible sur commande)
Résumé:
Digital communication and social media have taken over our lives. In this contrarian reflection on digitized life, Byung-Chul Han counters the cheerleaders for Twitter revolutions and Facebook activism by arguing that digital communication is in fact responsible for the disintegration of community and public space and is slowly eroding any possibility for real political action and meaningful political discourse. In the predigital, analog era, by the time an angry letter to the editor had been composed, mailed, and received, the immediate agitation had passed. Today, digital communication enables instantaneous, impulsive reaction, meant to express and stir up outrage on the spot. “The shitstorm,” writes Han, ”represents an authentic phenomenon of digital communication.” Meanwhile, the public, the senders and receivers of these communications have become a digital swarm—not a mass, or a crowd, or Negri and Hardt’s antiquated notion of a “multitude,” but a set of isolated individuals incapable of forming a “we,” incapable of calling dominant power relations into question, incapable of formulating a future because of an obsession with the present. The digital swarm is a fragmented entity that can focus on individual persons only in order to make them an object of scandal. Han, one of the most widely read philosophers in Europe today, describes a society in which information has overrun thought, in which the same algorithms are employed by Facebook, the stock market, and the intelligence services. Democracy is under threat because digital communication has made freedom and control indistinguishable. Big Brother has been succeeded by Big Data.
artéfacts
Monticello
Description:
1 model : pewter ; 5 x 10 x 9 cm
[199-]
artéfacts
[199-]
artéfacts
[Model village].
Description:
1 model village : wood, color ; 11 x 8 x 3 cm or smaller
[approximately 1900] ([Germany? : publisher not identified])
[Model village].
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Description:
1 model village : wood, color ; 11 x 8 x 3 cm or smaller
artéfacts
[approximately 1900] ([Germany? : publisher not identified])
livres
Description:
xiv, 386 pages : illustrations, plans ; 23 cm
Cambridge, Massachusetts : The MIT Press, [2024], ©2024
The feeling of space / Christopher Bardt.
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Description:
xiv, 386 pages : illustrations, plans ; 23 cm
livres
Cambridge, Massachusetts : The MIT Press, [2024], ©2024
artéfacts
York Minster.
Description:
1 model : metal ; 8 x 3 x 6 cm
[19--]
artéfacts
[19--]
artéfacts
Burg Nuernberg.
Description:
1 model : metal ; 9 x 10 x 7 cm
[19--]
artéfacts
[19--]
artéfacts
[Salt Lake Temple].
Description:
1 model : bronze ; 11 x 6 x 9 cm
[1930?] ([Salt Lake City, Utah)
artéfacts
[1930?] ([Salt Lake City, Utah)