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Harry Gruyaert
Harry Gruyaert
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Born in Antwerp in 1941 and a member of Magnum Photos since 1982, Harry Gruyaert revolutionized creative and experimental uses of color in the 1970s and 1980s. Influenced by cinema and American photographers, his work defined new territory for color photography: an emotive, non-narrative, and boldly graphic way of perceiving the world. In 1972, while living in London,(...)
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Born in Antwerp in 1941 and a member of Magnum Photos since 1982, Harry Gruyaert revolutionized creative and experimental uses of color in the 1970s and 1980s. Influenced by cinema and American photographers, his work defined new territory for color photography: an emotive, non-narrative, and boldly graphic way of perceiving the world. In 1972, while living in London,(...)
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Harry Gruyaert
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$74.00
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Born in Antwerp in 1941 and a member of Magnum Photos since 1982, Harry Gruyaert revolutionized creative and experimental uses of color in the 1970s and 1980s. Influenced by cinema and American photographers, his work defined new territory for color photography: an emotive, non-narrative, and boldly graphic way of perceiving the world. In 1972, while living in London, Gruyaert created the striking series by turning the dial on a television set at random and photographing the distorted images he saw there. A later series, , portrays his ambivalent relationship with his homeland in a palette of saturated tones. In his most recent work, he embraces the possibilities of digital photography, taking further creative risks to capture light in new ways. Gruyaert’s images are autonomous, often independent of any context or thematic logic. This volume, the first retrospective of his work, is a superb overview of his personal quest for freedom of expression and the liberation of the senses.
Harry Gruyaert
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$74.00
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Born in Antwerp in 1941 and a member of Magnum Photos since 1982, Harry Gruyaert revolutionized creative and experimental uses of color in the 1970s and 1980s. Influenced by cinema and American photographers, his work defined new territory for color photography: an emotive, non-narrative, and boldly graphic way of perceiving the world. In 1972, while living in London, Gruyaert created the striking series by turning the dial on a television set at random and photographing the distorted images he saw there. A later series, , portrays his ambivalent relationship with his homeland in a palette of saturated tones. In his most recent work, he embraces the possibilities of digital photography, taking further creative risks to capture light in new ways. Gruyaert’s images are autonomous, often independent of any context or thematic logic. This volume, the first retrospective of his work, is a superb overview of his personal quest for freedom of expression and the liberation of the senses.
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livres
livres
Publication:
septembre 2015
septembre 2015
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Monographies photo
Monographies photo
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$58.00
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Partners in Design, which accompanies an exhibition opening at the Montreal Museum of Fine Arts in April 2016, chronicles their collaboration, placing it in the larger context of the avant-garde in New York—1930s salons where they mingled with Julien Levy, the gallerist who brought Surrealism to the United States, and Lincoln Kirstein, co-founder of the New York City(...)
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Partners in Design, which accompanies an exhibition opening at the Montreal Museum of Fine Arts in April 2016, chronicles their collaboration, placing it in the larger context of the avant-garde in New York—1930s salons where they mingled with Julien Levy, the gallerist who brought Surrealism to the United States, and Lincoln Kirstein, co-founder of the New York City(...)
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Partners in design: Alfred H. Barr Jr. and Philip Johnson
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Partners in Design, which accompanies an exhibition opening at the Montreal Museum of Fine Arts in April 2016, chronicles their collaboration, placing it in the larger context of the avant-garde in New York—1930s salons where they mingled with Julien Levy, the gallerist who brought Surrealism to the United States, and Lincoln Kirstein, co-founder of the New York City Ballet; their work to help Bauhaus artists like Josef and Anni Albers escape Nazi Germany—and the dissemination of their ideas across the United States through MoMA’s traveling exhibition program. Illustrated with icons of modernist design, MoMA installation views, and previously unpublished images of the Barr and Johnson apartments—domestic laboratories for modernism, and in Johnson’s case, designed and furnished by Ludwig Mies van der Rohe—this fascinating study sheds new light on the introduction and success in North America of a new kind of modernism, thanks to the combined efforts of two uniquely discerning and influential individuals.
Partners in design: Alfred H. Barr Jr. and Philip Johnson
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$58.00
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Partners in Design, which accompanies an exhibition opening at the Montreal Museum of Fine Arts in April 2016, chronicles their collaboration, placing it in the larger context of the avant-garde in New York—1930s salons where they mingled with Julien Levy, the gallerist who brought Surrealism to the United States, and Lincoln Kirstein, co-founder of the New York City Ballet; their work to help Bauhaus artists like Josef and Anni Albers escape Nazi Germany—and the dissemination of their ideas across the United States through MoMA’s traveling exhibition program. Illustrated with icons of modernist design, MoMA installation views, and previously unpublished images of the Barr and Johnson apartments—domestic laboratories for modernism, and in Johnson’s case, designed and furnished by Ludwig Mies van der Rohe—this fascinating study sheds new light on the introduction and success in North America of a new kind of modernism, thanks to the combined efforts of two uniquely discerning and influential individuals.
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livres
livres
Publication:
novembre 2015
novembre 2015
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$28.95
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Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six(...)
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Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six(...)
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MIT architecture, the Keller gallery exhibition catalogs 2013-2014
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Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six compact publications touch upon the immediacy of the exhibition itself, as well as a consideration of the context and conversations that surround it. The 2013-2014 Volume includes catalogues for: - "Personal Space" by PostlerFerguson - "99 Marginal Street" by Landing Studio - "Space-Time 1964/2014" by Jorge-Otero Pailos with the MIT Edgerton Center and the MIT Museum - "Get to Work" by Room Studio featuring A:LOG - "New Massings for New Masses" by Milliøns: John J. May and Zeina Koreitem Essay contributors include: Andrew Atwood, Martha Buskirk, Kiel Moe, Andrei Pop, Laura Raskin, and Mechtild Widrich.
MIT architecture, the Keller gallery exhibition catalogs 2013-2014
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Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six compact publications touch upon the immediacy of the exhibition itself, as well as a consideration of the context and conversations that surround it. The 2013-2014 Volume includes catalogues for: - "Personal Space" by PostlerFerguson - "99 Marginal Street" by Landing Studio - "Space-Time 1964/2014" by Jorge-Otero Pailos with the MIT Edgerton Center and the MIT Museum - "Get to Work" by Room Studio featuring A:LOG - "New Massings for New Masses" by Milliøns: John J. May and Zeina Koreitem Essay contributors include: Andrew Atwood, Martha Buskirk, Kiel Moe, Andrei Pop, Laura Raskin, and Mechtild Widrich.
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livres
livres
Publication:
septembre 2015
septembre 2015
Sujet:
Architecture contemporaine
Architecture contemporaine
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livres
livres
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$28.95
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Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six(...)
$28.95
(disponible sur commande)
Résumé:
Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six(...)
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MIT architecture, the Keller gallery exhibition catalogs 2012-2013
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$28.95
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Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six compact publications touch upon the immediacy of the exhibition itself, as well as a consideration of the context and conversations that surround it. The 2012-2013 Volume includes exhibition catalogues for: -"Objects by Architects" curated by Sarah Hirschman -"Feeling Contexts" by C+S Architects: Carlo Cappai and Maria Alessandra Segantini -"Patterning by Heat" by Felicia Davis and Delia Dumitrescu -"Certain Aspects of Architectural Form" by William O'Brien Jr. -"Incremental Change" by Anne Filson and Gary Rohrbacher Essay contributors include: Christianna Bonin, Matthijs Bouw, Silvio Carta, Fulvio Irace, Michael Kubo, Mariel Villere, Nader Tehrani
MIT architecture, the Keller gallery exhibition catalogs 2012-2013
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$28.95
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Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six compact publications touch upon the immediacy of the exhibition itself, as well as a consideration of the context and conversations that surround it. The 2012-2013 Volume includes exhibition catalogues for: -"Objects by Architects" curated by Sarah Hirschman -"Feeling Contexts" by C+S Architects: Carlo Cappai and Maria Alessandra Segantini -"Patterning by Heat" by Felicia Davis and Delia Dumitrescu -"Certain Aspects of Architectural Form" by William O'Brien Jr. -"Incremental Change" by Anne Filson and Gary Rohrbacher Essay contributors include: Christianna Bonin, Matthijs Bouw, Silvio Carta, Fulvio Irace, Michael Kubo, Mariel Villere, Nader Tehrani
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livres
livres
Publication:
septembre 2015
septembre 2015
Sujet:
Architecture contemporaine
Architecture contemporaine
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livres
livres
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$19.95
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Résumé:
Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six(...)
$19.95
(disponible sur commande)
Résumé:
Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six(...)
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MIT architecture, the Keller gallery exhibition catalogs 2011-2012
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$19.95
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Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six compact publications touch upon the immediacy of the exhibition itself, as well as a consideration of the context and conversations that surround it. Each book in this volume has a distinct accent color used both for the saddle-stitch sewn pamphlet binding and for marginalia inside. The 2011-2012 Volume includes catalogues for: -"Lightweight Concrete" by Timothy Cooke and John E. Fernandez -"The Making of Things" by Ali Tayar -"The New Normal" Justin Lavallee and Nicholas Gelpi, Instructors, -"Walsh Street House: Robin Boyd" -"Waterworks" by Carole Starr Schein Essay contributors include: Shiben Bannerji, Andrew J. Manto, Timothy Cooke, John E. Fernandez, and Daniela Covarrubias.
MIT architecture, the Keller gallery exhibition catalogs 2011-2012
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Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six compact publications touch upon the immediacy of the exhibition itself, as well as a consideration of the context and conversations that surround it. Each book in this volume has a distinct accent color used both for the saddle-stitch sewn pamphlet binding and for marginalia inside. The 2011-2012 Volume includes catalogues for: -"Lightweight Concrete" by Timothy Cooke and John E. Fernandez -"The Making of Things" by Ali Tayar -"The New Normal" Justin Lavallee and Nicholas Gelpi, Instructors, -"Walsh Street House: Robin Boyd" -"Waterworks" by Carole Starr Schein Essay contributors include: Shiben Bannerji, Andrew J. Manto, Timothy Cooke, John E. Fernandez, and Daniela Covarrubias.
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livres
livres
Publication:
septembre 2015
septembre 2015
Sujet:
Architecture contemporaine
Architecture contemporaine
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audio
audio
Titre:
These are They.
These are They.
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1 online resource.
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[Place of publication not identified] : Lateral Addition, 2019.
[Place of publication not identified] : Lateral Addition, 2019.
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audio
audio
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[Place of publication not identified] : Lateral Addition, 2019.
[Place of publication not identified] : Lateral Addition, 2019.
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455 pages : illustrations (some color), plans, portraits ; 34 cm
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455 pages : illustrations (some color), plans, portraits ; 34 cm
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[Genève] : MētisPresses, c2015.
[Genève] : MētisPresses, c2015.
Titre:
Georges Addor architecte (1920-1982) / sous la direction de Franz Graf ; textes de Franz Graf, Mélanie Delaune Perrin et Giulia Marino ; avec la contribution de Christian Bischoff ; photographies de Claudio Merlini.
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455 pages : illustrations (some color), plans, portraits ; 34 cm
Georges Addor architecte (1920-1982) / sous la direction de Franz Graf ; textes de Franz Graf, Mélanie Delaune Perrin et Giulia Marino ; avec la contribution de Christian Bischoff ; photographies de Claudio Merlini.
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455 pages : illustrations (some color), plans, portraits ; 34 cm
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[Genève] : MētisPresses, c2015.
[Genève] : MētisPresses, c2015.
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495 pages : illustrations ; 25 cm
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495 pages : illustrations ; 25 cm
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Paris : Éditions Norma, [2019], ©2019
Paris : Éditions Norma, [2019], ©2019
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Crafts : anthologie contemporaine pour un artisanat de demain / Fabien Petiot, Chloé Braunstein-Kriegel ; traduction française, Joseph Antoine [and five others].
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495 pages : illustrations ; 25 cm
Crafts : anthologie contemporaine pour un artisanat de demain / Fabien Petiot, Chloé Braunstein-Kriegel ; traduction française, Joseph Antoine [and five others].
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495 pages : illustrations ; 25 cm
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Paris : Éditions Norma, [2019], ©2019
Paris : Éditions Norma, [2019], ©2019
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201 pages : illustrations ; 20 cm
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201 pages : illustrations ; 20 cm
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[Genève] : Métis Presses, [2022].
[Genève] : Métis Presses, [2022].
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Terrain critique : des nouveaux usages de l'art en urbanisme / Thierry Maeder.
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201 pages : illustrations ; 20 cm
Terrain critique : des nouveaux usages de l'art en urbanisme / Thierry Maeder.
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201 pages : illustrations ; 20 cm
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[Genève] : Métis Presses, [2022].
[Genève] : Métis Presses, [2022].
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237 pages ; 21 cm.
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237 pages ; 21 cm.
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London : Whitechapel Gallery ; Cambridge, Massachusetts : The MIT Press, [2016], ©2016
London : Whitechapel Gallery ; Cambridge, Massachusetts : The MIT Press, [2016], ©2016
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London : Whitechapel Gallery ; Cambridge, Massachusetts : The MIT Press, [2016], ©2016
London : Whitechapel Gallery ; Cambridge, Massachusetts : The MIT Press, [2016], ©2016
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