6571 Résultats
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In landscape architecture, representation has become the subject of contention and much discussion. While computer techniques have been a catalyst for change across the field of design as a whole, nowhere have the conventions of representation been called into question more than in landscape architecture – which in itself is undergoing a process of reinvention. With the(...)
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In landscape architecture, representation has become the subject of contention and much discussion. While computer techniques have been a catalyst for change across the field of design as a whole, nowhere have the conventions of representation been called into question more than in landscape architecture – which in itself is undergoing a process of reinvention. With the(...)
Titre:
Drawing and reinventing landscape
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In landscape architecture, representation has become the subject of contention and much discussion. While computer techniques have been a catalyst for change across the field of design as a whole, nowhere have the conventions of representation been called into question more than in landscape architecture – which in itself is undergoing a process of reinvention. With the onset of rapid urbanisation and our shifting relationship with nature, landscape architecture has proved a potent lens for expressing a wider dialogue taking place in the world. It is, however, only through the introduction of innovative forms of representation – whether digital, analogue or hybrid – that one most vividly sees the emergence of the new. In this book, Diana Balmori explores notions of representation in the discipline at large and across time. She takes us back to landscape design’s roots in the seventeenth century in France and the eighteenth century in England, when it first grappled with questions of imagined exterior space. She explores the discipline’s relationship to painting and the influence of cartography with its bird's-eye views, topographic sections and perspectives. She highlights how new attempts at representation by modern landscape artists such as Patricia Johanson, Ian Hamilton Finlay and David Hockney continue to wrestle with the depiction of landscape.
Drawing and reinventing landscape
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In landscape architecture, representation has become the subject of contention and much discussion. While computer techniques have been a catalyst for change across the field of design as a whole, nowhere have the conventions of representation been called into question more than in landscape architecture – which in itself is undergoing a process of reinvention. With the onset of rapid urbanisation and our shifting relationship with nature, landscape architecture has proved a potent lens for expressing a wider dialogue taking place in the world. It is, however, only through the introduction of innovative forms of representation – whether digital, analogue or hybrid – that one most vividly sees the emergence of the new. In this book, Diana Balmori explores notions of representation in the discipline at large and across time. She takes us back to landscape design’s roots in the seventeenth century in France and the eighteenth century in England, when it first grappled with questions of imagined exterior space. She explores the discipline’s relationship to painting and the influence of cartography with its bird's-eye views, topographic sections and perspectives. She highlights how new attempts at representation by modern landscape artists such as Patricia Johanson, Ian Hamilton Finlay and David Hockney continue to wrestle with the depiction of landscape.
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livres
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janvier 2015
janvier 2015
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Théorie du paysage
Théorie du paysage
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153 pages : illustrations (chiefly color) ; 31 cm
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153 pages : illustrations (chiefly color) ; 31 cm
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Rotterdam : Nai010 Publishers, 2015., ©2015
Rotterdam : Nai010 Publishers, 2015., ©2015
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Archiprix Madrid 2015 : Rotterdam 2001, Istanbul 2003, Glasgow 2005, Shanghai 2007, Montevideo 2009, Cambridge USA 2011, Moscow 2013 / edited by: Henk van der Veen.
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153 pages : illustrations (chiefly color) ; 31 cm
Archiprix Madrid 2015 : Rotterdam 2001, Istanbul 2003, Glasgow 2005, Shanghai 2007, Montevideo 2009, Cambridge USA 2011, Moscow 2013 / edited by: Henk van der Veen.
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153 pages : illustrations (chiefly color) ; 31 cm
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Rotterdam : Nai010 Publishers, 2015., ©2015
Rotterdam : Nai010 Publishers, 2015., ©2015
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périodiques
périodiques
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Competitions.
Competitions.
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volumes : illustrations ; 28 cm
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volumes : illustrations ; 28 cm
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Louisville, Ky. : Competition Project, Inc., ©1991-
Louisville, Ky. : Competition Project, Inc., ©1991-
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périodiques
périodiques
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Louisville, Ky. : Competition Project, Inc., ©1991-
Louisville, Ky. : Competition Project, Inc., ©1991-
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xv, [1], 380 pages, 7 unnumbered leaves of plates (5 folded) : illustrations, tables ; 21 cm (8vo.)
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xv, [1], 380 pages, 7 unnumbered leaves of plates (5 folded) : illustrations, tables ; 21 cm (8vo.)
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Paris : L'Auteur, rue neuve-Saint-Eustache, no. 28, Pélicier, libraire, place du Palais-Royal, et Mongis, libraire, boulevard des Italiens, 1827.
Paris : L'Auteur, rue neuve-Saint-Eustache, no. 28, Pélicier, libraire, place du Palais-Royal, et Mongis, libraire, boulevard des Italiens, 1827.
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De la composition des parcs et jardins pittoresques : ouvrage utile et instructif pour les propriétaires et amateurs : orné de planches / par J. Lalos, architecte.
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xv, [1], 380 pages, 7 unnumbered leaves of plates (5 folded) : illustrations, tables ; 21 cm (8vo.)
De la composition des parcs et jardins pittoresques : ouvrage utile et instructif pour les propriétaires et amateurs : orné de planches / par J. Lalos, architecte.
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xv, [1], 380 pages, 7 unnumbered leaves of plates (5 folded) : illustrations, tables ; 21 cm (8vo.)
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Paris : L'Auteur, rue neuve-Saint-Eustache, no. 28, Pélicier, libraire, place du Palais-Royal, et Mongis, libraire, boulevard des Italiens, 1827.
Paris : L'Auteur, rue neuve-Saint-Eustache, no. 28, Pélicier, libraire, place du Palais-Royal, et Mongis, libraire, boulevard des Italiens, 1827.
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487 pages : chiefly color illustrations ; 24 x 29 cm
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487 pages : chiefly color illustrations ; 24 x 29 cm
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Detroit : Museum of Contemporary Art, 2011., New York, N.Y. : Distributed by D.A.P./Distributed Art Publishers, [2011]
Detroit : Museum of Contemporary Art, 2011., New York, N.Y. : Distributed by D.A.P./Distributed Art Publishers, [2011]
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Detroit, 138 square miles / Julia Reyes Taubman.
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487 pages : chiefly color illustrations ; 24 x 29 cm
Detroit, 138 square miles / Julia Reyes Taubman.
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487 pages : chiefly color illustrations ; 24 x 29 cm
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Detroit : Museum of Contemporary Art, 2011., New York, N.Y. : Distributed by D.A.P./Distributed Art Publishers, [2011]
Detroit : Museum of Contemporary Art, 2011., New York, N.Y. : Distributed by D.A.P./Distributed Art Publishers, [2011]
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177 pages : illustrations (some color) ; 32 x 32 cm.
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177 pages : illustrations (some color) ; 32 x 32 cm.
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Austin : University of Texas Press, ©2011.
Austin : University of Texas Press, ©2011.
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Timeless Mexico : the photographs of Hugo Brehme / Susan Toomey Frost ; with a foreword by Stella de Sá Rego.
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177 pages : illustrations (some color) ; 32 x 32 cm.
Timeless Mexico : the photographs of Hugo Brehme / Susan Toomey Frost ; with a foreword by Stella de Sá Rego.
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177 pages : illustrations (some color) ; 32 x 32 cm.
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Austin : University of Texas Press, ©2011.
Austin : University of Texas Press, ©2011.
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313 pages : illustrations (chiefly color), maps ; 22 x 24 cm
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313 pages : illustrations (chiefly color), maps ; 22 x 24 cm
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Marseille : Parenthèses, [2025], ©2025
Marseille : Parenthèses, [2025], ©2025
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Utopies rustiques : paysages et jardins en chantier / sous la direction de Camille Frechou, François Roumet, Marc Rumelhart et Meryl Septier.
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313 pages : illustrations (chiefly color), maps ; 22 x 24 cm
Utopies rustiques : paysages et jardins en chantier / sous la direction de Camille Frechou, François Roumet, Marc Rumelhart et Meryl Septier.
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313 pages : illustrations (chiefly color), maps ; 22 x 24 cm
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Marseille : Parenthèses, [2025], ©2025
Marseille : Parenthèses, [2025], ©2025
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471 pages : illustrations ; 21 cm.
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471 pages : illustrations ; 21 cm.
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Wien : Lit, ©2010.
Wien : Lit, ©2010.
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Kaskaden in der deutschen Gartenkunst des 18. Jahrhunderts : vom architektonischen Brunnen zum naturimitierenden Wasserfall / Heike Juliane Zech.
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471 pages : illustrations ; 21 cm.
Kaskaden in der deutschen Gartenkunst des 18. Jahrhunderts : vom architektonischen Brunnen zum naturimitierenden Wasserfall / Heike Juliane Zech.
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471 pages : illustrations ; 21 cm.
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Wien : Lit, ©2010.
Wien : Lit, ©2010.
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414 pages : illustrations (some color) ; 22 cm
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414 pages : illustrations (some color) ; 22 cm
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Paris : Éditions de la Villette, [2018]
Paris : Éditions de la Villette, [2018]
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Le grand Pari(s) d'Alphand : création et transmission d'un paysage urbain / sous la direction de Michel Audouy, Jean-Pierre Le Dantec, Yann Nussaume, Chiara Santini.
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414 pages : illustrations (some color) ; 22 cm
Le grand Pari(s) d'Alphand : création et transmission d'un paysage urbain / sous la direction de Michel Audouy, Jean-Pierre Le Dantec, Yann Nussaume, Chiara Santini.
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414 pages : illustrations (some color) ; 22 cm
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Paris : Éditions de la Villette, [2018]
Paris : Éditions de la Villette, [2018]
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$63.00
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Résumé:
Despite its importance to place-making, urban planning, and the environment, landscape design has often played an inferior role to architecture. Typically, as little as three percent of a project's construction budget is allocated to the space that surrounds a building, but that is changing. A greater desire to blend buildings into their contexts, ecological(...)
$63.00
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Résumé:
Despite its importance to place-making, urban planning, and the environment, landscape design has often played an inferior role to architecture. Typically, as little as three percent of a project's construction budget is allocated to the space that surrounds a building, but that is changing. A greater desire to blend buildings into their contexts, ecological(...)
Titre:
Digital landscape architecture now
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$63.00
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Résumé:
Despite its importance to place-making, urban planning, and the environment, landscape design has often played an inferior role to architecture. Typically, as little as three percent of a project's construction budget is allocated to the space that surrounds a building, but that is changing. A greater desire to blend buildings into their contexts, ecological considerations, legislation, and new definitions of "scaping" have opened up exciting possibilities. Coinciding with heightened social sensitivities, advances in material application, data-driven mapping techniques, and digital technologies and construction methods, landscape designers are producing a new wave of work around the world, reshaping gardens, public squares, leisure areas, and industrial parks. Among the practices included in this survey are designers who have bridged modernism with newer forms (Emergent, West 8); architects whose work fuses with the earth's contours (Zaha Hadid, MVRDV); and a generation of designers only just emerging from universities. Nadia Amoroso is Professor of Landscape Architecture at the University of Toronto and has lectured at Harvard and Cornell universities.
Digital landscape architecture now
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$63.00
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Résumé:
Despite its importance to place-making, urban planning, and the environment, landscape design has often played an inferior role to architecture. Typically, as little as three percent of a project's construction budget is allocated to the space that surrounds a building, but that is changing. A greater desire to blend buildings into their contexts, ecological considerations, legislation, and new definitions of "scaping" have opened up exciting possibilities. Coinciding with heightened social sensitivities, advances in material application, data-driven mapping techniques, and digital technologies and construction methods, landscape designers are producing a new wave of work around the world, reshaping gardens, public squares, leisure areas, and industrial parks. Among the practices included in this survey are designers who have bridged modernism with newer forms (Emergent, West 8); architects whose work fuses with the earth's contours (Zaha Hadid, MVRDV); and a generation of designers only just emerging from universities. Nadia Amoroso is Professor of Landscape Architecture at the University of Toronto and has lectured at Harvard and Cornell universities.
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livres
livres
Publication:
octobre 2012
octobre 2012
