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Casey's discussion ranges widely from Northern Sung landscape painting to nineteenth-century American and British landscape painting and photography, from prehistoric petroglyphs and medieval portolan charts to seventeenth-century Dutch cartography and land survey maps of the American frontier. From these culturally and historically diverse forays a theory of(...)
Representing place : landscape painting & maps
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Casey's discussion ranges widely from Northern Sung landscape painting to nineteenth-century American and British landscape painting and photography, from prehistoric petroglyphs and medieval portolan charts to seventeenth-century Dutch cartography and land survey maps of the American frontier. From these culturally and historically diverse forays a theory of representation emerges. Casey proposes that the representation of place in visual works be judged in terms not of resemblance, but of reconnecting with an earth and world that are not the mere content of mind or language-a reconnection that calls for the embodiment and implacement of the human subject.
Théorie du paysage
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Together the authors of this edition, Heather Woofter and Sung Ho Kim, have over 20 years of experience teaching architecture. Based on the premise that architecture is a critical practice framed by the conditions of history, material production, representation, and space-making. Creative imagination is seen as a fundamental component to research, evaluation, and(...)
3 stages of architectural education
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Together the authors of this edition, Heather Woofter and Sung Ho Kim, have over 20 years of experience teaching architecture. Based on the premise that architecture is a critical practice framed by the conditions of history, material production, representation, and space-making. Creative imagination is seen as a fundamental component to research, evaluation, and documental production. They address a set of basic ideas that build critical questions in architecture, including those emergent from professional practice, or that focus on personal directions and expressions, and cover technique, design flexibility, problem solving, methods of representation, and much more.
Architecture contemporaine
Real Review 15
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It isn’t the representation of violence in the Gaza Strip that is so disturbing; it is the absence of representation. The grief and despair of a child is penetratingly real. The extreme realism of these events has now driven a wedge between our realities, material and social. The scale and speed of this suffering has destroyed our ability to sustain any belief in the(...)
Real Review 15
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It isn’t the representation of violence in the Gaza Strip that is so disturbing; it is the absence of representation. The grief and despair of a child is penetratingly real. The extreme realism of these events has now driven a wedge between our realities, material and social. The scale and speed of this suffering has destroyed our ability to sustain any belief in the symbolic values of “the international community” and “human rights”. We can no longer even pretend these ideas correlate to any form of reality. This issue of Real Review is dedicated to the current mood, the Phantom of Liberty.
Revues
Metropolis: mapping the city
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This volume looks at the development of the mapping and representation of the city revealing how we organize the urban space. From skyline profiles, bird's eye views and panoramas, to the schematic maps of transport networks and road layouts to help us navigate, and statistical maps that can provide information on human aspirations, cities can reveal themselves in many(...)
Metropolis: mapping the city
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This volume looks at the development of the mapping and representation of the city revealing how we organize the urban space. From skyline profiles, bird's eye views and panoramas, to the schematic maps of transport networks and road layouts to help us navigate, and statistical maps that can provide information on human aspirations, cities can reveal themselves in many ways. Focusing on key points in the development of urban representation and including visions of the future of how we would be living today, this enlightening book illustrates some of the oldest, youngest, liveliest, and most contested cities in the world
livres
Description:
247 pages : illustrations (some color), plans ; 34 cm
Basel ; Boston : Birkhauser, ©2008.
Sacred buildings : a design manual / Rudolf Stegers ; contributions by Dorothea Baumann [and others] ; translation from German, Julian Reisenberger.
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247 pages : illustrations (some color), plans ; 34 cm
livres
Basel ; Boston : Birkhauser, ©2008.
livres
Description:
196 pages : illustrations ; 24 cm
Austin : University of Texas Press, 2025.
Decolonial environmentalisms : climate justice and speculative futures in Latinx cultural production / David J. Vázquez.
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196 pages : illustrations ; 24 cm
livres
Austin : University of Texas Press, 2025.
artéfacts
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1 model (ca. 102 pieces) : cardboard, wood, metal ; in cardboard box 27 x 20 x 4 cm.
[ca. 1910] ([Germany?])
Der Eiffel-Thurm [toy] = Eiffel Tower game = Tour Eiffel jeu.
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1 model (ca. 102 pieces) : cardboard, wood, metal ; in cardboard box 27 x 20 x 4 cm.
artéfacts
[ca. 1910] ([Germany?])
livres
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247 pages : illustrations, charts, facsimiles, maps, plans ; 24 cm
Berlin : Jovis Verlag GmbH, 2019., ©2019
The improvisation of space / Christopher Dell.
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247 pages : illustrations, charts, facsimiles, maps, plans ; 24 cm
livres
Berlin : Jovis Verlag GmbH, 2019., ©2019
artéfacts
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1 model : metal, plastic ; 12 x 5 x 5 cm.
[not before 1961]
[The First National City Bank of New York] [model].
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1 model : metal, plastic ; 12 x 5 x 5 cm.
artéfacts
[not before 1961]
Archification
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Si la littérature et le cinéma ont nourri une réflexion approfondie sur la fiction, d'autres domaines liés aux arts visuels sont largement restés inexplorés. Ainsi l'exposition peut recourir aux fictions canoniques (vidéo, cinéma, dispositifs textuels), mais aussi à l'image fixe, l'installation ou la performance. Quelle est l'importance respective de chacun de ces(...)
Archification
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Si la littérature et le cinéma ont nourri une réflexion approfondie sur la fiction, d'autres domaines liés aux arts visuels sont largement restés inexplorés. Ainsi l'exposition peut recourir aux fictions canoniques (vidéo, cinéma, dispositifs textuels), mais aussi à l'image fixe, l'installation ou la performance. Quelle est l'importance respective de chacun de ces éléments en rapport avec la fiction ? Que produisent leurs éventuelles cohabitations ? Quelle est la place dévolue au " scénario ", celle relative au concepteur ou au visiteur de l'exposition ? Deux lieux communs informent massivement l'art contemporain dans son rapport à la fiction. Le premier consiste à qualifier l'œuvre d'art comme suspendue entre réalité et fiction. Le second justifie cette indétermination comme une conséquence de la spectacularisation du monde, l'indistinction entre le vécu et sa représentation. Que recouvrent ces lieux communs ? Quelles sont les limites du tout fictionnel ? Certains rapports entre l'architecture et la fiction dans le cadre de l'exposition d'art contemporain sont analysés à travers un ensemble d'expositions personnelles réalisées par l'auteur entre 1993 et 2001 mais aussi étendus à cinq paradigmes susceptibles de caractériser la création contemporaine : in situ et readymade, peinture abstraite et performance, pratiques collaboratives. Dans leurs situations aux marges des fictions canoniques, les fictions artistiques et visuelles viennent nous interroger sur le statut de la croyance et l'importance des niveaux de représentations dans la génération des univers fictionnels. Mais, à travers la multiplicité des exemples qu'il est loisible de convoquer pour exemplifier les fictions artistiques, n'est-ce pas de façon à chaque fois différente, nous mettre dans le passage d'un monde à un autre ? Et gommer un peu à chaque fois la priorité de notre monde ordinaire en l'ouvrant vers une pluralité de mondes possibles ?
Théorie de l’architecture