4813 Résultats
Classification:
livres
livres
Actions:
Description:
1 online resource
Auteur:
Sujet:
Publication:
[Place of publication not identified] : Minor Compositions, 2026.
[Place of publication not identified] : Minor Compositions, 2026.
Titre:
CERFI: Analysis Everywhere. Militancy, Research, Architecture and Psychiatry.
Actions:
Description:
1 online resource
CERFI: Analysis Everywhere. Militancy, Research, Architecture and Psychiatry.
Actions:
Description:
1 online resource
Classification:
livres
livres
Publication:
[Place of publication not identified] : Minor Compositions, 2026.
[Place of publication not identified] : Minor Compositions, 2026.
Auteur:
Sujet:
Classification:
livres
livres
Actions:
Exemplaires:
Description:
106, [1] pages : illustrations ; 20 cm
Description:
106, [1] pages : illustrations ; 20 cm
Auteur:
Sujet:
Publication:
Moscow, U.S.S.R. : Profizdat, 1960.
Moscow, U.S.S.R. : Profizdat, 1960.
Titre:
Fifteen million new apartments / M. Terentyev and A. Shtilko ; [translated from the Russian by S. Smith].
Actions:
Exemplaires:
Description:
106, [1] pages : illustrations ; 20 cm
Fifteen million new apartments / M. Terentyev and A. Shtilko ; [translated from the Russian by S. Smith].
Actions:
Exemplaires:
Description:
106, [1] pages : illustrations ; 20 cm
Classification:
livres
livres
Publication:
Moscow, U.S.S.R. : Profizdat, 1960.
Moscow, U.S.S.R. : Profizdat, 1960.
Auteur:
Sujet:
Classification:
livres
livres
Actions:
Exemplaires:
Description:
166 pages : illustrations (some color) ; 28 cm
Description:
166 pages : illustrations (some color) ; 28 cm
Auteur:
Sujet:
Publication:
Leningrad : Aurora Art, ©1979.
Leningrad : Aurora Art, ©1979.
Titre:
Modern Lithuanian stained glass / [compiled and introduced by Liudvika Ramanauskaité ; edited by Igor Bartenev ; photos. by Juozas Polis ; translated from the Russian by Michelle King and Helen Sterne].
Actions:
Exemplaires:
Description:
166 pages : illustrations (some color) ; 28 cm
Modern Lithuanian stained glass / [compiled and introduced by Liudvika Ramanauskaité ; edited by Igor Bartenev ; photos. by Juozas Polis ; translated from the Russian by Michelle King and Helen Sterne].
Actions:
Exemplaires:
Description:
166 pages : illustrations (some color) ; 28 cm
Classification:
livres
livres
Publication:
Leningrad : Aurora Art, ©1979.
Leningrad : Aurora Art, ©1979.
Auteur:
Sujet:
Classification:
livres
livres
Actions:
Prix:
$56.95
(disponible sur commande)
Résumé:
With the exception of poster art, French graphic design has enjoyed little recognition on the international stage – until now. This new book tells the story of the development of design in the France. French graphic design has thrived on a multitude of external influences from places as far afield as Russia, Switzerland, Poland, Germany and Hungary. The designers here(...)
$56.95
(disponible sur commande)
Résumé:
With the exception of poster art, French graphic design has enjoyed little recognition on the international stage – until now. This new book tells the story of the development of design in the France. French graphic design has thrived on a multitude of external influences from places as far afield as Russia, Switzerland, Poland, Germany and Hungary. The designers here(...)
Titre:
The story of graphic design in France
Actions:
Prix:
$56.95
(disponible sur commande)
Résumé:
With the exception of poster art, French graphic design has enjoyed little recognition on the international stage – until now. This new book tells the story of the development of design in the France. French graphic design has thrived on a multitude of external influences from places as far afield as Russia, Switzerland, Poland, Germany and Hungary. The designers here are legendary artists, actually some of the world’s most revered: French artists and artists who made Paris their home - Man Ray, Brassai, Cassandre, Leger, Duchamp, Mallarme to name just a few. "Graphic design in France" documents the emergence of graphic design as a culture in France and illustrates how it has come to the fore in recent years with a great burst of vitality in poster art, typography, editorial design, magazine design, information graphics, multimedia and television. This book places the tradition of French graphic design amidst the greater aesthetic languages of fine art, iconography, urban architecture, sculpture, communication art, fashion, literature, and much more.
The story of graphic design in France
Actions:
Prix:
$56.95
(disponible sur commande)
Résumé:
With the exception of poster art, French graphic design has enjoyed little recognition on the international stage – until now. This new book tells the story of the development of design in the France. French graphic design has thrived on a multitude of external influences from places as far afield as Russia, Switzerland, Poland, Germany and Hungary. The designers here are legendary artists, actually some of the world’s most revered: French artists and artists who made Paris their home - Man Ray, Brassai, Cassandre, Leger, Duchamp, Mallarme to name just a few. "Graphic design in France" documents the emergence of graphic design as a culture in France and illustrates how it has come to the fore in recent years with a great burst of vitality in poster art, typography, editorial design, magazine design, information graphics, multimedia and television. This book places the tradition of French graphic design amidst the greater aesthetic languages of fine art, iconography, urban architecture, sculpture, communication art, fashion, literature, and much more.
Classification:
livres
livres
Publication:
janvier 2005, Corte Madera
janvier 2005, Corte Madera
Sujet:
livres soldés
livres soldés
Classification:
livres
livres
Actions:
Prix:
$60.00
(disponible sur commande)
Résumé:
Shrinking cities have pushed urban design and classical city planning to their limits. This new challenge requires new approaches in which the "hard" tools of construction are joined by the "soft" tools of political, social, cultural, and communicative interventions. This book provides an international overview of experimental concepts for taking action in shrinking(...)
$60.00
(disponible sur commande)
Résumé:
Shrinking cities have pushed urban design and classical city planning to their limits. This new challenge requires new approaches in which the "hard" tools of construction are joined by the "soft" tools of political, social, cultural, and communicative interventions. This book provides an international overview of experimental concepts for taking action in shrinking(...)
Titre:
Shrinking cities, volume 2: interventions
Actions:
Prix:
$60.00
(disponible sur commande)
Résumé:
Shrinking cities have pushed urban design and classical city planning to their limits. This new challenge requires new approaches in which the "hard" tools of construction are joined by the "soft" tools of political, social, cultural, and communicative interventions. This book provides an international overview of experimental concepts for taking action in shrinking cities from the fields of architecture, landscape architecture, urban construction, the media, performance, and art. The approaches range from artistic intercessions and self-empowerment projects to architectural and landscape interventions, and from strategies of media communication and city marketing to new legal regulations and utopian designs. A series of essays provides a critical discussion of both successful and failed projects of recent decades from such countries as the United States, Great Britain, the Netherlands, Austria, Russia, and Japan. Projects featured (selection): William Alsop, Crimson, Jeremy Deller, Gordon Matta-Clark, OMA, Cedric Price, Andreas Siekmann, Robert Smithson, Superflex, O. M. Ungers
Shrinking cities, volume 2: interventions
Actions:
Prix:
$60.00
(disponible sur commande)
Résumé:
Shrinking cities have pushed urban design and classical city planning to their limits. This new challenge requires new approaches in which the "hard" tools of construction are joined by the "soft" tools of political, social, cultural, and communicative interventions. This book provides an international overview of experimental concepts for taking action in shrinking cities from the fields of architecture, landscape architecture, urban construction, the media, performance, and art. The approaches range from artistic intercessions and self-empowerment projects to architectural and landscape interventions, and from strategies of media communication and city marketing to new legal regulations and utopian designs. A series of essays provides a critical discussion of both successful and failed projects of recent decades from such countries as the United States, Great Britain, the Netherlands, Austria, Russia, and Japan. Projects featured (selection): William Alsop, Crimson, Jeremy Deller, Gordon Matta-Clark, OMA, Cedric Price, Andreas Siekmann, Robert Smithson, Superflex, O. M. Ungers
Classification:
livres
livres
Publication:
juin 2006, Ostfildern
juin 2006, Ostfildern
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Classification:
livres
livres
Actions:
Prix:
$220.00
(disponible en magasin)
Résumé:
Coinciding with a major retrospective exhibition at MAXXI, Rome, ''Col tempo, 1956–2024'' provides a complete and long-awaited retrospective of the career of Guido Guidi, sequenced by the artist himself in his typically illuminating, associative style. The book begins with some of the earliest photographs Guidi made, aged fifteen, in the countryside around his home in(...)
$220.00
(disponible en magasin)
Résumé:
Coinciding with a major retrospective exhibition at MAXXI, Rome, ''Col tempo, 1956–2024'' provides a complete and long-awaited retrospective of the career of Guido Guidi, sequenced by the artist himself in his typically illuminating, associative style. The book begins with some of the earliest photographs Guidi made, aged fifteen, in the countryside around his home in(...)
Titre:
Guido Guidi: Col Tempo, 1956-2024
Actions:
Prix:
$220.00
(disponible en magasin)
Résumé:
Coinciding with a major retrospective exhibition at MAXXI, Rome, ''Col tempo, 1956–2024'' provides a complete and long-awaited retrospective of the career of Guido Guidi, sequenced by the artist himself in his typically illuminating, associative style. The book begins with some of the earliest photographs Guidi made, aged fifteen, in the countryside around his home in Cesena in the Italian region of Romagna. The sequence that follows, covering almost seventy years, encompasses a wide range of styles, forms, and approaches as it traces the evolution of one of the most important voices in contemporary photography. It includes journeys to the USA, Russia, Turkey, and Portugal, and studies of the works of architects including Carlo Scarpa, Mies van der Rohe, and Le Corbusier. Consistently, though, it returns to the modest agricultural landscapes where Guidi was born and still lives and works today, among which he has developed the revelatory visual language for which he is celebrated as a modern master.
Guido Guidi: Col Tempo, 1956-2024
Actions:
Prix:
$220.00
(disponible en magasin)
Résumé:
Coinciding with a major retrospective exhibition at MAXXI, Rome, ''Col tempo, 1956–2024'' provides a complete and long-awaited retrospective of the career of Guido Guidi, sequenced by the artist himself in his typically illuminating, associative style. The book begins with some of the earliest photographs Guidi made, aged fifteen, in the countryside around his home in Cesena in the Italian region of Romagna. The sequence that follows, covering almost seventy years, encompasses a wide range of styles, forms, and approaches as it traces the evolution of one of the most important voices in contemporary photography. It includes journeys to the USA, Russia, Turkey, and Portugal, and studies of the works of architects including Carlo Scarpa, Mies van der Rohe, and Le Corbusier. Consistently, though, it returns to the modest agricultural landscapes where Guidi was born and still lives and works today, among which he has developed the revelatory visual language for which he is celebrated as a modern master.
Classification:
livres
livres
Publication:
janvier 2025
janvier 2025
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Actions:
Prix:
$39.50
(disponible sur commande)
Résumé:
The early twentieth century was a time of extraordinary change in Europe. War and revolution shattered the traditional cohesion of European civilisation, while the machine age brought mass production and distribution and a new sense of internationalism. This ‘heroic’ period of modernity found particularly forceful expression in graphic design and photomontage throughout(...)
$39.50
(disponible sur commande)
Résumé:
The early twentieth century was a time of extraordinary change in Europe. War and revolution shattered the traditional cohesion of European civilisation, while the machine age brought mass production and distribution and a new sense of internationalism. This ‘heroic’ period of modernity found particularly forceful expression in graphic design and photomontage throughout(...)
Publication:
octobre 2004, London
octobre 2004, London
Titre:
Avant-garde graphics 1918- 1934
Actions:
Prix:
$39.50
(disponible sur commande)
Résumé:
The early twentieth century was a time of extraordinary change in Europe. War and revolution shattered the traditional cohesion of European civilisation, while the machine age brought mass production and distribution and a new sense of internationalism. This ‘heroic’ period of modernity found particularly forceful expression in graphic design and photomontage throughout Europe, where new techniques allowed a fusion of typography, painting and photography, evoking the dynamism and fragmentation of cinema. "Avant-garde Graphics: 1918 – 34" showcases the work of many of the leading practitioners of the Modern movement, from Italian Futurists, the Dutch members of De Stijl and the German Bauhaus, to the Constructivists of Russia and central Europe. Drawn from the collection of Merrill C. Berman, one of the greatest collections of twentieth-century graphic art in the world, this book features colour reproductions of original posters, prints, book designs and political and commercial ephemera, together with original designers’ layouts and photomontages.
Avant-garde graphics 1918- 1934
Actions:
Prix:
$39.50
(disponible sur commande)
Résumé:
The early twentieth century was a time of extraordinary change in Europe. War and revolution shattered the traditional cohesion of European civilisation, while the machine age brought mass production and distribution and a new sense of internationalism. This ‘heroic’ period of modernity found particularly forceful expression in graphic design and photomontage throughout Europe, where new techniques allowed a fusion of typography, painting and photography, evoking the dynamism and fragmentation of cinema. "Avant-garde Graphics: 1918 – 34" showcases the work of many of the leading practitioners of the Modern movement, from Italian Futurists, the Dutch members of De Stijl and the German Bauhaus, to the Constructivists of Russia and central Europe. Drawn from the collection of Merrill C. Berman, one of the greatest collections of twentieth-century graphic art in the world, this book features colour reproductions of original posters, prints, book designs and political and commercial ephemera, together with original designers’ layouts and photomontages.
Classification:
livres
livres
Publication:
octobre 2004, London
octobre 2004, London
Classification:
livres
livres
Prix:
$33.95
(disponible sur commande)
Résumé:
Across five centuries of Russian history, Russian leaders have used architecture to project unity, identity, and power. Church architecture has inspired national cohesion and justified political control while representing the claims of religion in brick, wood, and stone. The architectural vocabulary of the Soviet state celebrated industrialization, mechanization, and(...)
$33.95
(disponible sur commande)
Résumé:
Across five centuries of Russian history, Russian leaders have used architecture to project unity, identity, and power. Church architecture has inspired national cohesion and justified political control while representing the claims of religion in brick, wood, and stone. The architectural vocabulary of the Soviet state celebrated industrialization, mechanization, and(...)
Sujet:
Histoire jusqu’à 1900
Histoire jusqu’à 1900
Publication:
mai 2003, Ithaca and London
mai 2003, Ithaca and London
Titre:
Architectures of Russian identity 1500 to the present
Actions:
Prix:
$33.95
(disponible sur commande)
Résumé:
Across five centuries of Russian history, Russian leaders have used architecture to project unity, identity, and power. Church architecture has inspired national cohesion and justified political control while representing the claims of religion in brick, wood, and stone. The architectural vocabulary of the Soviet state celebrated industrialization, mechanization, and communal life. Buildings and landscapes have expressed utopian urges as well as lofty spiritual goals. Country houses and memorials have encoded their own messages. In Architectures of Russian Identity, James Cracraft and Daniel Rowland gather a group of authors from a wide variety of backgrounds—including history and architectural history, linguistics, literary studies, geography, and political science—to survey the political and symbolic meanings of many different kinds of structures. Fourteen heavily illustrated chapters demonstrate the remarkable fertility of the theme of architecture, broadly defined, for a range of fields dealing with Russia and its surrounding territories. The authors engage key terms in contemporary historiography—identity, nationality, visual culture—and assess the applications of each in Russian contexts.
Architectures of Russian identity 1500 to the present
Actions:
Prix:
$33.95
(disponible sur commande)
Résumé:
Across five centuries of Russian history, Russian leaders have used architecture to project unity, identity, and power. Church architecture has inspired national cohesion and justified political control while representing the claims of religion in brick, wood, and stone. The architectural vocabulary of the Soviet state celebrated industrialization, mechanization, and communal life. Buildings and landscapes have expressed utopian urges as well as lofty spiritual goals. Country houses and memorials have encoded their own messages. In Architectures of Russian Identity, James Cracraft and Daniel Rowland gather a group of authors from a wide variety of backgrounds—including history and architectural history, linguistics, literary studies, geography, and political science—to survey the political and symbolic meanings of many different kinds of structures. Fourteen heavily illustrated chapters demonstrate the remarkable fertility of the theme of architecture, broadly defined, for a range of fields dealing with Russia and its surrounding territories. The authors engage key terms in contemporary historiography—identity, nationality, visual culture—and assess the applications of each in Russian contexts.
Classification:
livres
livres
Publication:
mai 2003, Ithaca and London
mai 2003, Ithaca and London
Sujet:
Histoire jusqu’à 1900
Histoire jusqu’à 1900
Classification:
livres
livres
Actions:
Prix:
$110.00
(disponible sur commande)
Résumé:
Coinciding with a major retrospective exhibition at MAXXI, Rome, ''Col tempo, 1956–2024'' provides a complete and long-awaited retrospective of the career of Guido Guidi, sequenced by the artist himself in his typically illuminating, associative style. The book begins with some of the earliest photographs Guidi made, aged fifteen, in the countryside around his home in(...)
$110.00
(disponible sur commande)
Résumé:
Coinciding with a major retrospective exhibition at MAXXI, Rome, ''Col tempo, 1956–2024'' provides a complete and long-awaited retrospective of the career of Guido Guidi, sequenced by the artist himself in his typically illuminating, associative style. The book begins with some of the earliest photographs Guidi made, aged fifteen, in the countryside around his home in(...)
Titre:
Guido Guidi: Col Tempo, paperback edition
Actions:
Prix:
$110.00
(disponible sur commande)
Résumé:
Coinciding with a major retrospective exhibition at MAXXI, Rome, ''Col tempo, 1956–2024'' provides a complete and long-awaited retrospective of the career of Guido Guidi, sequenced by the artist himself in his typically illuminating, associative style. The book begins with some of the earliest photographs Guidi made, aged fifteen, in the countryside around his home in Cesena in the Italian region of Romagna. The sequence that follows, covering almost seventy years, encompasses a wide range of styles, forms, and approaches as it traces the evolution of one of the most important voices in contemporary photography. It includes journeys to the USA, Russia, Turkey, and Portugal, and studies of the works of architects including Carlo Scarpa, Mies van der Rohe, and Le Corbusier. Consistently, though, it returns to the modest agricultural landscapes where Guidi was born and still lives and works today, among which he has developed the revelatory visual language for which he is celebrated as a modern master.
Guido Guidi: Col Tempo, paperback edition
Actions:
Prix:
$110.00
(disponible sur commande)
Résumé:
Coinciding with a major retrospective exhibition at MAXXI, Rome, ''Col tempo, 1956–2024'' provides a complete and long-awaited retrospective of the career of Guido Guidi, sequenced by the artist himself in his typically illuminating, associative style. The book begins with some of the earliest photographs Guidi made, aged fifteen, in the countryside around his home in Cesena in the Italian region of Romagna. The sequence that follows, covering almost seventy years, encompasses a wide range of styles, forms, and approaches as it traces the evolution of one of the most important voices in contemporary photography. It includes journeys to the USA, Russia, Turkey, and Portugal, and studies of the works of architects including Carlo Scarpa, Mies van der Rohe, and Le Corbusier. Consistently, though, it returns to the modest agricultural landscapes where Guidi was born and still lives and works today, among which he has developed the revelatory visual language for which he is celebrated as a modern master.
Classification:
livres
livres
Publication:
juillet 2025
juillet 2025
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Prix:
$65.50
(disponible sur commande)
Résumé:
The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets—including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky— collaborated to fabricate hand-lithographed(...)
$65.50
(disponible sur commande)
Résumé:
The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets—including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky— collaborated to fabricate hand-lithographed(...)
Titre:
Explodity: sound, image, and word in Russian Futurist book art
Actions:
Prix:
$65.50
(disponible sur commande)
Résumé:
The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets—including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky— collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning “beyond the mind”), which was distinctive in its emphasis on “sound as such” and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval’ (Explodity). In addition, Nancy Perloff examines the profound differences between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist’s book.
Explodity: sound, image, and word in Russian Futurist book art
Actions:
Prix:
$65.50
(disponible sur commande)
Résumé:
The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets—including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky— collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning “beyond the mind”), which was distinctive in its emphasis on “sound as such” and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval’ (Explodity). In addition, Nancy Perloff examines the profound differences between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist’s book.
Classification:
livres
livres
Publication:
janvier 2017
janvier 2017
