4858 Résultats
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Certificates of authenticity are a critical aspect of art works today. They often embody the artwork itself, while referring to it, serving as its deed, legal statement, and fiscal invoice. Certificates by artists validate the authorship and originality of the work and they allow the work of art to be positioned in the marketplace as a branded product. Providing examples(...)
$29.00
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Résumé:
Certificates of authenticity are a critical aspect of art works today. They often embody the artwork itself, while referring to it, serving as its deed, legal statement, and fiscal invoice. Certificates by artists validate the authorship and originality of the work and they allow the work of art to be positioned in the marketplace as a branded product. Providing examples(...)
Publication:
février 2012
février 2012
Titre:
In deed : certificates of authenticity in art
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$29.00
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Certificates of authenticity are a critical aspect of art works today. They often embody the artwork itself, while referring to it, serving as its deed, legal statement, and fiscal invoice. Certificates by artists validate the authorship and originality of the work and they allow the work of art to be positioned in the marketplace as a branded product. Providing examples of artists certificates from the past fifty years, this book reveals how roles have shifted and developed, as well as how the materials and content of art have changed. With certificates by Judith Barry, Pierre Bismuth, Daniel Buren, Marcel Duchamp, Dan Flavin, Liam Gillick, Hans Haacke, Edward Kienholz, Yves Klein, Joseph Kosuth, Sol LeWitt, Piero Manzoni, Gordon Matta-Clark, Jonathan Monk, Robert Morris, Antoni Muntadas, Yoko Ono, Robert Rauschenberg, David Shrigley, Rirkrit Tiravanija, Ben Vautier, Lawrence Weiner, Franz West and others.
In deed : certificates of authenticity in art
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$29.00
(disponible sur commande)
Résumé:
Certificates of authenticity are a critical aspect of art works today. They often embody the artwork itself, while referring to it, serving as its deed, legal statement, and fiscal invoice. Certificates by artists validate the authorship and originality of the work and they allow the work of art to be positioned in the marketplace as a branded product. Providing examples of artists certificates from the past fifty years, this book reveals how roles have shifted and developed, as well as how the materials and content of art have changed. With certificates by Judith Barry, Pierre Bismuth, Daniel Buren, Marcel Duchamp, Dan Flavin, Liam Gillick, Hans Haacke, Edward Kienholz, Yves Klein, Joseph Kosuth, Sol LeWitt, Piero Manzoni, Gordon Matta-Clark, Jonathan Monk, Robert Morris, Antoni Muntadas, Yoko Ono, Robert Rauschenberg, David Shrigley, Rirkrit Tiravanija, Ben Vautier, Lawrence Weiner, Franz West and others.
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livres
Publication:
février 2012
février 2012
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livres
livres
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$33.95
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From the time of its invention, photography has enabled artists not only to capture the world around them but also to create worlds of their own. "Utopia/Dystopia" investigates how artists from the late 19th century to the present have used photographic fragments or techniques to represent political, social, or cultural states of utopia or dystopia. Artists have employed(...)
$33.95
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From the time of its invention, photography has enabled artists not only to capture the world around them but also to create worlds of their own. "Utopia/Dystopia" investigates how artists from the late 19th century to the present have used photographic fragments or techniques to represent political, social, or cultural states of utopia or dystopia. Artists have employed(...)
Publication:
avril 2012
avril 2012
Titre:
Utopia dystopia : construction and destruction in photography and collage
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$33.95
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From the time of its invention, photography has enabled artists not only to capture the world around them but also to create worlds of their own. "Utopia/Dystopia" investigates how artists from the late 19th century to the present have used photographic fragments or techniques to represent political, social, or cultural states of utopia or dystopia. Artists have employed a number of strategies to this end, such as cutting, fragmenting, and puncturing images as well as reassembling those culled from ready-made materials or giving a subject multiple exposures. The resulting photographs, photocollages, photomontages, and other creations question the validity of seamless pictorial images, and attempt to dismantle the notion of photography as an objective medium. This publication features approximately forty-five exemplary works by artists such as Herbert Bayer, John Heartfield, Hannah Hoch, Arata Isozaki, El Lissitzky, Carter Mull, Laszlo Moholy-Nagy, Vik Muniz, Man Ray, Okanoue Toshiko, and many others.
Utopia dystopia : construction and destruction in photography and collage
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From the time of its invention, photography has enabled artists not only to capture the world around them but also to create worlds of their own. "Utopia/Dystopia" investigates how artists from the late 19th century to the present have used photographic fragments or techniques to represent political, social, or cultural states of utopia or dystopia. Artists have employed a number of strategies to this end, such as cutting, fragmenting, and puncturing images as well as reassembling those culled from ready-made materials or giving a subject multiple exposures. The resulting photographs, photocollages, photomontages, and other creations question the validity of seamless pictorial images, and attempt to dismantle the notion of photography as an objective medium. This publication features approximately forty-five exemplary works by artists such as Herbert Bayer, John Heartfield, Hannah Hoch, Arata Isozaki, El Lissitzky, Carter Mull, Laszlo Moholy-Nagy, Vik Muniz, Man Ray, Okanoue Toshiko, and many others.
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livres
livres
Publication:
avril 2012
avril 2012
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livres
livres
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$61.95
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This publication documents more than 130 alternative spaces, groups, and projects, and the significant contributions these organizations have made to the aesthetic and social fabric of New York City. Alternative art spaces offer sites for experimentation for artists to innovate, perform, and exhibit outside the commercial gallery-and-museum circuit. In New York City, the(...)
$61.95
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This publication documents more than 130 alternative spaces, groups, and projects, and the significant contributions these organizations have made to the aesthetic and social fabric of New York City. Alternative art spaces offer sites for experimentation for artists to innovate, perform, and exhibit outside the commercial gallery-and-museum circuit. In New York City, the(...)
Publication:
septembre 2012
septembre 2012
Titre:
Alternative histories: New York art spaces 1960 to 2010
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This publication documents more than 130 alternative spaces, groups, and projects, and the significant contributions these organizations have made to the aesthetic and social fabric of New York City. Alternative art spaces offer sites for experimentation for artists to innovate, perform, and exhibit outside the commercial gallery-and-museum circuit. In New York City, the development of alternative spaces was almost synonymous with the rise of the contemporary art scene. Beginning in the 1960s and early 1970s, it was within a network of alternative sites--including 112 Greene Street, The Kitchen, P.S.1, FOOD, and many others--that the work of young artists like Yvonne Rainer, Vito Acconci, Gordon Matta-Clark, Ana Mendieta, David Wojnarowicz, David Hammons, Adrian Piper, Martin Wong, Jimmie Durham, and dozens of other now familiar names first circulated. Through interviews, photographs, essays, and archival material, Alternative Histories tells the story of such famous sites and organizations as Judson Memorial Church, Anthology Film Archives, A.I.R. Gallery, El Museo del Barrio, Franklin Furnace, and Eyebeam, as well as many less well-known sites and organizations. Essays by the exhibition curators and scholars, and excerpts of interviews with alternative space founders and staff, provide cultural and historical context.
Alternative histories: New York art spaces 1960 to 2010
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$61.95
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This publication documents more than 130 alternative spaces, groups, and projects, and the significant contributions these organizations have made to the aesthetic and social fabric of New York City. Alternative art spaces offer sites for experimentation for artists to innovate, perform, and exhibit outside the commercial gallery-and-museum circuit. In New York City, the development of alternative spaces was almost synonymous with the rise of the contemporary art scene. Beginning in the 1960s and early 1970s, it was within a network of alternative sites--including 112 Greene Street, The Kitchen, P.S.1, FOOD, and many others--that the work of young artists like Yvonne Rainer, Vito Acconci, Gordon Matta-Clark, Ana Mendieta, David Wojnarowicz, David Hammons, Adrian Piper, Martin Wong, Jimmie Durham, and dozens of other now familiar names first circulated. Through interviews, photographs, essays, and archival material, Alternative Histories tells the story of such famous sites and organizations as Judson Memorial Church, Anthology Film Archives, A.I.R. Gallery, El Museo del Barrio, Franklin Furnace, and Eyebeam, as well as many less well-known sites and organizations. Essays by the exhibition curators and scholars, and excerpts of interviews with alternative space founders and staff, provide cultural and historical context.
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livres
livres
Publication:
septembre 2012
septembre 2012
Classification:
livres
livres
Titre:
Commerce by artists
Commerce by artists
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Commerce by Artists documents a range of artists projects produced from the 1950s to the present by Canadian and international artists who have sought to engage, rather than merely represent, the complex contemporary art world of which they are a part. This encyclopedic journey into that pivotal and transitional time encompasses canonical works such as Yves Klein’s(...)
$74.95
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Commerce by Artists documents a range of artists projects produced from the 1950s to the present by Canadian and international artists who have sought to engage, rather than merely represent, the complex contemporary art world of which they are a part. This encyclopedic journey into that pivotal and transitional time encompasses canonical works such as Yves Klein’s(...)
Publication:
mai 2013
mai 2013
Titre:
Commerce by artists
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Commerce by Artists documents a range of artists projects produced from the 1950s to the present by Canadian and international artists who have sought to engage, rather than merely represent, the complex contemporary art world of which they are a part. This encyclopedic journey into that pivotal and transitional time encompasses canonical works such as Yves Klein’s “Zones of Immaterial Pictorial Sensibility” (1958), Seth Siegelaub’s “Artist’s Contract “(1971), and Lee Lozano’s “Strike Piece”(1969)—as well as rarely documented works like Keith Obadike’s “Blackness for Sale” (2001) and Kelly Mark’s “In & Out” (1997-ongoing until 2032).
Commerce by artists
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Commerce by Artists documents a range of artists projects produced from the 1950s to the present by Canadian and international artists who have sought to engage, rather than merely represent, the complex contemporary art world of which they are a part. This encyclopedic journey into that pivotal and transitional time encompasses canonical works such as Yves Klein’s “Zones of Immaterial Pictorial Sensibility” (1958), Seth Siegelaub’s “Artist’s Contract “(1971), and Lee Lozano’s “Strike Piece”(1969)—as well as rarely documented works like Keith Obadike’s “Blackness for Sale” (2001) and Kelly Mark’s “In & Out” (1997-ongoing until 2032).
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livres
livres
Publication:
mai 2013
mai 2013
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livres
livres
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$39.95
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Painted murals first appeared in Latin America in the early 20th century; in the 1950s, spray-can graffiti associated with Latino gangs followed, notably the “cholo” graffiti of Los Angeles. Today, street art has traveled to nearly every corner of the globe, evolving into a highly complex and ornate art form. The World Atlas of Street Art and Graffiti is one survey of(...)
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Painted murals first appeared in Latin America in the early 20th century; in the 1950s, spray-can graffiti associated with Latino gangs followed, notably the “cholo” graffiti of Los Angeles. Today, street art has traveled to nearly every corner of the globe, evolving into a highly complex and ornate art form. The World Atlas of Street Art and Graffiti is one survey of(...)
Publication:
septembre 2013
septembre 2013
Titre:
The world atlas of street art and graffiti
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$39.95
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Painted murals first appeared in Latin America in the early 20th century; in the 1950s, spray-can graffiti associated with Latino gangs followed, notably the “cholo” graffiti of Los Angeles. Today, street art has traveled to nearly every corner of the globe, evolving into a highly complex and ornate art form. The World Atlas of Street Art and Graffiti is one survey of international street art, focusing on the world’s most influential urban artists and artworks. Since the lives and works of urban artists are inextricably linked to specific streets and places, this illustrated volume features specially commissioned “city artworks” that provide an intimate understanding of these metropolitan landscapes.
The world atlas of street art and graffiti
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$39.95
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Painted murals first appeared in Latin America in the early 20th century; in the 1950s, spray-can graffiti associated with Latino gangs followed, notably the “cholo” graffiti of Los Angeles. Today, street art has traveled to nearly every corner of the globe, evolving into a highly complex and ornate art form. The World Atlas of Street Art and Graffiti is one survey of international street art, focusing on the world’s most influential urban artists and artworks. Since the lives and works of urban artists are inextricably linked to specific streets and places, this illustrated volume features specially commissioned “city artworks” that provide an intimate understanding of these metropolitan landscapes.
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livres
livres
Publication:
septembre 2013
septembre 2013
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livres
livres
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$20.00
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A new book published by the Holcim Foundation for Sustainable Construction examines three progressive and influential projects by Montreal-based architects L’OEUF. Their approach to sustainable design enables social inclusion and ensures an enduring positive impact on the local community. The book tracks progress on the redevelopment of Benny Farm, the first ever Global(...)
$20.00
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A new book published by the Holcim Foundation for Sustainable Construction examines three progressive and influential projects by Montreal-based architects L’OEUF. Their approach to sustainable design enables social inclusion and ensures an enduring positive impact on the local community. The book tracks progress on the redevelopment of Benny Farm, the first ever Global(...)
Publication:
février 2015
février 2015
Titre:
Community-inspired housing in Canada
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A new book published by the Holcim Foundation for Sustainable Construction examines three progressive and influential projects by Montreal-based architects L’OEUF. Their approach to sustainable design enables social inclusion and ensures an enduring positive impact on the local community. The book tracks progress on the redevelopment of Benny Farm, the first ever Global Holcim Awards Bronze winner from 2006, a follow-up project at Rosemont, and plans for the forthcoming Bois Ellen Cooperative Residence.
Community-inspired housing in Canada
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Prix:
$20.00
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Résumé:
A new book published by the Holcim Foundation for Sustainable Construction examines three progressive and influential projects by Montreal-based architects L’OEUF. Their approach to sustainable design enables social inclusion and ensures an enduring positive impact on the local community. The book tracks progress on the redevelopment of Benny Farm, the first ever Global Holcim Awards Bronze winner from 2006, a follow-up project at Rosemont, and plans for the forthcoming Bois Ellen Cooperative Residence.
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livres
livres
Publication:
février 2015
février 2015
Classification:
livres
livres
Titre:
Les fleurs américaines
Les fleurs américaines
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$37.95
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Réalisée avec le Museum of American Art (MoAA), Berlin et le Salon de Fleurus, New York, l'exposition Les fleurs américaines présentée au Frac Île-de-France / Le Plateau racontait, par le biais de copies anonymes, les origines de l'écriture du récit connu sous le nom d'histoire de l'art moderne, pour questionner les critères d'authenticité, d'originalité et d'unicité des(...)
$37.95
(disponible en magasin)
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Réalisée avec le Museum of American Art (MoAA), Berlin et le Salon de Fleurus, New York, l'exposition Les fleurs américaines présentée au Frac Île-de-France / Le Plateau racontait, par le biais de copies anonymes, les origines de l'écriture du récit connu sous le nom d'histoire de l'art moderne, pour questionner les critères d'authenticité, d'originalité et d'unicité des(...)
Publication:
mars 2015
mars 2015
Titre:
Les fleurs américaines
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$37.95
(disponible en magasin)
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Réalisée avec le Museum of American Art (MoAA), Berlin et le Salon de Fleurus, New York, l'exposition Les fleurs américaines présentée au Frac Île-de-France / Le Plateau racontait, par le biais de copies anonymes, les origines de l'écriture du récit connu sous le nom d'histoire de l'art moderne, pour questionner les critères d'authenticité, d'originalité et d'unicité des œuvres et des artistes qui régissent toujours le monde de l'art aujourd'hui. Premier ouvrage en français consacré aux activités du MoAA et du Salon de Fleurus, ce catalogue revient sur les différentes parties de l'exposition présentée au Plateau et en prolonge les enjeux à travers un ensemble de sources iconographiques variées et de textes empruntant différents registres.
Les fleurs américaines
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Prix:
$37.95
(disponible en magasin)
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Réalisée avec le Museum of American Art (MoAA), Berlin et le Salon de Fleurus, New York, l'exposition Les fleurs américaines présentée au Frac Île-de-France / Le Plateau racontait, par le biais de copies anonymes, les origines de l'écriture du récit connu sous le nom d'histoire de l'art moderne, pour questionner les critères d'authenticité, d'originalité et d'unicité des œuvres et des artistes qui régissent toujours le monde de l'art aujourd'hui. Premier ouvrage en français consacré aux activités du MoAA et du Salon de Fleurus, ce catalogue revient sur les différentes parties de l'exposition présentée au Plateau et en prolonge les enjeux à travers un ensemble de sources iconographiques variées et de textes empruntant différents registres.
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livres
livres
Publication:
mars 2015
mars 2015
Classification:
livres
livres
Description:
1 online resource.
Auteur:
- Soulellis, Paul,,
- Jarboe, Kate,,
- Wright, M.,,
- Chuong, Adam,,
- Ghio, Alessandro,,
- McGuigan, Nicholas,,
- Powell, Lisa,,
- Erickson, Alexis,,
- Smith, Andrew W.,,
- Gardner, Anna,,
- Lobo, Ant M.,,
- Warnick, Anthony,,
- Anderson, Anzia,,
- Katrina, Arthur,,
- Zeros, Athena,,
- Northa, Azulae,,
- Steele, Bailey,,
- Drake, Bean,,
- Vann, Brook,,
- Diehm, Cade,,
- Anthony, Edward,,
- Borruso, Caiti,,
- Kong, Carlos,,
- Ribaudo, Carmen,,
- Sorin, Caroline,,
- Ortiz, Christian,,
- Cole, Christopher,,
- Frew, Connor,,
- Ang, Corinne,,
- Aldred, Danny,,
- Charlot, Edwige,,
- Lopez, Elaine,,
- Andersen, Elie,,
- Nicula, Elisabeth,,
- Zahniser, Ellen,,
- Hoover, May,,
- Barris, Angel,,
- Carter, Brittany,,
- Im, Adriene,,
- Kemp, Emma,,
- Freer, Erik,,
- Epstein, Everett,,
- Karriem, Quran,,
- Uliasz, Rebecca,,
- Fawkes, Gregory Ghilani,,
- Skagerlind, Greta Huang,,
- Strauss, Hannah Azar,,
- Gallo, Hugo,,
- Dugard, Jake,,
- Tobias, Jennifer,,
- Potts, Joe,,
- Quiñonez, John-Francis,,
- Duttweiler, Joshua,,
- Ye, Katherine,,
- Hrbek, Rachel,,
- Cho, Kathy,,
- Sucena, Kelsey,,
- Grasing, Nessa,,
- Schell-Smith, Kirslyn,,
- Peacock, Kitt,,
- Ayogu, Laith A.,,
- Brown-Lavoie, Laura Lamb,,
- Stroh, Lauren,,
- Maione, Lisa J.,,
- Young, Logan K.,,
- Drulhe, Louise,,
- Ghanem, Louna Bou,,
- López, Luis Carlos,,
- Eskenazi, Mae,,
- Siebert, Maggie,,
- Estrada, Marisa Fulper,,
- Prieto, Miriam Navarro,,
- Soda, Molly,,
- White, Nafis M.,,
- Killian, Nicole,,
- Muccia, Nina,,
- Mori, Noa,,
- Gunn, Norah,,
- Godlee, Olive B.,,
- Lerma, Pablo,,
- Maheke, Paul,,
- Gates, Rebecca,,
- Wilkinson, Rebecca,,
- Rong, Rena,,
- Castillo, Ruben,,
- Skrabalak, Ryan,,
- Lawver, Rylie,,
- Randolph, Sal,,
- Inacio, Sara,,
- Eng, Shou Jie,,
- Pauen, Sigrid,,
- Fraga, Sophia Le,,
- Seita, Sophie,,
- Woo, Naomi,,
- Whang, Taehee,,
- Brown-Lavoie, Tess,,
- Rasch, Miriam,,
- Roxanne, Tiara,,
- Patterson, Tiffany,,
- Iersel, Wil van,,
- Pulley, Zoë,,
- anobelisk,,
- Anonymous,,
- Anonymous Nurses,,
- Be Oakley,,
- chariot wish,,
- Chr. Winther,,
- claire m.,,
- D Rosen,,
- Dylan Tescher W.,,
- Gu,,
- Kit,,
- LS,,
- Lermworm,,
- Oliver/Olivier,,
- Pickle Partisans,,
- robynn.xyz,,
- Sabrena & Rose Ghostly,,
- Sam M-H,,
- T. Deutch,,
- The Making Public Collective,,
- wermo,,
- Library Stack,
Sujet:
- Artists.,
- Publishers and publishing.,
- Sociology.,
- Artistes.,
- Sociologie.,
- sociology.,
- Ephemera,
- Zines
Publication:
[Place of publication not identified] : Queer.Archive.Work ; Paul Soulellis, 2020.
[Place of publication not identified] : Queer.Archive.Work ; Paul Soulellis, 2020.
Titre:
Urgency Reader 2: Mutual Aid Publishing During Crisis.
Actions:
Description:
1 online resource.
Urgency Reader 2: Mutual Aid Publishing During Crisis.
Actions:
Description:
1 online resource.
Classification:
livres
livres
Publication:
[Place of publication not identified] : Queer.Archive.Work ; Paul Soulellis, 2020.
[Place of publication not identified] : Queer.Archive.Work ; Paul Soulellis, 2020.
Auteur:
- Soulellis, Paul,,
- Jarboe, Kate,,
- Wright, M.,,
- Chuong, Adam,,
- Ghio, Alessandro,,
- McGuigan, Nicholas,,
- Powell, Lisa,,
- Erickson, Alexis,,
- Smith, Andrew W.,,
- Gardner, Anna,,
- Lobo, Ant M.,,
- Warnick, Anthony,,
- Anderson, Anzia,,
- Katrina, Arthur,,
- Zeros, Athena,,
- Northa, Azulae,,
- Steele, Bailey,,
- Drake, Bean,,
- Vann, Brook,,
- Diehm, Cade,,
- Anthony, Edward,,
- Borruso, Caiti,,
- Kong, Carlos,,
- Ribaudo, Carmen,,
- Sorin, Caroline,,
- Ortiz, Christian,,
- Cole, Christopher,,
- Frew, Connor,,
- Ang, Corinne,,
- Aldred, Danny,,
- Charlot, Edwige,,
- Lopez, Elaine,,
- Andersen, Elie,,
- Nicula, Elisabeth,,
- Zahniser, Ellen,,
- Hoover, May,,
- Barris, Angel,,
- Carter, Brittany,,
- Im, Adriene,,
- Kemp, Emma,,
- Freer, Erik,,
- Epstein, Everett,,
- Karriem, Quran,,
- Uliasz, Rebecca,,
- Fawkes, Gregory Ghilani,,
- Skagerlind, Greta Huang,,
- Strauss, Hannah Azar,,
- Gallo, Hugo,,
- Dugard, Jake,,
- Tobias, Jennifer,,
- Potts, Joe,,
- Quiñonez, John-Francis,,
- Duttweiler, Joshua,,
- Ye, Katherine,,
- Hrbek, Rachel,,
- Cho, Kathy,,
- Sucena, Kelsey,,
- Grasing, Nessa,,
- Schell-Smith, Kirslyn,,
- Peacock, Kitt,,
- Ayogu, Laith A.,,
- Brown-Lavoie, Laura Lamb,,
- Stroh, Lauren,,
- Maione, Lisa J.,,
- Young, Logan K.,,
- Drulhe, Louise,,
- Ghanem, Louna Bou,,
- López, Luis Carlos,,
- Eskenazi, Mae,,
- Siebert, Maggie,,
- Estrada, Marisa Fulper,,
- Prieto, Miriam Navarro,,
- Soda, Molly,,
- White, Nafis M.,,
- Killian, Nicole,,
- Muccia, Nina,,
- Mori, Noa,,
- Gunn, Norah,,
- Godlee, Olive B.,,
- Lerma, Pablo,,
- Maheke, Paul,,
- Gates, Rebecca,,
- Wilkinson, Rebecca,,
- Rong, Rena,,
- Castillo, Ruben,,
- Skrabalak, Ryan,,
- Lawver, Rylie,,
- Randolph, Sal,,
- Inacio, Sara,,
- Eng, Shou Jie,,
- Pauen, Sigrid,,
- Fraga, Sophia Le,,
- Seita, Sophie,,
- Woo, Naomi,,
- Whang, Taehee,,
- Brown-Lavoie, Tess,,
- Rasch, Miriam,,
- Roxanne, Tiara,,
- Patterson, Tiffany,,
- Iersel, Wil van,,
- Pulley, Zoë,,
- anobelisk,,
- Anonymous,,
- Anonymous Nurses,,
- Be Oakley,,
- chariot wish,,
- Chr. Winther,,
- claire m.,,
- D Rosen,,
- Dylan Tescher W.,,
- Gu,,
- Kit,,
- LS,,
- Lermworm,,
- Oliver/Olivier,,
- Pickle Partisans,,
- robynn.xyz,,
- Sabrena & Rose Ghostly,,
- Sam M-H,,
- T. Deutch,,
- The Making Public Collective,,
- wermo,,
- Library Stack,
Sujet:
- Artists.,
- Publishers and publishing.,
- Sociology.,
- Artistes.,
- Sociologie.,
- sociology.,
- Ephemera,
- Zines
Classification:
livres
livres
Actions:
Exemplaires:
Description:
339 pages : illustrations (some color) ; 24 cm.
Description:
339 pages : illustrations (some color) ; 24 cm.
Auteur:
- Gaëtane Verna -- Irene Campolmi -- Elizabeth Harney -- Liz Park -- Sean Anderson -- Teresa Fiore -- Tak Pham -- Fabrizio Gallanti.,
- Petros, Dawit L., 1972- Works. Selections.,
- Park, Liz, 1983-,
- Verna, Gaëtane,,
- Petros, Dawit L., 1972-,
- Power Plant (Art gallery),,
- UB Art Galleries,,
- Dawit L. Petros.,
- Dawit L. Petros. French.
Sujet:
- Petros, Dawit L., 1972- Exhibitions.,
- Petros, Dawit L., 1972- Expositions.,
- Colonies in art Exhibitions.,
- Colonies dans l'art Expositions.,
- Colonies in art,
- Italian colonies,
- Africa In art Exhibitions.,
- Africa Colonization Exhibitions.,
- Italy Colonies Africa, East Exhibitions.,
- Italie Colonies Afrique orientale anglophone Expositions.,
- Afrique Dans l'art Expositions.,
- Africa, East,
- exhibition catalogs.,
- Exhibition catalogs,
- Catalogues d'exposition.
Publication:
Milan, Italy : Mousse Publishing ; Toronto : The Power Plant Contemporary Art Gallery, 2022., ©2022
Milan, Italy : Mousse Publishing ; Toronto : The Power Plant Contemporary Art Gallery, 2022., ©2022
Titre:
Dawit L. Petros : spazio disponibile / editors, Liz Park, Gaëtane Verna.
Actions:
Exemplaires:
Description:
339 pages : illustrations (some color) ; 24 cm.
Dawit L. Petros : spazio disponibile / editors, Liz Park, Gaëtane Verna.
Actions:
Exemplaires:
Description:
339 pages : illustrations (some color) ; 24 cm.
Classification:
livres
livres
Publication:
Milan, Italy : Mousse Publishing ; Toronto : The Power Plant Contemporary Art Gallery, 2022., ©2022
Milan, Italy : Mousse Publishing ; Toronto : The Power Plant Contemporary Art Gallery, 2022., ©2022
Auteur:
- Gaëtane Verna -- Irene Campolmi -- Elizabeth Harney -- Liz Park -- Sean Anderson -- Teresa Fiore -- Tak Pham -- Fabrizio Gallanti.,
- Petros, Dawit L., 1972- Works. Selections.,
- Park, Liz, 1983-,
- Verna, Gaëtane,,
- Petros, Dawit L., 1972-,
- Power Plant (Art gallery),,
- UB Art Galleries,,
- Dawit L. Petros.,
- Dawit L. Petros. French.
Sujet:
- Petros, Dawit L., 1972- Exhibitions.,
- Petros, Dawit L., 1972- Expositions.,
- Colonies in art Exhibitions.,
- Colonies dans l'art Expositions.,
- Colonies in art,
- Italian colonies,
- Africa In art Exhibitions.,
- Africa Colonization Exhibitions.,
- Italy Colonies Africa, East Exhibitions.,
- Italie Colonies Afrique orientale anglophone Expositions.,
- Afrique Dans l'art Expositions.,
- Africa, East,
- exhibition catalogs.,
- Exhibition catalogs,
- Catalogues d'exposition.
Classification:
livres
livres
Actions:
Prix:
$31.00
(disponible sur commande)
Résumé:
Best known for her innovative choreographies that revolutionized modern dance, Trisha Brown has for many years made drawings and other works beyond the stage that integrate the performing and visual arts. Drawing has long featured prominently in her practice, shifting from a tool for schematic composition into a fully realized component of her broader investigation into(...)
$31.00
(disponible sur commande)
Résumé:
Best known for her innovative choreographies that revolutionized modern dance, Trisha Brown has for many years made drawings and other works beyond the stage that integrate the performing and visual arts. Drawing has long featured prominently in her practice, shifting from a tool for schematic composition into a fully realized component of her broader investigation into(...)
Titre:
Trisha Brown: so that the audience does not know whether i have stopped dancing
Actions:
Prix:
$31.00
(disponible sur commande)
Résumé:
Best known for her innovative choreographies that revolutionized modern dance, Trisha Brown has for many years made drawings and other works beyond the stage that integrate the performing and visual arts. Drawing has long featured prominently in her practice, shifting from a tool for schematic composition into a fully realized component of her broader investigation into the limits of her own body. Whether she is working within the frame of a sheet of paper, on the wall, or on the stage, Brown delights in the play between structure and improvisation, repetition and invention, choice and chance. This book centers on a broad survey of Brown's visual arts practice going back more than three decades. The catalogue features more than 40 drawings and includes essays by exhibition curator Peter Eleey and Walker performing arts senior curator Philip Bither as well as a specially commissioned survey of Brown's drawing vocabulary contributed by the artist.
Trisha Brown: so that the audience does not know whether i have stopped dancing
Actions:
Prix:
$31.00
(disponible sur commande)
Résumé:
Best known for her innovative choreographies that revolutionized modern dance, Trisha Brown has for many years made drawings and other works beyond the stage that integrate the performing and visual arts. Drawing has long featured prominently in her practice, shifting from a tool for schematic composition into a fully realized component of her broader investigation into the limits of her own body. Whether she is working within the frame of a sheet of paper, on the wall, or on the stage, Brown delights in the play between structure and improvisation, repetition and invention, choice and chance. This book centers on a broad survey of Brown's visual arts practice going back more than three decades. The catalogue features more than 40 drawings and includes essays by exhibition curator Peter Eleey and Walker performing arts senior curator Philip Bither as well as a specially commissioned survey of Brown's drawing vocabulary contributed by the artist.
Classification:
livres
livres
Publication:
juillet 2008, Minneapolis
juillet 2008, Minneapolis
