526 Résultats
Classification:
périodiques
périodiques
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This issue presents a critique of the normative violence of gender in the specific context of indoor architectures. It engages a dialogue between trans perspectives on public bathrooms or the capitalist workplace, the demagogic blindspot of femonationalism when violence against women is deployed in domestic spaces, the clandestine alternatives to white “gayborhoods” for(...)
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This issue presents a critique of the normative violence of gender in the specific context of indoor architectures. It engages a dialogue between trans perspectives on public bathrooms or the capitalist workplace, the demagogic blindspot of femonationalism when violence against women is deployed in domestic spaces, the clandestine alternatives to white “gayborhoods” for(...)
Titre:
The Funambulist 13: Queers, feminists and interiors
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This issue presents a critique of the normative violence of gender in the specific context of indoor architectures. It engages a dialogue between trans perspectives on public bathrooms or the capitalist workplace, the demagogic blindspot of femonationalism when violence against women is deployed in domestic spaces, the clandestine alternatives to white “gayborhoods” for queer Arabs in France, the impossibility for young Hong Kong lesbians or, to an even higher degree, female migrant domestic workers to access “a room of one’s own”, the violence of the norm in the design of all rooms and furniture, or the far-from-neutral space of the coming out. The non-topical part of the issue also presents articles on the demilitarization struggle in Hawai’i, the Moroccan political movement of the Hirak in the Rif, and life as a Dane of color in stigmatized and gentrifying neighborhoods.
The Funambulist 13: Queers, feminists and interiors
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This issue presents a critique of the normative violence of gender in the specific context of indoor architectures. It engages a dialogue between trans perspectives on public bathrooms or the capitalist workplace, the demagogic blindspot of femonationalism when violence against women is deployed in domestic spaces, the clandestine alternatives to white “gayborhoods” for queer Arabs in France, the impossibility for young Hong Kong lesbians or, to an even higher degree, female migrant domestic workers to access “a room of one’s own”, the violence of the norm in the design of all rooms and furniture, or the far-from-neutral space of the coming out. The non-topical part of the issue also presents articles on the demilitarization struggle in Hawai’i, the Moroccan political movement of the Hirak in the Rif, and life as a Dane of color in stigmatized and gentrifying neighborhoods.
Classification:
périodiques
périodiques
Publication:
septembre 2017
septembre 2017
Sujet:
Revues
Revues
Classification:
livres
livres
Titre:
Amy Cutler: Turtle fur
Amy Cutler: Turtle fur
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$66.00
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Polite ladies in Victorian costume dancing on tabletops with chairs worn like hats on their heads; young girls with little foals strapped to their backs; a team of women dutifully mending docile tigers with needle and thread--all of these surreal antics depicted on a bare white ground--this is the jauntily disturbing imagery of Amy Cutler. Cutler's gouaches and drawings(...)
$66.00
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Polite ladies in Victorian costume dancing on tabletops with chairs worn like hats on their heads; young girls with little foals strapped to their backs; a team of women dutifully mending docile tigers with needle and thread--all of these surreal antics depicted on a bare white ground--this is the jauntily disturbing imagery of Amy Cutler. Cutler's gouaches and drawings(...)
Titre:
Amy Cutler: Turtle fur
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$66.00
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Polite ladies in Victorian costume dancing on tabletops with chairs worn like hats on their heads; young girls with little foals strapped to their backs; a team of women dutifully mending docile tigers with needle and thread--all of these surreal antics depicted on a bare white ground--this is the jauntily disturbing imagery of Amy Cutler. Cutler's gouaches and drawings on paper have won fans and collectors worldwide, and their winning amalgam of rich imagination and skillful execution, which together update lineages as various as Persian miniature painting, Surrealism, children's fairytale books and Japanese woodblock printing, offers satisfactions rarely found in contemporary art.This volume, published for the artist's 2011 exhibition at SITE Sante Fe, is Cutler's second monograph , and draws from private and public collections to offer a thorough survey of her work from the late 1990s to the present.
Amy Cutler: Turtle fur
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Polite ladies in Victorian costume dancing on tabletops with chairs worn like hats on their heads; young girls with little foals strapped to their backs; a team of women dutifully mending docile tigers with needle and thread--all of these surreal antics depicted on a bare white ground--this is the jauntily disturbing imagery of Amy Cutler. Cutler's gouaches and drawings on paper have won fans and collectors worldwide, and their winning amalgam of rich imagination and skillful execution, which together update lineages as various as Persian miniature painting, Surrealism, children's fairytale books and Japanese woodblock printing, offers satisfactions rarely found in contemporary art.This volume, published for the artist's 2011 exhibition at SITE Sante Fe, is Cutler's second monograph , and draws from private and public collections to offer a thorough survey of her work from the late 1990s to the present.
Classification:
livres
livres
Publication:
mai 2011
mai 2011
Classification:
archives
archives
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Exemplaires:
Description:
13 boxes (approximately 16 linear ft.)
Description:
13 boxes (approximately 16 linear ft.)
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Titre:
C. Donald Cook Frank Lloyd Wright collection : archival material, 1940-1990.
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Exemplaires:
Description:
13 boxes (approximately 16 linear ft.)
C. Donald Cook Frank Lloyd Wright collection : archival material, 1940-1990.
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Exemplaires:
Description:
13 boxes (approximately 16 linear ft.)
Classification:
archives
archives
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livres
livres
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EUROPAN, founded in 1989, and supported by thirteen countries in the European Union, runs a competition every two years and invites young architects to submit innovative and experimental models in urban development. The 2019 EUROPAN competition focused on the topic productive cities and involved more than nine hundred planning teams from all over Europe, who prepared(...)
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EUROPAN, founded in 1989, and supported by thirteen countries in the European Union, runs a competition every two years and invites young architects to submit innovative and experimental models in urban development. The 2019 EUROPAN competition focused on the topic productive cities and involved more than nine hundred planning teams from all over Europe, who prepared(...)
Titre:
Europan 15: Austria, productive cities 2. Resources, mobility, equity
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$40.00
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EUROPAN, founded in 1989, and supported by thirteen countries in the European Union, runs a competition every two years and invites young architects to submit innovative and experimental models in urban development. The 2019 EUROPAN competition focused on the topic productive cities and involved more than nine hundred planning teams from all over Europe, who prepared proposals for forty-seven towns. This book features the twelve winning submissions to the 2019 edition for the Austrian cities Graz, Innsbruck, Villach, Weiz, and Vienna. They are presented in impeccable detail through photos, drawings, and visualizations, along textual commentary. The projects focus on architectural and urban planning interventions and processes. They offer innovative concepts for the use of public space, models for cross-functional use of space, and holistic solutions for sustainable construction. Taken as a whole, the book is a rich source of trendsetting ideas about our future cities and the development of a new urban lifestyle.
Europan 15: Austria, productive cities 2. Resources, mobility, equity
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Prix:
$40.00
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Résumé:
EUROPAN, founded in 1989, and supported by thirteen countries in the European Union, runs a competition every two years and invites young architects to submit innovative and experimental models in urban development. The 2019 EUROPAN competition focused on the topic productive cities and involved more than nine hundred planning teams from all over Europe, who prepared proposals for forty-seven towns. This book features the twelve winning submissions to the 2019 edition for the Austrian cities Graz, Innsbruck, Villach, Weiz, and Vienna. They are presented in impeccable detail through photos, drawings, and visualizations, along textual commentary. The projects focus on architectural and urban planning interventions and processes. They offer innovative concepts for the use of public space, models for cross-functional use of space, and holistic solutions for sustainable construction. Taken as a whole, the book is a rich source of trendsetting ideas about our future cities and the development of a new urban lifestyle.
Classification:
livres
livres
Publication:
février 2021
février 2021
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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In 2017, the Whitney Biennial included a painting by a white artist, Dana Schutz, of the lynched body of a young black child, Emmett Till. In 1979, anger brewed over a show at New York’s Artists Space entitled The Nigger Drawings. In 1969, the Metropolitan Museum of Art’s exhibition Harlem on My Mind did not include a single work by a black artist. In all three cases,(...)
$27.95
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In 2017, the Whitney Biennial included a painting by a white artist, Dana Schutz, of the lynched body of a young black child, Emmett Till. In 1979, anger brewed over a show at New York’s Artists Space entitled The Nigger Drawings. In 1969, the Metropolitan Museum of Art’s exhibition Harlem on My Mind did not include a single work by a black artist. In all three cases,(...)
Titre:
Whitewalling: art, race, & protest in 3 acts
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Prix:
$27.95
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Résumé:
In 2017, the Whitney Biennial included a painting by a white artist, Dana Schutz, of the lynched body of a young black child, Emmett Till. In 1979, anger brewed over a show at New York’s Artists Space entitled The Nigger Drawings. In 1969, the Metropolitan Museum of Art’s exhibition Harlem on My Mind did not include a single work by a black artist. In all three cases, black artists and writers and their allies organized vigorous responses using the only forum available to them: public protest. "Whitewalling: Art, Race & Protest in 3 Acts" reflects on these three incidents in the long and troubled history of art and race in America. It lays bare how the art world - no less than the country at large - has persistently struggled with the politics of race, and the ways this struggle has influenced how museums, curators and artists wrestle with notions of free speech and the specter of censorship.
Whitewalling: art, race, & protest in 3 acts
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Prix:
$27.95
(disponible sur commande)
Résumé:
In 2017, the Whitney Biennial included a painting by a white artist, Dana Schutz, of the lynched body of a young black child, Emmett Till. In 1979, anger brewed over a show at New York’s Artists Space entitled The Nigger Drawings. In 1969, the Metropolitan Museum of Art’s exhibition Harlem on My Mind did not include a single work by a black artist. In all three cases, black artists and writers and their allies organized vigorous responses using the only forum available to them: public protest. "Whitewalling: Art, Race & Protest in 3 Acts" reflects on these three incidents in the long and troubled history of art and race in America. It lays bare how the art world - no less than the country at large - has persistently struggled with the politics of race, and the ways this struggle has influenced how museums, curators and artists wrestle with notions of free speech and the specter of censorship.
Classification:
livres
livres
Publication:
mai 2018
mai 2018
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Sou Fujimoto: sketchbook
Sou Fujimoto: sketchbook
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$50.00
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The works of Sou Fujimoto resist any form of conventional categorization. This young Japanese architect stands for unconventional buildings that cannot be described by standard criteria and definitions such as inside/outside or public/private. Clear divisions such as between floor levels and rooms are shattered by his complex ground plans and interlocking structures(...)
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The works of Sou Fujimoto resist any form of conventional categorization. This young Japanese architect stands for unconventional buildings that cannot be described by standard criteria and definitions such as inside/outside or public/private. Clear divisions such as between floor levels and rooms are shattered by his complex ground plans and interlocking structures(...)
Titre:
Sou Fujimoto: sketchbook
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Prix:
$50.00
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Résumé:
The works of Sou Fujimoto resist any form of conventional categorization. This young Japanese architect stands for unconventional buildings that cannot be described by standard criteria and definitions such as inside/outside or public/private. Clear divisions such as between floor levels and rooms are shattered by his complex ground plans and interlocking structures which—in a reference to the idea of the cave—he describes as “Primitive Future.” With this approach he creates forms that are committed to a playful interaction between user and space. Alongside private residences, such as the well-known N House, his library for Musashino Art University has achieved particular recognition. In addition he was represented at the 2010 Venice Biennale with a design for a house. In his personal sketchbook Sou Fujimoto offers insights into his design process. Through the sketches, drawings, and notes readers can trace how his complex concepts are made manifest and develop on paper.
Sou Fujimoto: sketchbook
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Prix:
$50.00
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Résumé:
The works of Sou Fujimoto resist any form of conventional categorization. This young Japanese architect stands for unconventional buildings that cannot be described by standard criteria and definitions such as inside/outside or public/private. Clear divisions such as between floor levels and rooms are shattered by his complex ground plans and interlocking structures which—in a reference to the idea of the cave—he describes as “Primitive Future.” With this approach he creates forms that are committed to a playful interaction between user and space. Alongside private residences, such as the well-known N House, his library for Musashino Art University has achieved particular recognition. In addition he was represented at the 2010 Venice Biennale with a design for a house. In his personal sketchbook Sou Fujimoto offers insights into his design process. Through the sketches, drawings, and notes readers can trace how his complex concepts are made manifest and develop on paper.
Classification:
livres
livres
Publication:
novembre 2012
novembre 2012
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$50.00
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In the early 1950s, many in the architectural profession turned their gaze towards India, where an ideal modern city seemed to be becoming a reality. When Le Corbusier and his team started work in February 1951 in Chandigarh, American planner Albert Mayer and his young principal architect Matthew Nowicki had already completed a land development plan for the site. The(...)
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Résumé:
In the early 1950s, many in the architectural profession turned their gaze towards India, where an ideal modern city seemed to be becoming a reality. When Le Corbusier and his team started work in February 1951 in Chandigarh, American planner Albert Mayer and his young principal architect Matthew Nowicki had already completed a land development plan for the site. The(...)
Titre:
Chandigarh: Living with Le Corbusier
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$50.00
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Résumé:
In the early 1950s, many in the architectural profession turned their gaze towards India, where an ideal modern city seemed to be becoming a reality. When Le Corbusier and his team started work in February 1951 in Chandigarh, American planner Albert Mayer and his young principal architect Matthew Nowicki had already completed a land development plan for the site. The challenge Le Corbusier then faced was to demonstrate how a city designed from the drawing board could feel humane, functional and viable once built. Once the home of public officials, Chandigarh has become a vibrant garden city and a magnet for the booming Indian software industry. Attracted to the idea of a possible dialogue and contradiction between European architecture and Indian lifestyle, German ethnographer Bärbel Högner began photographing the city. Chandigarh: Living with Le Corbusier surveys Le Courbusier's contribution to India's first planned city, while simultaneously revealing Högner's passionate interest and impeccable eye for architectural detail.
Chandigarh: Living with Le Corbusier
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Prix:
$50.00
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Résumé:
In the early 1950s, many in the architectural profession turned their gaze towards India, where an ideal modern city seemed to be becoming a reality. When Le Corbusier and his team started work in February 1951 in Chandigarh, American planner Albert Mayer and his young principal architect Matthew Nowicki had already completed a land development plan for the site. The challenge Le Corbusier then faced was to demonstrate how a city designed from the drawing board could feel humane, functional and viable once built. Once the home of public officials, Chandigarh has become a vibrant garden city and a magnet for the booming Indian software industry. Attracted to the idea of a possible dialogue and contradiction between European architecture and Indian lifestyle, German ethnographer Bärbel Högner began photographing the city. Chandigarh: Living with Le Corbusier surveys Le Courbusier's contribution to India's first planned city, while simultaneously revealing Högner's passionate interest and impeccable eye for architectural detail.
Classification:
livres
livres
Publication:
mai 2011
mai 2011
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$49.95
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Born into a large French-Canadian family in 1926, Mariette Rousseau embraced her passion for creative expression through wool and weaving at an early age. She studied art and weaving at l'École des beaux-arts in Quebec City and then worked at the California studio of ground-breaking American textile designer Dorothy Liebes. Back in Canada after an art-inspired trip to(...)
$49.95
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Born into a large French-Canadian family in 1926, Mariette Rousseau embraced her passion for creative expression through wool and weaving at an early age. She studied art and weaving at l'École des beaux-arts in Quebec City and then worked at the California studio of ground-breaking American textile designer Dorothy Liebes. Back in Canada after an art-inspired trip to(...)
Titre:
Weaving modernist art: The life and work of Mariette Rousseau-Vermette
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Born into a large French-Canadian family in 1926, Mariette Rousseau embraced her passion for creative expression through wool and weaving at an early age. She studied art and weaving at l'École des beaux-arts in Quebec City and then worked at the California studio of ground-breaking American textile designer Dorothy Liebes. Back in Canada after an art-inspired trip to Europe, she and her husband, artist and ceramist Claude Vermette, joined the growing movement of young French-Canadian artists in their embrace of abstraction and new forms of art and their rejection of the conservatism of Maurice Duplessis' mid-century Quebec. By the early 1960s, Rousseau-Vermette had forged collaborations with fellow artists, designers and architects with like ideas about public art. Over the next 40 years, she scaled the heights of her profession, weaving hundreds of radiant large-scale tapestries that complemented the cool interiors of modern architecture. She exhibited across Canada and internationally and attracted prestigious commissions from the private and public sectors, including commissions for theater curtains at the National Arts Centre, Ottawa and the Kennedy Center in Washington, DC. Yet three years after Rousseau-Vermette's death in 2006, Newlands discovered there wasn't a single book that told her story as a pioneer of modernist tapestry and one of Canada's most prolific and influential artist-weavers.
Weaving modernist art: The life and work of Mariette Rousseau-Vermette
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Prix:
$49.95
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Résumé:
Born into a large French-Canadian family in 1926, Mariette Rousseau embraced her passion for creative expression through wool and weaving at an early age. She studied art and weaving at l'École des beaux-arts in Quebec City and then worked at the California studio of ground-breaking American textile designer Dorothy Liebes. Back in Canada after an art-inspired trip to Europe, she and her husband, artist and ceramist Claude Vermette, joined the growing movement of young French-Canadian artists in their embrace of abstraction and new forms of art and their rejection of the conservatism of Maurice Duplessis' mid-century Quebec. By the early 1960s, Rousseau-Vermette had forged collaborations with fellow artists, designers and architects with like ideas about public art. Over the next 40 years, she scaled the heights of her profession, weaving hundreds of radiant large-scale tapestries that complemented the cool interiors of modern architecture. She exhibited across Canada and internationally and attracted prestigious commissions from the private and public sectors, including commissions for theater curtains at the National Arts Centre, Ottawa and the Kennedy Center in Washington, DC. Yet three years after Rousseau-Vermette's death in 2006, Newlands discovered there wasn't a single book that told her story as a pioneer of modernist tapestry and one of Canada's most prolific and influential artist-weavers.
Classification:
livres
livres
Publication:
mars 2023
mars 2023
Sujet:
Expositions en cours
Expositions en cours
Classification:
livres
livres
Prix:
$75.00
(disponible sur commande)
Résumé:
Designers and advertisers continually have to interpret design briefs, produce new solutions to familiar problems and work to keep their clients’ brands high in the public consciousness. This highly informative guide brings together for the first time discussions and case studies that illustrate the working methods of major advertising and graphic design firms. Each(...)
$75.00
(disponible sur commande)
Résumé:
Designers and advertisers continually have to interpret design briefs, produce new solutions to familiar problems and work to keep their clients’ brands high in the public consciousness. This highly informative guide brings together for the first time discussions and case studies that illustrate the working methods of major advertising and graphic design firms. Each(...)
Titre:
Problem solved : a primer in design and communication
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Prix:
$75.00
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Designers and advertisers continually have to interpret design briefs, produce new solutions to familiar problems and work to keep their clients’ brands high in the public consciousness. This highly informative guide brings together for the first time discussions and case studies that illustrate the working methods of major advertising and graphic design firms. Each chapter explores a different theme of ‘problem solving’, and concludes with a case study to illustrate a particular solution in detail. Themes include: producing innovative work, avoiding repetition, standing out in the market place, reinventing a tired brand, communicating essential facts in a culture of information overload, keeping a brand young and trendy, dealing sensitively with propaganda, the use of shock tactics, and word-based advertising in a world over-run with images and sound-bites. Examples featured are taken from classic and contemporary international advertising. Designers and agencies whose work is discussed in the book include Chermayeff and Geismar, Saatchi and Saatchi, BMP, Minale Tattersfield, Derek Birdsall, Niklaus Troxler, Bob Gill, Wieslan Walkuski, Makoto Saito, Paul Fishlock, and Pentagram.
Problem solved : a primer in design and communication
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Prix:
$75.00
(disponible sur commande)
Résumé:
Designers and advertisers continually have to interpret design briefs, produce new solutions to familiar problems and work to keep their clients’ brands high in the public consciousness. This highly informative guide brings together for the first time discussions and case studies that illustrate the working methods of major advertising and graphic design firms. Each chapter explores a different theme of ‘problem solving’, and concludes with a case study to illustrate a particular solution in detail. Themes include: producing innovative work, avoiding repetition, standing out in the market place, reinventing a tired brand, communicating essential facts in a culture of information overload, keeping a brand young and trendy, dealing sensitively with propaganda, the use of shock tactics, and word-based advertising in a world over-run with images and sound-bites. Examples featured are taken from classic and contemporary international advertising. Designers and agencies whose work is discussed in the book include Chermayeff and Geismar, Saatchi and Saatchi, BMP, Minale Tattersfield, Derek Birdsall, Niklaus Troxler, Bob Gill, Wieslan Walkuski, Makoto Saito, Paul Fishlock, and Pentagram.
Classification:
livres
livres
Publication:
octobre 2002, London
octobre 2002, London
Classification:
livres
livres
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$31.50
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Résumé:
With the advent of urbanization in the early modern period, the material worlds of children were vastly altered. In industrialized democracies, a broad consensus developed that children should not work, but rather learn and play in settings designed and built with these specific purposes in mind. Unregulated public spaces for children were no longer acceptable; and the(...)
$31.50
(disponible sur commande)
Résumé:
With the advent of urbanization in the early modern period, the material worlds of children were vastly altered. In industrialized democracies, a broad consensus developed that children should not work, but rather learn and play in settings designed and built with these specific purposes in mind. Unregulated public spaces for children were no longer acceptable; and the(...)
Titre:
Designing modern childhoods: history, space, and the material culture of children
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Prix:
$31.50
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Résumé:
With the advent of urbanization in the early modern period, the material worlds of children were vastly altered. In industrialized democracies, a broad consensus developed that children should not work, but rather learn and play in settings designed and built with these specific purposes in mind. Unregulated public spaces for children were no longer acceptable; and the cultural landscapes of children's private lives were changed, with modifications in architecture and the objects of daily life. In Designing Modern Childhoods, architectural historians, social historians, social scientists, and architects examine the history and design of places and objects such as schools, hospitals, playgrounds, houses, cell phones, snowboards, and even the McDonald's Happy Meal. Special attention is given to how children use and interpret the spaces, buildings, and objects that are part of their lives, becoming themselves creators and carriers of culture. The authors extract common threads in children's understandings of their material worlds, but they also show how the experience of modernity varies for young people across time, through space, and according to age, gender, social class, race, and culture.
Designing modern childhoods: history, space, and the material culture of children
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Prix:
$31.50
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Résumé:
With the advent of urbanization in the early modern period, the material worlds of children were vastly altered. In industrialized democracies, a broad consensus developed that children should not work, but rather learn and play in settings designed and built with these specific purposes in mind. Unregulated public spaces for children were no longer acceptable; and the cultural landscapes of children's private lives were changed, with modifications in architecture and the objects of daily life. In Designing Modern Childhoods, architectural historians, social historians, social scientists, and architects examine the history and design of places and objects such as schools, hospitals, playgrounds, houses, cell phones, snowboards, and even the McDonald's Happy Meal. Special attention is given to how children use and interpret the spaces, buildings, and objects that are part of their lives, becoming themselves creators and carriers of culture. The authors extract common threads in children's understandings of their material worlds, but they also show how the experience of modernity varies for young people across time, through space, and according to age, gender, social class, race, and culture.
Classification:
livres
livres
Publication:
janvier 2008
janvier 2008
Sujet:
Théorie de l’architecture
Théorie de l’architecture
