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240 pages : illustrations (some color), portraits, facsimiles ; 27 cm
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240 pages : illustrations (some color), portraits, facsimiles ; 27 cm
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London : Thames & Hudson ; Victoria and Albert Museum, 2017.
London : Thames & Hudson ; Victoria and Albert Museum, 2017.
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Plywood : a material story / Christopher Wilk with Elizabeth Bisley.
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240 pages : illustrations (some color), portraits, facsimiles ; 27 cm
Plywood : a material story / Christopher Wilk with Elizabeth Bisley.
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240 pages : illustrations (some color), portraits, facsimiles ; 27 cm
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livres
livres
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London : Thames & Hudson ; Victoria and Albert Museum, 2017.
London : Thames & Hudson ; Victoria and Albert Museum, 2017.
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$53.50
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Architect Lise Juel expresses how “Melancholy as a concept has been a useful perspective in understanding artists and artworks, but it remains underexposed in the field of architecture.” And yet, she continues, this is “not melancholic in its negative sense, but in the sense of a thoughtful and pensive approach to life.” Seventeen houses in Denmark are featured in this(...)
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Architect Lise Juel expresses how “Melancholy as a concept has been a useful perspective in understanding artists and artworks, but it remains underexposed in the field of architecture.” And yet, she continues, this is “not melancholic in its negative sense, but in the sense of a thoughtful and pensive approach to life.” Seventeen houses in Denmark are featured in this(...)
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A+U 562 07:17 Melancholy & Dwelling - Contemporary Houses In Denmark
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Architect Lise Juel expresses how “Melancholy as a concept has been a useful perspective in understanding artists and artworks, but it remains underexposed in the field of architecture.” And yet, she continues, this is “not melancholic in its negative sense, but in the sense of a thoughtful and pensive approach to life.” Seventeen houses in Denmark are featured in this issue, along with more than a dozen architectural offices that in turn reflect this melancholic perspective through their work, key to understanding Danish architectural practice, both traditionally and in the present. With work by Jeppe Utzon, LETH & GORI, Primus Architects, Atelier Lise Juel, and more.
A+U 562 07:17 Melancholy & Dwelling - Contemporary Houses In Denmark
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Architect Lise Juel expresses how “Melancholy as a concept has been a useful perspective in understanding artists and artworks, but it remains underexposed in the field of architecture.” And yet, she continues, this is “not melancholic in its negative sense, but in the sense of a thoughtful and pensive approach to life.” Seventeen houses in Denmark are featured in this issue, along with more than a dozen architectural offices that in turn reflect this melancholic perspective through their work, key to understanding Danish architectural practice, both traditionally and in the present. With work by Jeppe Utzon, LETH & GORI, Primus Architects, Atelier Lise Juel, and more.
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livres
livres
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juillet 2017
juillet 2017
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Revues
Revues
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livres
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1 online resource (211 pages) : illustrations (chiefly color)
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Madrid : Museo Nacional Centro de Arte Reina Sofia, [2019], ©2019
Madrid : Museo Nacional Centro de Arte Reina Sofia, [2019], ©2019
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Henrik Olesen / essays: Helena Tatay, Lars Bang Larsen, Paul B. Preciado, Dodie Bellamy.
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1 online resource (211 pages) : illustrations (chiefly color)
Henrik Olesen / essays: Helena Tatay, Lars Bang Larsen, Paul B. Preciado, Dodie Bellamy.
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1 online resource (211 pages) : illustrations (chiefly color)
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livres
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Madrid : Museo Nacional Centro de Arte Reina Sofia, [2019], ©2019
Madrid : Museo Nacional Centro de Arte Reina Sofia, [2019], ©2019
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195 pages : colour illustrations ; 26 cm
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195 pages : colour illustrations ; 26 cm
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London : Unicorn, an imprint of Unicorn Publishing Group LLP, 2017.
London : Unicorn, an imprint of Unicorn Publishing Group LLP, 2017.
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Neural architects : the Sainsbury Wellcome Centre from idea to reality / Georgina Ferry.
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195 pages : colour illustrations ; 26 cm
Neural architects : the Sainsbury Wellcome Centre from idea to reality / Georgina Ferry.
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195 pages : colour illustrations ; 26 cm
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livres
livres
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London : Unicorn, an imprint of Unicorn Publishing Group LLP, 2017.
London : Unicorn, an imprint of Unicorn Publishing Group LLP, 2017.
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$45.00
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For the French-Brazilian architect, theorist, and painter Sérgio Ferro, looking at architecture from below means putting the building site and building workers at the centre of architectural enquiry. Instead of new trends or big names, Ferro strives for an approach ‘that enables one to see both head and feet at the same time – the magnanimous ideal and the muck down(...)
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For the French-Brazilian architect, theorist, and painter Sérgio Ferro, looking at architecture from below means putting the building site and building workers at the centre of architectural enquiry. Instead of new trends or big names, Ferro strives for an approach ‘that enables one to see both head and feet at the same time – the magnanimous ideal and the muck down(...)
Titre:
Architecture from below: An anthology
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For the French-Brazilian architect, theorist, and painter Sérgio Ferro, looking at architecture from below means putting the building site and building workers at the centre of architectural enquiry. Instead of new trends or big names, Ferro strives for an approach ‘that enables one to see both head and feet at the same time – the magnanimous ideal and the muck down below’. The process of building rarely features in architectural history and theory. Ferro argues that this persistent dismissal and neglect of building labour is no mere oversight, but instead a structural necessity of capitalist development which serves to deny labour as the source of value, to make capital’s command appear mandatory, and to maintain the profession’s capacity to act ‘on’ and ‘over’ the building site. Written between 1967 and 2019, these ten essays introduce Sérgio Ferro’s vital thinking by confronting architecture with critical theories ranging from Marx to contemporary authors. They draw on concrete cases in different historical and geographical contexts – from Strasbourg to Brasilia, via Dubai – to disclose how capitalist relations of production have transformed architecture and its relations to artistic practices such as painting and sculpture.
Architecture from below: An anthology
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$45.00
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For the French-Brazilian architect, theorist, and painter Sérgio Ferro, looking at architecture from below means putting the building site and building workers at the centre of architectural enquiry. Instead of new trends or big names, Ferro strives for an approach ‘that enables one to see both head and feet at the same time – the magnanimous ideal and the muck down below’. The process of building rarely features in architectural history and theory. Ferro argues that this persistent dismissal and neglect of building labour is no mere oversight, but instead a structural necessity of capitalist development which serves to deny labour as the source of value, to make capital’s command appear mandatory, and to maintain the profession’s capacity to act ‘on’ and ‘over’ the building site. Written between 1967 and 2019, these ten essays introduce Sérgio Ferro’s vital thinking by confronting architecture with critical theories ranging from Marx to contemporary authors. They draw on concrete cases in different historical and geographical contexts – from Strasbourg to Brasilia, via Dubai – to disclose how capitalist relations of production have transformed architecture and its relations to artistic practices such as painting and sculpture.
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livres
livres
Publication:
juin 2024
juin 2024
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$39.95
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Eastern modernist architecture of the 60s and 70s is moving away from the specialized focus of international architecture debates and becoming a subject of discussion within the broader context of general interest. The excellent photos in the book convey the flair of an era in which planning was obviously the product of a collective vision, more so than is the case today.(...)
$39.95
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Eastern modernist architecture of the 60s and 70s is moving away from the specialized focus of international architecture debates and becoming a subject of discussion within the broader context of general interest. The excellent photos in the book convey the flair of an era in which planning was obviously the product of a collective vision, more so than is the case today.(...)
Publication:
décembre 2007, New York
décembre 2007, New York
Titre:
Eastmodern : architecture and design of the 1960s and 1970 in Slovakia
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$39.95
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Eastern modernist architecture of the 60s and 70s is moving away from the specialized focus of international architecture debates and becoming a subject of discussion within the broader context of general interest. The excellent photos in the book convey the flair of an era in which planning was obviously the product of a collective vision, more so than is the case today. The photographic and documentation project compiled by Herta Hurnaus, who lives in Vienna, and the architects Benjamin Konrad and Maik Novotny analyzes the work of prominent Slovakian architects of the time in a photographic documentary and an "oral history. The monumental prestigious buildings are above all the most impressive at first glance, with their features that display parallels to the sculptural designs of popular contemporary offices. The illustrated book contains short interviews in an appendix and address architects and all those who are fascinated the aesthetic of the time.
Eastmodern : architecture and design of the 1960s and 1970 in Slovakia
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$39.95
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Eastern modernist architecture of the 60s and 70s is moving away from the specialized focus of international architecture debates and becoming a subject of discussion within the broader context of general interest. The excellent photos in the book convey the flair of an era in which planning was obviously the product of a collective vision, more so than is the case today. The photographic and documentation project compiled by Herta Hurnaus, who lives in Vienna, and the architects Benjamin Konrad and Maik Novotny analyzes the work of prominent Slovakian architects of the time in a photographic documentary and an "oral history. The monumental prestigious buildings are above all the most impressive at first glance, with their features that display parallels to the sculptural designs of popular contemporary offices. The illustrated book contains short interviews in an appendix and address architects and all those who are fascinated the aesthetic of the time.
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livres
livres
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décembre 2007, New York
décembre 2007, New York
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253 pages : illustrations ; 23 cm
Description:
253 pages : illustrations ; 23 cm
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Chicago ; London : The University of Chicago Press, [2013], ©2013
Chicago ; London : The University of Chicago Press, [2013], ©2013
Titre:
Traveling in place : a history of armchair travel / Bernd Stiegler ; translated from the German by Peter Filkins.
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253 pages : illustrations ; 23 cm
Traveling in place : a history of armchair travel / Bernd Stiegler ; translated from the German by Peter Filkins.
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253 pages : illustrations ; 23 cm
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livres
livres
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Chicago ; London : The University of Chicago Press, [2013], ©2013
Chicago ; London : The University of Chicago Press, [2013], ©2013
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$34.95
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For much of the 20th century, critique played an important part in what was considered 'modern' architecture; the canon of modern architecture considered itself dedicated to both formal progress and social critique. But as the 1960s spurred a rereading of modern architecture from a perspective informed by Marxism and the decade’s new social movements, many concluded that(...)
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For much of the 20th century, critique played an important part in what was considered 'modern' architecture; the canon of modern architecture considered itself dedicated to both formal progress and social critique. But as the 1960s spurred a rereading of modern architecture from a perspective informed by Marxism and the decade’s new social movements, many concluded that(...)
Titre:
Building critique: Architecture and its discontents
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For much of the 20th century, critique played an important part in what was considered 'modern' architecture; the canon of modern architecture considered itself dedicated to both formal progress and social critique. But as the 1960s spurred a rereading of modern architecture from a perspective informed by Marxism and the decade’s new social movements, many concluded that a building practice could not be critical, owing to its interdependent relationship with power and business. With recent economic crises hitting the building and property sectors, and research playing an increasingly large role in architectural practice, we are witnessing a renewed interest in critique in contemporary architecture, especially from postcolonial and feminist positions. The essays contained in this book, authored by a variety of international architects and thinkers, address this revived moment of critique, arguing that, far from being dead, architectural critique is now indispensable.
Building critique: Architecture and its discontents
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$34.95
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For much of the 20th century, critique played an important part in what was considered 'modern' architecture; the canon of modern architecture considered itself dedicated to both formal progress and social critique. But as the 1960s spurred a rereading of modern architecture from a perspective informed by Marxism and the decade’s new social movements, many concluded that a building practice could not be critical, owing to its interdependent relationship with power and business. With recent economic crises hitting the building and property sectors, and research playing an increasingly large role in architectural practice, we are witnessing a renewed interest in critique in contemporary architecture, especially from postcolonial and feminist positions. The essays contained in this book, authored by a variety of international architects and thinkers, address this revived moment of critique, arguing that, far from being dead, architectural critique is now indispensable.
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livres
livres
Publication:
septembre 2020
septembre 2020
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
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$42.95
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As teachers of architectural design, Kent Bloomer and Charles Moore have attempted to introduce architecture from the standpoint of how buildings are experienced, how the affect individuals and communities emotionally and provide us with a sense of joy, identity, and place. In giving priority to these issues and in questioning the professional reliance on abstract(...)
$42.95
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As teachers of architectural design, Kent Bloomer and Charles Moore have attempted to introduce architecture from the standpoint of how buildings are experienced, how the affect individuals and communities emotionally and provide us with a sense of joy, identity, and place. In giving priority to these issues and in questioning the professional reliance on abstract(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
septembre 1977, New Haven / London
septembre 1977, New Haven / London
Titre:
Body, memory, and architecture
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$42.95
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As teachers of architectural design, Kent Bloomer and Charles Moore have attempted to introduce architecture from the standpoint of how buildings are experienced, how the affect individuals and communities emotionally and provide us with a sense of joy, identity, and place. In giving priority to these issues and in questioning the professional reliance on abstract two-dimensional drawings, they often find themselves in conflict with a general and undebated assumption that architecture is a highly specialized system with a set of prescribed technical goals, rather than a sensual social art historically derived from experiences and memories of the human body. "Body, memory, and architecture" traces the significance of the body from its place as the divine organizing principle in the earliest built forms to its near elimination from architectural thought in this century. The authors draw on contemporary models of spatial perception as well as on body-image theory in arguing for a return of the body to its proper place in the architectural equation. With a contribution by Robert J. Yudell.
Body, memory, and architecture
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$42.95
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As teachers of architectural design, Kent Bloomer and Charles Moore have attempted to introduce architecture from the standpoint of how buildings are experienced, how the affect individuals and communities emotionally and provide us with a sense of joy, identity, and place. In giving priority to these issues and in questioning the professional reliance on abstract two-dimensional drawings, they often find themselves in conflict with a general and undebated assumption that architecture is a highly specialized system with a set of prescribed technical goals, rather than a sensual social art historically derived from experiences and memories of the human body. "Body, memory, and architecture" traces the significance of the body from its place as the divine organizing principle in the earliest built forms to its near elimination from architectural thought in this century. The authors draw on contemporary models of spatial perception as well as on body-image theory in arguing for a return of the body to its proper place in the architectural equation. With a contribution by Robert J. Yudell.
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livres
livres
Publication:
septembre 1977, New Haven / London
septembre 1977, New Haven / London
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$54.00
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Résumé:
Extrait de la préface : « "Méthodes" est un objet. Atypique. Initialement conçu comme un des éléments constitutifs de l’exposition "Méthodologie du sensible" [exposition à la Galerie d’architecture à Paris en novembre 2008, puis à Londres et Briey en 2009], sa clef de voûte, il est une traversée initiatique, en ondes successives de l’Atelier d’architecture Pierre(...)
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Extrait de la préface : « "Méthodes" est un objet. Atypique. Initialement conçu comme un des éléments constitutifs de l’exposition "Méthodologie du sensible" [exposition à la Galerie d’architecture à Paris en novembre 2008, puis à Londres et Briey en 2009], sa clef de voûte, il est une traversée initiatique, en ondes successives de l’Atelier d’architecture Pierre(...)
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Méthodes : atelier d'architecture Pierre Hebbelinck
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Extrait de la préface : « "Méthodes" est un objet. Atypique. Initialement conçu comme un des éléments constitutifs de l’exposition "Méthodologie du sensible" [exposition à la Galerie d’architecture à Paris en novembre 2008, puis à Londres et Briey en 2009], sa clef de voûte, il est une traversée initiatique, en ondes successives de l’Atelier d’architecture Pierre Hebbelinck-Pierre de Wit, son savoir être, son savoirfaire. L’intelligence, le souffle poétique de "Méthodes" invitent à la découverte d’une architecture de grande qualité dont le rayonnement international ne cesse de s’amplifier. » Lauréat du Concours des plus beaux livres français 2008
Méthodes : atelier d'architecture Pierre Hebbelinck
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$54.00
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Extrait de la préface : « "Méthodes" est un objet. Atypique. Initialement conçu comme un des éléments constitutifs de l’exposition "Méthodologie du sensible" [exposition à la Galerie d’architecture à Paris en novembre 2008, puis à Londres et Briey en 2009], sa clef de voûte, il est une traversée initiatique, en ondes successives de l’Atelier d’architecture Pierre Hebbelinck-Pierre de Wit, son savoir être, son savoirfaire. L’intelligence, le souffle poétique de "Méthodes" invitent à la découverte d’une architecture de grande qualité dont le rayonnement international ne cesse de s’amplifier. » Lauréat du Concours des plus beaux livres français 2008
Classification:
livres
livres
Publication:
mai 2012
mai 2012
Sujet:
Architecture contemporaine
Architecture contemporaine
