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This current issue presents recent large-scale institutional or public buildings. David Adjaye’s building for the Skolkovo - Moscow School of Management has attracted a lot of attention internationally since it is the first major public building by an international architect in Russia in quite some time. Also included in this issue is Fernando Romero’s design for the(...)
Mark, n.32: the modern monument
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This current issue presents recent large-scale institutional or public buildings. David Adjaye’s building for the Skolkovo - Moscow School of Management has attracted a lot of attention internationally since it is the first major public building by an international architect in Russia in quite some time. Also included in this issue is Fernando Romero’s design for the Museo Soumaya, a conversation with Franz Schulze, artist and the biographer of Mies van der Rohe, Philip Johnson and Helmut Jahn, as well as news, reviews and previews from all corners of contemporary architectural practice.
Revues
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''Visual Encounters in the Study of Rural Childhoods'' brings together visual studies and childhood studies to explore images of childhood in the study of rurality and rural life. The volume highlights how the voices of children themselves remain central to investigations of rural childhoods. Contributions look at representations and experiences of rural childhoods from(...)
Visual encounters in the study of rural childhoods
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''Visual Encounters in the Study of Rural Childhoods'' brings together visual studies and childhood studies to explore images of childhood in the study of rurality and rural life. The volume highlights how the voices of children themselves remain central to investigations of rural childhoods. Contributions look at representations and experiences of rural childhoods from both the Global North and Global South (including U.S., Canada, Haiti, India, Sweden, Slovenia, South Africa, Russia, Timor-Leste, and Colombia) and consider visuals ranging from picture books to cell phone video to television.
Théorie de l’architecture
Public photographic spaces, exhibitions of propaganda, from Pressa to the family of man, 1928-55
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This book focuses from a chronological perspective on photography as a tool for a new visuality and the rupture of the role of the spectator: photographic exhibitions from 1928 to 1955, from the spaces designed by Lissitzky's to The Family of Man; the trajectory of utopian architectural-photographic space and from post-Revolutionary Russia to America during the Cold War.(...)
Public photographic spaces, exhibitions of propaganda, from Pressa to the family of man, 1928-55
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This book focuses from a chronological perspective on photography as a tool for a new visuality and the rupture of the role of the spectator: photographic exhibitions from 1928 to 1955, from the spaces designed by Lissitzky's to The Family of Man; the trajectory of utopian architectural-photographic space and from post-Revolutionary Russia to America during the Cold War. This space documents the exhibitions designed by Lissitzky (Pressa, Film und Foto, etc); German, Italian and Spanish exhibitions in the 1930s, and exhibitions in MOMA during the Second World War.
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This book offers a close look at Carroll’s engagement with the medium, both as a creator and a collector of photographs. Lindsay Smith takes readers to the glass studio above Carroll’s college rooms at Oxford, where he created many of his striking portraits, and she also follows him into the field—on excursions to the theater in London, to the seaside at Eastbourne, and(...)
Lewis Carroll: photography on the move
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This book offers a close look at Carroll’s engagement with the medium, both as a creator and a collector of photographs. Lindsay Smith takes readers to the glass studio above Carroll’s college rooms at Oxford, where he created many of his striking portraits, and she also follows him into the field—on excursions to the theater in London, to the seaside at Eastbourne, and even to Russia. Smith also details Carroll’s enthusiastic work as a collector, in which role he arranged portrait sittings for photographers whose work he admired.
Théorie de la photographie
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Venice Takeaway : Ideas to Change British Architecture brings together the research of ten architectural teams exhibiting in the British Pavilion at the 13th Venice Architecture Biennale. Charting a course that takes in Argentina, Brazil, China, Germany, Japan, the Netherlands, Nigeria, Russia, Thailand and the USA, the catalogue presents images and essays by the(...)
Architecture contemporaine
novembre 2012
Venice take away : ideas to change British architecture
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Venice Takeaway : Ideas to Change British Architecture brings together the research of ten architectural teams exhibiting in the British Pavilion at the 13th Venice Architecture Biennale. Charting a course that takes in Argentina, Brazil, China, Germany, Japan, the Netherlands, Nigeria, Russia, Thailand and the USA, the catalogue presents images and essays by the teams who travelled the world to seek imaginative responses to universal issues and explore the common ground of architecture. In addition, the book features texts by Patrik Schumacher, the show’s curators Vanessa Norwood and Vicky Richardson and a foreword by Brett Steele.
Architecture contemporaine
livres
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xii, 173 pages : illustrations (some color) ; 29 cm
New Haven : Yale University Press in association with the Fundação Centro Cultural de Belém, ©2002.
Malevich and film / Margarita Tupitsyn with essays by Kazimir Malevich and Victor Tupitsyn.
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xii, 173 pages : illustrations (some color) ; 29 cm
livres
New Haven : Yale University Press in association with the Fundação Centro Cultural de Belém, ©2002.
livres
The Shed 2019
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The Shed 2019
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vii, 232 pages : illustrations ; 21 cm
London : Pluto Press, 2016.
The Chaplin machine : slapstick, Fordism and the Communist avant-garde / Owen Hatherley.
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vii, 232 pages : illustrations ; 21 cm
livres
London : Pluto Press, 2016.
livres
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516 pages, [1] leaf of plates : illustrations, map, portraits, plans, coats of arms ; 27 cm
Paris : imprimerie Schneider et Langrand, rue d'Erfurth, 1, 1841.
Versailles : ancien et moderne / par le comte Alexandre de Laborde ...
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516 pages, [1] leaf of plates : illustrations, map, portraits, plans, coats of arms ; 27 cm
livres
Paris : imprimerie Schneider et Langrand, rue d'Erfurth, 1, 1841.
Le Corbusier: the built work
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Le Corbusier is widely acknowledged as the most influential architect of the twentieth century. As extensively researched and documented as his works are, however, they have never been exhaustively surveyed in photographs until now. Photographer Richard Pare has crossed the globe for years to document the extant works of Le Corbusier- from his first villas in Switzerland(...)
Le Corbusier: the built work
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Le Corbusier is widely acknowledged as the most influential architect of the twentieth century. As extensively researched and documented as his works are, however, they have never been exhaustively surveyed in photographs until now. Photographer Richard Pare has crossed the globe for years to document the extant works of Le Corbusier- from his first villas in Switzerland to his mid-career works in his role as the first global architect in locations as far-flung as Argentina and Russia, and his late works, including his sole North American project, at Harvard University, and an extensive civic plan for Chandigarh, India.
Monographies photo