documents textuels
AP197.S1.SS9.015
Description:
The box contains drafts, final copies, correspondence and notes for various articles, book projects, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from I-K. The largest portion of this box consists of: drafts and transcripts of interviews with Kenneth Frampton; drafts, articles, correspondence and research materials for an unpublished book project on Japanese Building Practices/Japanese Contemporary Architecture; correspondence and drafts for the Jerusalem Seminar in Architecture; and correspondence and notes for a Panos Koulermos book project. Other subjects and architects explored in these texts include Arata Isozaki, Kritsin Jaramund, Michael Kagan, Louis Kahn, Rem Koolhaas, Kengo Kuma, and Kisho Kurakawa.
1985-2016
Kenneth Frampton writings (I-K)
Actions:
AP197.S1.SS9.015
Description:
The box contains drafts, final copies, correspondence and notes for various articles, book projects, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from I-K. The largest portion of this box consists of: drafts and transcripts of interviews with Kenneth Frampton; drafts, articles, correspondence and research materials for an unpublished book project on Japanese Building Practices/Japanese Contemporary Architecture; correspondence and drafts for the Jerusalem Seminar in Architecture; and correspondence and notes for a Panos Koulermos book project. Other subjects and architects explored in these texts include Arata Isozaki, Kritsin Jaramund, Michael Kagan, Louis Kahn, Rem Koolhaas, Kengo Kuma, and Kisho Kurakawa.
documents textuels
1985-2016
documents textuels
ARCH277013
Description:
"24 Sketches by Scott L. Danielson," with an inscription by the artist to Arthur Erickson and a reference book on plants with an inscription and note from a friend of Erickson's.
1971-1976
A selection of prints
Actions:
ARCH277013
Description:
"24 Sketches by Scott L. Danielson," with an inscription by the artist to Arthur Erickson and a reference book on plants with an inscription and note from a friend of Erickson's.
documents textuels
1971-1976
documents textuels
AP140.S2.SS1.D11.P4
Description:
six-page article on the house in East Cowes from an unidentified journal or book, with Italian and English text, and includes clippings from another copy of the same article
1956 or after
Six-page article on the house in East Cowes from an unidentified journal or book
Actions:
AP140.S2.SS1.D11.P4
Description:
six-page article on the house in East Cowes from an unidentified journal or book, with Italian and English text, and includes clippings from another copy of the same article
documents textuels
1956 or after
livres
PH2006:0247
Description:
Inscription by Roberto Matta (?) on front pastedown and page 121. Annotations and underlining throughout first half of the book, particularly on pages 35-37 in pencil in French in another hand.
published 1954
De Van Eyck a Bruegels: La peinture dans les anciens pay-bas
Actions:
PH2006:0247
Description:
Inscription by Roberto Matta (?) on front pastedown and page 121. Annotations and underlining throughout first half of the book, particularly on pages 35-37 in pencil in French in another hand.
livres
published 1954
dessins
AP046.S1.1983.PR01.028
Description:
This file contains a study by Erik Marosi, office of Peter Rose for the scholar's wing of the CCA. This study appears in the book "Canadian Centre for Architecture: Building and Gardens".
1984
Study for the scholar's wing, Canadian Centre for Architecture, Montréal, Québec
Actions:
AP046.S1.1983.PR01.028
Description:
This file contains a study by Erik Marosi, office of Peter Rose for the scholar's wing of the CCA. This study appears in the book "Canadian Centre for Architecture: Building and Gardens".
dessins
1984
Projet
The Silent Witnesses
AP145.S2.D36
Description:
File documents a project for several houses. The project was an architectural representation of the Twentieth Century through the eyes of five French novelists. Material in this file was produced between 1974 and 1980. File contains conceptual drawings, presentation drawings, a presentation model, and a book.
[1974]-1980
The Silent Witnesses
Actions:
AP145.S2.D36
Description:
File documents a project for several houses. The project was an architectural representation of the Twentieth Century through the eyes of five French novelists. Material in this file was produced between 1974 and 1980. File contains conceptual drawings, presentation drawings, a presentation model, and a book.
File 36
[1974]-1980
PH1992:0046.01:001-026
Description:
Group consists of a book containing 26 black and white photographic prints of views of the Hirshhorn Museum Sculture Garden in Washington, District of Columbia, United States. Volume 1 of 2, published by Haywire Press.
1975-1977
Views of the Hirshhorn Museum Sculpture Garden, Washington, D.C.
Actions:
PH1992:0046.01:001-026
Description:
Group consists of a book containing 26 black and white photographic prints of views of the Hirshhorn Museum Sculture Garden in Washington, District of Columbia, United States. Volume 1 of 2, published by Haywire Press.
PH1979:0508
Description:
This album depicts photographs, plans, sketches of Stonehenge and texts. Preface is signed by Sir Henry James, 29th May 1867, Southhampton. Album has appendix and List of Books inserted at the end. "Col. Sir Henry James, Director-General of the Ordnance Survey, was a strong believer that photography had to be utilized as a major tool for mapping and survey work and he employed the Royal Engineers for that purpose. Colonel James appears in several of the Stonehenge photographs published by the Ordnance Survey. [...] Stonehenge is the world's most famous, large megalithic stone circle and is usually designated as a site used for religious worship in Neolithic Britain. However, the first use of this locality for documented ritual activity goes back to the Mesolithic and the erection of several large totem poles perhaps as early as 8,000 BC (Stonehenge O). Lunar observations preceded the construction of a causeway c.3200 BC, followed by an earth circle and Heel Stones c.3100 BC (Stonehenge 1a) and the Aubrey Holes (Stonehenge 1b). The Stonehenge site was then abandoned for about 1,000 years when large bluestones quarried in Wales were brought to the site and made into the Double Bluestone Circle with Avenue. 2150 BC (Stonehenge II). Soon thereafter sarsen stones were brought in from Avebury to build the great Sarsen Circle and Trilithon Horseshoe, 2100 BC (Stonehenge IIIz). Bluestones were brought back and added as the Bluestone Circle and Bluestone Horseshoe to the sarsen monument, 1800 BC (Stonehenge IIId). The sacred avenue was extended to the River Avon, 1100 BC (Stonehenge IV), the last phase of megalithic construction at this site. Note that the great stone circle and all construction at the Stonehenge site was completed several hundred years before we can postulate Celtic druids in the vicinity. We can only mention in passing that Stonehenge was embedded within a large ritual complex, where several of the ten megalithic constructions were also monumental in scale. Integration between these structures may not have been well planned in advance, but assuredly was articulated as each was built." Neolithic Britian Online.
sculpture, topographique
1867
Plans and Photographs of Stonehenge, and of Turusachan in the Island of Lewis; with Notes Relating to the Druids and Sketches of Cromlechs in Ireland
Actions:
PH1979:0508
Description:
This album depicts photographs, plans, sketches of Stonehenge and texts. Preface is signed by Sir Henry James, 29th May 1867, Southhampton. Album has appendix and List of Books inserted at the end. "Col. Sir Henry James, Director-General of the Ordnance Survey, was a strong believer that photography had to be utilized as a major tool for mapping and survey work and he employed the Royal Engineers for that purpose. Colonel James appears in several of the Stonehenge photographs published by the Ordnance Survey. [...] Stonehenge is the world's most famous, large megalithic stone circle and is usually designated as a site used for religious worship in Neolithic Britain. However, the first use of this locality for documented ritual activity goes back to the Mesolithic and the erection of several large totem poles perhaps as early as 8,000 BC (Stonehenge O). Lunar observations preceded the construction of a causeway c.3200 BC, followed by an earth circle and Heel Stones c.3100 BC (Stonehenge 1a) and the Aubrey Holes (Stonehenge 1b). The Stonehenge site was then abandoned for about 1,000 years when large bluestones quarried in Wales were brought to the site and made into the Double Bluestone Circle with Avenue. 2150 BC (Stonehenge II). Soon thereafter sarsen stones were brought in from Avebury to build the great Sarsen Circle and Trilithon Horseshoe, 2100 BC (Stonehenge IIIz). Bluestones were brought back and added as the Bluestone Circle and Bluestone Horseshoe to the sarsen monument, 1800 BC (Stonehenge IIId). The sacred avenue was extended to the River Avon, 1100 BC (Stonehenge IV), the last phase of megalithic construction at this site. Note that the great stone circle and all construction at the Stonehenge site was completed several hundred years before we can postulate Celtic druids in the vicinity. We can only mention in passing that Stonehenge was embedded within a large ritual complex, where several of the ten megalithic constructions were also monumental in scale. Integration between these structures may not have been well planned in advance, but assuredly was articulated as each was built." Neolithic Britian Online.
1867
sculpture, topographique
maquettes
Cinquecento Crucifix, 1972
DR2007:0008
Description:
Crucifix-shaped collage/construction, approx. 10'' x 18'' x 1/4'', completed in Florence in 1972; gold metallic card stock with paint, cut-outs from child's book, and Fiat 500decal.
1972
Cinquecento Crucifix, 1972
Actions:
DR2007:0008
Description:
Crucifix-shaped collage/construction, approx. 10'' x 18'' x 1/4'', completed in Florence in 1972; gold metallic card stock with paint, cut-outs from child's book, and Fiat 500decal.
maquettes
1972
Sous-série
AP156.S6.SS7.D4
Description:
Le dossier documente le projet de livre "Chandigarh: Histoire d'une ville" par Jacqueline Jeanneret. Le matériel dans ce dossier a été produit entre 1982 et 1986. Le dossier contient des documents textuels. File documents the book project "Chandigarh: Histoire d'une ville" by Jacqueline Jeanneret. The material in this file was produced between 1982 and 1986. The file contains textual records.
1982-1986
Projet de livre « Chandigarh: Histoire d'une ville » = Book project "Chandigarh: Histoire d'une ville"
Actions:
AP156.S6.SS7.D4
Description:
Le dossier documente le projet de livre "Chandigarh: Histoire d'une ville" par Jacqueline Jeanneret. Le matériel dans ce dossier a été produit entre 1982 et 1986. Le dossier contient des documents textuels. File documents the book project "Chandigarh: Histoire d'une ville" by Jacqueline Jeanneret. The material in this file was produced between 1982 and 1986. The file contains textual records.
Dossier 4
1982-1986