$75.50
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Résumé:
Born in Athens in 1937, Zoe Zenghelis began her career as a founding member of Office for Metropolitan Architecture (OMA), where her contributions created new opportunities for the group at the vanguard of architectural representation. Within, alongside and beyond this collaboration, Zenghelis developed a body of work exhibiting a playful and iconoclastic evocation of a(...)
Do you remember how perfect everything was?: the work of Zoe Zenghelis
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$75.50
(disponible en magasin)
Résumé:
Born in Athens in 1937, Zoe Zenghelis began her career as a founding member of Office for Metropolitan Architecture (OMA), where her contributions created new opportunities for the group at the vanguard of architectural representation. Within, alongside and beyond this collaboration, Zenghelis developed a body of work exhibiting a playful and iconoclastic evocation of a very particular urban form – one that is perhaps a surreal mix of the Aegean landscape of her youth and metropolitan cities such as Paris, Berlin, New York or London. She has lived and worked in the latter since 1955. This book traces the development of Zenghelis’ artistic career through her paintings, projects and teaching. Published to accompany her first major retrospective exhibition, this monograph assembles an extensive selection of Zenghelis’ work from the early 1960s to 2020, alongside a unique collection of her paintings as a member of OMA. Containing a number of studies, sketches and archival documents, it reviews the working process behind Zenghelis’ OMA projects and teaching methods at the Architectural Association.
$26.95
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The history of listening must be constructed from narratives of myth and fiction, silent arts such as painting, the resonance of architecture, auditory artefacts and nature. In such contexts, sound often functions as a metaphor for mystical revelation, instability, forbidden desires, disorder, formlessness, the unknown, unconscious and extra-human, a representation of(...)
Sinister resonance: The mediumship of the listener
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$26.95
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Résumé:
The history of listening must be constructed from narratives of myth and fiction, silent arts such as painting, the resonance of architecture, auditory artefacts and nature. In such contexts, sound often functions as a metaphor for mystical revelation, instability, forbidden desires, disorder, formlessness, the unknown, unconscious and extra-human, a representation of immaterial worlds. As if reading a map of hitherto unexplored territory, Sinister Resonance deciphers sounds and silences buried within the ghostly horrors of Arthur Machen, Shirley Jackson, Charles Dickens, Algernon Blackwood, M.R. James and Edgar Allen Poe, seventeenth century Dutch genre painting from Rembrandt to Vermeer, artists as diverse as Francis Bacon and Juan Munoz, Ad Reinhardt and Piero Della Francesca, and the writing of many modernist authors, including Virginia Woolf, Samuel Beckett, James Joyce and William Faulkner. Threaded through the book is Marcel Duchamp's curious observation "One can look at seeing but one can't hear hearing" and his concept of the infra-thin, those human experiences so fugitive that they exist only in the imaginative absences of perception.
Acoustique
livres
Description:
130 pages : color illustrations ; 31 x 34 cm
Munich : Schirmer/Mosel, ©1998.
Andreas Gursky : photographs from 1984 to the present / edited by Marie Luise Syring ; with texts by Lynne Cooke, Rupert Pfab and Marie Luise Syring.
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Description:
130 pages : color illustrations ; 31 x 34 cm
livres
Munich : Schirmer/Mosel, ©1998.
artéfacts
Rohm and Haas
Description:
1 model : acrylic, metal ; 10 x 7 x 7 cm
[1965]
artéfacts
[1965]
artéfacts
Description:
1 model : metal, glass ; 9 x 11 x 3 cm + 7 cards (63 x 40 mm or smaller)
[between 1931 and 1951] ([New York : H.B. van Dusen Co.])
Empire State, NYC : world's tallest, 1250 ft.
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1 model : metal, glass ; 9 x 11 x 3 cm + 7 cards (63 x 40 mm or smaller)
artéfacts
[between 1931 and 1951] ([New York : H.B. van Dusen Co.])
artéfacts
Description:
1 model : bonded nickel ; 15 x 8 x 7 cm
[2001] ([New York, N.Y.] : Boym Design Studio)
The World Trade Center, Sept. 11, 2001
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Description:
1 model : bonded nickel ; 15 x 8 x 7 cm
artéfacts
[2001] ([New York, N.Y.] : Boym Design Studio)
livres
Description:
15 pages ; 18 cm
Modena : Tipografia di Andrea Rossi, 1850.
Descrizione del modello in rilievo della Piazza di San Marco di Venezia eseguito da Antonio Zanettini in proporzione di un centimetro quadrato.
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15 pages ; 18 cm
livres
Modena : Tipografia di Andrea Rossi, 1850.
artéfacts
Description:
1 model : plaster ; 18 x 6 x 6 cm
[approximately 1920]
Bunker Hill battle monument : June 17, 1775.
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1 model : plaster ; 18 x 6 x 6 cm
artéfacts
[approximately 1920]
livres
Description:
176 pages : illustrations ; 30 cm
San José, Costa Rica : Líneas, [2006]
Nuevas líneas de la arquitectura contemporánea costarricense, 2000-2005 = New lines in Costa Rican contemporary architecture / Luis Diego Barahona ; fotografías/photographs, Oscar Abarca.
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176 pages : illustrations ; 30 cm
livres
San José, Costa Rica : Líneas, [2006]
livres
Description:
ix, 334 pages : illustrations ; 24 cm
Abingdon [England] ; New York : Routledge, 2005.
Utopias and architecture / Nathaniel Coleman.
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Description:
ix, 334 pages : illustrations ; 24 cm
livres
Abingdon [England] ; New York : Routledge, 2005.