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C3 369: culture building strategies
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AV 177: Snohetta, 25 years, 25 works
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périodiques
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Grey Room 60: acoustic modernity
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périodiques
août 2015
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A.mag 07: Buchner Bruendler
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This edition features the work of two Swiss offices, Buchner Bründler Architekten and AFGH (Andreas Fuhrimann and Gabrielle Hächler). Addressing the idea of Swiss architecture as synonymous with accuracy, quality, functional clarity, and having a strong formal identity, it goes a step further to examine its balance between the exceptional quality of craft, manufacturing(...)
A.mag 07: Buchner Bruendler
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This edition features the work of two Swiss offices, Buchner Bründler Architekten and AFGH (Andreas Fuhrimann and Gabrielle Hächler). Addressing the idea of Swiss architecture as synonymous with accuracy, quality, functional clarity, and having a strong formal identity, it goes a step further to examine its balance between the exceptional quality of craft, manufacturing techniques, and the use of state-of-the-art technology. The architecture is thus imbued with a huge technical rigour and pure formal and sensory awareness. With ten projects by Buchner Bründler and six by AFGH, ranging from small- to large-scale, plus an essay by José Manuel Pedreirinho.
périodiques
août 2015
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Mark no 57: Italian bling
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Mark no 57: Italian bling
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Contre-jour no 36, été 2015: se reposer à l'ombre avec Tanizaki
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October 153
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October 153
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Decades following the rise of computer aided design and the aesthetic-theoretical debates that coincided, it might seem late, at this point, to place a spotlight on photography. After all, hardly anyone defends photography’s loyalty to the analog index anymore, or mourns the medium specificities of centuries past. And yet, who can dispute that the photograph has become(...)
Texte zur Kunst 99: photography
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Decades following the rise of computer aided design and the aesthetic-theoretical debates that coincided, it might seem late, at this point, to place a spotlight on photography. After all, hardly anyone defends photography’s loyalty to the analog index anymore, or mourns the medium specificities of centuries past. And yet, who can dispute that the photograph has become the primary base for establishing identity now, for cohering a social body; one that, as the substrate across which today’s human subject is drawn, stands as, in a sense, our material support? As the image’s gaze has become omnipresent, it is perhaps prime time to ask how do we now understand photo-media to operate? What information do we expect it to carry? What facts do we trust it to convey?
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Ce numéro thématique s'intéresse au patrimoine industriel dont la prise en compte, en France, date des années 1970-1980. A la suite des Trente Glorieuses, la désindustrialisation a entraîné la fermeture et l'abandon, de nombreux sites. Demeurent les hautes silhouettes des cheminées des immenses usines, leurs toitures en sheds, les chevalements et les terrils des paysages(...)
Monumental semestriel 1, 2015: le patrimoine industriel
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Ce numéro thématique s'intéresse au patrimoine industriel dont la prise en compte, en France, date des années 1970-1980. A la suite des Trente Glorieuses, la désindustrialisation a entraîné la fermeture et l'abandon, de nombreux sites. Demeurent les hautes silhouettes des cheminées des immenses usines, leurs toitures en sheds, les chevalements et les terrils des paysages miniers qui, ayant modelé le territoire en leur temps, sont apparus dès lors comme un héritage à sauvegarder et à revitaliser.
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Bramante is one of the most important architect in the history of Western architecture. This fact alone would be a sufficient reason for this issue, but the additional fact that Bramante died 500 years ago merits its own celebration. Most of all, now that globalization has come full circle and we live in an entirely unified market, we must address Bramante’s work as the(...)
San Rocco 11: happy birthday, Bramante !
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Bramante is one of the most important architect in the history of Western architecture. This fact alone would be a sufficient reason for this issue, but the additional fact that Bramante died 500 years ago merits its own celebration. Most of all, now that globalization has come full circle and we live in an entirely unified market, we must address Bramante’s work as the foundation of universalism in Western architecture.
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