2310 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S1.SS9.001
Description:
This box contains notes, drafts, articles, book reviews and lectures by Kenneth Frampton. The materials are organized alphabetically by either title or the architect's last name, from A-Z. The contents are mostly older texts by Frampton, circa 1960-1990. Subjects and architects explored in these texts include: Raimund Abraham; Tadao Ando; contemporary architecture; the modern urban form; Gustave Eiffel; English neoclassicism; Louis Kahn; John Hejduk; Herman Hertzberger; postmodern theory; Steven Holl; industrialization; Le Corbusier; El Lissitzky; modernism; Palais Royale; Carlo Scarpa; James Stirling; Team 10; technology; and Otto Wagner.
AP197.S1.SS9.001
Description:
This box contains notes, drafts, articles, book reviews and lectures by Kenneth Frampton. The materials are organized alphabetically by either title or the architect's last name, from A-Z. The contents are mostly older texts by Frampton, circa 1960-1990. Subjects and architects explored in these texts include: Raimund Abraham; Tadao Ando; contemporary architecture; the modern urban form; Gustave Eiffel; English neoclassicism; Louis Kahn; John Hejduk; Herman Hertzberger; postmodern theory; Steven Holl; industrialization; Le Corbusier; El Lissitzky; modernism; Palais Royale; Carlo Scarpa; James Stirling; Team 10; technology; and Otto Wagner.
Personnes et institutions:
Date:
circa 1964-1990
circa 1964-1990
Titre:
Kenneth Frampton texts, articles and notes (A-Z)
Actions:
AP197.S1.SS9.001
Description:
This box contains notes, drafts, articles, book reviews and lectures by Kenneth Frampton. The materials are organized alphabetically by either title or the architect's last name, from A-Z. The contents are mostly older texts by Frampton, circa 1960-1990. Subjects and architects explored in these texts include: Raimund Abraham; Tadao Ando; contemporary architecture; the modern urban form; Gustave Eiffel; English neoclassicism; Louis Kahn; John Hejduk; Herman Hertzberger; postmodern theory; Steven Holl; industrialization; Le Corbusier; El Lissitzky; modernism; Palais Royale; Carlo Scarpa; James Stirling; Team 10; technology; and Otto Wagner.
Kenneth Frampton texts, articles and notes (A-Z)
Actions:
AP197.S1.SS9.001
Description:
This box contains notes, drafts, articles, book reviews and lectures by Kenneth Frampton. The materials are organized alphabetically by either title or the architect's last name, from A-Z. The contents are mostly older texts by Frampton, circa 1960-1990. Subjects and architects explored in these texts include: Raimund Abraham; Tadao Ando; contemporary architecture; the modern urban form; Gustave Eiffel; English neoclassicism; Louis Kahn; John Hejduk; Herman Hertzberger; postmodern theory; Steven Holl; industrialization; Le Corbusier; El Lissitzky; modernism; Palais Royale; Carlo Scarpa; James Stirling; Team 10; technology; and Otto Wagner.
Classification:
documents textuels
documents textuels
Date:
circa 1964-1990
circa 1964-1990
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
OCEAN North reference files
OCEAN North reference files
Numéro de référence:
AP198.S2
Description:
Series consists of reference documentation in the form of portfolios of selected materials from various OCEAN North projects. It is likely that Kivi Sotamaa did not contribute to all of the included projects. For the most part, records are images of work done with CAD software: preliminary drawings; fully developed plans and renderings of buildings; landscapes; and installations. Images also include digitized photographs of models and installations. Content from AP198.S2.001 – OCEAN North Portfolio 1999 consists primarily of this type of visual material and is organized per project. Additionally, a few textual records describe some of the projects. There are two versions of a general presentation document in Pagemaker. Content from AP198.S2.002 – OCEAN North Press CD 2000 is organized into three sections: “about'OCEANnorth”, “OCEANnorth_Essays”, and “OCEANnorth_Projects”. This last directory is further organized by year and by project, each project having a text and an image sub-directory. Overall, there are 48 textual records describing the network, its vision and its projects, alongside more than 200 raster images. The Jyväskylä Music and Arts Centre competition entry was not included in this project selection. The following projects are documented in this series: - Töölö Football Stadium, an international architectural competition entry. See also Series 1 for more records on this project. - Jyväskylä Music and Arts Centre, an international architectural competition entry. See also Series 1 for more records on this project. - Extraterrains, a furniture design project. - Finnish Embassy in Canberra, an international architectural competition entry. - Habitare Pavilion (1996 and 1997), exhibitions installations. - Chamberworks, an architectural installation for an exhibition. - a-drift NYT Time Capsule, a competition entry for a time capsule for the New York Times. - Synthetic Landscape Pavilion and Phases 1, 2 and 3, a landscape design. - Sandefjord Hotel, preliminary design. - Landscraper, design study for an exhibition. - IntenCities, multidisciplinary installation project. - Barbican’s Valo exhibition design. - Constantini (sic) Museum, a building design for a competition. - Kyoto, a study of urban design. - Jeil’s Hospital, a building design. - Urban Surfaces exhibition. Source: Ateljié Sotamaa. “Portfolio.” Accessed February 2018, http://portfolio.sotamaa.net/ FRAC, “Catalog, OCEAN.” Accessed February 2018, http://www.archilab.org/public/2000/catalog/ocean/oceanen.htm OCEAN CN Consultancy Network, “Projects.” Accessed February 2018, http://ocean-cn.org/projects/
AP198.S2
Description:
Series consists of reference documentation in the form of portfolios of selected materials from various OCEAN North projects. It is likely that Kivi Sotamaa did not contribute to all of the included projects. For the most part, records are images of work done with CAD software: preliminary drawings; fully developed plans and renderings of buildings; landscapes; and installations. Images also include digitized photographs of models and installations. Content from AP198.S2.001 – OCEAN North Portfolio 1999 consists primarily of this type of visual material and is organized per project. Additionally, a few textual records describe some of the projects. There are two versions of a general presentation document in Pagemaker. Content from AP198.S2.002 – OCEAN North Press CD 2000 is organized into three sections: “about'OCEANnorth”, “OCEANnorth_Essays”, and “OCEANnorth_Projects”. This last directory is further organized by year and by project, each project having a text and an image sub-directory. Overall, there are 48 textual records describing the network, its vision and its projects, alongside more than 200 raster images. The Jyväskylä Music and Arts Centre competition entry was not included in this project selection. The following projects are documented in this series: - Töölö Football Stadium, an international architectural competition entry. See also Series 1 for more records on this project. - Jyväskylä Music and Arts Centre, an international architectural competition entry. See also Series 1 for more records on this project. - Extraterrains, a furniture design project. - Finnish Embassy in Canberra, an international architectural competition entry. - Habitare Pavilion (1996 and 1997), exhibitions installations. - Chamberworks, an architectural installation for an exhibition. - a-drift NYT Time Capsule, a competition entry for a time capsule for the New York Times. - Synthetic Landscape Pavilion and Phases 1, 2 and 3, a landscape design. - Sandefjord Hotel, preliminary design. - Landscraper, design study for an exhibition. - IntenCities, multidisciplinary installation project. - Barbican’s Valo exhibition design. - Constantini (sic) Museum, a building design for a competition. - Kyoto, a study of urban design. - Jeil’s Hospital, a building design. - Urban Surfaces exhibition. Source: Ateljié Sotamaa. “Portfolio.” Accessed February 2018, http://portfolio.sotamaa.net/ FRAC, “Catalog, OCEAN.” Accessed February 2018, http://www.archilab.org/public/2000/catalog/ocean/oceanen.htm OCEAN CN Consultancy Network, “Projects.” Accessed February 2018, http://ocean-cn.org/projects/
Personnes et institutions:
Date:
1997-2000
1997-2000
Titre:
OCEAN North reference files
Actions:
AP198.S2
Description:
Series consists of reference documentation in the form of portfolios of selected materials from various OCEAN North projects. It is likely that Kivi Sotamaa did not contribute to all of the included projects. For the most part, records are images of work done with CAD software: preliminary drawings; fully developed plans and renderings of buildings; landscapes; and installations. Images also include digitized photographs of models and installations. Content from AP198.S2.001 – OCEAN North Portfolio 1999 consists primarily of this type of visual material and is organized per project. Additionally, a few textual records describe some of the projects. There are two versions of a general presentation document in Pagemaker. Content from AP198.S2.002 – OCEAN North Press CD 2000 is organized into three sections: “about'OCEANnorth”, “OCEANnorth_Essays”, and “OCEANnorth_Projects”. This last directory is further organized by year and by project, each project having a text and an image sub-directory. Overall, there are 48 textual records describing the network, its vision and its projects, alongside more than 200 raster images. The Jyväskylä Music and Arts Centre competition entry was not included in this project selection. The following projects are documented in this series: - Töölö Football Stadium, an international architectural competition entry. See also Series 1 for more records on this project. - Jyväskylä Music and Arts Centre, an international architectural competition entry. See also Series 1 for more records on this project. - Extraterrains, a furniture design project. - Finnish Embassy in Canberra, an international architectural competition entry. - Habitare Pavilion (1996 and 1997), exhibitions installations. - Chamberworks, an architectural installation for an exhibition. - a-drift NYT Time Capsule, a competition entry for a time capsule for the New York Times. - Synthetic Landscape Pavilion and Phases 1, 2 and 3, a landscape design. - Sandefjord Hotel, preliminary design. - Landscraper, design study for an exhibition. - IntenCities, multidisciplinary installation project. - Barbican’s Valo exhibition design. - Constantini (sic) Museum, a building design for a competition. - Kyoto, a study of urban design. - Jeil’s Hospital, a building design. - Urban Surfaces exhibition. Source: Ateljié Sotamaa. “Portfolio.” Accessed February 2018, http://portfolio.sotamaa.net/ FRAC, “Catalog, OCEAN.” Accessed February 2018, http://www.archilab.org/public/2000/catalog/ocean/oceanen.htm OCEAN CN Consultancy Network, “Projects.” Accessed February 2018, http://ocean-cn.org/projects/
OCEAN North reference files
Actions:
AP198.S2
Description:
Series consists of reference documentation in the form of portfolios of selected materials from various OCEAN North projects. It is likely that Kivi Sotamaa did not contribute to all of the included projects. For the most part, records are images of work done with CAD software: preliminary drawings; fully developed plans and renderings of buildings; landscapes; and installations. Images also include digitized photographs of models and installations. Content from AP198.S2.001 – OCEAN North Portfolio 1999 consists primarily of this type of visual material and is organized per project. Additionally, a few textual records describe some of the projects. There are two versions of a general presentation document in Pagemaker. Content from AP198.S2.002 – OCEAN North Press CD 2000 is organized into three sections: “about'OCEANnorth”, “OCEANnorth_Essays”, and “OCEANnorth_Projects”. This last directory is further organized by year and by project, each project having a text and an image sub-directory. Overall, there are 48 textual records describing the network, its vision and its projects, alongside more than 200 raster images. The Jyväskylä Music and Arts Centre competition entry was not included in this project selection. The following projects are documented in this series: - Töölö Football Stadium, an international architectural competition entry. See also Series 1 for more records on this project. - Jyväskylä Music and Arts Centre, an international architectural competition entry. See also Series 1 for more records on this project. - Extraterrains, a furniture design project. - Finnish Embassy in Canberra, an international architectural competition entry. - Habitare Pavilion (1996 and 1997), exhibitions installations. - Chamberworks, an architectural installation for an exhibition. - a-drift NYT Time Capsule, a competition entry for a time capsule for the New York Times. - Synthetic Landscape Pavilion and Phases 1, 2 and 3, a landscape design. - Sandefjord Hotel, preliminary design. - Landscraper, design study for an exhibition. - IntenCities, multidisciplinary installation project. - Barbican’s Valo exhibition design. - Constantini (sic) Museum, a building design for a competition. - Kyoto, a study of urban design. - Jeil’s Hospital, a building design. - Urban Surfaces exhibition. Source: Ateljié Sotamaa. “Portfolio.” Accessed February 2018, http://portfolio.sotamaa.net/ FRAC, “Catalog, OCEAN.” Accessed February 2018, http://www.archilab.org/public/2000/catalog/ocean/oceanen.htm OCEAN CN Consultancy Network, “Projects.” Accessed February 2018, http://ocean-cn.org/projects/
Niveau de description archivistique:
Series
Series
Date:
1997-2000
1997-2000
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Nous tendons aujourd’hui à percevoir les banlieues comme informes, vacantes ou non durables, comparées à la densité sociale et à l’activité économique des villes. Sur les traces de… The Suburbs se penche sur la culture suburbaine des cinquante dernières années et présente des images tirées de la Collection du CCA, réalisés par des photographes à la fois attirés et rebutés(...)
Nous tendons aujourd’hui à percevoir les banlieues comme informes, vacantes ou non durables, comparées à la densité sociale et à l’activité économique des villes. Sur les traces de… The Suburbs se penche sur la culture suburbaine des cinquante dernières années et présente des images tirées de la Collection du CCA, réalisés par des photographes à la fois attirés et rebutés(...)
Localisation:
Vitrines
Vitrines
Date:
16 février 2012 au 10 juin 2012
16 février 2012 au 10 juin 2012
Titre:
Sur les traces de… The Suburbs
Actions:
Description:
Nous tendons aujourd’hui à percevoir les banlieues comme informes, vacantes ou non durables, comparées à la densité sociale et à l’activité économique des villes. Sur les traces de… The Suburbs se penche sur la culture suburbaine des cinquante dernières années et présente des images tirées de la Collection du CCA, réalisés par des photographes à la fois attirés et rebutés(...)
Sur les traces de… The Suburbs
Actions:
Description:
Nous tendons aujourd’hui à percevoir les banlieues comme informes, vacantes ou non durables, comparées à la densité sociale et à l’activité économique des villes. Sur les traces de… The Suburbs se penche sur la culture suburbaine des cinquante dernières années et présente des images tirées de la Collection du CCA, réalisés par des photographes à la fois attirés et rebutés(...)
Classification:
expositions
expositions
Date:
16 février 2012 au
10 juin 2012
16 février 2012 au
10 juin 2012
Localisation:
Vitrines
Vitrines
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Personnes et institutions:
Date:
1997-1998
1997-1998
Titre:
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry, Jyväskylä, Finland (1997)
Actions:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry, Jyväskylä, Finland (1997)
Actions:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Niveau de description archivistique:
Project
Project
Date:
1997-1998
1997-1998
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Personnes et institutions:
Date:
1997
1997
Titre:
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry
Actions:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry
Actions:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Niveau de description archivistique:
Project
Project
Date:
1997
1997
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Personnes et institutions:
Date:
2001-2016
2001-2016
Titre:
Documents d’archives de Preston Scott Cohen pour le projet Eyebeam
Actions:
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Documents d’archives de Preston Scott Cohen pour le projet Eyebeam
Actions:
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
2001-2016
2001-2016
Personnes et institutions:
Classification:
événements
événements
Titre:
L’enseignement de… Bombay
L’enseignement de… Bombay
Actions:
Description:
Rahul Mehrotra livre son interprétation de la situation propre à la ville de Bombay et de son statut de symbole de la culture urbaine émergente en Inde. La conférence fait le point sur Bombay, mégalopole de plus de13 millions d’habitants et s’attarde sur les deux entités distinctes occupant le même espace physique qui la caractérisent : d’une part, la ville dans ce(...)
Rahul Mehrotra livre son interprétation de la situation propre à la ville de Bombay et de son statut de symbole de la culture urbaine émergente en Inde. La conférence fait le point sur Bombay, mégalopole de plus de13 millions d’habitants et s’attarde sur les deux entités distinctes occupant le même espace physique qui la caractérisent : d’une part, la ville dans ce(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
9 avril 2009
9 avril 2009
Titre:
L’enseignement de… Bombay
Actions:
Description:
Rahul Mehrotra livre son interprétation de la situation propre à la ville de Bombay et de son statut de symbole de la culture urbaine émergente en Inde. La conférence fait le point sur Bombay, mégalopole de plus de13 millions d’habitants et s’attarde sur les deux entités distinctes occupant le même espace physique qui la caractérisent : d’une part, la ville dans ce(...)
L’enseignement de… Bombay
Actions:
Description:
Rahul Mehrotra livre son interprétation de la situation propre à la ville de Bombay et de son statut de symbole de la culture urbaine émergente en Inde. La conférence fait le point sur Bombay, mégalopole de plus de13 millions d’habitants et s’attarde sur les deux entités distinctes occupant le même espace physique qui la caractérisent : d’une part, la ville dans ce(...)
Classification:
événements
événements
Date:
9 avril 2009
9 avril 2009
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Projects
Projects
Numéro de référence:
AP194.S1
Description:
Series contains records associated with three OCEAN North projects to which Johan Bettum brought a significant insight: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (1997) and Töölö Football Stadium (1997). The collaborative process around these projects allowed exploring design methods through the usage of digital tools. In discussions with Greg Lynn, Johan Bettum and Kivi Sotamaa have expressed that they had broached Töölö as a landscape and Jyväskylä as a cloud. Particle streaming and Channelling Systems approaches were applied in these projects and further developed in the third phase of the Synthetic Landscape project and its Pavilion. The Synthetic Landscape project also featured usage of polymer composite materials. All records are born-digital, except for one 1995 drawing from the Synthetic Landscape project. Records include CAD models, raster and vector images, textual records and animated renderings from Channelling Systems studies. CAD models and drawings show design process of the projects, and range from the abstract (particle streaming) to very detailed plans (Jyväskylä). They were created using form*Z, Microstation, Alias, 3D Studio, AutoCAD and Rhinoceros. Some files were saved in IGES and DXF formats. Most CAD drawings have been saved as raster images. Drawings and models might have been saved in more than one file format. Digital textual records include project descriptions, presentations and reports, budgets and meeting notes, often created using the Microsoft Office software suite. Sources: Bettum, Johan and Michael Hensel. “Channelling Systems: Dynamic Processes and Digital Time-Based Methods in Urban Design.” AD Architectural Design 70, no.3 (June 2000): 36-43. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
AP194.S1
Description:
Series contains records associated with three OCEAN North projects to which Johan Bettum brought a significant insight: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (1997) and Töölö Football Stadium (1997). The collaborative process around these projects allowed exploring design methods through the usage of digital tools. In discussions with Greg Lynn, Johan Bettum and Kivi Sotamaa have expressed that they had broached Töölö as a landscape and Jyväskylä as a cloud. Particle streaming and Channelling Systems approaches were applied in these projects and further developed in the third phase of the Synthetic Landscape project and its Pavilion. The Synthetic Landscape project also featured usage of polymer composite materials. All records are born-digital, except for one 1995 drawing from the Synthetic Landscape project. Records include CAD models, raster and vector images, textual records and animated renderings from Channelling Systems studies. CAD models and drawings show design process of the projects, and range from the abstract (particle streaming) to very detailed plans (Jyväskylä). They were created using form*Z, Microstation, Alias, 3D Studio, AutoCAD and Rhinoceros. Some files were saved in IGES and DXF formats. Most CAD drawings have been saved as raster images. Drawings and models might have been saved in more than one file format. Digital textual records include project descriptions, presentations and reports, budgets and meeting notes, often created using the Microsoft Office software suite. Sources: Bettum, Johan and Michael Hensel. “Channelling Systems: Dynamic Processes and Digital Time-Based Methods in Urban Design.” AD Architectural Design 70, no.3 (June 2000): 36-43. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Personnes et institutions:
Date:
1995-2000
1995-2000
Titre:
Projects
Actions:
AP194.S1
Description:
Series contains records associated with three OCEAN North projects to which Johan Bettum brought a significant insight: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (1997) and Töölö Football Stadium (1997). The collaborative process around these projects allowed exploring design methods through the usage of digital tools. In discussions with Greg Lynn, Johan Bettum and Kivi Sotamaa have expressed that they had broached Töölö as a landscape and Jyväskylä as a cloud. Particle streaming and Channelling Systems approaches were applied in these projects and further developed in the third phase of the Synthetic Landscape project and its Pavilion. The Synthetic Landscape project also featured usage of polymer composite materials. All records are born-digital, except for one 1995 drawing from the Synthetic Landscape project. Records include CAD models, raster and vector images, textual records and animated renderings from Channelling Systems studies. CAD models and drawings show design process of the projects, and range from the abstract (particle streaming) to very detailed plans (Jyväskylä). They were created using form*Z, Microstation, Alias, 3D Studio, AutoCAD and Rhinoceros. Some files were saved in IGES and DXF formats. Most CAD drawings have been saved as raster images. Drawings and models might have been saved in more than one file format. Digital textual records include project descriptions, presentations and reports, budgets and meeting notes, often created using the Microsoft Office software suite. Sources: Bettum, Johan and Michael Hensel. “Channelling Systems: Dynamic Processes and Digital Time-Based Methods in Urban Design.” AD Architectural Design 70, no.3 (June 2000): 36-43. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Projects
Actions:
AP194.S1
Description:
Series contains records associated with three OCEAN North projects to which Johan Bettum brought a significant insight: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (1997) and Töölö Football Stadium (1997). The collaborative process around these projects allowed exploring design methods through the usage of digital tools. In discussions with Greg Lynn, Johan Bettum and Kivi Sotamaa have expressed that they had broached Töölö as a landscape and Jyväskylä as a cloud. Particle streaming and Channelling Systems approaches were applied in these projects and further developed in the third phase of the Synthetic Landscape project and its Pavilion. The Synthetic Landscape project also featured usage of polymer composite materials. All records are born-digital, except for one 1995 drawing from the Synthetic Landscape project. Records include CAD models, raster and vector images, textual records and animated renderings from Channelling Systems studies. CAD models and drawings show design process of the projects, and range from the abstract (particle streaming) to very detailed plans (Jyväskylä). They were created using form*Z, Microstation, Alias, 3D Studio, AutoCAD and Rhinoceros. Some files were saved in IGES and DXF formats. Most CAD drawings have been saved as raster images. Drawings and models might have been saved in more than one file format. Digital textual records include project descriptions, presentations and reports, budgets and meeting notes, often created using the Microsoft Office software suite. Sources: Bettum, Johan and Michael Hensel. “Channelling Systems: Dynamic Processes and Digital Time-Based Methods in Urban Design.” AD Architectural Design 70, no.3 (June 2000): 36-43. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Niveau de description archivistique:
Series
Series
Date:
1995-2000
1995-2000
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Bernard Cache fonds
Bernard Cache fonds
Numéro de référence:
AP169
Résumé:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
AP169
Résumé:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
Personnes et institutions:
Date:
1992-2011
1992-2011
Titre:
Bernard Cache fonds
Actions:
AP169
Résumé:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
Bernard Cache fonds
Actions:
AP169
Résumé:
Bernard Cache, fonds, 1991-2011, document the development and design process for the Objectile firm and its decorative panels and furniture. The records focus mostly on daily activities of the firm, the collaboration of principal Bernard Cache with TopSolid software, and his parallel academic work. The records consist solely of original born-digital material.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1992-2011
1992-2011
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Kenneth Frampton
Fonds Kenneth Frampton
Numéro de référence:
AP197
Résumé:
The Kenneth Frampton fonds, 1958-2016, documents the professional career of Kenneth Frampton – British architect, historian, theorist, and Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP) at Columbia University. Materials in the fonds consist of approximately 28.37 l.m. of textual records, 3966 photographs and prints, 3168 postcards, 2733 slides, 824 drawings (including reprographic copies), 470 negatives, 151 35 mm negatives, 105 posters, 30 objects, 23 audio cassettes, 18 VHS tapes, 15 transparencies, 3 tape reels, 2 microfilms, and 2 vinyl records.
AP197
Résumé:
The Kenneth Frampton fonds, 1958-2016, documents the professional career of Kenneth Frampton – British architect, historian, theorist, and Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP) at Columbia University. Materials in the fonds consist of approximately 28.37 l.m. of textual records, 3966 photographs and prints, 3168 postcards, 2733 slides, 824 drawings (including reprographic copies), 470 negatives, 151 35 mm negatives, 105 posters, 30 objects, 23 audio cassettes, 18 VHS tapes, 15 transparencies, 3 tape reels, 2 microfilms, and 2 vinyl records.
Personnes et institutions:
Date:
1958-2016
1958-2016
Titre:
Fonds Kenneth Frampton
Actions:
AP197
Résumé:
The Kenneth Frampton fonds, 1958-2016, documents the professional career of Kenneth Frampton – British architect, historian, theorist, and Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP) at Columbia University. Materials in the fonds consist of approximately 28.37 l.m. of textual records, 3966 photographs and prints, 3168 postcards, 2733 slides, 824 drawings (including reprographic copies), 470 negatives, 151 35 mm negatives, 105 posters, 30 objects, 23 audio cassettes, 18 VHS tapes, 15 transparencies, 3 tape reels, 2 microfilms, and 2 vinyl records.
Fonds Kenneth Frampton
Actions:
AP197
Résumé:
The Kenneth Frampton fonds, 1958-2016, documents the professional career of Kenneth Frampton – British architect, historian, theorist, and Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP) at Columbia University. Materials in the fonds consist of approximately 28.37 l.m. of textual records, 3966 photographs and prints, 3168 postcards, 2733 slides, 824 drawings (including reprographic copies), 470 negatives, 151 35 mm negatives, 105 posters, 30 objects, 23 audio cassettes, 18 VHS tapes, 15 transparencies, 3 tape reels, 2 microfilms, and 2 vinyl records.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1958-2016
1958-2016
Personnes et institutions:
