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Countering the standard view of Futurism as naïvely bellicose, author Christine Poggi argues that Futurist artists and writers were far more ambivalent in their responses to the shocks of industrial modernity than Marinetti's incendiary pronouncements would suggest. She closely examines Futurist literature, art, and politics within the broader context of Italian social(...)
Inventing Futurism : the art and politics of artificial optimism
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Countering the standard view of Futurism as naïvely bellicose, author Christine Poggi argues that Futurist artists and writers were far more ambivalent in their responses to the shocks of industrial modernity than Marinetti's incendiary pronouncements would suggest. She closely examines Futurist literature, art, and politics within the broader context of Italian social history, revealing a surprisingly powerful undercurrent of anxiety among the Futurists -toward the accelerated rhythms of urban life, the rising influence of the masses, changing gender roles, and the destructiveness of war. Poggi traces the movement from its explosive beginnings through its transformations under Fascism to offer completely new insights into familiar Futurist themes, such as the thrill and trauma of velocity, the psychology of urban crowds, and the fantasy of flesh fused with metal, among others. Lavishly illustrated and unparalleled in scope, Inventing Futurism demonstrates that beneath Futurism's belligerent avant-garde posturing lay complex and contradictory attitudes toward an always-deferred utopian future.
Théorie de l’art
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From 1967, up until his death, Eduardo Paolozzi was involved with the innovative British literary magazine Ambit, using its pages as a space for some of his most experimental and innovative creations, pushing at the boundary between text and image. Collages, visual essays and fragments from novels, drawing on pop culture images from newspapers, magazines and(...)
The jet-age compendium : Paolozzi at Ambit
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From 1967, up until his death, Eduardo Paolozzi was involved with the innovative British literary magazine Ambit, using its pages as a space for some of his most experimental and innovative creations, pushing at the boundary between text and image. Collages, visual essays and fragments from novels, drawing on pop culture images from newspapers, magazines and advertisements. Reprinted in their entirety for the first time, Paolozzi’s works for Ambit tackle the war in Vietnam, the acceleration of Japanese technology, and the utopias of mass advertising. This publication reproduces the Paolozzi pages from Ambit along with magazine covers, poems and advertisements that originally appeared alongside the artist’s work. The book is housed in a day-glo pink sleeve that also contains an essay written by David Brittain which puts Paolozzi’s work for the magazine into context. An exhibition, inspired by the book, will be at Raven Row in London from 4 September to 1 November 2009.
Gego: Measuring infinity
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Accompanying the first major museum retrospective exhibition of Gego’s work in the US in more than 15 years, this expansive, definitive catalog charts the evolution of Gego’s singular approach to abstraction through organic forms, linear structures and systematic spatial investigations. Featuring nearly 300 images, including more than 160 sculptures, drawings, prints,(...)
juin 2023
Gego: Measuring infinity
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Accompanying the first major museum retrospective exhibition of Gego’s work in the US in more than 15 years, this expansive, definitive catalog charts the evolution of Gego’s singular approach to abstraction through organic forms, linear structures and systematic spatial investigations. Featuring nearly 300 images, including more than 160 sculptures, drawings, prints, artist’s books, textiles and installations made between the early 1950s and the early 1990s, this volume also presents 11 illustrated essays by experts in the field of modern and contemporary Latin American art that trace Gego’s artistic development across various mediums and disciplines, including her significant contributions to architecture and design; ground her practice in various art movements that materialized in Latin America, Europe and the US during her lifetime; and consider the pedagogical influence of her two-decade teaching career in Caracas. This essential publication advances an expanded understanding and appreciation of the artist’s work within the context of 20th-century modernism.
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In honor of the centennial of Charles Eames's birth, this beautifully designed book from the modern furniture mavens at Vitra is the ultimate publication on the iconic designs of Eames and his wife Ray. A tool for Vitra Inc.'s sales force including luscious photos of the classic Eames designs in context and goodies like fabric swatches it s also an engaging and(...)
The furniture of Charles and Ray Eames
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In honor of the centennial of Charles Eames's birth, this beautifully designed book from the modern furniture mavens at Vitra is the ultimate publication on the iconic designs of Eames and his wife Ray. A tool for Vitra Inc.'s sales force including luscious photos of the classic Eames designs in context and goodies like fabric swatches it s also an engaging and well-written monograph. Combining Charles's architectural training and Ray s passion for painting and sculpture, the work of this Southern California husband-and-wife team defines Mid-Century Modern for so many viewers. Their furniture, textiles and other work still in production are at once practical and playful, elegant and seductive, yet timeless and durable. With a handsome mix of personal snapshots, ergonomic line drawings and stunning color images of the furniture in real contemporary settings, this is the book for anyone who loves mid-century design. Updated for the first time since 1996.
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septembre 2007, Weil am Rhein
Design, monographies
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This book represents the fruits of a year long forum carried out in the Delft School of Design (Faculty of Architecture, University of Technology Delft). The papers in this collection are gathered from renowned visiting scholars, faculty members, and doctoral candidates who contributed to workshops, seminars and lectures. The essays contained in this volume contribute to(...)
Théorie de l’urbanisme
décembre 2006, Rotterdam
De-/signing the urban : techno-genesis and the urban image
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This book represents the fruits of a year long forum carried out in the Delft School of Design (Faculty of Architecture, University of Technology Delft). The papers in this collection are gathered from renowned visiting scholars, faculty members, and doctoral candidates who contributed to workshops, seminars and lectures. The essays contained in this volume contribute to matters which have come to increasingly shift our understanding of architecture and urbanism. The authors offer insight on urban processes and the aesthetic challenge for contemporary design in relation to image, technology and life sciences. Contributions include discussion on : the structure of the network city in terms of temporal manipulations; the virtual emergence and resilience of contemporary urban place in the context of Beijing; the practice of the 'production of space' is detailed with a study of Nowa Huta, Poland, a post communist city and a phenomenological account of habitat and the urban body is presented in relation to Bogotá.
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décembre 2006, Rotterdam
Théorie de l’urbanisme
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Crossover is the very first publication by the Delft School of Design (DSD), a laboratory for research and experimentation in architecture, urbanism and technologies of construction at the TU Delft. Its investigations cover a wide variety of subjects, from theoretical considerations and historical studies to urban and architectural practices and contemporary structural(...)
Théorie de l’architecture
décembre 2006, Rotterdam
Crossover : architecture, urbanism, technology
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Crossover is the very first publication by the Delft School of Design (DSD), a laboratory for research and experimentation in architecture, urbanism and technologies of construction at the TU Delft. Its investigations cover a wide variety of subjects, from theoretical considerations and historical studies to urban and architectural practices and contemporary structural design. What they all have in common is the emerging condition of architectural and urban knowledge in both the academic context and professional practice. Since its inception in 2003, the DSD has developed a strategy or field of inquiry for mapping new means of approaching the complexity of the contemporary urban and architectural conditions. Traditional approaches are seen to be increasingly inadequate in the face of this complexity. This is in part due to the nature of the information age. Yet, on the other hand, new technologies offer us the challenge and the potential to represent our world in unprecedenteded ways.
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décembre 2006, Rotterdam
Théorie de l’architecture
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During the years after the September Revolution of 1868, Barcelona experienced tremendous industrial growth and emerged as the most politically and culturally progressive city in Spain. "Barcelona and Modernity" examines this remarkable seventy-one-year period, when Barcelona also reigned as one of the most dynamic centres of modernist art and architecture in Europe.(...)
novembre 2006, New Haven / London
Barcelona and Modernity : Picasso, Gaudi, Miro, Dali
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During the years after the September Revolution of 1868, Barcelona experienced tremendous industrial growth and emerged as the most politically and culturally progressive city in Spain. "Barcelona and Modernity" examines this remarkable seventy-one-year period, when Barcelona also reigned as one of the most dynamic centres of modernist art and architecture in Europe. Focusing on the Catalan Renaixença, Modernisme, Noucentisme, avant-garde movements of the early 20th century, and artistic reactions to the Spanish Civil War, essays by an extraordinary team of scholars offer new insights into the work of such Catalan artists as Antoni Gaudí, Pablo Picasso, Joan Miró, and Salvador Dalí, among others, by setting them in context with the art of their teachers, colleagues, and rivals. With approximately 350 works in a variety of media—painting, sculpture, photography, furniture, decorative arts, and architectural design — this book also explores how Catalan artists derived inspiration from local traditions while contributing their own innovations to international modernism.
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''LBA Architecture and Planning'' is an architectural practice based in Macau, co-founded by architects Rui Leão and F. Carlotta Bruni. The firm specializes in designing projects that integrate contemporary architecture with the historical and cultural context of the region. LBA has contributed to shaping Macau’s urban and architectural identity during the past 20 years(...)
septembre 2025
Layering the city: Research on infrastructure and public space in Macau
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''LBA Architecture and Planning'' is an architectural practice based in Macau, co-founded by architects Rui Leão and F. Carlotta Bruni. The firm specializes in designing projects that integrate contemporary architecture with the historical and cultural context of the region. LBA has contributed to shaping Macau’s urban and architectural identity during the past 20 years of rapid urbanization. The intellectual contributions of LBA are further evidenced through their spatial narratives that integrate complex urban contexts with culturally sensitive design strategies. The firm emphasizes the importance of creating spaces that harmonize with their surroundings while addressing the functional needs of modern urban living. This approach is particularly relevant in Macau, where the juxtaposition of old and new is a defining characteristic of the city. Their work in Macau serves as a testament to their capacity for thoughtful integration of historical contexts and innovative design, contributing significantly to the evolving identity of the city.
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''Concéntrico: Urban Innovation Laboratory'' reflects on the first decade of the international Concéntrico festival and the one hundred and fifty projects and designs commissioned for it. The festival’s aim is to serve as a laboratory searching for creative ways of using architecture and design to strengthen communities and to support the dialogue between designers and(...)
Concéntrico: Urban Innovation Laboratory
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''Concéntrico: Urban Innovation Laboratory'' reflects on the first decade of the international Concéntrico festival and the one hundred and fifty projects and designs commissioned for it. The festival’s aim is to serve as a laboratory searching for creative ways of using architecture and design to strengthen communities and to support the dialogue between designers and citizens. The book offers a unique meditation on the transformation of cities and the relevance of architecture and design in the twenty-first century. It introduces meaningful ways to address and engage with pressing urban issues—from identity and heritage to temporariness, collectivity, ecology, play, and domesticity—through the lens of selected Concéntrico commissions since 2015. Through lavishly illustrated essays, it features projects by eighty artists, architects, and designers from twenty countries. They are prefaced and held together by a conversation between the editors Javier Peña Ibáñez and Nick Axel, who speak about the festival’s context, evolution, and the knowledge it has produced since 2014.
Espaces Public
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From fashion sketches of smartly dressed Shanghai dandies in the 1920s, to multipanel drawings of refugee urbanites during the war against Japan, to panoramic pictures of anti-American propaganda rallies in the early 1950s, the polymorphic cartoon-style art known as manhua helped define China's modern experience. ''Manhua Modernity'' offers a richly illustrated, deeply(...)
septembre 2025
Manhua modernity: Chinese culture and the pictorial turn
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From fashion sketches of smartly dressed Shanghai dandies in the 1920s, to multipanel drawings of refugee urbanites during the war against Japan, to panoramic pictures of anti-American propaganda rallies in the early 1950s, the polymorphic cartoon-style art known as manhua helped define China's modern experience. ''Manhua Modernity'' offers a richly illustrated, deeply contextualized analysis of these illustrations across the lively pages of popular pictorial magazines that entertained, informed, and mobilized a nation through a half century of political and cultural transformation. In this compelling media history, John Crespi argues that manhua must be understood in the context of the pictorial magazines that hosted them, and in turn these magazines must be seen as important mediators of the modern urban experience. Even as times changed—from interwar-era consumerism to war-time mobilization to Mao-style propaganda—the art form adapted to stay on the cutting edge of both politics and style.