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This ambitious study uses the concept of the familiar and the avant-garde practice of defamiliarization to reexamine some of the most important buildings of the twentieth century. The Familiar and the Unfamiliar in Twentieth-Century Architecture examines the work--written and built--of four seminal twentieth-century architects and firms: Frank Lloyd Wright, Le Corbusier,(...)
The familiar and the unfamiliar in twentieth-century architecture
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This ambitious study uses the concept of the familiar and the avant-garde practice of defamiliarization to reexamine some of the most important buildings of the twentieth century. The Familiar and the Unfamiliar in Twentieth-Century Architecture examines the work--written and built--of four seminal twentieth-century architects and firms: Frank Lloyd Wright, Le Corbusier, Aldo Rossi, and the partnership of Robert Venturi and Denise Scott Brown. In approaching the history of twentieth-century Western architecture from the perspective of the architectural subject--the person architects imagine experiencing their work--Jean La Marche reveals new insights into the ways humans are imagined in relation to architecture.
Théorie de l’architecture
livres
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"Logics of worlds" is the long-awaited sequel to Alain Badiou's much-heralded masterpiece, "Being and event". Unafraid to resurrect and reinvent the classical themes of philosophy, Badiou gives new meaning to concepts such as object, body and relation, mobilising them in arresting studies that range from the architectural planning of Brasilia to contemporary astronomy,(...)
Logics of worlds : being and event, 2
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"Logics of worlds" is the long-awaited sequel to Alain Badiou's much-heralded masterpiece, "Being and event". Unafraid to resurrect and reinvent the classical themes of philosophy, Badiou gives new meaning to concepts such as object, body and relation, mobilising them in arresting studies that range from the architectural planning of Brasilia to contemporary astronomy, and confronting himself with towering philosophical counterparts (Leibniz, Kant, Hegel, Kierkegaard, Lacan, Deleuze). The book culminates in an impassioned call to ‘live for an Idea’.
livres
octobre 2008
Théorie de l’architecture
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Eurostars and Eurocities: Free Movement and Mobility in an Integrating Europe examines intra-European Union migration in the cities of Amsterdam, London and Brussels. Based on sixty in-depth interviews of free moving European citizens, and more than five years of ethnographic and documentary research, it uncovers the rarely studied human dimension of European integration.
Théorie de l’urbanisme
janvier 2008, Malden, Oxford, Victoria
Eurostars and eurocities: free movement and mobility in an integrating europe
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Eurostars and Eurocities: Free Movement and Mobility in an Integrating Europe examines intra-European Union migration in the cities of Amsterdam, London and Brussels. Based on sixty in-depth interviews of free moving European citizens, and more than five years of ethnographic and documentary research, it uncovers the rarely studied human dimension of European integration.
Théorie de l’urbanisme
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'In this book's two great predecessors, Forests and The Dominion of the Dead, Robert Pogue Harrison took two preoccupying images of the human psyche and considered them with a depth and originality that revealed their unlimited and unbroken presence in every assumption and moment of our lives. Gardens he describes modestly as an essay, but it suggests the same kind of(...)
Gardens An essay on the human condition
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'In this book's two great predecessors, Forests and The Dominion of the Dead, Robert Pogue Harrison took two preoccupying images of the human psyche and considered them with a depth and originality that revealed their unlimited and unbroken presence in every assumption and moment of our lives. Gardens he describes modestly as an essay, but it suggests the same kind of pervasive presence of an underlying human impulse in our relation to the world around us. Harrison writes with eloquence, grace, and erudition rooted in the literatures of his four native languages (including Turkish) that informed his earlier books. The range of his perspective on the human myth suggests that he may be our Bachelard.' W.S. Merwin
Théorie du paysage
Usefil pictures
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This publication explores how artists, designers and curators employ images to represent narartives - conversations, memories, histories, analyses and projections.
Usefil pictures
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This publication explores how artists, designers and curators employ images to represent narartives - conversations, memories, histories, analyses and projections.
Théorie de l’art
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"In From Yard to Garden, Christopher Grampp has produced a work of major importance and significant originality. This book will change the way Americans see and understand their homes, yards, and gardens. Grampp provides the first full-length and thoroughly documented history of the American back yard. He takes courageous, new positions that are sure to prompt thinking(...)
From yard to garden: the domestication of America's home grounds (Center for American Places - Center Books on American Places)
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"In From Yard to Garden, Christopher Grampp has produced a work of major importance and significant originality. This book will change the way Americans see and understand their homes, yards, and gardens. Grampp provides the first full-length and thoroughly documented history of the American back yard. He takes courageous, new positions that are sure to prompt thinking for all his readers and to suggest further research by his academic readers. The illustrations and captions are absolutely excellent. "Grampp's writing style is direct, clear, personal, and always approachable. He provides enough detail-and so much original new information-that the specialist, academic reader will be intrigued and satisfied; yet the narrative moves forward quickly enough to engage even the general reader who may be entirely new to the subject. Grampp's writing also sparkles with real humor."-Paul Groth, University of California at Berkeley, and author of Living Downtown: The History of Residential Hotels in the United States (Paul Groth 20070901)
Théorie du paysage
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Isolation takes its title from a type of fifteenth-century map that isolates an area in order to present it in detail, and that's what James Attlee does here for Cowley Road in Oxford. The former site of a leper hospital, a workhouse, and a medieval well said to have miraculous healing powers, Cowley Road has little to do with the dreaming spires of the tourist's or(...)
Isolation: a different oxford journey
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Isolation takes its title from a type of fifteenth-century map that isolates an area in order to present it in detail, and that's what James Attlee does here for Cowley Road in Oxford. The former site of a leper hospital, a workhouse, and a medieval well said to have miraculous healing powers, Cowley Road has little to do with the dreaming spires of the tourist's or student's Oxford.
Théorie de l’urbanisme
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Is architecture art? This vexed question has been posed since the 1700s, when—breaking from earlier centuries in which there were no divisions between visual artist, architect, and engineer—architects and laypeople alike began to see these vocations as distinct. Exploring how this separation of roles occurred, and how in the twentieth century arts and architecture started(...)
The judicious eye: architecture against the other arts
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Is architecture art? This vexed question has been posed since the 1700s, when—breaking from earlier centuries in which there were no divisions between visual artist, architect, and engineer—architects and laypeople alike began to see these vocations as distinct. Exploring how this separation of roles occurred, and how in the twentieth century arts and architecture started to come together again, The Judicious Eye is the definitive history of the relationships between painting, sculpture, and architecture as they have shifted over the past three centuries. Joseph Rykwert locates the first major shift during the Enlightenment, when key philosophers drew implied and explicit distinctions between the visual arts and architecture. As time progressed, architects came to see themselves as part of an established profession, while visual artists increasingly moved toward society’s margins, deepening the chasm between them. Detailing the eventual attempts to heal this breach, Rykwert concludes in the mid-twentieth century, when the artistic avant-garde turned to architects in its battle against a stagnant society. The Judicious Eye, then, provides a necessary foundation for understanding architecture and visual art in the twenty-first century, as they continue to break new ground by growing closer to their intertwined roots.
Théorie de l’architecture
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In Becoming Beside Ourselves, the renowed cultural theorist and mathematician Brian Rotman turns his attention to alphabetic writing or the inscription of spoken language. Contending that all media configure what they mediate, he maintains that alphabetic writing has long served as the West's dominant cognitive technology. Its logic and limitations have shaped thought and(...)
Becoming beside ourselves: the alphabet, ghosts, and distributed human being
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In Becoming Beside Ourselves, the renowed cultural theorist and mathematician Brian Rotman turns his attention to alphabetic writing or the inscription of spoken language. Contending that all media configure what they mediate, he maintains that alphabetic writing has long served as the West's dominant cognitive technology. Its logic and limitations have shaped thought and affect from its inception until the present. Now its grip on Western consciousness is giving way to virtual technologies and networked media, which are reconfiguring human subjectivity just as alphabetic texts have done for millenia. Brian Rotman is Distinguished Humanities Professor in the Department of Comparative Studies at Ohio University.
Théorie de l’architecture
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The National Mall in Washington, D.C., has held an important place in the American psyche since the early nineteenth century. Home to monuments and museums dedicated to the ideals upon which the United States rests, the Mall serves as a gathering place for public protest and celebration. But as the nation ages and the population diversifies, demands for additional(...)
Théorie de l’urbanisme
avril 2008, Baltimore
The national mail: rethinking Washington's monumental core
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The National Mall in Washington, D.C., has held an important place in the American psyche since the early nineteenth century. Home to monuments and museums dedicated to the ideals upon which the United States rests, the Mall serves as a gathering place for public protest and celebration. But as the nation ages and the population diversifies, demands for additional structures and uses have sparked debates over the Mall's future and the necessity of preserving its legacy and the vision of its designers. The National Mall addresses these issues with a novel and compelling collection of essays, the work of leading design professionals, historians, and social scientists. Supplemented by eye-catching illustrations and photographs, this cross-disciplinary examination follows the discussion over the Mall's design and use, from its conceptual origins as part of Pierre Charles L'Enfant's vision for the capital to the 1902 McMillan Plan to the present day and beyond. It assesses how architectural, societal, and political changes have altered the park-like space between the Capitol and the Lincoln Memorial and explores the influence that disparate interest groups and creeping corporatism have already had on -- and are likely to exert upon -- America's public square. The National Mall presents an overarching account of how a democratic society plans, creates, and expands a national ceremonial space, opening the way for a broadly based inquiry into the Mall as it was, is, and will become. Urban planners, architectural and design historians, and engaged citizens will be challenged and well served by the thoughtful essays collected by Nathan Glazer and Cynthia R. Field. Nathan Glazer is an emeritus professor of sociology and education at Harvard University. He is the author or editor of many books on public policy and urban problems, among them The Public Face of Architecture and From a Cause to a Style: Modernist Architecture's Encounter with the American City. Cynthia R. Field is the architectural historian emerita at the Smithsonian Institution and a faculty member at the Corcoran College of Art. She is the coauthor of The Castle: An Illustrated History of the Smithsonian Building.
Théorie de l’urbanisme