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Louise Nevelson
Louise Nevelson
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Louise Nevelson (1899–1988) was, with Calder, Noguchi and David Smith, one of the great American sculptors of the 20th century. She created extraordinary work, from room-size installations composed of boxes to gnarled and majestic steel structures. Her life story is no less interesting. She was born in Tsarist Russia, but her family emigrated to the States and she grew up(...)
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Louise Nevelson (1899–1988) was, with Calder, Noguchi and David Smith, one of the great American sculptors of the 20th century. She created extraordinary work, from room-size installations composed of boxes to gnarled and majestic steel structures. Her life story is no less interesting. She was born in Tsarist Russia, but her family emigrated to the States and she grew up(...)
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Louise Nevelson
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Louise Nevelson (1899–1988) was, with Calder, Noguchi and David Smith, one of the great American sculptors of the 20th century. She created extraordinary work, from room-size installations composed of boxes to gnarled and majestic steel structures. Her life story is no less interesting. She was born in Tsarist Russia, but her family emigrated to the States and she grew up in Maine. Nevelson endured a repressive marriage to a New York millionaire, whom she escaped to pursue the life of an artist. She gained recognition as an abstract sculptor at the age of 59, and spent the next 30 years taking the art world by storm, becoming a colourful New York personality and minor celebrity. Laurie Wilson, who knew Nevelson personally, draws extensively on her own research in this crisp new biography. She conducted interviews not just with Nevelson but with her siblings, son, and gallery owner Arne Glimcher. Wilson has also had complete access to Glimcher’s archives, Nevelson’s personal assistant, Diana MacKown, and Lippincott studios, where much of Nevelson’s work was cast, among others.
Louise Nevelson
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$53.95
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Louise Nevelson (1899–1988) was, with Calder, Noguchi and David Smith, one of the great American sculptors of the 20th century. She created extraordinary work, from room-size installations composed of boxes to gnarled and majestic steel structures. Her life story is no less interesting. She was born in Tsarist Russia, but her family emigrated to the States and she grew up in Maine. Nevelson endured a repressive marriage to a New York millionaire, whom she escaped to pursue the life of an artist. She gained recognition as an abstract sculptor at the age of 59, and spent the next 30 years taking the art world by storm, becoming a colourful New York personality and minor celebrity. Laurie Wilson, who knew Nevelson personally, draws extensively on her own research in this crisp new biography. She conducted interviews not just with Nevelson but with her siblings, son, and gallery owner Arne Glimcher. Wilson has also had complete access to Glimcher’s archives, Nevelson’s personal assistant, Diana MacKown, and Lippincott studios, where much of Nevelson’s work was cast, among others.
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livres
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septembre 2016
septembre 2016
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$58.95
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In northwest Russia, in a small village called Alekhovshchina, Nadia Sablin's aunts spend the warmer months together in the family home and live as the family has always lived chopping wood to heat the house, bringing water from the well, planting potatoes, and making their own clothes. Sablin's lyrical and evocative photographs, taken over seven summers, capture the(...)
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In northwest Russia, in a small village called Alekhovshchina, Nadia Sablin's aunts spend the warmer months together in the family home and live as the family has always lived chopping wood to heat the house, bringing water from the well, planting potatoes, and making their own clothes. Sablin's lyrical and evocative photographs, taken over seven summers, capture the(...)
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novembre 2015
novembre 2015
Titre:
Aunties: the seven summers of Alevtina and Ludmila
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In northwest Russia, in a small village called Alekhovshchina, Nadia Sablin's aunts spend the warmer months together in the family home and live as the family has always lived chopping wood to heat the house, bringing water from the well, planting potatoes, and making their own clothes. Sablin's lyrical and evocative photographs, taken over seven summers, capture the small details and daily rituals of her aunts surprisingly colorful and dreamlike days, taking us not only to another country but to another time. Alevtina and Ludmila, now in their seventies, seem both old and young, as if time itself was as seamless and cyclical as their routines working on puzzles, sewing curtains, tatting lace, picking berries, repairing fences and as full of the same subtle mysteries. Sablin collaborated with her aunts to recreate scenes she remembered from her childhood and to make new images of the patterns of their days. In these photographs, Sablin combines observation and invention, biography and autobiography, to tell the stories of her aunts life together, and in the process, quilts together a thoughtful meditation on memory, aging, and belonging.
Aunties: the seven summers of Alevtina and Ludmila
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In northwest Russia, in a small village called Alekhovshchina, Nadia Sablin's aunts spend the warmer months together in the family home and live as the family has always lived chopping wood to heat the house, bringing water from the well, planting potatoes, and making their own clothes. Sablin's lyrical and evocative photographs, taken over seven summers, capture the small details and daily rituals of her aunts surprisingly colorful and dreamlike days, taking us not only to another country but to another time. Alevtina and Ludmila, now in their seventies, seem both old and young, as if time itself was as seamless and cyclical as their routines working on puzzles, sewing curtains, tatting lace, picking berries, repairing fences and as full of the same subtle mysteries. Sablin collaborated with her aunts to recreate scenes she remembered from her childhood and to make new images of the patterns of their days. In these photographs, Sablin combines observation and invention, biography and autobiography, to tell the stories of her aunts life together, and in the process, quilts together a thoughtful meditation on memory, aging, and belonging.
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livres
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novembre 2015
novembre 2015
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Description:
xvi, 322 pages : illustrations ; 24 cm
Description:
xvi, 322 pages : illustrations ; 24 cm
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Durham ; London : Duke University Press, 2015.
Durham ; London : Duke University Press, 2015.
Titre:
Aesthetic revolutions and twentieth-century avant-garde movements / Ales̆ Erjavec, editor.
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xvi, 322 pages : illustrations ; 24 cm
Aesthetic revolutions and twentieth-century avant-garde movements / Ales̆ Erjavec, editor.
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xvi, 322 pages : illustrations ; 24 cm
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Durham ; London : Duke University Press, 2015.
Durham ; London : Duke University Press, 2015.
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Earshot 2025
Earshot 2025
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Earshot 2025
Earshot 2025
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Description:
207 pages : chiefly color illustrations ; 42 cm
Description:
207 pages : chiefly color illustrations ; 42 cm
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London, England ; New York, N.Y., USA : Penguin Books, 1990.
London, England ; New York, N.Y., USA : Penguin Books, 1990.
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The Soviet arts poster : theatre, cinema, ballet, circus, 1917-1987 / [text and selection by Nina Baburina ; translated from the Russian by Boris Meerovich and Era Mozolkova].
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207 pages : chiefly color illustrations ; 42 cm
The Soviet arts poster : theatre, cinema, ballet, circus, 1917-1987 / [text and selection by Nina Baburina ; translated from the Russian by Boris Meerovich and Era Mozolkova].
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207 pages : chiefly color illustrations ; 42 cm
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London, England ; New York, N.Y., USA : Penguin Books, 1990.
London, England ; New York, N.Y., USA : Penguin Books, 1990.
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Description:
ix, 238 pages : illustrations ; 25 cm
Description:
ix, 238 pages : illustrations ; 25 cm
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New York : Wiley, [1975]
New York : Wiley, [1975]
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Environmental factors in the heating of buildings / L.E. Anapolʹskaya and L.S. Gandin ; translated from Russian by H. Olaru ; translation edited by P. Greenberg.
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ix, 238 pages : illustrations ; 25 cm
Environmental factors in the heating of buildings / L.E. Anapolʹskaya and L.S. Gandin ; translated from Russian by H. Olaru ; translation edited by P. Greenberg.
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ix, 238 pages : illustrations ; 25 cm
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New York : Wiley, [1975]
New York : Wiley, [1975]
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264 pages : chiefly illustrations ; 31 cm
Description:
264 pages : chiefly illustrations ; 31 cm
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New York : Greenwich House : Distributed by Crown Publishers, 1984.
New York : Greenwich House : Distributed by Crown Publishers, 1984.
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Soviet photography : an age of realism / edited by Sergei Morozov [and others] ; English edition edited by Valerie Lloyd.
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264 pages : chiefly illustrations ; 31 cm
Soviet photography : an age of realism / edited by Sergei Morozov [and others] ; English edition edited by Valerie Lloyd.
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264 pages : chiefly illustrations ; 31 cm
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New York : Greenwich House : Distributed by Crown Publishers, 1984.
New York : Greenwich House : Distributed by Crown Publishers, 1984.
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Description:
vi, 314 pages illustrations, folded map 24 cm
Description:
vi, 314 pages illustrations, folded map 24 cm
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Jerusalem, Israel Program for Scientific Translations [available from the U.S. Dept. of Commerce, Clearinghouse for Federal Scientific and Technical Information, Springfield, Va.] 1968.
Jerusalem, Israel Program for Scientific Translations [available from the U.S. Dept. of Commerce, Clearinghouse for Federal Scientific and Technical Information, Springfield, Va.] 1968.
Titre:
Town planning in industrial districts; engineering and economics. (Rasselenie v promyshlennykh uzlakh; inzhenerno-ekonomicheskie osnovy) [By] V.G. Davidovich. Edited by I.V. Bordukov. Translated from Russian [by engineer A. Skotnicki].
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vi, 314 pages illustrations, folded map 24 cm
Town planning in industrial districts; engineering and economics. (Rasselenie v promyshlennykh uzlakh; inzhenerno-ekonomicheskie osnovy) [By] V.G. Davidovich. Edited by I.V. Bordukov. Translated from Russian [by engineer A. Skotnicki].
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Description:
vi, 314 pages illustrations, folded map 24 cm
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livres
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Publication:
Jerusalem, Israel Program for Scientific Translations [available from the U.S. Dept. of Commerce, Clearinghouse for Federal Scientific and Technical Information, Springfield, Va.] 1968.
Jerusalem, Israel Program for Scientific Translations [available from the U.S. Dept. of Commerce, Clearinghouse for Federal Scientific and Technical Information, Springfield, Va.] 1968.
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L'Internationale Online 2022
L'Internationale Online 2022
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livres
livres
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L'Internationale Online 2022
L'Internationale Online 2022
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livres
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$27.95
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Résumé:
Where will you go when the trouble starts? For countless people around the world, the answer is that bomb shelter down in the basement. In fact, people from around the world have been building shelters to protect themselves from catastrophe—natural disaster, war, nuclear events—for centuries. "Waiting for the End of the World" is photographer Richard Ross's journey into(...)
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Where will you go when the trouble starts? For countless people around the world, the answer is that bomb shelter down in the basement. In fact, people from around the world have been building shelters to protect themselves from catastrophe—natural disaster, war, nuclear events—for centuries. "Waiting for the End of the World" is photographer Richard Ross's journey into(...)
Titre:
Waiting for the end of the world
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Where will you go when the trouble starts? For countless people around the world, the answer is that bomb shelter down in the basement. In fact, people from around the world have been building shelters to protect themselves from catastrophe—natural disaster, war, nuclear events—for centuries. "Waiting for the End of the World" is photographer Richard Ross's journey into this quirky, somewhat paranoid, and occasionally beautiful underground world. Ross has documented not only the bomb shelters of the United States, but also examples from Vietnam, Russia, England, Turkey, and even Switzerland, where citizens are required by law to have a bomb shelter. Ross's subjects include the Greenbrier Hotel in West Virginia, where a shelter was built to house the entire U.S. Congress, shelters in Beijing, where the Chinese built a complete city underground, and Hittite shelters in Eastern Turkey built some 4,000 years ago. His ethereal images show spaces that at once provide only the barest necessities for survival but maintain a level of idiosyncratic personality that testify to the endurance—and wackiness—of the human spirit. "Waiting for the End of the World" features an interview by author and social commentator Sarah Vowell.
Waiting for the end of the world
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Where will you go when the trouble starts? For countless people around the world, the answer is that bomb shelter down in the basement. In fact, people from around the world have been building shelters to protect themselves from catastrophe—natural disaster, war, nuclear events—for centuries. "Waiting for the End of the World" is photographer Richard Ross's journey into this quirky, somewhat paranoid, and occasionally beautiful underground world. Ross has documented not only the bomb shelters of the United States, but also examples from Vietnam, Russia, England, Turkey, and even Switzerland, where citizens are required by law to have a bomb shelter. Ross's subjects include the Greenbrier Hotel in West Virginia, where a shelter was built to house the entire U.S. Congress, shelters in Beijing, where the Chinese built a complete city underground, and Hittite shelters in Eastern Turkey built some 4,000 years ago. His ethereal images show spaces that at once provide only the barest necessities for survival but maintain a level of idiosyncratic personality that testify to the endurance—and wackiness—of the human spirit. "Waiting for the End of the World" features an interview by author and social commentator Sarah Vowell.
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livres
livres
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juin 2004, New York
juin 2004, New York
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Monographies photo
Monographies photo
