14287 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1974.PR19
Description:
This project series documents a parking structure for the Toronto International Airport in Mississauga, Ontario from 1974-1975. The office identified the project number as 7425. This project consisted of a five-level, above ground parking garage with a capacity of approximately 5000 vehicles. The parking structure was designed for Terminal Two at the airport (now known as Toronto Pearson International Airport) and would connect departing and arriving passengers from the airport to the structure via tunnels. Parkin Architect Planners were hired as the consulting architects for this project by Fenco-Barton Engineers. Fenco Barton was awarded with the Prestressed Concrete Institute Award in 1979 to for excellence in architectural and engineering design using precast and prestressed concrete. The project is recorded through drawings, photographic materials and textual records dating from 1974-1975. The drawings are mostly original sketches of the design. Photographs and negatives show research on other parking structures. The textual records consist of correspondence, conference reports, interoffice letters and project notes. Box AP018.S1.1974.PR19.009 contains an index to the textual records, which was created by the office
AP018.S1.1974.PR19
Description:
This project series documents a parking structure for the Toronto International Airport in Mississauga, Ontario from 1974-1975. The office identified the project number as 7425. This project consisted of a five-level, above ground parking garage with a capacity of approximately 5000 vehicles. The parking structure was designed for Terminal Two at the airport (now known as Toronto Pearson International Airport) and would connect departing and arriving passengers from the airport to the structure via tunnels. Parkin Architect Planners were hired as the consulting architects for this project by Fenco-Barton Engineers. Fenco Barton was awarded with the Prestressed Concrete Institute Award in 1979 to for excellence in architectural and engineering design using precast and prestressed concrete. The project is recorded through drawings, photographic materials and textual records dating from 1974-1975. The drawings are mostly original sketches of the design. Photographs and negatives show research on other parking structures. The textual records consist of correspondence, conference reports, interoffice letters and project notes. Box AP018.S1.1974.PR19.009 contains an index to the textual records, which was created by the office
Personnes et institutions:
Date:
1974-1975
1974-1975
Titre:
Toronto International Airport, Terminal Two Parking Structures, Mississauga, Ontario (1974-1975)
Actions:
AP018.S1.1974.PR19
Description:
This project series documents a parking structure for the Toronto International Airport in Mississauga, Ontario from 1974-1975. The office identified the project number as 7425. This project consisted of a five-level, above ground parking garage with a capacity of approximately 5000 vehicles. The parking structure was designed for Terminal Two at the airport (now known as Toronto Pearson International Airport) and would connect departing and arriving passengers from the airport to the structure via tunnels. Parkin Architect Planners were hired as the consulting architects for this project by Fenco-Barton Engineers. Fenco Barton was awarded with the Prestressed Concrete Institute Award in 1979 to for excellence in architectural and engineering design using precast and prestressed concrete. The project is recorded through drawings, photographic materials and textual records dating from 1974-1975. The drawings are mostly original sketches of the design. Photographs and negatives show research on other parking structures. The textual records consist of correspondence, conference reports, interoffice letters and project notes. Box AP018.S1.1974.PR19.009 contains an index to the textual records, which was created by the office
Toronto International Airport, Terminal Two Parking Structures, Mississauga, Ontario (1974-1975)
Actions:
AP018.S1.1974.PR19
Description:
This project series documents a parking structure for the Toronto International Airport in Mississauga, Ontario from 1974-1975. The office identified the project number as 7425. This project consisted of a five-level, above ground parking garage with a capacity of approximately 5000 vehicles. The parking structure was designed for Terminal Two at the airport (now known as Toronto Pearson International Airport) and would connect departing and arriving passengers from the airport to the structure via tunnels. Parkin Architect Planners were hired as the consulting architects for this project by Fenco-Barton Engineers. Fenco Barton was awarded with the Prestressed Concrete Institute Award in 1979 to for excellence in architectural and engineering design using precast and prestressed concrete. The project is recorded through drawings, photographic materials and textual records dating from 1974-1975. The drawings are mostly original sketches of the design. Photographs and negatives show research on other parking structures. The textual records consist of correspondence, conference reports, interoffice letters and project notes. Box AP018.S1.1974.PR19.009 contains an index to the textual records, which was created by the office
Niveau de description archivistique:
Project
Project
Date:
1974-1975
1974-1975
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2005.PR04
Description:
Project series documents Cornelia Hahn Oberlander's landscale project for the King David High School garden, on Willow Street, in Vancouver. The project consists in a biblical garden that features plants and trees mentionned in the the Torah to teach biblical heritage to the students of the school outdoors as well as indoors. It includes signage of individual species with quotations from the Torah in Hebrew, English & Latin. Oberlander worked in this project in the mid-2000s with architect firm Acton Ostry Architects Inc. The project series contains research and documentation, correspondence, including with client and contractors, landscape specifications, project description, financial documents, physical and digital document related to the plant selection, and a few photographs of the construction. The project is also documented through design development drawings, such as landscape plans, elevations, details for the signs, some presentation drawings, and a sample of the plan identification signs. The material for this project also comprises documents related to landscape maintenance of the garden, including maintenance history summary and contract with contractor for maintenance of trees.
AP075.S1.2005.PR04
Description:
Project series documents Cornelia Hahn Oberlander's landscale project for the King David High School garden, on Willow Street, in Vancouver. The project consists in a biblical garden that features plants and trees mentionned in the the Torah to teach biblical heritage to the students of the school outdoors as well as indoors. It includes signage of individual species with quotations from the Torah in Hebrew, English & Latin. Oberlander worked in this project in the mid-2000s with architect firm Acton Ostry Architects Inc. The project series contains research and documentation, correspondence, including with client and contractors, landscape specifications, project description, financial documents, physical and digital document related to the plant selection, and a few photographs of the construction. The project is also documented through design development drawings, such as landscape plans, elevations, details for the signs, some presentation drawings, and a sample of the plan identification signs. The material for this project also comprises documents related to landscape maintenance of the garden, including maintenance history summary and contract with contractor for maintenance of trees.
Personnes et institutions:
Date:
2005-2011
2005-2011
Titre:
King David High School Biblical Garden, Vancouver, British Columbia (2005-2008)
Actions:
AP075.S1.2005.PR04
Description:
Project series documents Cornelia Hahn Oberlander's landscale project for the King David High School garden, on Willow Street, in Vancouver. The project consists in a biblical garden that features plants and trees mentionned in the the Torah to teach biblical heritage to the students of the school outdoors as well as indoors. It includes signage of individual species with quotations from the Torah in Hebrew, English & Latin. Oberlander worked in this project in the mid-2000s with architect firm Acton Ostry Architects Inc. The project series contains research and documentation, correspondence, including with client and contractors, landscape specifications, project description, financial documents, physical and digital document related to the plant selection, and a few photographs of the construction. The project is also documented through design development drawings, such as landscape plans, elevations, details for the signs, some presentation drawings, and a sample of the plan identification signs. The material for this project also comprises documents related to landscape maintenance of the garden, including maintenance history summary and contract with contractor for maintenance of trees.
King David High School Biblical Garden, Vancouver, British Columbia (2005-2008)
Actions:
AP075.S1.2005.PR04
Description:
Project series documents Cornelia Hahn Oberlander's landscale project for the King David High School garden, on Willow Street, in Vancouver. The project consists in a biblical garden that features plants and trees mentionned in the the Torah to teach biblical heritage to the students of the school outdoors as well as indoors. It includes signage of individual species with quotations from the Torah in Hebrew, English & Latin. Oberlander worked in this project in the mid-2000s with architect firm Acton Ostry Architects Inc. The project series contains research and documentation, correspondence, including with client and contractors, landscape specifications, project description, financial documents, physical and digital document related to the plant selection, and a few photographs of the construction. The project is also documented through design development drawings, such as landscape plans, elevations, details for the signs, some presentation drawings, and a sample of the plan identification signs. The material for this project also comprises documents related to landscape maintenance of the garden, including maintenance history summary and contract with contractor for maintenance of trees.
Niveau de description archivistique:
Project
Project
Date:
2005-2011
2005-2011
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP156.S3
Description:
La série documente les projets d'architectures en Europe et en Inde de Pierre Jeanneret et autres architectes entre la fin des années 1930 et la moitié des années 1970s. La série inclute des projets comme le Centre d'apprentissage de Béziers, en France, ainsi que plusieurs des projets d'architecture ou d'urbanisme réalisés pour la nouvelle ville de Chandigarh et Talwara, en Inde, avec Le Corbusier. Le matériel dans la série a été produit entre 1932 et 1975. La série contient des dessins et des reprographies de dessins conceptuel, de dessin de développement du design, de dessins d'exécution et de dessins de présentation. La série contient aussi quelques documents textuels et des photographies reliées à certains des projets. Series documents the architectural projects in Europe and India of Pierre Jeanneret and other architects between the end of the 1930s to the middle of the 1970s. The series includes projects like the Centre d'apprentissage de Béziers, in France, and also many projects of architectural and urban planning completed for the new city of Chandigarh and Talwara, in India, with Le Corbusier. The material in the series was produced between 1932 and 1975. The series contains drawings and reprograhic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series contains also some textual records and photographs related to some of the projects.
AP156.S3
Description:
La série documente les projets d'architectures en Europe et en Inde de Pierre Jeanneret et autres architectes entre la fin des années 1930 et la moitié des années 1970s. La série inclute des projets comme le Centre d'apprentissage de Béziers, en France, ainsi que plusieurs des projets d'architecture ou d'urbanisme réalisés pour la nouvelle ville de Chandigarh et Talwara, en Inde, avec Le Corbusier. Le matériel dans la série a été produit entre 1932 et 1975. La série contient des dessins et des reprographies de dessins conceptuel, de dessin de développement du design, de dessins d'exécution et de dessins de présentation. La série contient aussi quelques documents textuels et des photographies reliées à certains des projets. Series documents the architectural projects in Europe and India of Pierre Jeanneret and other architects between the end of the 1930s to the middle of the 1970s. The series includes projects like the Centre d'apprentissage de Béziers, in France, and also many projects of architectural and urban planning completed for the new city of Chandigarh and Talwara, in India, with Le Corbusier. The material in the series was produced between 1932 and 1975. The series contains drawings and reprograhic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series contains also some textual records and photographs related to some of the projects.
Personnes et institutions:
Date:
1932-1975
1932-1975
Titre:
Projets d'architecture = Architectural projects
Actions:
AP156.S3
Description:
La série documente les projets d'architectures en Europe et en Inde de Pierre Jeanneret et autres architectes entre la fin des années 1930 et la moitié des années 1970s. La série inclute des projets comme le Centre d'apprentissage de Béziers, en France, ainsi que plusieurs des projets d'architecture ou d'urbanisme réalisés pour la nouvelle ville de Chandigarh et Talwara, en Inde, avec Le Corbusier. Le matériel dans la série a été produit entre 1932 et 1975. La série contient des dessins et des reprographies de dessins conceptuel, de dessin de développement du design, de dessins d'exécution et de dessins de présentation. La série contient aussi quelques documents textuels et des photographies reliées à certains des projets. Series documents the architectural projects in Europe and India of Pierre Jeanneret and other architects between the end of the 1930s to the middle of the 1970s. The series includes projects like the Centre d'apprentissage de Béziers, in France, and also many projects of architectural and urban planning completed for the new city of Chandigarh and Talwara, in India, with Le Corbusier. The material in the series was produced between 1932 and 1975. The series contains drawings and reprograhic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series contains also some textual records and photographs related to some of the projects.
Projets d'architecture = Architectural projects
Actions:
AP156.S3
Description:
La série documente les projets d'architectures en Europe et en Inde de Pierre Jeanneret et autres architectes entre la fin des années 1930 et la moitié des années 1970s. La série inclute des projets comme le Centre d'apprentissage de Béziers, en France, ainsi que plusieurs des projets d'architecture ou d'urbanisme réalisés pour la nouvelle ville de Chandigarh et Talwara, en Inde, avec Le Corbusier. Le matériel dans la série a été produit entre 1932 et 1975. La série contient des dessins et des reprographies de dessins conceptuel, de dessin de développement du design, de dessins d'exécution et de dessins de présentation. La série contient aussi quelques documents textuels et des photographies reliées à certains des projets. Series documents the architectural projects in Europe and India of Pierre Jeanneret and other architects between the end of the 1930s to the middle of the 1970s. The series includes projects like the Centre d'apprentissage de Béziers, in France, and also many projects of architectural and urban planning completed for the new city of Chandigarh and Talwara, in India, with Le Corbusier. The material in the series was produced between 1932 and 1975. The series contains drawings and reprograhic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series contains also some textual records and photographs related to some of the projects.
Niveau de description archivistique:
Série 3
Série 3
Date:
1932-1975
1932-1975
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Broadcast
Broadcast
Numéro de référence:
AP165.S5.SS1
Description:
The Broadcast sub-series, circa 1990 – 2000, consists of 31 video recordings that consist of television broadcasts of Hoberman and his work in transformable design. This includes educational series about Hoberman’s innovation in folding structures, national and international news coverage of Hoberman’s projects and exhibitions, and other collected broadcasts. Material consists of Betacam SP cassettes, MiniDV cassettes, U-matic cassettes and Betacam cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series are about Hoberman and/or feature his work in a number of different spaces around the world. It includes television programs featuring Hoberman such as Mister Rogers and The Discovery Channel’s “Invention” series; news coverage from networks such as ABC News and CNN, including footage of President Clinton with the Hoberman Sphere on Eyewitness News, August 16, 1988, and international broadcasts in Japan, Germany, and the Netherlands; and footage of Hoberman’s Innovative Lives Presentation at the Lemelson Centre for the Study of Invention and Innovation at the Smithsonian in 1996.
AP165.S5.SS1
Description:
The Broadcast sub-series, circa 1990 – 2000, consists of 31 video recordings that consist of television broadcasts of Hoberman and his work in transformable design. This includes educational series about Hoberman’s innovation in folding structures, national and international news coverage of Hoberman’s projects and exhibitions, and other collected broadcasts. Material consists of Betacam SP cassettes, MiniDV cassettes, U-matic cassettes and Betacam cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series are about Hoberman and/or feature his work in a number of different spaces around the world. It includes television programs featuring Hoberman such as Mister Rogers and The Discovery Channel’s “Invention” series; news coverage from networks such as ABC News and CNN, including footage of President Clinton with the Hoberman Sphere on Eyewitness News, August 16, 1988, and international broadcasts in Japan, Germany, and the Netherlands; and footage of Hoberman’s Innovative Lives Presentation at the Lemelson Centre for the Study of Invention and Innovation at the Smithsonian in 1996.
Personnes et institutions:
Date:
circa 1990-2000
circa 1990-2000
Titre:
Broadcast
Actions:
AP165.S5.SS1
Description:
The Broadcast sub-series, circa 1990 – 2000, consists of 31 video recordings that consist of television broadcasts of Hoberman and his work in transformable design. This includes educational series about Hoberman’s innovation in folding structures, national and international news coverage of Hoberman’s projects and exhibitions, and other collected broadcasts. Material consists of Betacam SP cassettes, MiniDV cassettes, U-matic cassettes and Betacam cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series are about Hoberman and/or feature his work in a number of different spaces around the world. It includes television programs featuring Hoberman such as Mister Rogers and The Discovery Channel’s “Invention” series; news coverage from networks such as ABC News and CNN, including footage of President Clinton with the Hoberman Sphere on Eyewitness News, August 16, 1988, and international broadcasts in Japan, Germany, and the Netherlands; and footage of Hoberman’s Innovative Lives Presentation at the Lemelson Centre for the Study of Invention and Innovation at the Smithsonian in 1996.
Broadcast
Actions:
AP165.S5.SS1
Description:
The Broadcast sub-series, circa 1990 – 2000, consists of 31 video recordings that consist of television broadcasts of Hoberman and his work in transformable design. This includes educational series about Hoberman’s innovation in folding structures, national and international news coverage of Hoberman’s projects and exhibitions, and other collected broadcasts. Material consists of Betacam SP cassettes, MiniDV cassettes, U-matic cassettes and Betacam cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series are about Hoberman and/or feature his work in a number of different spaces around the world. It includes television programs featuring Hoberman such as Mister Rogers and The Discovery Channel’s “Invention” series; news coverage from networks such as ABC News and CNN, including footage of President Clinton with the Hoberman Sphere on Eyewitness News, August 16, 1988, and international broadcasts in Japan, Germany, and the Netherlands; and footage of Hoberman’s Innovative Lives Presentation at the Lemelson Centre for the Study of Invention and Innovation at the Smithsonian in 1996.
Niveau de description archivistique:
Sub-series 1
Sub-series 1
Date:
circa 1990-2000
circa 1990-2000
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Architectural projects
Architectural projects
Numéro de référence:
AP180.S1
Description:
This series documents the architectural projects of Umberto Riva from the 1960s to the mid-2000s. Most of these projects were undertaken for sites in Italy, with the exception of Apartment Mieli (1994) in the United States and a project for a new settlement in the Oued Touil valley, Algeria (1980). The series contains original drawings and some reprographic copies for various private residences, such as Casa Frea (1983) and Casa Insinga (1987) in Milan. Riva's projects for industrial buildings are also represented, for example his work for the thermoelectric power plant Centrale Edison in Torviscosa, Italy (2003). Also documented are Riva's designs for public spaces, such as his work for the Piazza San Nazaro (1989) in Milan and proposals for the redevelopment of historical neighbourhoods in Otranto (1987) and in Binago (1988), as well as designs for shops and private entreprises. Furthermore, this series contains materials related to redesigns for gallery spaces, such as redesigns for the Centro Palladio in Vicenza (1999) and the Palazzo dell'Arte in Milan (1995). Projects for exhibition installations by Riva are arranged in series AP180.S3.
AP180.S1
Description:
This series documents the architectural projects of Umberto Riva from the 1960s to the mid-2000s. Most of these projects were undertaken for sites in Italy, with the exception of Apartment Mieli (1994) in the United States and a project for a new settlement in the Oued Touil valley, Algeria (1980). The series contains original drawings and some reprographic copies for various private residences, such as Casa Frea (1983) and Casa Insinga (1987) in Milan. Riva's projects for industrial buildings are also represented, for example his work for the thermoelectric power plant Centrale Edison in Torviscosa, Italy (2003). Also documented are Riva's designs for public spaces, such as his work for the Piazza San Nazaro (1989) in Milan and proposals for the redevelopment of historical neighbourhoods in Otranto (1987) and in Binago (1988), as well as designs for shops and private entreprises. Furthermore, this series contains materials related to redesigns for gallery spaces, such as redesigns for the Centro Palladio in Vicenza (1999) and the Palazzo dell'Arte in Milan (1995). Projects for exhibition installations by Riva are arranged in series AP180.S3.
Personnes et institutions:
Date:
1960-2007
1960-2007
Titre:
Architectural projects
Actions:
AP180.S1
Description:
This series documents the architectural projects of Umberto Riva from the 1960s to the mid-2000s. Most of these projects were undertaken for sites in Italy, with the exception of Apartment Mieli (1994) in the United States and a project for a new settlement in the Oued Touil valley, Algeria (1980). The series contains original drawings and some reprographic copies for various private residences, such as Casa Frea (1983) and Casa Insinga (1987) in Milan. Riva's projects for industrial buildings are also represented, for example his work for the thermoelectric power plant Centrale Edison in Torviscosa, Italy (2003). Also documented are Riva's designs for public spaces, such as his work for the Piazza San Nazaro (1989) in Milan and proposals for the redevelopment of historical neighbourhoods in Otranto (1987) and in Binago (1988), as well as designs for shops and private entreprises. Furthermore, this series contains materials related to redesigns for gallery spaces, such as redesigns for the Centro Palladio in Vicenza (1999) and the Palazzo dell'Arte in Milan (1995). Projects for exhibition installations by Riva are arranged in series AP180.S3.
Architectural projects
Actions:
AP180.S1
Description:
This series documents the architectural projects of Umberto Riva from the 1960s to the mid-2000s. Most of these projects were undertaken for sites in Italy, with the exception of Apartment Mieli (1994) in the United States and a project for a new settlement in the Oued Touil valley, Algeria (1980). The series contains original drawings and some reprographic copies for various private residences, such as Casa Frea (1983) and Casa Insinga (1987) in Milan. Riva's projects for industrial buildings are also represented, for example his work for the thermoelectric power plant Centrale Edison in Torviscosa, Italy (2003). Also documented are Riva's designs for public spaces, such as his work for the Piazza San Nazaro (1989) in Milan and proposals for the redevelopment of historical neighbourhoods in Otranto (1987) and in Binago (1988), as well as designs for shops and private entreprises. Furthermore, this series contains materials related to redesigns for gallery spaces, such as redesigns for the Centro Palladio in Vicenza (1999) and the Palazzo dell'Arte in Milan (1995). Projects for exhibition installations by Riva are arranged in series AP180.S3.
Niveau de description archivistique:
Series
Series
Date:
1960-2007
1960-2007
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP148.S1
Description:
This series includes student projects produced by Alessandro Poli between the years 1963 and 1970, Poli's professional work with Superstudio from 1970 to 1972, and his work as an independant architect from 1972 to the mid 1990s. The series documents his architectural projects, mainly in Italy, as well as his conceptual and research projects, such as "Architettura Interplanetaria (1970-1971)" [See AP148.S1.1970.PR02] and "Zeno, une cultura autosufficiente (1972-1980)" [See AP148.S1.1972.PR01], and his designs for furniture. Poli's latest projects includes mainly conceptual work for competition entries in Italy, such as "Ideas competition, Riqualificazione cava di San Carlo, San Vincenzo, Livorno, Italy (1988)" [See AP148.S1.1988.PR02] and "Ideas competition, Riqualificazione centro Storico di Pontassieve, Florence, Italy (1996)" [See AP148.S1.1996.PR01]. The series contains drawings, predominantly conceptual drawings, including sketches, and some presentation panels. Also included are notebooks, photographic materials, mainly photomontages, and storyboards documenting the projects. Furthermore, there are artefacts, such as objects for the "Zeno, une cultura autosufficiente (1972-1980)," and models for his student work, for his furniture designs, for competition entries.
AP148.S1
Description:
This series includes student projects produced by Alessandro Poli between the years 1963 and 1970, Poli's professional work with Superstudio from 1970 to 1972, and his work as an independant architect from 1972 to the mid 1990s. The series documents his architectural projects, mainly in Italy, as well as his conceptual and research projects, such as "Architettura Interplanetaria (1970-1971)" [See AP148.S1.1970.PR02] and "Zeno, une cultura autosufficiente (1972-1980)" [See AP148.S1.1972.PR01], and his designs for furniture. Poli's latest projects includes mainly conceptual work for competition entries in Italy, such as "Ideas competition, Riqualificazione cava di San Carlo, San Vincenzo, Livorno, Italy (1988)" [See AP148.S1.1988.PR02] and "Ideas competition, Riqualificazione centro Storico di Pontassieve, Florence, Italy (1996)" [See AP148.S1.1996.PR01]. The series contains drawings, predominantly conceptual drawings, including sketches, and some presentation panels. Also included are notebooks, photographic materials, mainly photomontages, and storyboards documenting the projects. Furthermore, there are artefacts, such as objects for the "Zeno, une cultura autosufficiente (1972-1980)," and models for his student work, for his furniture designs, for competition entries.
Personnes et institutions:
Date:
1963-1996
1963-1996
Titre:
Architectural and design projects
Actions:
AP148.S1
Description:
This series includes student projects produced by Alessandro Poli between the years 1963 and 1970, Poli's professional work with Superstudio from 1970 to 1972, and his work as an independant architect from 1972 to the mid 1990s. The series documents his architectural projects, mainly in Italy, as well as his conceptual and research projects, such as "Architettura Interplanetaria (1970-1971)" [See AP148.S1.1970.PR02] and "Zeno, une cultura autosufficiente (1972-1980)" [See AP148.S1.1972.PR01], and his designs for furniture. Poli's latest projects includes mainly conceptual work for competition entries in Italy, such as "Ideas competition, Riqualificazione cava di San Carlo, San Vincenzo, Livorno, Italy (1988)" [See AP148.S1.1988.PR02] and "Ideas competition, Riqualificazione centro Storico di Pontassieve, Florence, Italy (1996)" [See AP148.S1.1996.PR01]. The series contains drawings, predominantly conceptual drawings, including sketches, and some presentation panels. Also included are notebooks, photographic materials, mainly photomontages, and storyboards documenting the projects. Furthermore, there are artefacts, such as objects for the "Zeno, une cultura autosufficiente (1972-1980)," and models for his student work, for his furniture designs, for competition entries.
Architectural and design projects
Actions:
AP148.S1
Description:
This series includes student projects produced by Alessandro Poli between the years 1963 and 1970, Poli's professional work with Superstudio from 1970 to 1972, and his work as an independant architect from 1972 to the mid 1990s. The series documents his architectural projects, mainly in Italy, as well as his conceptual and research projects, such as "Architettura Interplanetaria (1970-1971)" [See AP148.S1.1970.PR02] and "Zeno, une cultura autosufficiente (1972-1980)" [See AP148.S1.1972.PR01], and his designs for furniture. Poli's latest projects includes mainly conceptual work for competition entries in Italy, such as "Ideas competition, Riqualificazione cava di San Carlo, San Vincenzo, Livorno, Italy (1988)" [See AP148.S1.1988.PR02] and "Ideas competition, Riqualificazione centro Storico di Pontassieve, Florence, Italy (1996)" [See AP148.S1.1996.PR01]. The series contains drawings, predominantly conceptual drawings, including sketches, and some presentation panels. Also included are notebooks, photographic materials, mainly photomontages, and storyboards documenting the projects. Furthermore, there are artefacts, such as objects for the "Zeno, une cultura autosufficiente (1972-1980)," and models for his student work, for his furniture designs, for competition entries.
Niveau de description archivistique:
Series
Series
Date:
1963-1996
1963-1996
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1989.PR08
Description:
This project series documents the winning competition entry and subsequent construction for Kitchener City Hall in Kitchener, Ontario from 1989-1993. The office identified the project number as 8928. This project consisted of a U-shaped civic building comprised of a circular rotunda in the centre, an office tower to the right, the council chambers to the left, and two rectangular arms on either side to create the arms of the U. These elements, which wrapped around a large reflecting pool that doubled as a skating rink, were visually separated but coherent in their design and use of materials. Located on the block between Young, College, Duke and King Streets, the interior and exteriors of the property were designed for city government, but also for the larger public with community, public spaces, and open interaction with local government as key design concepts for the project. After entering the Civic Square outside the building, patrons can pass through the main portico, into the Interior Civic Square were the round Civic Rotunda rests in the centre. The rotunda’s interior was designed for use as a public gathering space, where events and activities could be held. The top of the rotunda had sandblasted glass windows with patinated copper frames, letting natural light shine into the large space below. A staircase from the main Civic Square led to an exterior terrace that wrapped around the top of the rotunda. The Administrative Office Tower was ten-storeys with a mechanical penthouse, and was used for civic offices. The Council Chamber was comprised of limestone with refinished metal panels forming a curved roof on top. The two wings along the sides of the property contained tenant areas, a restaurant, information offices, alderman’s offices and the mayor’s office, among other spaces. The back of the property had landscaped exteriors and outdoor play areas for the building’s daycare. The project is recorded through drawings, photographic materials, presentation paintings and models dating from 1989-1993. The drawings consist of concepts for both the competition entry and the subsequent construction of the project. These include sketches, base maps and area surveys produced by the city and contractors, presentation boards and paintings, plans, elevations, sections, perspectives, details and axonometric drawings. There are also photographic reproductions of presentation drawings. The photographs show finished interiors and exteriors and the project model.
AP056.S1.1989.PR08
Description:
This project series documents the winning competition entry and subsequent construction for Kitchener City Hall in Kitchener, Ontario from 1989-1993. The office identified the project number as 8928. This project consisted of a U-shaped civic building comprised of a circular rotunda in the centre, an office tower to the right, the council chambers to the left, and two rectangular arms on either side to create the arms of the U. These elements, which wrapped around a large reflecting pool that doubled as a skating rink, were visually separated but coherent in their design and use of materials. Located on the block between Young, College, Duke and King Streets, the interior and exteriors of the property were designed for city government, but also for the larger public with community, public spaces, and open interaction with local government as key design concepts for the project. After entering the Civic Square outside the building, patrons can pass through the main portico, into the Interior Civic Square were the round Civic Rotunda rests in the centre. The rotunda’s interior was designed for use as a public gathering space, where events and activities could be held. The top of the rotunda had sandblasted glass windows with patinated copper frames, letting natural light shine into the large space below. A staircase from the main Civic Square led to an exterior terrace that wrapped around the top of the rotunda. The Administrative Office Tower was ten-storeys with a mechanical penthouse, and was used for civic offices. The Council Chamber was comprised of limestone with refinished metal panels forming a curved roof on top. The two wings along the sides of the property contained tenant areas, a restaurant, information offices, alderman’s offices and the mayor’s office, among other spaces. The back of the property had landscaped exteriors and outdoor play areas for the building’s daycare. The project is recorded through drawings, photographic materials, presentation paintings and models dating from 1989-1993. The drawings consist of concepts for both the competition entry and the subsequent construction of the project. These include sketches, base maps and area surveys produced by the city and contractors, presentation boards and paintings, plans, elevations, sections, perspectives, details and axonometric drawings. There are also photographic reproductions of presentation drawings. The photographs show finished interiors and exteriors and the project model.
Personnes et institutions:
Date:
1989-1993
1989-1993
Titre:
Kitchener City Hall Competition, Ontario (1989-1993)
Actions:
AP056.S1.1989.PR08
Description:
This project series documents the winning competition entry and subsequent construction for Kitchener City Hall in Kitchener, Ontario from 1989-1993. The office identified the project number as 8928. This project consisted of a U-shaped civic building comprised of a circular rotunda in the centre, an office tower to the right, the council chambers to the left, and two rectangular arms on either side to create the arms of the U. These elements, which wrapped around a large reflecting pool that doubled as a skating rink, were visually separated but coherent in their design and use of materials. Located on the block between Young, College, Duke and King Streets, the interior and exteriors of the property were designed for city government, but also for the larger public with community, public spaces, and open interaction with local government as key design concepts for the project. After entering the Civic Square outside the building, patrons can pass through the main portico, into the Interior Civic Square were the round Civic Rotunda rests in the centre. The rotunda’s interior was designed for use as a public gathering space, where events and activities could be held. The top of the rotunda had sandblasted glass windows with patinated copper frames, letting natural light shine into the large space below. A staircase from the main Civic Square led to an exterior terrace that wrapped around the top of the rotunda. The Administrative Office Tower was ten-storeys with a mechanical penthouse, and was used for civic offices. The Council Chamber was comprised of limestone with refinished metal panels forming a curved roof on top. The two wings along the sides of the property contained tenant areas, a restaurant, information offices, alderman’s offices and the mayor’s office, among other spaces. The back of the property had landscaped exteriors and outdoor play areas for the building’s daycare. The project is recorded through drawings, photographic materials, presentation paintings and models dating from 1989-1993. The drawings consist of concepts for both the competition entry and the subsequent construction of the project. These include sketches, base maps and area surveys produced by the city and contractors, presentation boards and paintings, plans, elevations, sections, perspectives, details and axonometric drawings. There are also photographic reproductions of presentation drawings. The photographs show finished interiors and exteriors and the project model.
Kitchener City Hall Competition, Ontario (1989-1993)
Actions:
AP056.S1.1989.PR08
Description:
This project series documents the winning competition entry and subsequent construction for Kitchener City Hall in Kitchener, Ontario from 1989-1993. The office identified the project number as 8928. This project consisted of a U-shaped civic building comprised of a circular rotunda in the centre, an office tower to the right, the council chambers to the left, and two rectangular arms on either side to create the arms of the U. These elements, which wrapped around a large reflecting pool that doubled as a skating rink, were visually separated but coherent in their design and use of materials. Located on the block between Young, College, Duke and King Streets, the interior and exteriors of the property were designed for city government, but also for the larger public with community, public spaces, and open interaction with local government as key design concepts for the project. After entering the Civic Square outside the building, patrons can pass through the main portico, into the Interior Civic Square were the round Civic Rotunda rests in the centre. The rotunda’s interior was designed for use as a public gathering space, where events and activities could be held. The top of the rotunda had sandblasted glass windows with patinated copper frames, letting natural light shine into the large space below. A staircase from the main Civic Square led to an exterior terrace that wrapped around the top of the rotunda. The Administrative Office Tower was ten-storeys with a mechanical penthouse, and was used for civic offices. The Council Chamber was comprised of limestone with refinished metal panels forming a curved roof on top. The two wings along the sides of the property contained tenant areas, a restaurant, information offices, alderman’s offices and the mayor’s office, among other spaces. The back of the property had landscaped exteriors and outdoor play areas for the building’s daycare. The project is recorded through drawings, photographic materials, presentation paintings and models dating from 1989-1993. The drawings consist of concepts for both the competition entry and the subsequent construction of the project. These include sketches, base maps and area surveys produced by the city and contractors, presentation boards and paintings, plans, elevations, sections, perspectives, details and axonometric drawings. There are also photographic reproductions of presentation drawings. The photographs show finished interiors and exteriors and the project model.
Niveau de description archivistique:
Project
Project
Date:
1989-1993
1989-1993
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
CD041.S5
Description:
This series documents nine projects by the firm Vecsei Architects. In 1984, Eva Hollo Vecsei and André Vecsei opened a joint practice, Vecsei Architects. Both architects retired in 2005. Together they worked on several major planning studies, such as Les Hautières du Mont-Royal, Montréal, Québec (circa 1983-1988) and the Genome Centre and the Lorne M. Trottier Building, Montréal (1999-2000), documented in this series. Les Hautières du Mont-Royal was a residential complex adjacent to Montréal's Golden Square Mile, on Cedar Avenue. The project consisted of nine staggering buildings (29 villas) around a landscaped European-style courtyard on a sloping site facing Mount Royal while also preserving a turn of the century landmark situated within the Mount Royal Heritage Site . The project is also known as "Projet Cours Cedar". Through the Genome Centre, McGill University sought to fill a need for a modern and cross-disciplinary research space in genomics and proteomics. Vecsei Architects submitted a joint proposal with Dupuis, Le Tourneaux, architects, and NFOE et associés architectes. Ultimately, KPMB Architects and Fichten Soiferman et Associés, Architectes' proposal was chosen and built. The Lorne M. Trottier Building is a building for popular electrical engineering, computer science and telecommunications programs at McGill University. Vecsei Architects submitted a joint proposal for this project with Julian Jacobs Architectes and Architectes Lemay et associés. Jodoin Lamarre Pratte architectes and Marosi Troy's proposal was chosen and built. Also documented in this series are the following projects: Elementary school for College Marie de France, Montréal, Québec (circa 1984-1986); High-rise office tower, underground commercial centre tied to Montréal’s underground mall and subway network, Christ Church Cathedral, Montréal, Québec (circa 1987-1988); Seniors condominium, Manoir Montefiore, Côte-Saint-Luc, Québec (1988); Ark and artworks for the Beth Zion Synagogue, Côte-Saint-Luc, Québec (1989); Municipal library, Dollard-des-Ormeaux, Québec (circa 1990), Cultural Centre and extension of sport centre, Dollard-des-Ormeaux, Québec (circa 2001-2003); Renovation and new elevation for Schneider house, Montréal, Québec (2002). Collection material in this series was produced between 1983 and 2006. Documents include architectural records, such as presentation, conceptual, and design development drawings, and as well as photographs of facades and interior views. This series also includes digital material (mainly photographs), and a few project proposals and publications. The level of documentation varies greatly from project to project, from a single presentation drawing to complete project proposal.
CD041.S5
Description:
This series documents nine projects by the firm Vecsei Architects. In 1984, Eva Hollo Vecsei and André Vecsei opened a joint practice, Vecsei Architects. Both architects retired in 2005. Together they worked on several major planning studies, such as Les Hautières du Mont-Royal, Montréal, Québec (circa 1983-1988) and the Genome Centre and the Lorne M. Trottier Building, Montréal (1999-2000), documented in this series. Les Hautières du Mont-Royal was a residential complex adjacent to Montréal's Golden Square Mile, on Cedar Avenue. The project consisted of nine staggering buildings (29 villas) around a landscaped European-style courtyard on a sloping site facing Mount Royal while also preserving a turn of the century landmark situated within the Mount Royal Heritage Site . The project is also known as "Projet Cours Cedar". Through the Genome Centre, McGill University sought to fill a need for a modern and cross-disciplinary research space in genomics and proteomics. Vecsei Architects submitted a joint proposal with Dupuis, Le Tourneaux, architects, and NFOE et associés architectes. Ultimately, KPMB Architects and Fichten Soiferman et Associés, Architectes' proposal was chosen and built. The Lorne M. Trottier Building is a building for popular electrical engineering, computer science and telecommunications programs at McGill University. Vecsei Architects submitted a joint proposal for this project with Julian Jacobs Architectes and Architectes Lemay et associés. Jodoin Lamarre Pratte architectes and Marosi Troy's proposal was chosen and built. Also documented in this series are the following projects: Elementary school for College Marie de France, Montréal, Québec (circa 1984-1986); High-rise office tower, underground commercial centre tied to Montréal’s underground mall and subway network, Christ Church Cathedral, Montréal, Québec (circa 1987-1988); Seniors condominium, Manoir Montefiore, Côte-Saint-Luc, Québec (1988); Ark and artworks for the Beth Zion Synagogue, Côte-Saint-Luc, Québec (1989); Municipal library, Dollard-des-Ormeaux, Québec (circa 1990), Cultural Centre and extension of sport centre, Dollard-des-Ormeaux, Québec (circa 2001-2003); Renovation and new elevation for Schneider house, Montréal, Québec (2002). Collection material in this series was produced between 1983 and 2006. Documents include architectural records, such as presentation, conceptual, and design development drawings, and as well as photographs of facades and interior views. This series also includes digital material (mainly photographs), and a few project proposals and publications. The level of documentation varies greatly from project to project, from a single presentation drawing to complete project proposal.
Personnes et institutions:
Date:
1983-2006
1983-2006
Titre:
Vecsei Architects (1984-2005)
Actions:
CD041.S5
Description:
This series documents nine projects by the firm Vecsei Architects. In 1984, Eva Hollo Vecsei and André Vecsei opened a joint practice, Vecsei Architects. Both architects retired in 2005. Together they worked on several major planning studies, such as Les Hautières du Mont-Royal, Montréal, Québec (circa 1983-1988) and the Genome Centre and the Lorne M. Trottier Building, Montréal (1999-2000), documented in this series. Les Hautières du Mont-Royal was a residential complex adjacent to Montréal's Golden Square Mile, on Cedar Avenue. The project consisted of nine staggering buildings (29 villas) around a landscaped European-style courtyard on a sloping site facing Mount Royal while also preserving a turn of the century landmark situated within the Mount Royal Heritage Site . The project is also known as "Projet Cours Cedar". Through the Genome Centre, McGill University sought to fill a need for a modern and cross-disciplinary research space in genomics and proteomics. Vecsei Architects submitted a joint proposal with Dupuis, Le Tourneaux, architects, and NFOE et associés architectes. Ultimately, KPMB Architects and Fichten Soiferman et Associés, Architectes' proposal was chosen and built. The Lorne M. Trottier Building is a building for popular electrical engineering, computer science and telecommunications programs at McGill University. Vecsei Architects submitted a joint proposal for this project with Julian Jacobs Architectes and Architectes Lemay et associés. Jodoin Lamarre Pratte architectes and Marosi Troy's proposal was chosen and built. Also documented in this series are the following projects: Elementary school for College Marie de France, Montréal, Québec (circa 1984-1986); High-rise office tower, underground commercial centre tied to Montréal’s underground mall and subway network, Christ Church Cathedral, Montréal, Québec (circa 1987-1988); Seniors condominium, Manoir Montefiore, Côte-Saint-Luc, Québec (1988); Ark and artworks for the Beth Zion Synagogue, Côte-Saint-Luc, Québec (1989); Municipal library, Dollard-des-Ormeaux, Québec (circa 1990), Cultural Centre and extension of sport centre, Dollard-des-Ormeaux, Québec (circa 2001-2003); Renovation and new elevation for Schneider house, Montréal, Québec (2002). Collection material in this series was produced between 1983 and 2006. Documents include architectural records, such as presentation, conceptual, and design development drawings, and as well as photographs of facades and interior views. This series also includes digital material (mainly photographs), and a few project proposals and publications. The level of documentation varies greatly from project to project, from a single presentation drawing to complete project proposal.
Vecsei Architects (1984-2005)
Actions:
CD041.S5
Description:
This series documents nine projects by the firm Vecsei Architects. In 1984, Eva Hollo Vecsei and André Vecsei opened a joint practice, Vecsei Architects. Both architects retired in 2005. Together they worked on several major planning studies, such as Les Hautières du Mont-Royal, Montréal, Québec (circa 1983-1988) and the Genome Centre and the Lorne M. Trottier Building, Montréal (1999-2000), documented in this series. Les Hautières du Mont-Royal was a residential complex adjacent to Montréal's Golden Square Mile, on Cedar Avenue. The project consisted of nine staggering buildings (29 villas) around a landscaped European-style courtyard on a sloping site facing Mount Royal while also preserving a turn of the century landmark situated within the Mount Royal Heritage Site . The project is also known as "Projet Cours Cedar". Through the Genome Centre, McGill University sought to fill a need for a modern and cross-disciplinary research space in genomics and proteomics. Vecsei Architects submitted a joint proposal with Dupuis, Le Tourneaux, architects, and NFOE et associés architectes. Ultimately, KPMB Architects and Fichten Soiferman et Associés, Architectes' proposal was chosen and built. The Lorne M. Trottier Building is a building for popular electrical engineering, computer science and telecommunications programs at McGill University. Vecsei Architects submitted a joint proposal for this project with Julian Jacobs Architectes and Architectes Lemay et associés. Jodoin Lamarre Pratte architectes and Marosi Troy's proposal was chosen and built. Also documented in this series are the following projects: Elementary school for College Marie de France, Montréal, Québec (circa 1984-1986); High-rise office tower, underground commercial centre tied to Montréal’s underground mall and subway network, Christ Church Cathedral, Montréal, Québec (circa 1987-1988); Seniors condominium, Manoir Montefiore, Côte-Saint-Luc, Québec (1988); Ark and artworks for the Beth Zion Synagogue, Côte-Saint-Luc, Québec (1989); Municipal library, Dollard-des-Ormeaux, Québec (circa 1990), Cultural Centre and extension of sport centre, Dollard-des-Ormeaux, Québec (circa 2001-2003); Renovation and new elevation for Schneider house, Montréal, Québec (2002). Collection material in this series was produced between 1983 and 2006. Documents include architectural records, such as presentation, conceptual, and design development drawings, and as well as photographs of facades and interior views. This series also includes digital material (mainly photographs), and a few project proposals and publications. The level of documentation varies greatly from project to project, from a single presentation drawing to complete project proposal.
Niveau de description archivistique:
Series
Series
Date:
1983-2006
1983-2006
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Donmar
Donmar
Numéro de référence:
AP144.S2.D53
Description:
File documents the unexecuted conversion of the Donmar rehearsal studio in Covent Garden, London, England, United Kingdom into an experimental theatre and late night meeting place. The client was the Fun Palace Trust ("Cedric Price Supplement", 'Architectural Design', vol. 40, (October 1970), 515) and negotiations for the conversion were undertaken with Donald Albery of New Theatre and Donmar Productions Limited. Movable platforms, furniture, and fittings were designed so that various seating and performance areas of different sizes could be created to accommodate a wide range of activities and entertainment of an impromptu nature. Survey drawings show the Donmar rehearsal studio and environs. Drawings for the conversion include plans, sections, axonometric projections, cutaway axonometric drawings showing the interior layout from two points of view, and conceptual sketches and perspectives of interior spaces in use. Axonometric drawings for fittings and furniture show platforms, a small stage, a chair/table, and a "conversation box". A drawing examines the sightlines of the converted interior by showing human figures in relationship with the movable units. Amended floor plans and sections show variations for the interior layout. Material in this file was produced between 1963 and 1964. File contains design development drawings and textual records.
AP144.S2.D53
Description:
File documents the unexecuted conversion of the Donmar rehearsal studio in Covent Garden, London, England, United Kingdom into an experimental theatre and late night meeting place. The client was the Fun Palace Trust ("Cedric Price Supplement", 'Architectural Design', vol. 40, (October 1970), 515) and negotiations for the conversion were undertaken with Donald Albery of New Theatre and Donmar Productions Limited. Movable platforms, furniture, and fittings were designed so that various seating and performance areas of different sizes could be created to accommodate a wide range of activities and entertainment of an impromptu nature. Survey drawings show the Donmar rehearsal studio and environs. Drawings for the conversion include plans, sections, axonometric projections, cutaway axonometric drawings showing the interior layout from two points of view, and conceptual sketches and perspectives of interior spaces in use. Axonometric drawings for fittings and furniture show platforms, a small stage, a chair/table, and a "conversation box". A drawing examines the sightlines of the converted interior by showing human figures in relationship with the movable units. Amended floor plans and sections show variations for the interior layout. Material in this file was produced between 1963 and 1964. File contains design development drawings and textual records.
Personnes et institutions:
Date:
1963-1964
1963-1964
Titre:
Donmar
Actions:
AP144.S2.D53
Description:
File documents the unexecuted conversion of the Donmar rehearsal studio in Covent Garden, London, England, United Kingdom into an experimental theatre and late night meeting place. The client was the Fun Palace Trust ("Cedric Price Supplement", 'Architectural Design', vol. 40, (October 1970), 515) and negotiations for the conversion were undertaken with Donald Albery of New Theatre and Donmar Productions Limited. Movable platforms, furniture, and fittings were designed so that various seating and performance areas of different sizes could be created to accommodate a wide range of activities and entertainment of an impromptu nature. Survey drawings show the Donmar rehearsal studio and environs. Drawings for the conversion include plans, sections, axonometric projections, cutaway axonometric drawings showing the interior layout from two points of view, and conceptual sketches and perspectives of interior spaces in use. Axonometric drawings for fittings and furniture show platforms, a small stage, a chair/table, and a "conversation box". A drawing examines the sightlines of the converted interior by showing human figures in relationship with the movable units. Amended floor plans and sections show variations for the interior layout. Material in this file was produced between 1963 and 1964. File contains design development drawings and textual records.
Donmar
Actions:
AP144.S2.D53
Description:
File documents the unexecuted conversion of the Donmar rehearsal studio in Covent Garden, London, England, United Kingdom into an experimental theatre and late night meeting place. The client was the Fun Palace Trust ("Cedric Price Supplement", 'Architectural Design', vol. 40, (October 1970), 515) and negotiations for the conversion were undertaken with Donald Albery of New Theatre and Donmar Productions Limited. Movable platforms, furniture, and fittings were designed so that various seating and performance areas of different sizes could be created to accommodate a wide range of activities and entertainment of an impromptu nature. Survey drawings show the Donmar rehearsal studio and environs. Drawings for the conversion include plans, sections, axonometric projections, cutaway axonometric drawings showing the interior layout from two points of view, and conceptual sketches and perspectives of interior spaces in use. Axonometric drawings for fittings and furniture show platforms, a small stage, a chair/table, and a "conversation box". A drawing examines the sightlines of the converted interior by showing human figures in relationship with the movable units. Amended floor plans and sections show variations for the interior layout. Material in this file was produced between 1963 and 1964. File contains design development drawings and textual records.
Niveau de description archivistique:
File 53
File 53
Date:
1963-1964
1963-1964
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Scotswhim
Scotswhim
Numéro de référence:
AP144.S2.D95
Description:
File documents unexecuted modifications to an exterior swimming pool area for a hotel located in Firth of Forth, Scotland. The hotel burned down before the construction could begin (Shubert, with Price). Conceptual sketches show a design for a structure to cover the pool. The proposed programme for the project states that: "An outdoors swimming pool is a source of voluntary delight. Being outside is a particular quality which must not be lost through misapplied protection. In all cases this unique element of glamour related to site, season, time of day and occupancy must be exploited." Photographs document the existing site and structures. Material in this file was produced in 1975. Joe Lyons, of Lyons catering and teahouse businesses, was also the client for O.C.H. Feasibility Study (AP144.S2.D59) and Blackpool Project (AP144.S2.D81). Frederick Salmon, of Salmon and Gluckstein, owned Lyons' businesses and was the client representative for Scotswim, O.C.H. Feasibility Study, and Blackpool Project (Shubert, with Price, 1996). Information on attribution based on the content of the file and on notes by Howard Shubert, CCA Curator of Prints and Drawings, in conversation with Cedric Price. File contains conceptual drawings.
AP144.S2.D95
Description:
File documents unexecuted modifications to an exterior swimming pool area for a hotel located in Firth of Forth, Scotland. The hotel burned down before the construction could begin (Shubert, with Price). Conceptual sketches show a design for a structure to cover the pool. The proposed programme for the project states that: "An outdoors swimming pool is a source of voluntary delight. Being outside is a particular quality which must not be lost through misapplied protection. In all cases this unique element of glamour related to site, season, time of day and occupancy must be exploited." Photographs document the existing site and structures. Material in this file was produced in 1975. Joe Lyons, of Lyons catering and teahouse businesses, was also the client for O.C.H. Feasibility Study (AP144.S2.D59) and Blackpool Project (AP144.S2.D81). Frederick Salmon, of Salmon and Gluckstein, owned Lyons' businesses and was the client representative for Scotswim, O.C.H. Feasibility Study, and Blackpool Project (Shubert, with Price, 1996). Information on attribution based on the content of the file and on notes by Howard Shubert, CCA Curator of Prints and Drawings, in conversation with Cedric Price. File contains conceptual drawings.
Personnes et institutions:
Date:
1975
1975
Titre:
Scotswhim
Actions:
AP144.S2.D95
Description:
File documents unexecuted modifications to an exterior swimming pool area for a hotel located in Firth of Forth, Scotland. The hotel burned down before the construction could begin (Shubert, with Price). Conceptual sketches show a design for a structure to cover the pool. The proposed programme for the project states that: "An outdoors swimming pool is a source of voluntary delight. Being outside is a particular quality which must not be lost through misapplied protection. In all cases this unique element of glamour related to site, season, time of day and occupancy must be exploited." Photographs document the existing site and structures. Material in this file was produced in 1975. Joe Lyons, of Lyons catering and teahouse businesses, was also the client for O.C.H. Feasibility Study (AP144.S2.D59) and Blackpool Project (AP144.S2.D81). Frederick Salmon, of Salmon and Gluckstein, owned Lyons' businesses and was the client representative for Scotswim, O.C.H. Feasibility Study, and Blackpool Project (Shubert, with Price, 1996). Information on attribution based on the content of the file and on notes by Howard Shubert, CCA Curator of Prints and Drawings, in conversation with Cedric Price. File contains conceptual drawings.
Scotswhim
Actions:
AP144.S2.D95
Description:
File documents unexecuted modifications to an exterior swimming pool area for a hotel located in Firth of Forth, Scotland. The hotel burned down before the construction could begin (Shubert, with Price). Conceptual sketches show a design for a structure to cover the pool. The proposed programme for the project states that: "An outdoors swimming pool is a source of voluntary delight. Being outside is a particular quality which must not be lost through misapplied protection. In all cases this unique element of glamour related to site, season, time of day and occupancy must be exploited." Photographs document the existing site and structures. Material in this file was produced in 1975. Joe Lyons, of Lyons catering and teahouse businesses, was also the client for O.C.H. Feasibility Study (AP144.S2.D59) and Blackpool Project (AP144.S2.D81). Frederick Salmon, of Salmon and Gluckstein, owned Lyons' businesses and was the client representative for Scotswim, O.C.H. Feasibility Study, and Blackpool Project (Shubert, with Price, 1996). Information on attribution based on the content of the file and on notes by Howard Shubert, CCA Curator of Prints and Drawings, in conversation with Cedric Price. File contains conceptual drawings.
Niveau de description archivistique:
File 95
File 95
Date:
1975
1975
Personnes et institutions:
