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Just as the Canada's rich past resists any singular narrative, there is no such thing as a singular Canadian food tradition. This new book explores Canada's diverse food cultures and the varied relationships that Canadians have had historically with food practices in the context of community, region, nation and beyond. Based on findings from menus, cookbooks,(...)
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Just as the Canada's rich past resists any singular narrative, there is no such thing as a singular Canadian food tradition. This new book explores Canada's diverse food cultures and the varied relationships that Canadians have had historically with food practices in the context of community, region, nation and beyond. Based on findings from menus, cookbooks,(...)
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Edible histories, cultural politics : towards a Canadian food history
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Just as the Canada's rich past resists any singular narrative, there is no such thing as a singular Canadian food tradition. This new book explores Canada's diverse food cultures and the varied relationships that Canadians have had historically with food practices in the context of community, region, nation and beyond. Based on findings from menus, cookbooks, government documents, advertisements, media sources, oral histories, memoirs, and archival collections, Edible Histories offers a veritable feast of original research on Canada's food history and its relationship to culture and politics. This exciting collection explores a wide variety of topics, including urban restaurant culture, ethnic cuisines, and the controversial history of margarine in Canada. It also covers a broad time-span, from early contact between European settlers and First Nations through the end of the twentieth century.
Edible histories, cultural politics : towards a Canadian food history
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Just as the Canada's rich past resists any singular narrative, there is no such thing as a singular Canadian food tradition. This new book explores Canada's diverse food cultures and the varied relationships that Canadians have had historically with food practices in the context of community, region, nation and beyond. Based on findings from menus, cookbooks, government documents, advertisements, media sources, oral histories, memoirs, and archival collections, Edible Histories offers a veritable feast of original research on Canada's food history and its relationship to culture and politics. This exciting collection explores a wide variety of topics, including urban restaurant culture, ethnic cuisines, and the controversial history of margarine in Canada. It also covers a broad time-span, from early contact between European settlers and First Nations through the end of the twentieth century.
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livres
livres
Publication:
décembre 2012
décembre 2012
Sujet:
Bouffe
Bouffe
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livres
livres
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$80.00
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Architect Hugh Maaskant (1907-1977) played a major role in modern Dutch architecture. He designed revolutionary, complex, large-scale buildings with metropolitan allure, like the Groothandelsgebouw and the Euromast in Rotterdam and the Scheveningen Pier. In Maaskant: Architect of Progress architecture historian and Maaskant expert Michelle Provoost places Maaskant in an(...)
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Architect Hugh Maaskant (1907-1977) played a major role in modern Dutch architecture. He designed revolutionary, complex, large-scale buildings with metropolitan allure, like the Groothandelsgebouw and the Euromast in Rotterdam and the Scheveningen Pier. In Maaskant: Architect of Progress architecture historian and Maaskant expert Michelle Provoost places Maaskant in an(...)
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Hugh Maaskant: architect of progress
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Architect Hugh Maaskant (1907-1977) played a major role in modern Dutch architecture. He designed revolutionary, complex, large-scale buildings with metropolitan allure, like the Groothandelsgebouw and the Euromast in Rotterdam and the Scheveningen Pier. In Maaskant: Architect of Progress architecture historian and Maaskant expert Michelle Provoost places Maaskant in an international and historical perspective. Hugh Maaskant is considered the godfather and forerunner of the generation of Winy Maas (MVRDV), Adriaan Geuze (West 8), Willem Jan Neutelings and Rem Koolhaas. Yet he was underappreciated for many years. Provoost describes Maaskant’s work as part of the optimistic, stimulating aspect of post-war reconstruction and the exciting world of the 1960s. She also places him in the context of Dutch architecture, both of his time and of later generations, particularly the ‘Super Dutch’.
Hugh Maaskant: architect of progress
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Architect Hugh Maaskant (1907-1977) played a major role in modern Dutch architecture. He designed revolutionary, complex, large-scale buildings with metropolitan allure, like the Groothandelsgebouw and the Euromast in Rotterdam and the Scheveningen Pier. In Maaskant: Architect of Progress architecture historian and Maaskant expert Michelle Provoost places Maaskant in an international and historical perspective. Hugh Maaskant is considered the godfather and forerunner of the generation of Winy Maas (MVRDV), Adriaan Geuze (West 8), Willem Jan Neutelings and Rem Koolhaas. Yet he was underappreciated for many years. Provoost describes Maaskant’s work as part of the optimistic, stimulating aspect of post-war reconstruction and the exciting world of the 1960s. She also places him in the context of Dutch architecture, both of his time and of later generations, particularly the ‘Super Dutch’.
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livres
livres
Publication:
septembre 2012
septembre 2012
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$99.95
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The fifteen years in Germany between the end of World War I and the National Socialists’ rise to power in 1933 stand out as one of the twentieth century’s most tumultuous periods. These years of political and economic upheaval famously spawned significant and lasting changes in the arts. However, one noteworthy product of Weimar Germany’s booming cultural life has escaped(...)
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The fifteen years in Germany between the end of World War I and the National Socialists’ rise to power in 1933 stand out as one of the twentieth century’s most tumultuous periods. These years of political and economic upheaval famously spawned significant and lasting changes in the arts. However, one noteworthy product of Weimar Germany’s booming cultural life has escaped(...)
Titre:
The photography of crisis : the photo essays of Weimar Germany
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The fifteen years in Germany between the end of World War I and the National Socialists’ rise to power in 1933 stand out as one of the twentieth century’s most tumultuous periods. These years of political and economic upheaval famously spawned significant and lasting changes in the arts. However, one noteworthy product of Weimar Germany’s booming cultural life has escaped significant critical attention : the photo essay. The Photography of Crisis examines narrative photography and creates a snapshot of where Germany was after World War I and what it would become with the rise of National Socialism. By reading Weimar photo essays within their historical and literary context, Daniel Magilow shows how German photographers intervened in modernity’s key political and philosophical debates regarding the changing notions of nature, culture, personal identity, and national identity.
The photography of crisis : the photo essays of Weimar Germany
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The fifteen years in Germany between the end of World War I and the National Socialists’ rise to power in 1933 stand out as one of the twentieth century’s most tumultuous periods. These years of political and economic upheaval famously spawned significant and lasting changes in the arts. However, one noteworthy product of Weimar Germany’s booming cultural life has escaped significant critical attention : the photo essay. The Photography of Crisis examines narrative photography and creates a snapshot of where Germany was after World War I and what it would become with the rise of National Socialism. By reading Weimar photo essays within their historical and literary context, Daniel Magilow shows how German photographers intervened in modernity’s key political and philosophical debates regarding the changing notions of nature, culture, personal identity, and national identity.
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livres
livres
Publication:
décembre 2012
décembre 2012
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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Gutai: splendid playground
Gutai: splendid playground
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Gutai: Splendid Playground surveys the influential Japanese collective and artistic movement. This exhibition catalogue aims to demonstrate the range of bold and innovative creativity present in the avant-garde movement, to examine the aesthetic strategies in the cultural, social and political context of postwar Japan and the West, and to further establish Gutai in an(...)
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Gutai: Splendid Playground surveys the influential Japanese collective and artistic movement. This exhibition catalogue aims to demonstrate the range of bold and innovative creativity present in the avant-garde movement, to examine the aesthetic strategies in the cultural, social and political context of postwar Japan and the West, and to further establish Gutai in an(...)
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Gutai: splendid playground
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Gutai: Splendid Playground surveys the influential Japanese collective and artistic movement. This exhibition catalogue aims to demonstrate the range of bold and innovative creativity present in the avant-garde movement, to examine the aesthetic strategies in the cultural, social and political context of postwar Japan and the West, and to further establish Gutai in an expanded, transnational history and critical discourse of modern art. Organized thematically and chronologically to explore Gutai’s unique approach to materials, concepts, process, performativity and enviroment, this publication investigates the group’s radical experimentation across a range of media and styles, and demonstrates how individual artists pushed the limits of what art could be or mean in a post-atomic era. The range includes painting, conceptual art, performance, film, installation art, sound art, interactive art, light art and kinetic art.
Gutai: splendid playground
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Gutai: Splendid Playground surveys the influential Japanese collective and artistic movement. This exhibition catalogue aims to demonstrate the range of bold and innovative creativity present in the avant-garde movement, to examine the aesthetic strategies in the cultural, social and political context of postwar Japan and the West, and to further establish Gutai in an expanded, transnational history and critical discourse of modern art. Organized thematically and chronologically to explore Gutai’s unique approach to materials, concepts, process, performativity and enviroment, this publication investigates the group’s radical experimentation across a range of media and styles, and demonstrates how individual artists pushed the limits of what art could be or mean in a post-atomic era. The range includes painting, conceptual art, performance, film, installation art, sound art, interactive art, light art and kinetic art.
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livres
livres
Publication:
février 2013
février 2013
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livres
livres
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"The avant-garde" is perhaps the most important and influential concept in the history of modern culture. For over a hundred years it has governed critical and historical assessment of the quality and significance of an artist or a work of art, in any medium-if these have been judged to be 'avant-garde', then they have been worthy of consideration. If not, then by and(...)
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"The avant-garde" is perhaps the most important and influential concept in the history of modern culture. For over a hundred years it has governed critical and historical assessment of the quality and significance of an artist or a work of art, in any medium-if these have been judged to be 'avant-garde', then they have been worthy of consideration. If not, then by and(...)
Titre:
The Avant-Garde: a very short introduction
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"The avant-garde" is perhaps the most important and influential concept in the history of modern culture. For over a hundred years it has governed critical and historical assessment of the quality and significance of an artist or a work of art, in any medium-if these have been judged to be 'avant-garde', then they have been worthy of consideration. If not, then by and large they have not, and neither critics nor historians have paid them much attention. In short, modern art is and has been whatever the 'avant-garde' has made, or has said it is. In this Very Short Introduction, David Cottington explores the concept of the 'avant-garde' and examines its wider context through the development of western modernity, capitalist culture, and the global impact of both.
The Avant-Garde: a very short introduction
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"The avant-garde" is perhaps the most important and influential concept in the history of modern culture. For over a hundred years it has governed critical and historical assessment of the quality and significance of an artist or a work of art, in any medium-if these have been judged to be 'avant-garde', then they have been worthy of consideration. If not, then by and large they have not, and neither critics nor historians have paid them much attention. In short, modern art is and has been whatever the 'avant-garde' has made, or has said it is. In this Very Short Introduction, David Cottington explores the concept of the 'avant-garde' and examines its wider context through the development of western modernity, capitalist culture, and the global impact of both.
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livres
livres
Publication:
décembre 2013
décembre 2013
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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audio
audio
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1 online resource.
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[Place of publication not identified] : Lateral Addition, 2018.
[Place of publication not identified] : Lateral Addition, 2018.
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audio
audio
Publication:
[Place of publication not identified] : Lateral Addition, 2018.
[Place of publication not identified] : Lateral Addition, 2018.
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livres
livres
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Design museums of the world
Design museums of the world
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To celebrate the first design exhibition of Neues Museum, Staatliches Museum für Kunst und Design in Nuremberg, Die Neue Sammlung München, one of the world’s oldest design museums and responsible for the design section in Nuremberg, invited 29 museums from all over the world, who likewise focus on design in a museum context, to contribute to its very first design(...)
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To celebrate the first design exhibition of Neues Museum, Staatliches Museum für Kunst und Design in Nuremberg, Die Neue Sammlung München, one of the world’s oldest design museums and responsible for the design section in Nuremberg, invited 29 museums from all over the world, who likewise focus on design in a museum context, to contribute to its very first design(...)
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Design museums of the world
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To celebrate the first design exhibition of Neues Museum, Staatliches Museum für Kunst und Design in Nuremberg, Die Neue Sammlung München, one of the world’s oldest design museums and responsible for the design section in Nuremberg, invited 29 museums from all over the world, who likewise focus on design in a museum context, to contribute to its very first design exhibition in Nuremberg. The result is a highly diverse picture of this type of museum, based on an insightful text and a selected object from each country. The exhibition and the catalogue document a wide variety of different approaches and the ever-changing way design museums see themselves. Among the museums featured are: Stedelijk Museum (Amsterdam), The National Museum of Modern Art (Kyoto), The Metropolitan Museum of Art (New York) and Vitra Design Museum (Weil am Rhein).
Design museums of the world
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To celebrate the first design exhibition of Neues Museum, Staatliches Museum für Kunst und Design in Nuremberg, Die Neue Sammlung München, one of the world’s oldest design museums and responsible for the design section in Nuremberg, invited 29 museums from all over the world, who likewise focus on design in a museum context, to contribute to its very first design exhibition in Nuremberg. The result is a highly diverse picture of this type of museum, based on an insightful text and a selected object from each country. The exhibition and the catalogue document a wide variety of different approaches and the ever-changing way design museums see themselves. Among the museums featured are: Stedelijk Museum (Amsterdam), The National Museum of Modern Art (Kyoto), The Metropolitan Museum of Art (New York) and Vitra Design Museum (Weil am Rhein).
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livres
livres
Publication:
janvier 2004, Basel
janvier 2004, Basel
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livres
livres
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Thirty years after its publication, The Death and Life of Great American Cities was described by The New York Times as "perhaps the most influential single work in the history of town planning....[It] can also be seen in a much larger context. It is first of all a work of literature; the descriptions of street life as a kind of ballet and the bitingly satiric account of(...)
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Thirty years after its publication, The Death and Life of Great American Cities was described by The New York Times as "perhaps the most influential single work in the history of town planning....[It] can also be seen in a much larger context. It is first of all a work of literature; the descriptions of street life as a kind of ballet and the bitingly satiric account of(...)
Titre:
The Death and life of great American cities
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Thirty years after its publication, The Death and Life of Great American Cities was described by The New York Times as "perhaps the most influential single work in the history of town planning....[It] can also be seen in a much larger context. It is first of all a work of literature; the descriptions of street life as a kind of ballet and the bitingly satiric account of traditional planning theory can still be read for pleasure even by those who long ago absorbed and appropriated the book's arguments." Jane Jacobs, an editor and writer on architecture in New York City in the early sixties, argued that urban diversity and vitality were being destroyed by powerful architects and city planners. Rigorous, sane, and delightfully epigrammatic, Jacobs's small masterpiece is a blueprint for the humanistic management of cities.
The Death and life of great American cities
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Thirty years after its publication, The Death and Life of Great American Cities was described by The New York Times as "perhaps the most influential single work in the history of town planning....[It] can also be seen in a much larger context. It is first of all a work of literature; the descriptions of street life as a kind of ballet and the bitingly satiric account of traditional planning theory can still be read for pleasure even by those who long ago absorbed and appropriated the book's arguments." Jane Jacobs, an editor and writer on architecture in New York City in the early sixties, argued that urban diversity and vitality were being destroyed by powerful architects and city planners. Rigorous, sane, and delightfully epigrammatic, Jacobs's small masterpiece is a blueprint for the humanistic management of cities.
Classification:
livres
livres
Publication:
décembre 2009
décembre 2009
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
Titre:
Polyphonie parisienne et architecture au temps de l'art gothique (1140-1240) / Pascale Duhamel.
Polyphonie parisienne et architecture au temps de l'art gothique (1140-1240) / Pascale Duhamel.
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Description:
ix, 266 pages : illustrations, music ; 23 cm
Description:
ix, 266 pages : illustrations, music ; 23 cm
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Bern ; New York : Lang, 2010.
Bern ; New York : Lang, 2010.
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Polyphonie parisienne et architecture au temps de l'art gothique (1140-1240) / Pascale Duhamel.
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ix, 266 pages : illustrations, music ; 23 cm
Polyphonie parisienne et architecture au temps de l'art gothique (1140-1240) / Pascale Duhamel.
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ix, 266 pages : illustrations, music ; 23 cm
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livres
livres
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Bern ; New York : Lang, 2010.
Bern ; New York : Lang, 2010.
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Description:
318 pages : illustrations (chiefly color), charts, facsimiles, plans, portraits ; 22 cm
Description:
318 pages : illustrations (chiefly color), charts, facsimiles, plans, portraits ; 22 cm
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Aix-en-Provence : Presses Universitaires de Provence, 2019.
Aix-en-Provence : Presses Universitaires de Provence, 2019.
Titre:
La Friche la Belle de Mai à Marseille : Espaces industriels, politiques culturelles et art contemporain / Marta Rosenquist.
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318 pages : illustrations (chiefly color), charts, facsimiles, plans, portraits ; 22 cm
La Friche la Belle de Mai à Marseille : Espaces industriels, politiques culturelles et art contemporain / Marta Rosenquist.
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318 pages : illustrations (chiefly color), charts, facsimiles, plans, portraits ; 22 cm
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livres
livres
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Aix-en-Provence : Presses Universitaires de Provence, 2019.
Aix-en-Provence : Presses Universitaires de Provence, 2019.
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