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livres
livres
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Description:
xxv, 590 pages : illustrations ; 25 cm
Description:
xxv, 590 pages : illustrations ; 25 cm
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Malden, MA ; Oxford ; Carlton, Victoria, Australia : Blackwell Pub., 2006.
Malden, MA ; Oxford ; Carlton, Victoria, Australia : Blackwell Pub., 2006.
Titre:
Architectural theory. Vol. I, An anthology from Vitruvius to 1870 / edited by Harry Francis Mallgrave.
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Description:
xxv, 590 pages : illustrations ; 25 cm
Architectural theory. Vol. I, An anthology from Vitruvius to 1870 / edited by Harry Francis Mallgrave.
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Description:
xxv, 590 pages : illustrations ; 25 cm
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livres
livres
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Malden, MA ; Oxford ; Carlton, Victoria, Australia : Blackwell Pub., 2006.
Malden, MA ; Oxford ; Carlton, Victoria, Australia : Blackwell Pub., 2006.
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livres
livres
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Description:
304 pages : illustrations, plans ; 31 cm
Description:
304 pages : illustrations, plans ; 31 cm
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New York : Monacelli Press, 1999.
New York : Monacelli Press, 1999.
Titre:
Richard Meier, architect / foreword and acknowledgments by Richard Koshalek and Dana Hutt ; introduction by Dana Hutt ; essays by Stan Allen [and others].
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Description:
304 pages : illustrations, plans ; 31 cm
Richard Meier, architect / foreword and acknowledgments by Richard Koshalek and Dana Hutt ; introduction by Dana Hutt ; essays by Stan Allen [and others].
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Description:
304 pages : illustrations, plans ; 31 cm
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livres
livres
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New York : Monacelli Press, 1999.
New York : Monacelli Press, 1999.
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vidéo
vidéo
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1 videodisc (approximately 71 min.) : sound, color ; 4 3/4 in.
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1 videodisc (approximately 71 min.) : sound, color ; 4 3/4 in.
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[Zurich] : Scheidegger & Spiess, [2018], ©2018
[Zurich] : Scheidegger & Spiess, [2018], ©2018
Titre:
Peter Zumthor spricht über seine Arbeit : eine biografische Collage = Peter Zumthor talks about his work : a biographic collage / by Christoph Schaub ; produced by Maximage Film Production, Brigitte Hofer and Cornelia Seitler ; in cooperation with Atelier Peter Zumthor, Nina Zumthor ; presented by Kunsthaus Bregenz.
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1 videodisc (approximately 71 min.) : sound, color ; 4 3/4 in.
Peter Zumthor spricht über seine Arbeit : eine biografische Collage = Peter Zumthor talks about his work : a biographic collage / by Christoph Schaub ; produced by Maximage Film Production, Brigitte Hofer and Cornelia Seitler ; in cooperation with Atelier Peter Zumthor, Nina Zumthor ; presented by Kunsthaus Bregenz.
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1 videodisc (approximately 71 min.) : sound, color ; 4 3/4 in.
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vidéo
vidéo
Publication:
[Zurich] : Scheidegger & Spiess, [2018], ©2018
[Zurich] : Scheidegger & Spiess, [2018], ©2018
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livres
livres
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Palladio virtuel
Palladio virtuel
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$79.95
(disponible sur commande)
Résumé:
Working from an architect’s perspective, Eisenman, with Matt Roman, shows the evolution of Palladio’s villas from those that exhibit classical symmetrical volumetric bodies to others that exhibit no bodies at all, just fragments in a landscape. This conclusion stands in stark contrast to studies that emphasize principles of ideal symmetry and proportion in Palladio’s(...)
$79.95
(disponible sur commande)
Résumé:
Working from an architect’s perspective, Eisenman, with Matt Roman, shows the evolution of Palladio’s villas from those that exhibit classical symmetrical volumetric bodies to others that exhibit no bodies at all, just fragments in a landscape. This conclusion stands in stark contrast to studies that emphasize principles of ideal symmetry and proportion in Palladio’s(...)
Titre:
Palladio virtuel
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$79.95
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Working from an architect’s perspective, Eisenman, with Matt Roman, shows the evolution of Palladio’s villas from those that exhibit classical symmetrical volumetric bodies to others that exhibit no bodies at all, just fragments in a landscape. This conclusion stands in stark contrast to studies that emphasize principles of ideal symmetry and proportion in Palladio’s work. Featuring more than 300 new analytic drawings and models, this book is an important addition to the corpus of Palladian studies and a testament to Palladio’s lasting place in contemporary architectural thought.
Palladio virtuel
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$79.95
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Working from an architect’s perspective, Eisenman, with Matt Roman, shows the evolution of Palladio’s villas from those that exhibit classical symmetrical volumetric bodies to others that exhibit no bodies at all, just fragments in a landscape. This conclusion stands in stark contrast to studies that emphasize principles of ideal symmetry and proportion in Palladio’s work. Featuring more than 300 new analytic drawings and models, this book is an important addition to the corpus of Palladian studies and a testament to Palladio’s lasting place in contemporary architectural thought.
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livres
livres
Publication:
décembre 2015
décembre 2015
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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375 pages : chiefly illustrations (some colour), plans ; 26 cm
Description:
375 pages : chiefly illustrations (some colour), plans ; 26 cm
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Minato-ku, Tokyo : TOTO Publishing, 2015.
Minato-ku, Tokyo : TOTO Publishing, 2015.
Titre:
Sou Fujimoto architecture works 1995-2015 = 藤本壮介建築作品集 / 藤本壮介. Sou Fujimoto architecture works 1995-2015 = Fujimoto Sōsuke kenchiku sakuhinshū / Fujimoto Sōsuke.
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375 pages : chiefly illustrations (some colour), plans ; 26 cm
Sou Fujimoto architecture works 1995-2015 = 藤本壮介建築作品集 / 藤本壮介. Sou Fujimoto architecture works 1995-2015 = Fujimoto Sōsuke kenchiku sakuhinshū / Fujimoto Sōsuke.
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Description:
375 pages : chiefly illustrations (some colour), plans ; 26 cm
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livres
livres
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Minato-ku, Tokyo : TOTO Publishing, 2015.
Minato-ku, Tokyo : TOTO Publishing, 2015.
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livres
livres
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256 p. : chiefly ill. (some col.), ports. ; 29 cm.
Description:
256 p. : chiefly ill. (some col.), ports. ; 29 cm.
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Munich ; New York : Delmonico Books : Palm Springs, Calif. : Palm Springs Art Museum, 2012.
Munich ; New York : Delmonico Books : Palm Springs, Calif. : Palm Springs Art Museum, 2012.
Titre:
Backyard oasis : the swimming pool in Southern California photography, 1945-1982 / edited by Daniell Cornell ; research team essays, Daniell Cornell ... [et al.] ; with a contribution by Robert Atkins.
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256 p. : chiefly ill. (some col.), ports. ; 29 cm.
Backyard oasis : the swimming pool in Southern California photography, 1945-1982 / edited by Daniell Cornell ; research team essays, Daniell Cornell ... [et al.] ; with a contribution by Robert Atkins.
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256 p. : chiefly ill. (some col.), ports. ; 29 cm.
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livres
livres
Publication:
Munich ; New York : Delmonico Books : Palm Springs, Calif. : Palm Springs Art Museum, 2012.
Munich ; New York : Delmonico Books : Palm Springs, Calif. : Palm Springs Art Museum, 2012.
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livres
livres
Prix:
$38.95
(disponible sur commande)
Résumé:
Thanks to digital technology and post-structuralist thought, architects and artists are facing a brave new world of bodies without organs, buildings that circumscribe their function, and art that forms a prosthetic hard drive for our consciousness. In this schema, technology, which Marshal McLuhan theorized as the extension of our bodies into the world, has become(...)
$38.95
(disponible sur commande)
Résumé:
Thanks to digital technology and post-structuralist thought, architects and artists are facing a brave new world of bodies without organs, buildings that circumscribe their function, and art that forms a prosthetic hard drive for our consciousness. In this schema, technology, which Marshal McLuhan theorized as the extension of our bodies into the world, has become(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
août 2004, New York
août 2004, New York
Titre:
Beyond form : architecture and art in the space of media
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$38.95
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Résumé:
Thanks to digital technology and post-structuralist thought, architects and artists are facing a brave new world of bodies without organs, buildings that circumscribe their function, and art that forms a prosthetic hard drive for our consciousness. In this schema, technology, which Marshal McLuhan theorized as the extension of our bodies into the world, has become inverted and is now literally seen as modifying and transforming our relation to that world through media's ability to not only create the means of representation, its subject and content, but also organize author and audience alike. Beyond Form is both a celebration of our situation and a critical survival manual. The contributors to this volume, including artists Jennifer Steinkamp and Maureen Connor, respond to the mediating space of technology, aware that the forms of the future lie within the indeterminate content of cultural production and consumption itself, and not within the ideal of the technological sublime of modernism that had in the past reduced this issue, both performatively and iconographically, to a question of form, function and style. Essays by Neil Leach, Jeffrey Kipnis, Omer Fast, Andrew Benjamin, Donald Kunze, et al.
Beyond form : architecture and art in the space of media
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$38.95
(disponible sur commande)
Résumé:
Thanks to digital technology and post-structuralist thought, architects and artists are facing a brave new world of bodies without organs, buildings that circumscribe their function, and art that forms a prosthetic hard drive for our consciousness. In this schema, technology, which Marshal McLuhan theorized as the extension of our bodies into the world, has become inverted and is now literally seen as modifying and transforming our relation to that world through media's ability to not only create the means of representation, its subject and content, but also organize author and audience alike. Beyond Form is both a celebration of our situation and a critical survival manual. The contributors to this volume, including artists Jennifer Steinkamp and Maureen Connor, respond to the mediating space of technology, aware that the forms of the future lie within the indeterminate content of cultural production and consumption itself, and not within the ideal of the technological sublime of modernism that had in the past reduced this issue, both performatively and iconographically, to a question of form, function and style. Essays by Neil Leach, Jeffrey Kipnis, Omer Fast, Andrew Benjamin, Donald Kunze, et al.
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livres
livres
Publication:
août 2004, New York
août 2004, New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$37.95
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Résumé:
In 1976, Robert Adams shot "Fort Collins, Colorado," a nighttime picture of a lone tree in a Colorado parking lot, the crescent moon hanging in the sky above. More than 30 years earlier, Ansel Adams had captured "Moonrise, Hernandez, New Mexico," showing a magnificent vista of desert scrub and clustered buildings, snow-capped mountains in the distance, the full moon(...)
$37.95
(disponible sur commande)
Résumé:
In 1976, Robert Adams shot "Fort Collins, Colorado," a nighttime picture of a lone tree in a Colorado parking lot, the crescent moon hanging in the sky above. More than 30 years earlier, Ansel Adams had captured "Moonrise, Hernandez, New Mexico," showing a magnificent vista of desert scrub and clustered buildings, snow-capped mountains in the distance, the full moon(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
juin 2002, Andover, Massachusetts
juin 2002, Andover, Massachusetts
Titre:
Reinventing the West : the photography of Ansel Adams and Robert Adams
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$37.95
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Résumé:
In 1976, Robert Adams shot "Fort Collins, Colorado," a nighttime picture of a lone tree in a Colorado parking lot, the crescent moon hanging in the sky above. More than 30 years earlier, Ansel Adams had captured "Moonrise, Hernandez, New Mexico," showing a magnificent vista of desert scrub and clustered buildings, snow-capped mountains in the distance, the full moon majestically presiding in the expansive sky overhead. These two pictures could be neither more different nor more similar; nor could the younger Adams have made his photograph without knowledge of his greatly admired predecessor's. If Ansel Adams created singular images in search of a platonic ideal of nature, Robert Adams explored repetition and conformity; both were responding, in their own personal and aesthetic way, to the landscape of the American West. The first book to juxtapose bodies of work by these two 20th-century master photographers, Reinventing the West reveals how their photographs reflect changing attitudes toward the western landscape and the natural world.
Reinventing the West : the photography of Ansel Adams and Robert Adams
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$37.95
(disponible sur commande)
Résumé:
In 1976, Robert Adams shot "Fort Collins, Colorado," a nighttime picture of a lone tree in a Colorado parking lot, the crescent moon hanging in the sky above. More than 30 years earlier, Ansel Adams had captured "Moonrise, Hernandez, New Mexico," showing a magnificent vista of desert scrub and clustered buildings, snow-capped mountains in the distance, the full moon majestically presiding in the expansive sky overhead. These two pictures could be neither more different nor more similar; nor could the younger Adams have made his photograph without knowledge of his greatly admired predecessor's. If Ansel Adams created singular images in search of a platonic ideal of nature, Robert Adams explored repetition and conformity; both were responding, in their own personal and aesthetic way, to the landscape of the American West. The first book to juxtapose bodies of work by these two 20th-century master photographers, Reinventing the West reveals how their photographs reflect changing attitudes toward the western landscape and the natural world.
Classification:
livres
livres
Publication:
juin 2002, Andover, Massachusetts
juin 2002, Andover, Massachusetts
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$26.95
(disponible sur commande)
Résumé:
Measures are the subject of this unusual book, in which Robert Tavernor offers a fascinating account of the various measuring systems human beings have devised over two millennia. Tavernor urges us to look beyond the notion that measuring is strictly a scientific activity, divorced from human concerns. Instead, he sets measures and measuring in cultural context and shows(...)
$26.95
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Measures are the subject of this unusual book, in which Robert Tavernor offers a fascinating account of the various measuring systems human beings have devised over two millennia. Tavernor urges us to look beyond the notion that measuring is strictly a scientific activity, divorced from human concerns. Instead, he sets measures and measuring in cultural context and shows(...)
Titre:
Smoot's Ear : The measure of humanity
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$26.95
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Measures are the subject of this unusual book, in which Robert Tavernor offers a fascinating account of the various measuring systems human beings have devised over two millennia. Tavernor urges us to look beyond the notion that measuring is strictly a scientific activity, divorced from human concerns. Instead, he sets measures and measuring in cultural context and shows how deeply they are connected to human experience and history. The book explores changing attitudes toward measure, focusing on key moments in art, sculpture, architecture, philosophy, and the development of scientific thought. It encompasses the journey of Western civilization from the construction of the Great Pyramid to the first manned flight to the moon. Beginning with a review of early measuring standards that referred to the feet and inches of ideal bodies, the book then tracks how Enlightenment interest in a truly scientific system of measure led to the creation of the metric system. This “rational” approach to measure in turn has inspired artists, architects, writers, and others to seek a balance that takes the human story into account. Tavernor concludes with a discussion of measure in our own time, when space travel presents to humankind a direct encounter with the unfathomable measure of the universe.
Smoot's Ear : The measure of humanity
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$26.95
(disponible sur commande)
Résumé:
Measures are the subject of this unusual book, in which Robert Tavernor offers a fascinating account of the various measuring systems human beings have devised over two millennia. Tavernor urges us to look beyond the notion that measuring is strictly a scientific activity, divorced from human concerns. Instead, he sets measures and measuring in cultural context and shows how deeply they are connected to human experience and history. The book explores changing attitudes toward measure, focusing on key moments in art, sculpture, architecture, philosophy, and the development of scientific thought. It encompasses the journey of Western civilization from the construction of the Great Pyramid to the first manned flight to the moon. Beginning with a review of early measuring standards that referred to the feet and inches of ideal bodies, the book then tracks how Enlightenment interest in a truly scientific system of measure led to the creation of the metric system. This “rational” approach to measure in turn has inspired artists, architects, writers, and others to seek a balance that takes the human story into account. Tavernor concludes with a discussion of measure in our own time, when space travel presents to humankind a direct encounter with the unfathomable measure of the universe.
Classification:
livres
livres
Publication:
août 2007
août 2007
Classification:
livres
livres
Prix:
$54.00
(disponible sur commande)
Résumé:
We tend to think of architecture as a practice in permanence, but what if we looked instead for an architecture of transience? In "Things that move," Tim Anstey does just that: rather than assuming that architecture is, at a certain level, stationary, he considers how architecture moves subjects (referring to its emotive potential in the experience it creates); how it(...)
$54.00
(disponible sur commande)
Résumé:
We tend to think of architecture as a practice in permanence, but what if we looked instead for an architecture of transience? In "Things that move," Tim Anstey does just that: rather than assuming that architecture is, at a certain level, stationary, he considers how architecture moves subjects (referring to its emotive potential in the experience it creates); how it(...)
Titre:
Things that move: A hinterland in architectural history
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$54.00
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We tend to think of architecture as a practice in permanence, but what if we looked instead for an architecture of transience? In "Things that move," Tim Anstey does just that: rather than assuming that architecture is, at a certain level, stationary, he considers how architecture moves subjects (referring to its emotive potential in the experience it creates); how it moves objects (referring to how it choreographs bodies in motion); and how it is itself moved (referring to the mixture of materials, laws, affordances, and images that introduce movement into any architectural condition). The first of the book's three sections, "Cargoes," highlights the mobile peripheries of architectural history through the eighteenth and nineteenth centuries. It asks what kinds of knowledge can be included in a discussion of architecture, noting the connections between discourses of the lithe and the technical, on the one hand, and those associated with the production of monumental, static compositions on the other. The second section, “Dispatches,” reinterprets early architectural theory by examining the Renaissance ideal of decorum, the nature of the architectural work, and the ways in which architects are constituted as authors. The last part of the book, “Vehicles,” considers building in terms of literal and metaphorical movement, using two cases from the twentieth century that investigate the relationship between architecture and cultural memory. Using a broadly forensic approach to connect details in otherwise disparate cases, "Things that move" is a breathtakingly capacious architectural account that will change the way readers understand buildings, their becoming, and their significance.
Things that move: A hinterland in architectural history
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Prix:
$54.00
(disponible sur commande)
Résumé:
We tend to think of architecture as a practice in permanence, but what if we looked instead for an architecture of transience? In "Things that move," Tim Anstey does just that: rather than assuming that architecture is, at a certain level, stationary, he considers how architecture moves subjects (referring to its emotive potential in the experience it creates); how it moves objects (referring to how it choreographs bodies in motion); and how it is itself moved (referring to the mixture of materials, laws, affordances, and images that introduce movement into any architectural condition). The first of the book's three sections, "Cargoes," highlights the mobile peripheries of architectural history through the eighteenth and nineteenth centuries. It asks what kinds of knowledge can be included in a discussion of architecture, noting the connections between discourses of the lithe and the technical, on the one hand, and those associated with the production of monumental, static compositions on the other. The second section, “Dispatches,” reinterprets early architectural theory by examining the Renaissance ideal of decorum, the nature of the architectural work, and the ways in which architects are constituted as authors. The last part of the book, “Vehicles,” considers building in terms of literal and metaphorical movement, using two cases from the twentieth century that investigate the relationship between architecture and cultural memory. Using a broadly forensic approach to connect details in otherwise disparate cases, "Things that move" is a breathtakingly capacious architectural account that will change the way readers understand buildings, their becoming, and their significance.
Classification:
livres
livres
Publication:
avril 2024
avril 2024
Sujet:
Théorie de l’architecture
Théorie de l’architecture
