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A refugee from Nazi Germany, Nikolaus Pevsner became a central player in the intellectual and cultural life of his adopted country. Almost impossibly energetic, efficient and effective, his contribution both to scholarship and to the public appreciation of art and architecture was immense. In addition to the famous Buildings of England series - known commonly as(...)
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A refugee from Nazi Germany, Nikolaus Pevsner became a central player in the intellectual and cultural life of his adopted country. Almost impossibly energetic, efficient and effective, his contribution both to scholarship and to the public appreciation of art and architecture was immense. In addition to the famous Buildings of England series - known commonly as(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
janvier 2003, London
janvier 2003, London
Titre:
Pevsner on art and architecture : the radio talks
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A refugee from Nazi Germany, Nikolaus Pevsner became a central player in the intellectual and cultural life of his adopted country. Almost impossibly energetic, efficient and effective, his contribution both to scholarship and to the public appreciation of art and architecture was immense. In addition to the famous Buildings of England series - known commonly as "Pevsner" - he wrote standard textbooks, held professorships, delivered the Reith lectures, promoted with equal fervour Victorian and Bauhaus architecture; and for over twenty-five years from the end of the war was a regular broadcaster for the BBC. Here his talks ranged from a discussion of Breughel's art to the buildings of Gaudi; from a series on Englishmen's castles to meditations on modern town planning; from Elizabethan mannerism to contemporary American architecture - and of course to his ground-breaking series of Reith Lectures on "The Englishness of English Art".
Pevsner on art and architecture : the radio talks
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A refugee from Nazi Germany, Nikolaus Pevsner became a central player in the intellectual and cultural life of his adopted country. Almost impossibly energetic, efficient and effective, his contribution both to scholarship and to the public appreciation of art and architecture was immense. In addition to the famous Buildings of England series - known commonly as "Pevsner" - he wrote standard textbooks, held professorships, delivered the Reith lectures, promoted with equal fervour Victorian and Bauhaus architecture; and for over twenty-five years from the end of the war was a regular broadcaster for the BBC. Here his talks ranged from a discussion of Breughel's art to the buildings of Gaudi; from a series on Englishmen's castles to meditations on modern town planning; from Elizabethan mannerism to contemporary American architecture - and of course to his ground-breaking series of Reith Lectures on "The Englishness of English Art".
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livres
livres
Publication:
janvier 2003, London
janvier 2003, London
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$34.50
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This collection of writings on beauty includes selections from twenty key philosophers and theoreticians spanning two millennia: Plato, Aristotle, Vitruvius, Alberti, Kant, Burke, Fiedler, Nietzsche, Wilde, Bergson, Bell, Scott, Benjamin, Bataille, Sontag, Jameson, Scarry, Nehamas, Zangwill, Freedberg, and Gallese. With an introduction and critical headnotes explaining(...)
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This collection of writings on beauty includes selections from twenty key philosophers and theoreticians spanning two millennia: Plato, Aristotle, Vitruvius, Alberti, Kant, Burke, Fiedler, Nietzsche, Wilde, Bergson, Bell, Scott, Benjamin, Bataille, Sontag, Jameson, Scarry, Nehamas, Zangwill, Freedberg, and Gallese. With an introduction and critical headnotes explaining(...)
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Aesthetic theory : essential texts, for architecture and design
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This collection of writings on beauty includes selections from twenty key philosophers and theoreticians spanning two millennia: Plato, Aristotle, Vitruvius, Alberti, Kant, Burke, Fiedler, Nietzsche, Wilde, Bergson, Bell, Scott, Benjamin, Bataille, Sontag, Jameson, Scarry, Nehamas, Zangwill, Freedberg, and Gallese. With an introduction and critical headnotes explaining the importance of each text, Mark Foster Gage offers a framework for a provocative history of ideas about beauty as they relate to contemporary thinking on architecture and design. In a world increasingly defined by sumptuous visuality, the concepts of beauty and visual sensation are not mere intellectual exercises but standards that define the very nature of design practice across disciplines and that are essential to the emerging worlds of design and architecture in the twenty-first century.
Aesthetic theory : essential texts, for architecture and design
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This collection of writings on beauty includes selections from twenty key philosophers and theoreticians spanning two millennia: Plato, Aristotle, Vitruvius, Alberti, Kant, Burke, Fiedler, Nietzsche, Wilde, Bergson, Bell, Scott, Benjamin, Bataille, Sontag, Jameson, Scarry, Nehamas, Zangwill, Freedberg, and Gallese. With an introduction and critical headnotes explaining the importance of each text, Mark Foster Gage offers a framework for a provocative history of ideas about beauty as they relate to contemporary thinking on architecture and design. In a world increasingly defined by sumptuous visuality, the concepts of beauty and visual sensation are not mere intellectual exercises but standards that define the very nature of design practice across disciplines and that are essential to the emerging worlds of design and architecture in the twenty-first century.
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livres
livres
Publication:
octobre 2011
octobre 2011
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$41.95
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The Centre Georges Pompidou, also called Beaubourg, is today considered an icon of contemporary Paris, the quintessence of a modern building, and a model for what a museum can be. In 1971, Renzo Piano and Richard Rogers, together with the engineering firm Ove Arup & Partners, won an international architecture competition with their innovative and irreverent design.(...)
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The Centre Georges Pompidou, also called Beaubourg, is today considered an icon of contemporary Paris, the quintessence of a modern building, and a model for what a museum can be. In 1971, Renzo Piano and Richard Rogers, together with the engineering firm Ove Arup & Partners, won an international architecture competition with their innovative and irreverent design.(...)
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Centre Pompidou: Renzo Piano, Richard Rogers, and the making of a modern monument
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The Centre Georges Pompidou, also called Beaubourg, is today considered an icon of contemporary Paris, the quintessence of a modern building, and a model for what a museum can be. In 1971, Renzo Piano and Richard Rogers, together with the engineering firm Ove Arup & Partners, won an international architecture competition with their innovative and irreverent design. Completed in 1977, the building was at first received skeptically by critics, yet it was quickly embraced by the public as a beloved monument of the modern city of Paris. This lively intellectual biography of the building explores its history and the reasons for its success, from its genesis as a politically calculated response to Paris’s turbulent 1968 student protests to the role played by architects in its construction, as well as the historical influences and the engineering solutions that inform its design. A key reason for the Centre Pompidou’s success indeed lies in its ability to channel architectural memory, connecting it powerfully to Paris’s historic urban fabric. This essential text on one of the twentieth century’s most significant buildings is accompanied by a portfolio of rare drawings and photographs.
Centre Pompidou: Renzo Piano, Richard Rogers, and the making of a modern monument
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The Centre Georges Pompidou, also called Beaubourg, is today considered an icon of contemporary Paris, the quintessence of a modern building, and a model for what a museum can be. In 1971, Renzo Piano and Richard Rogers, together with the engineering firm Ove Arup & Partners, won an international architecture competition with their innovative and irreverent design. Completed in 1977, the building was at first received skeptically by critics, yet it was quickly embraced by the public as a beloved monument of the modern city of Paris. This lively intellectual biography of the building explores its history and the reasons for its success, from its genesis as a politically calculated response to Paris’s turbulent 1968 student protests to the role played by architects in its construction, as well as the historical influences and the engineering solutions that inform its design. A key reason for the Centre Pompidou’s success indeed lies in its ability to channel architectural memory, connecting it powerfully to Paris’s historic urban fabric. This essential text on one of the twentieth century’s most significant buildings is accompanied by a portfolio of rare drawings and photographs.
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livres
livres
Publication:
novembre 2016
novembre 2016
Sujet:
Architecture contemporaine
Architecture contemporaine
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xvi, 638 pages : illustrations, maps ; 24 cm.
Description:
xvi, 638 pages : illustrations, maps ; 24 cm.
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Berkeley : University of California Press, [2012]
Berkeley : University of California Press, [2012]
Titre:
Metropolis Berlin : 1880-1940 / edited by Iain Boyd Whyte and David Frisby.
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xvi, 638 pages : illustrations, maps ; 24 cm.
Metropolis Berlin : 1880-1940 / edited by Iain Boyd Whyte and David Frisby.
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xvi, 638 pages : illustrations, maps ; 24 cm.
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livres
livres
Publication:
Berkeley : University of California Press, [2012]
Berkeley : University of California Press, [2012]
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$9.95
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A survey of approximately 100 examples of contemporary architecture in Los Angeles. Other titles in this series of tiny format guidebooks include London, Chicago, Vienna, Prague, Tokyo, and England..
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A survey of approximately 100 examples of contemporary architecture in Los Angeles. Other titles in this series of tiny format guidebooks include London, Chicago, Vienna, Prague, Tokyo, and England..
Titre:
Los Angeles : a guide to recent architecture
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A survey of approximately 100 examples of contemporary architecture in Los Angeles. Other titles in this series of tiny format guidebooks include London, Chicago, Vienna, Prague, Tokyo, and England..
Los Angeles : a guide to recent architecture
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A survey of approximately 100 examples of contemporary architecture in Los Angeles. Other titles in this series of tiny format guidebooks include London, Chicago, Vienna, Prague, Tokyo, and England..
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livres
livres
Publication:
mars 1997, London
mars 1997, London
Sujet:
Guides des villes
Guides des villes
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livres
livres
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$64.95
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Aeolian Winds and the Spirit in Renaissance Architecture introduces new dimensions of thinking about architectural theory. Investigating Renaissance pneumatic architecture with respect to other disciplines of arts and sciences, the collected essays substantiate the thesis that pneuma (air, wind, spirit, soul) is a fundamental link for establishing harmony among the human(...)
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Aeolian Winds and the Spirit in Renaissance Architecture introduces new dimensions of thinking about architectural theory. Investigating Renaissance pneumatic architecture with respect to other disciplines of arts and sciences, the collected essays substantiate the thesis that pneuma (air, wind, spirit, soul) is a fundamental link for establishing harmony among the human(...)
Titre:
Aeolian winds and the spirit in renaissance architecture
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Aeolian Winds and the Spirit in Renaissance Architecture introduces new dimensions of thinking about architectural theory. Investigating Renaissance pneumatic architecture with respect to other disciplines of arts and sciences, the collected essays substantiate the thesis that pneuma (air, wind, spirit, soul) is a fundamental link for establishing harmony among the human body, a building, and the cosmos. While much of sixteenth and seventeenth century scholarship has been devoted to the mathematics of ideal architecture, the book proves that essence, wind and ventilation are all part of the classical principles of building, and that one of the primary goals of Renaissance architects was to enhance the powers of pneuma so as to foster the art of well-being. This volume, written by leading architectural historians and scholars, delineates ancient and Renaissance theories and practice of pneumatology, and indicates a link to contemporary environmental questions. It examines Anaximenes, Hippocrates, Galen, Trento, Romano, Alberti, Serlio, Palladio, Scamozzi and other thinkers and humanists. Moreover, the essays illustrate the most famous examples of hygienico-therapeutic villas, including Rotonda, La Rocca Pisana and Eolia, a pneumatic model of Renaissance Venetian architecture.
Aeolian winds and the spirit in renaissance architecture
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Aeolian Winds and the Spirit in Renaissance Architecture introduces new dimensions of thinking about architectural theory. Investigating Renaissance pneumatic architecture with respect to other disciplines of arts and sciences, the collected essays substantiate the thesis that pneuma (air, wind, spirit, soul) is a fundamental link for establishing harmony among the human body, a building, and the cosmos. While much of sixteenth and seventeenth century scholarship has been devoted to the mathematics of ideal architecture, the book proves that essence, wind and ventilation are all part of the classical principles of building, and that one of the primary goals of Renaissance architects was to enhance the powers of pneuma so as to foster the art of well-being. This volume, written by leading architectural historians and scholars, delineates ancient and Renaissance theories and practice of pneumatology, and indicates a link to contemporary environmental questions. It examines Anaximenes, Hippocrates, Galen, Trento, Romano, Alberti, Serlio, Palladio, Scamozzi and other thinkers and humanists. Moreover, the essays illustrate the most famous examples of hygienico-therapeutic villas, including Rotonda, La Rocca Pisana and Eolia, a pneumatic model of Renaissance Venetian architecture.
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livres
livres
Publication:
décembre 2006, London New York
décembre 2006, London New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
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204 pages : illustrations (chiefly color), plans (some color) ; 28 cm
Description:
204 pages : illustrations (chiefly color), plans (some color) ; 28 cm
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Turnhout, Belgium : Brepols, [2020], ©2020
Turnhout, Belgium : Brepols, [2020], ©2020
Titre:
Ravenna in the imagination of Renaissance art / Alexander Nagel, Giancarla Periti.
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204 pages : illustrations (chiefly color), plans (some color) ; 28 cm
Ravenna in the imagination of Renaissance art / Alexander Nagel, Giancarla Periti.
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204 pages : illustrations (chiefly color), plans (some color) ; 28 cm
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livres
livres
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Turnhout, Belgium : Brepols, [2020], ©2020
Turnhout, Belgium : Brepols, [2020], ©2020
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périodiques
périodiques
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$29.95
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Asking what specific methods, materials, or understandings—tools, ratios, formulas, properties, principles, guidelines, definitions, rules, practices, techniques, reference points, histories, and more—not presently considered essential to architecture could, or should, define its future, this new volume of 306090 serves as both a gauge of contemporary concerns and a(...)
$29.95
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Asking what specific methods, materials, or understandings—tools, ratios, formulas, properties, principles, guidelines, definitions, rules, practices, techniques, reference points, histories, and more—not presently considered essential to architecture could, or should, define its future, this new volume of 306090 serves as both a gauge of contemporary concerns and a(...)
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(Non-) essential knowledge for (new) architecture
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$29.95
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Asking what specific methods, materials, or understandings—tools, ratios, formulas, properties, principles, guidelines, definitions, rules, practices, techniques, reference points, histories, and more—not presently considered essential to architecture could, or should, define its future, this new volume of 306090 serves as both a gauge of contemporary concerns and a manual for emergent theory and practice.
(Non-) essential knowledge for (new) architecture
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$29.95
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Asking what specific methods, materials, or understandings—tools, ratios, formulas, properties, principles, guidelines, definitions, rules, practices, techniques, reference points, histories, and more—not presently considered essential to architecture could, or should, define its future, this new volume of 306090 serves as both a gauge of contemporary concerns and a manual for emergent theory and practice.
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périodiques
périodiques
Publication:
septembre 2013
septembre 2013
Sujet:
Revues
Revues
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livres
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495 pages : illustrations, folded color map ; 31 cm
Description:
495 pages : illustrations, folded color map ; 31 cm
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London, England : Sells, Ltd., 1912.
London, England : Sells, Ltd., 1912.
Titre:
British Columbia : its history, people, commerce, industries, and resources / compiled by Henry J. Boam ; edited by Ashley G. Brown.
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Description:
495 pages : illustrations, folded color map ; 31 cm
British Columbia : its history, people, commerce, industries, and resources / compiled by Henry J. Boam ; edited by Ashley G. Brown.
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495 pages : illustrations, folded color map ; 31 cm
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livres
livres
Publication:
London, England : Sells, Ltd., 1912.
London, England : Sells, Ltd., 1912.
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livres
livres
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$36.00
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In February and March 2008, the International Program and the Department of Architecture and Design at The Museum of Modern Art, New York, organized the Museum's first symposium on the modernist architecture of the Caribbean and bordering Latin American countries, in collaboration with the Caribbean School of Architecture at the University of Technology, Kingston,(...)
$36.00
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In February and March 2008, the International Program and the Department of Architecture and Design at The Museum of Modern Art, New York, organized the Museum's first symposium on the modernist architecture of the Caribbean and bordering Latin American countries, in collaboration with the Caribbean School of Architecture at the University of Technology, Kingston,(...)
Titre:
AAA 034 : Caribbean modernist architecture
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$36.00
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In February and March 2008, the International Program and the Department of Architecture and Design at The Museum of Modern Art, New York, organized the Museum's first symposium on the modernist architecture of the Caribbean and bordering Latin American countries, in collaboration with the Caribbean School of Architecture at the University of Technology, Kingston, Jamaica. Topics included regional and international legacies, preservation, environmental sustainability and urban planning, as they relate to modernist architectural history and contemporary practice. The presenters were leading architects and local architectural historians. This illustrated volume presents papers from this symposium by Silvia Arango, Mervyn Awon, Marcus Barinas, Carlos Brillembourg, Jackson Burnside, Jean Doucet, Belmont Freeman, David Gouverneur, Ronny Lobo, Louise Noelle, Mark Raymond, Bruno Stagno and L. Mark Taylor, in both English and Spanish.
AAA 034 : Caribbean modernist architecture
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$36.00
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In February and March 2008, the International Program and the Department of Architecture and Design at The Museum of Modern Art, New York, organized the Museum's first symposium on the modernist architecture of the Caribbean and bordering Latin American countries, in collaboration with the Caribbean School of Architecture at the University of Technology, Kingston, Jamaica. Topics included regional and international legacies, preservation, environmental sustainability and urban planning, as they relate to modernist architectural history and contemporary practice. The presenters were leading architects and local architectural historians. This illustrated volume presents papers from this symposium by Silvia Arango, Mervyn Awon, Marcus Barinas, Carlos Brillembourg, Jackson Burnside, Jean Doucet, Belmont Freeman, David Gouverneur, Ronny Lobo, Louise Noelle, Mark Raymond, Bruno Stagno and L. Mark Taylor, in both English and Spanish.
Classification:
livres
livres
Publication:
février 2010
février 2010
Sujet:
Modernisme
Modernisme
