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Amsterdam-based landscape architect Michael van Gessel has been working with, rather than against, nature for the past three decades. He expresses his ethos by quoting the English author and landscape architect Joseph Spence: "Respect for the past, combined with a curiosity for what is and a feeling for what could be. This is the dynamo that starts the engine of the(...)
septembre 2008, Rotterdam
Michael Van Gessel: Landscape Architect: Invisible work
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Amsterdam-based landscape architect Michael van Gessel has been working with, rather than against, nature for the past three decades. He expresses his ethos by quoting the English author and landscape architect Joseph Spence: "Respect for the past, combined with a curiosity for what is and a feeling for what could be. This is the dynamo that starts the engine of the design." Accordingly, van Gessel embraces a diversity of projects, from private gardens to urban planning. He supervised the renovation of Amsterdam's Vondel Park, drew up the master plan to restore the landscaping around Utretch's Castle De Haar and managed to integrate the inner courtyards of the Ministry of Agriculture in The Hague into the urban fabric. This comprehensive volume places van Gessel's myriad approaches into context and illuminates his pivotal role in the formation of contemporary Dutch landscape architecture.
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Mapping London: Making Sense of the City is a beautiful, compelling anthology of over six centuries of London maps, tracing the mesmerizing evolution of the city and exploring the hopes and fears of its inhabitants as history unfolds. The book is a cartographic journey, charting the influence of Roman city planning, Saxon feudalism, Medieval tumult, imperial hubris,(...)
Mapping London: making sense of the city
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Mapping London: Making Sense of the City is a beautiful, compelling anthology of over six centuries of London maps, tracing the mesmerizing evolution of the city and exploring the hopes and fears of its inhabitants as history unfolds. The book is a cartographic journey, charting the influence of Roman city planning, Saxon feudalism, Medieval tumult, imperial hubris, contemporary town planning and more on this great metropolis. In this comprehensive survey the maps are allowed to speak for themselves, revealing not only their political and social context, but also the dreams of their makers and the drama of their creation. Often these maps are objects of great skill and beauty and the names of the greatest of their makers are still revered today. A lavishly illustrated hardback book, Mapping London explores the city through the ages in all its labyrinthine glory.
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In 1967, for her first museum retrospective, Louise Nevelson (1899–1988) was given carte blanche to transform the Rose Art Museum at Brandeis University into an all-emcompassing, theatrical environment for her sculpture. Nevelson installed her show across the whole museum, draping the walls of the permanent collection with the colors that reflected the black, white, gold(...)
Louise Nevelson: I must recompose the environment
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In 1967, for her first museum retrospective, Louise Nevelson (1899–1988) was given carte blanche to transform the Rose Art Museum at Brandeis University into an all-emcompassing, theatrical environment for her sculpture. Nevelson installed her show across the whole museum, draping the walls of the permanent collection with the colors that reflected the black, white, gold and navy palette of her works. “Louise Nevelson: I Must Recompose the Environment “ includes previously unpublished exhibition layouts (annotated by Nevelson), installation photographs and texts that place this show in the context of Nevelson's career and the museum’s early history. This publication accompanies the now out-of-print catalog of the 1967 show organized in collaboration with the Whitney Museum and serves as a document both of the then-nascent museum and the solidifying legacy of an artistic icon.
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In the 1920s, an unprecedented program of architectural and cultural renewal was established in the German city of Frankfurt am Main. This scheme became inscribed in cultural history under the name ''The New Frankfurt.'' As part of the housing and urban development initiative decided in 1925, more than 10,000 new residential units were planned. The Building Ministry’s(...)
juillet 2019
New human, new housing: architecture of the New Frankfurt 1925-1933
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In the 1920s, an unprecedented program of architectural and cultural renewal was established in the German city of Frankfurt am Main. This scheme became inscribed in cultural history under the name ''The New Frankfurt.'' As part of the housing and urban development initiative decided in 1925, more than 10,000 new residential units were planned. The Building Ministry’s architects, recruited from home and abroad, created pioneering work in many areas. Examples include the typification of family-oriented flats, plans for affordable apartments for those on low incomes, the first standard kitchen, the industrial prefabrication of building shells, the construction of schools designed around children’s needs, and integrated urban and green planning. In this book, four essays delve into the cultural background of the scheme and provide illuminating insights into the context of the work of its many actors.
Hopkins in the city
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At the start of the 1980s, Michael Hopkins and Partners was a successful architecture firm in London, with a solid track record of design and building. By the end of the 1990s, they were far more impressive having established themselves as innovators at the highest level. That work is most evident in five urban buildings in England that they built in that period; those(...)
Hopkins in the city
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At the start of the 1980s, Michael Hopkins and Partners was a successful architecture firm in London, with a solid track record of design and building. By the end of the 1990s, they were far more impressive having established themselves as innovators at the highest level. That work is most evident in five urban buildings in England that they built in that period; those buildings are the focus of ''Hopkins in the city." In addition to close examinations of those buildings, including survey drawings and new photographs, the book offers building studies from five contemporary European architects and Michael Hopkins’s own perspective as presented in his lecture ''Technology Comes to Town.'' Essays by Adam Caruso and Helen Thomas, meanwhile, frame the British scene and revisit the fundamental issues of technology, style, and context that run through discussions of twentieth-century architecture.
Architecture, monographies
Jan Schoonhoven
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Over the course of nearly 40 years, Dutch artist Jan Schoonhoven (1914–94) produced works on paper and sculptural reliefs, while maintaining his job as a civil servant employed by the Dutch Post Office. This new monograph places the artist, one of the most important Dutch artists of the 20th century, in an international context, arguing for his role as an influential(...)
Jan Schoonhoven
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Over the course of nearly 40 years, Dutch artist Jan Schoonhoven (1914–94) produced works on paper and sculptural reliefs, while maintaining his job as a civil servant employed by the Dutch Post Office. This new monograph places the artist, one of the most important Dutch artists of the 20th century, in an international context, arguing for his role as an influential player in European art after the Second World War. From his central position in the Netherlandish Informal Group, associated with Art Informel, to his later involvement with the Dutch Nul group, part of the international ZERO network, Schoonhoven participated in two of the most important currents of postwar European abstraction from his hometown of Delft. This volume features many hitherto unknown works and photographs, and sheds new light on the work of the "master of white."
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Making Room is an anthology of texts on art, media and aesthetic practice in the context of squatting, occupation and urban-space activism. It includes pieces by activist researchers working between the academy and the movements they write about, as well as journalistic first-person narratives by squatters, original photography and interviews with artists, theorists and(...)
Making Room: Cultural Production in Occupied Spaces
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Making Room is an anthology of texts on art, media and aesthetic practice in the context of squatting, occupation and urban-space activism. It includes pieces by activist researchers working between the academy and the movements they write about, as well as journalistic first-person narratives by squatters, original photography and interviews with artists, theorists and activists involved in struggles over urban space and creative production in the city. Topics include brief histories of squatting in the UK, Germany and the Netherlands; the creation of Temporary Autonomous Zones; Puerto Rican occupations in New York; the influence of the Situationists on French squatting; and activism and camping at Documentas 10, 11 and 13. Throughout, cultural production appears in various forms ranging from conventional art practices to the organizing of communities and networks, to the production of media and setting up of information systems.
Théorie de l’urbanisme
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In this book, Anthony Vidler examines the work of four historians of architectural modernism and the ways in which their histories were constructed as more or less overt programs for the theory and practice of design in a contemporary context. Vidler looks at the historical approaches of Emil Kaufmann, Colin Rowe, Reyner Banham, and Manfredo Tafuri, and the specific(...)
Histories of the immediate present: inventing architectural modernism
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In this book, Anthony Vidler examines the work of four historians of architectural modernism and the ways in which their histories were constructed as more or less overt programs for the theory and practice of design in a contemporary context. Vidler looks at the historical approaches of Emil Kaufmann, Colin Rowe, Reyner Banham, and Manfredo Tafuri, and the specific versions of modernism advanced by their historical narratives. Vidler shows that the modernism conceived by Kaufmann was, like the late Enlightenment projects he revered, one of pure, geometrical forms and elemental composition; that of Rowe saw mannerist ambiguity and complexity in contemporary design; Banham's modernism took its cue from the aspirations of the futurists; and the "Renaissance modernism" of Tafuri found its source in the division between the technical experimentation of Brunelleschi and the cultural nostalgia of Alberti.
Théorie de l’architecture
New grammar of ornament
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Ornaments are omnipresent: they can be found on buildings, fabrics, jewelry, tiles, ceramics and wallpaper. Scorned at the outset of the modern age, ornament has long since returned to architecture and influences design drafts as much as tattoo motifs. In ''New grammar of ornament,'' German architect and designer Thomas Weil compares current ornamental objects with the(...)
New grammar of ornament
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Ornaments are omnipresent: they can be found on buildings, fabrics, jewelry, tiles, ceramics and wallpaper. Scorned at the outset of the modern age, ornament has long since returned to architecture and influences design drafts as much as tattoo motifs. In ''New grammar of ornament,'' German architect and designer Thomas Weil compares current ornamental objects with the results of archaeological research on ornamental artifacts, and concludes that there is an anthropological constant. From the recurring arrangements of stripes, rectangles, triangles and dots and the frequency of the forms of floral ornaments used, he derives a new 'grammar of ornament.' More than 160 years after Owen Jones' publication of that name, ''New grammar of ornament'' is a new reference work. It categorizes the variety of ornamental forms used worldwide and places them in a major art and cultural-historical context.
Théorie du design
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The architecture of Geoffrey Bawa (1919-2003) was revolutionary. The Sri Lankan architect succeeded in fusing sensitivity for local context with the technological discoveries and design principles of modernism in his work. A pioneer of bioclimatic architecture, Bawa incorporated materials and layouts specific to Sri Lanka’s monsoon climate and storied architectural(...)
Drawings from the Geoffrey Bawa archives
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The architecture of Geoffrey Bawa (1919-2003) was revolutionary. The Sri Lankan architect succeeded in fusing sensitivity for local context with the technological discoveries and design principles of modernism in his work. A pioneer of bioclimatic architecture, Bawa incorporated materials and layouts specific to Sri Lanka’s monsoon climate and storied architectural history into his modernist designs. Although he never built outside Asia, his work and way of thinking resonate far beyond the region. Gathering essays by scholars and writers across a multitude of disciplines, this volume spotlights the beautiful architectural drawings of Bawa’s practice. Illustrated with more than 200 drawings and photographs, many of which published for the first time, the book delves into the central, multipronged role of the medium in Bawa’s work. It also explores the identity of post-independence Sri Lanka, which Bawa helped to shape aesthetically and ideologically.
Architecture, monographies