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In 1965, leading Swiss furniture company USM patented its signature modular furniture system, USM Haller. This flexible storage solution for both home and office was inspired by Fritz Haller’s modular architecture and designed for infinite reuse and reconfiguration. Considered a design classic, USM Haller is included in the collections of major museums including MoMA and(...)
Rethinking the modular: adaptable systems in architecture and design
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In 1965, leading Swiss furniture company USM patented its signature modular furniture system, USM Haller. This flexible storage solution for both home and office was inspired by Fritz Haller’s modular architecture and designed for infinite reuse and reconfiguration. Considered a design classic, USM Haller is included in the collections of major museums including MoMA and the Cooper-Hewitt National Design Museum. Released as part of USM’s fiftieth-anniversary celebration of this iconic furniture design, Rethink the Modular examines the role of unit-based systems in the wider context of architecture and design. It combines previously published writings, specially commissioned essays from thinkers and innovators John Thackara and Rick Poyner, and interviews with leading figures in the design world that explain how the concept of the modular influences their work. Interspersed with visual material, the texts reveal the many possibilities created by balancing structure with flexibility, and seek to redefine the place of modularity in modern design history.
Design industriel
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Anyone viewing what we call a “landscape” from a distance will recognize that it is an artifact, a habitat created by humans as part of our built environment. Mutation and Morphosis looks at all the many aspects involved in the collective process of designing and shaping landscapes, from planning to implementation. The model as a tool and the collection as a driving force(...)
mai 2020
Mutation and morphosis: landscape as aggregate
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Anyone viewing what we call a “landscape” from a distance will recognize that it is an artifact, a habitat created by humans as part of our built environment. Mutation and Morphosis looks at all the many aspects involved in the collective process of designing and shaping landscapes, from planning to implementation. The model as a tool and the collection as a driving force are illustrated on the basis of an astonishing variety of topics. In theoretical discussions and the examination of detailed dossiers of facts on the ground, a trajectory is traced: from the emergence of new landscapes as a result of climate change to the migration of the wolf to Central Europe, from the impact of invasive plants to the study of geological formation processes. The panorama that unfolds gives us insights into the broad context that landscape architects must consider in their work, exemplified by the outstanding projects realized by VOGT.
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The growth of the number and scale of Chinese museums in the 21st century, from about 1,400 at the turn of the century to over 5,000 to date, reflects the government’s Museum Development Plan for 2011-2020 to open one museum per 250,000 inhabitants, with the goal of attracting one billion visitors at the end of the decade. What are the motivations for the rapid(...)
Museum development in China: understanding the building boom
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The growth of the number and scale of Chinese museums in the 21st century, from about 1,400 at the turn of the century to over 5,000 to date, reflects the government’s Museum Development Plan for 2011-2020 to open one museum per 250,000 inhabitants, with the goal of attracting one billion visitors at the end of the decade. What are the motivations for the rapid development of museums in China? How is the public responding? Who pays for these museums and how? What has been the impact of china’s urbanization? How do Chinese museums balance education, scientific research, social cohesion, cultural diplomacy and tourism both internal and external? These are issues that continue to be discussed and debated among western museum professionals in the context of our 200 - year history of modern museology. How are these debates evolving in China, which has its own history of museology over that same period from colonialism to communism and from isolation to opening up to the world?
Muséologie
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An extraordinary collection of eighty pictures from the Alinari Archives located in Florence, Italy makes up a never-before-published sequence of images including portraits, landscapes, and rituals providing a rare entry into traditional 19th-century Japan. Felice Beato was one of the first Western photographers to enter Japan when the country first opened its borders(...)
Lost Japan: the photographs of Felice Beato and the school of Yokohama (1860-1890)
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An extraordinary collection of eighty pictures from the Alinari Archives located in Florence, Italy makes up a never-before-published sequence of images including portraits, landscapes, and rituals providing a rare entry into traditional 19th-century Japan. Felice Beato was one of the first Western photographers to enter Japan when the country first opened its borders (1853); he revealed to the Western world a country preserved in time and never seen before. In 1863 he moved to Yokohama and opened a photography school, the School of Yokohama. The photos of the book preserve the original photographic prints, manually colored black-and-white prints, that truly embody the spirit of that period. Images feature fascinating portraits of women in kimonos, geishas, samurai warriors, and interiors of Japanese homes and gardens as well as scenes of everyday life including tea ceremonies or the theater. Each photo is accompanied by text providing historical, anthropological, and artistic context.
Monographies photo
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The exhibition “Shooting Time. Pompeii and its Surroundings” by Claudio Sabatino allows us to reflect, in a museum such as the Archaeological Museum of Naples, on the tricky issue of the relationship between archaeological context, landscape and the finds that come from them. Preventing the gradual process of change, the result of human interaction, of the remaining(...)
Shooting time: Pompeii and its' surroundings
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The exhibition “Shooting Time. Pompeii and its Surroundings” by Claudio Sabatino allows us to reflect, in a museum such as the Archaeological Museum of Naples, on the tricky issue of the relationship between archaeological context, landscape and the finds that come from them. Preventing the gradual process of change, the result of human interaction, of the remaining landscape would be pure utopia. That it also generates a culture of respect, which goes from a deep knowledge of history and allows for conscious protection, is another. This catalogue allows us to examine how in many symbolic places symbol (Baths of Caracalla, Pompeii, Naples, The Phlegraean Fields), there is an often antithetical ‘before’ and ‘after’, which reveal, on one side, the yielding of a conservation effort in the face of building expansion policies and, on the other, from the fact that in Italy there has been greater attention on the exhibition sites rather than on the territory.
Photographie par région
Zoe Leonard: photographs
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Zoe Leonard’s practice involves a type of cerebral roaming combined with carefully considered observation. For more than 20 years she has criss-crossed nature and culture, cityscapes and museums, always searching for signs that say something about structures, about natural and cultural conditions and the contradictions, parallels and connections among them. Leonard's(...)
Zoe Leonard: photographs
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Zoe Leonard’s practice involves a type of cerebral roaming combined with carefully considered observation. For more than 20 years she has criss-crossed nature and culture, cityscapes and museums, always searching for signs that say something about structures, about natural and cultural conditions and the contradictions, parallels and connections among them. Leonard's photographs – of anatomical wax figures, fashion shows, trees and fences – present figures in sparse black-and-white images that open up a visual field of thought and reveal within it our visible world, that is, the concrete and established structures that make up our reality. At documenta 9 in Kassel Leonard created a stir with her placement of black-and-white photographs of female genitalia in the context of a male-dominated museum. The political aspects of her work form the backdrop of her constant struggle with shape, with imagery, with the union of symbols and content. This is the first book encompassing her complete oeuvre.
Monographies photo
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The Austrian sociologist Otto Neurath (1882-1945) was one of the seminal figures of the 20th-century Modern Movement. Member of the Vienna Circle, Founder of the Museum of Society and Economy, inventor of the famous ISOTYPE pictorial system, and champion of the Unity of Science movement, Neurath's lifelong identification with collectivity and the concept of the global(...)
Otto Neurath: the language of the global polis
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The Austrian sociologist Otto Neurath (1882-1945) was one of the seminal figures of the 20th-century Modern Movement. Member of the Vienna Circle, Founder of the Museum of Society and Economy, inventor of the famous ISOTYPE pictorial system, and champion of the Unity of Science movement, Neurath's lifelong identification with collectivity and the concept of the global polis put him in contact with the leading intellectuals, architects and artists of his time, from Adolf Loos to Laszlo Moholy-Nagy, from Sigfried Giedion to Le Corbusier, from graphic designer Gerd Arntz to architect and urban designer Cornelis van Eesteren. This book traces Neurath's global understanding of the modern metropolis as a global polis, representing an idea about collectivity premised on cultural and linguistic universality. Although much attention has been given to Neurath's achievements in the field of graphic design and philosophy, he has never been treated in the context of urbanism and architecture.
Théorie de l’urbanisme
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When Marjorie Hill graduated in 1920 as Canada's "first girl architect," she was entering a profession that had been established in Canada just 30 years earlier. For the Record, the first history of women architects in Canada, provides a fascinating introduction to early women architects, presented within the context of developments in both Europe and North(...)
For the record: first women in Canadian architecture
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When Marjorie Hill graduated in 1920 as Canada's "first girl architect," she was entering a profession that had been established in Canada just 30 years earlier. For the Record, the first history of women architects in Canada, provides a fascinating introduction to early women architects, presented within the context of developments in both Europe and North America. Profiles of the women who graduated from the School of Architecture at the University of Toronto between 1920 and 1960 are illustrated with photographs of their work and include archival material that has never before been published. The final chapter on contemporary women in architecture showcases contributions by leading women architects across the country, from Halifax to Vancouver to Iqaluit. For the Record also provides current information on schools of architecture in Canada and includes a list of other resources to encourage young women who are thinking of pursuing careers in architecture. Foreword by Eva Matsuzaki.
Architectes canadiens
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This highly visual introduction to all things typographic unravels the story of the fonts that we encounter every day. It opens with an A-Z of a range of significant fonts, chosen to represent the typographic spectrum. As well as looking at each font’s historical context and design ethos, a pangram will showcase the entire alphabetic range of each font, as well as(...)
A-Z of typography: classification, anatomy, toolkit, attributes
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This highly visual introduction to all things typographic unravels the story of the fonts that we encounter every day. It opens with an A-Z of a range of significant fonts, chosen to represent the typographic spectrum. As well as looking at each font’s historical context and design ethos, a pangram will showcase the entire alphabetic range of each font, as well as relaying a pithy message about the font’s history, purpose or use. A chapter on Anatomy will deconstruct the letters of the English alphabet to reveal the anatomical structure of the letterforms, explaining terms such as bowl, crossbar, finial, ligature and spur. An examination of the typographer’s toolkit explains how type can be manipulated and arranged on the page to create an arresting design. The final chapter examines the myriad signs, symbols and punctuation marks that litter the printed page, created to endow printed text with additional meaning and nuance.
Karl Gerstner: Designing programmes. programme as typeface, typography, picture, method. Facsimile
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Swiss designer and artist Karl Gerstner (1930–2017) had a significant influence on typography and the history and development of postwar graphic design. "Designing Programmes" is one of his most important and influential works. It was first published in 1964, and reissued in a new design by Lars Müller Publishers in 2007; both editions are now rare (the first almost(...)
Karl Gerstner: Designing programmes. programme as typeface, typography, picture, method. Facsimile
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Swiss designer and artist Karl Gerstner (1930–2017) had a significant influence on typography and the history and development of postwar graphic design. "Designing Programmes" is one of his most important and influential works. It was first published in 1964, and reissued in a new design by Lars Müller Publishers in 2007; both editions are now rare (the first almost completely unavailable). Now, Lars Müller reissues the book with its original design. Here, across four essays, Gerstner provides a basic introduction to his design methodology and suggests a model for design in the early days of the computer era. Gerstner's innovation was to propose a rule set or system defined by the designer that would determine all aesthetic decisions for a given product: for example, a logo might also function as a layout grid system or inspire a font. Today the book is especially topical in the context of current developments in computational design.