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Featuring work produced since 2000, "Graphic Design: Now in Production" explores the worlds of design-driven magazines, newspapers, books and posters; the entrepreneurial spirit of designer-produced goods; the renaissance in digital typeface design; the storytelling potential of film and television titling sequences; and the transformation of raw data into compelling(...)
novembre 2011
Graphic design: now in production
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Featuring work produced since 2000, "Graphic Design: Now in Production" explores the worlds of design-driven magazines, newspapers, books and posters; the entrepreneurial spirit of designer-produced goods; the renaissance in digital typeface design; the storytelling potential of film and television titling sequences; and the transformation of raw data into compelling information narratives. The catalogue features important original essays by leading designers that tackle themes such as the changing roles of reading and writing within the context of new technologies and self-publishing; the nature of design labor and production, from blue-collar handcraft and making to white-collar design thinking and strategy; and the impact and influence design programs and schools have had on shaping the direction of contemporary graphic design.
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Volume—a word that refers to sound, collections, and the measurement of space—is a crucial characteristic of both graphic design and popular music. While expressing different aspects of these two pervasive cultural mediums, the term also introduces a discussion on their many links. This publication is a collection of both new and classic writings by frequent Emigre(...)
Volume: writings on graphic design, music, art and culture
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Volume—a word that refers to sound, collections, and the measurement of space—is a crucial characteristic of both graphic design and popular music. While expressing different aspects of these two pervasive cultural mediums, the term also introduces a discussion on their many links. This publication is a collection of both new and classic writings by frequent Emigre contributor and educator Kenneth FitzGerald that survey the discipline of graphic design in context with the parallel creative fields of contemporary music and art. The topics of the writings are diverse: the roles of class in design, design education, Lester Bangs and Creem magazine, pornography, album cover art, independent record labels, anonymity and imaginary creative identities, and design as cultural chaos-maker.
Théorie de l’art
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In the years of reconstruction and economic boom that followed the Second World War, the domestic sphere encountered new expectations regarding social behaviour, modes of living, and forms of dwelling. This book brings together an international group of scholars from architecture, design, urban planning, and interior design to reappraise mid-twentieth century modern life,(...)
Atomic dwelling: anxiety, domesticity, and postwar architecture
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In the years of reconstruction and economic boom that followed the Second World War, the domestic sphere encountered new expectations regarding social behaviour, modes of living, and forms of dwelling. This book brings together an international group of scholars from architecture, design, urban planning, and interior design to reappraise mid-twentieth century modern life, offering a timely reassessment of culture and the economic and political effects on civilian life. This collection contains essays that examine the material of art, objects, and spaces in the context of practices of dwelling over the long span of the postwar period. It asks what role material objects, interior spaces, and architecture played in quelling or fanning the anxieties of modernism’s ordinary denizens, and how this role informs their legacy today.
Théorie de l’architecture
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"Designed for Habitat presents potent evidence of the link between design and dignity, particularly in the context of low-income housing. It captures a crucial trifecta of perspectives - Habitat for Humanity leaders, homeowners, and designers. Their powerful, sometimes explosive stories aren't sugarcoated by Hinson and Miller; the pair makes clear that these(...)
Designed for habitat : collaborations with Habitat for humanity
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"Designed for Habitat presents potent evidence of the link between design and dignity, particularly in the context of low-income housing. It captures a crucial trifecta of perspectives - Habitat for Humanity leaders, homeowners, and designers. Their powerful, sometimes explosive stories aren't sugarcoated by Hinson and Miller; the pair makes clear that these collaborations present huge challenges for often-opposing cultures, but can yield unprecedented payoffs. With America's housing in a perpetual state of crisis, such partnerships are more important than ever. This highly-instructive, landmark book is an unmatched guide for future collaborations. It communicates so clearly and so convincingly to Habitat and its homeowners that they too deserve good design; indeed, we all do." -John Cary, Author, The Power of Pro Bono; Founder & Editor, PublicInterestDesign.org
Théorie de l’architecture
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"Housing should be seen as a process, and not as a product." The book deals with the issue of sustainability in a planning context but also analyses a building's usage and ageing over its 'life cycle'. A system of criteria specially developed in an accompanying research project can be used to compare and evaluate buildings, and as a tool for optimising the(...)
Holistic housing: concepts, design strategies and processes
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"Housing should be seen as a process, and not as a product." The book deals with the issue of sustainability in a planning context but also analyses a building's usage and ageing over its 'life cycle'. A system of criteria specially developed in an accompanying research project can be used to compare and evaluate buildings, and as a tool for optimising the sustainability of buildings in development during the planning process. By contrast, most existing sustainability systems are conceived not as design and planning tools, but as instruments for evaluating finished buildings and completed planning. 15 practical examples explain the ways in which these criteria and other aspects of sustainable building can be implemented in sophisticated architecture and how these can then be experienced.
Logements collectifs
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Established in 1998, Afterall is a journal of contemporary art, providing a forum for in-depth analysis of art's context and seeking to inspire artists to see art as an agency for change. Afteralli's academic format differentiates it from popular review magazines. Each issue provides the reader with lengthy, well-researched articles, and includes different writers(...)
Afterall 31, Autumn / Winter 2012
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Established in 1998, Afterall is a journal of contemporary art, providing a forum for in-depth analysis of art's context and seeking to inspire artists to see art as an agency for change. Afteralli's academic format differentiates it from popular review magazines. Each issue provides the reader with lengthy, well-researched articles, and includes different writers discussing the same artist's work from varied perspectives. The print journal itself is visually rich, with numerous accompanying illustrations. Published in editorial and research partnership with Museum van Hedendaagse Kunst Antwerpen (M HKA); Smart Museum of Art and Open Practice Committee, University of Chicago; arteypensamiento, Universidad Internacional de Andalucia (UNIA); and Central Saint Martins College of Art and Design, University of the Arts, London.
Revues
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When planes crash, bridges collapse, and automobile gas tanks explode, we are quick to blame poor design. But Henry Petroski says we must look beyond design for causes and corrections. Known for his masterly explanations of engineering successes and failures, Petroski here takes his analysis a step further, to consider the larger context in which accidents occur. In To(...)
To forgive design: understanding failure
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When planes crash, bridges collapse, and automobile gas tanks explode, we are quick to blame poor design. But Henry Petroski says we must look beyond design for causes and corrections. Known for his masterly explanations of engineering successes and failures, Petroski here takes his analysis a step further, to consider the larger context in which accidents occur. In To Forgive Design he surveys some of the most infamous failures of our time, from the 2007 Minneapolis bridge collapse and the toppling of a massive Shanghai apartment building in 2009 to Boston’s prolonged Big Dig and the 2010 Gulf oil spill. These avoidable disasters reveal the interdependency of people and machines within systems whose complex behavior was undreamt of by their designers, until it was too late.
Théorie du design
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In many ways the history of civilization is a history of humans’ relationship with nature. Starting from the dual inclination to clear land for cultivation and to enclose space for protection—the forest clearing and the walled garden—there emerges a vital and multifaceted narrative that describes our cultural relationship to, and dependence on, the landscape. Christophe(...)
The course of landscape architecture: a history of our designs on the natural world
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In many ways the history of civilization is a history of humans’ relationship with nature. Starting from the dual inclination to clear land for cultivation and to enclose space for protection—the forest clearing and the walled garden—there emerges a vital and multifaceted narrative that describes our cultural relationship to, and dependence on, the landscape. Christophe Girot sets out to chronicle this history, drawing on all aspects of mankind’s creativity and ingenuity. In twelve chapters, he brings together the key stories that have shaped our man-made landscapes. Each chapter consists of a thematic essay that ties together the central developments, as well as a case study illustrated with specially commissioned photographs and meticulously detailed 3D re–creations showing the featured site in its original context.
Jardins
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Josep Lluís Sert (1902–1983) was the last president of CIAM (International Congresses of Modern Architecture) and dean of the Harvard University Graduate School of Design from 1953 to 1969, where he founded the discipline of urban design. His writings offer a new view of his activities in architecture and urban planning, and provide the intellectual context for his own(...)
The writings Josep Lluis Sert
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Josep Lluís Sert (1902–1983) was the last president of CIAM (International Congresses of Modern Architecture) and dean of the Harvard University Graduate School of Design from 1953 to 1969, where he founded the discipline of urban design. His writings offer a new view of his activities in architecture and urban planning, and provide the intellectual context for his own work as an architect, much of which is still controversial and often poorly understood. This book includes 16 essays dating from 1951 to 1977, ten of which are previously unpublished. The Writings of Josep Lluís Sert illuminates Sert’s contributions to 20th-century architecture, urban design, and design pedagogy, and makes clear the similarities and differences between his ideas and those of his mentor, Le Corbusier.
Théorie de l’architecture
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Now available in paperback, renowned writer and thinker David Leatherbarrow's groundbreaking Architecture Oriented Otherwise argues for a more profound, yet simpler, way of thinking about architecture, namely on the basis of how it performs. It's not only about how a building functions but also how it acts, including its effects on observers and inhabitants as well as on(...)
Architecture oriented otherwise
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Now available in paperback, renowned writer and thinker David Leatherbarrow's groundbreaking Architecture Oriented Otherwise argues for a more profound, yet simpler, way of thinking about architecture, namely on the basis of how it performs. It's not only about how a building functions but also how it acts, including its effects on observers and inhabitants as well as on the landscape that situates it. Drawing on an encyclopedic reading of contemporary philosophy, as well as from the work of architects whose work he admires, including Peter Zumthor, Renzo Piano, Le Corbusier, and Frank Lloyd Wright, Leatherbarrow challenges architects to think about their buildings in a vastly wider context, opening up the possibility of creating works that are richer in meaning, quality, and life.
Théorie de l’architecture