5487 Résultats
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Les architectures et les paysages témoignent de chronologies paradoxales. Comme l'ont illustré l'effet de la « dé-communisation » issue de la révolution de Maïdan et l'immédiate mise en musée des événements dans le Donbass, une partie de l'histoire est supprimée pour être tout de suite remplacée par une autre. Ce livre explore une Ukraine construite en diachronie,(...)
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Les architectures et les paysages témoignent de chronologies paradoxales. Comme l'ont illustré l'effet de la « dé-communisation » issue de la révolution de Maïdan et l'immédiate mise en musée des événements dans le Donbass, une partie de l'histoire est supprimée pour être tout de suite remplacée par une autre. Ce livre explore une Ukraine construite en diachronie,(...)
Titre:
L'Ukraine Post-Euromaïdan dans ses liens intangibles avec l'Union Soviétique
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Les architectures et les paysages témoignent de chronologies paradoxales. Comme l'ont illustré l'effet de la « dé-communisation » issue de la révolution de Maïdan et l'immédiate mise en musée des événements dans le Donbass, une partie de l'histoire est supprimée pour être tout de suite remplacée par une autre. Ce livre explore une Ukraine construite en diachronie, constamment modifiée par les révolutions et les guerres. // The architectures and landscapes reveal the paradoxical chronologies that Ukraine cannot hide. As illustrated by the effect of 'decommunisation' post Maïdan, paralleled with the immediate establishment of the current affairs in Donbass, part of the history is suppressed to be immediately replaced with another. This book explores a Ukraine built in a diachrony, constantly modified by revolution and war.
L'Ukraine Post-Euromaïdan dans ses liens intangibles avec l'Union Soviétique
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Les architectures et les paysages témoignent de chronologies paradoxales. Comme l'ont illustré l'effet de la « dé-communisation » issue de la révolution de Maïdan et l'immédiate mise en musée des événements dans le Donbass, une partie de l'histoire est supprimée pour être tout de suite remplacée par une autre. Ce livre explore une Ukraine construite en diachronie, constamment modifiée par les révolutions et les guerres. // The architectures and landscapes reveal the paradoxical chronologies that Ukraine cannot hide. As illustrated by the effect of 'decommunisation' post Maïdan, paralleled with the immediate establishment of the current affairs in Donbass, part of the history is suppressed to be immediately replaced with another. This book explores a Ukraine built in a diachrony, constantly modified by revolution and war.
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livres
livres
Publication:
février 2016
février 2016
Sujet:
Photographie par région
Photographie par région
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livres
livres
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cet ouvrage propose une version condensée des informations données dans l'édition complète de l'Atlas Phaidon de l'architecture contemporaine mondiale. La sélection restant inchangée, 1 052 projets sont présentés. Chaque projet est accompagné d'une photographie et d'un bref texte descriptif. Des symboles visuels permettent de savoir si le bâtiment est ouvert au public, et(...)
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cet ouvrage propose une version condensée des informations données dans l'édition complète de l'Atlas Phaidon de l'architecture contemporaine mondiale. La sélection restant inchangée, 1 052 projets sont présentés. Chaque projet est accompagné d'une photographie et d'un bref texte descriptif. Des symboles visuels permettent de savoir si le bâtiment est ouvert au public, et(...)
Titre:
Atlas Phaidon de l'architecture contemporaine mondiale - édition de voyage
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cet ouvrage propose une version condensée des informations données dans l'édition complète de l'Atlas Phaidon de l'architecture contemporaine mondiale. La sélection restant inchangée, 1 052 projets sont présentés. Chaque projet est accompagné d'une photographie et d'un bref texte descriptif. Des symboles visuels permettent de savoir si le bâtiment est ouvert au public, et des plans de ville facilitent la localisation des édifices.
Atlas Phaidon de l'architecture contemporaine mondiale - édition de voyage
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cet ouvrage propose une version condensée des informations données dans l'édition complète de l'Atlas Phaidon de l'architecture contemporaine mondiale. La sélection restant inchangée, 1 052 projets sont présentés. Chaque projet est accompagné d'une photographie et d'un bref texte descriptif. Des symboles visuels permettent de savoir si le bâtiment est ouvert au public, et des plans de ville facilitent la localisation des édifices.
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livres
livres
Publication:
mars 2006, Londres
mars 2006, Londres
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livres
livres
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In 2006, Amsterdam's 66 East: Centre for Urban Culture organized a project in which artists and architects--including Theo Baart, Bas Princen, Ralph Kämena, Jannes Linders, Jeroen Musch and Hans Werlemann--examined Amsterdam's predominately Arabic and Turkish neighborhood, Indische Buurt, which had recently become home to studios and offices for the creative sector, often(...)
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In 2006, Amsterdam's 66 East: Centre for Urban Culture organized a project in which artists and architects--including Theo Baart, Bas Princen, Ralph Kämena, Jannes Linders, Jeroen Musch and Hans Werlemann--examined Amsterdam's predominately Arabic and Turkish neighborhood, Indische Buurt, which had recently become home to studios and offices for the creative sector, often(...)
Titre:
Houses in transformation: interventions in European gentrification
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In 2006, Amsterdam's 66 East: Centre for Urban Culture organized a project in which artists and architects--including Theo Baart, Bas Princen, Ralph Kämena, Jannes Linders, Jeroen Musch and Hans Werlemann--examined Amsterdam's predominately Arabic and Turkish neighborhood, Indische Buurt, which had recently become home to studios and offices for the creative sector, often seen as the first step in gentrification. Adopting strategies ranging from critical commentary to activist intervention, the project and subsequent exhibition, Houses of Transformation, posits creative alternatives for urban planners, developers and administrators in responding to the inevitable and ongoing problems of urban renewal. This volume documents these strategies and proposals, while also casting a critical eye on similar neighborhoods in other European cities--including Barcelona, Berlin, Budapest, Brussels and London--putting the unique issues of Dutch gentrification into a larger perspective
Houses in transformation: interventions in European gentrification
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In 2006, Amsterdam's 66 East: Centre for Urban Culture organized a project in which artists and architects--including Theo Baart, Bas Princen, Ralph Kämena, Jannes Linders, Jeroen Musch and Hans Werlemann--examined Amsterdam's predominately Arabic and Turkish neighborhood, Indische Buurt, which had recently become home to studios and offices for the creative sector, often seen as the first step in gentrification. Adopting strategies ranging from critical commentary to activist intervention, the project and subsequent exhibition, Houses of Transformation, posits creative alternatives for urban planners, developers and administrators in responding to the inevitable and ongoing problems of urban renewal. This volume documents these strategies and proposals, while also casting a critical eye on similar neighborhoods in other European cities--including Barcelona, Berlin, Budapest, Brussels and London--putting the unique issues of Dutch gentrification into a larger perspective
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livres
livres
Publication:
décembre 2008, Rotterdam
décembre 2008, Rotterdam
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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Published on the occasion of the exhibitions at London, Lisson Gallery, 6 February - 15 March 2008 ; Cologne, Galerie Daniel Buchholz, 30 November 2007 - 19 January 2008. Essays by Thomas Hackner, Sabeth Buchmann and Jan Verwoert.
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Published on the occasion of the exhibitions at London, Lisson Gallery, 6 February - 15 March 2008 ; Cologne, Galerie Daniel Buchholz, 30 November 2007 - 19 January 2008. Essays by Thomas Hackner, Sabeth Buchmann and Jan Verwoert.
Publication:
octobre 2008, Cologne and London
octobre 2008, Cologne and London
Titre:
Florian Pumhoesl: exhibitions and works
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Published on the occasion of the exhibitions at London, Lisson Gallery, 6 February - 15 March 2008 ; Cologne, Galerie Daniel Buchholz, 30 November 2007 - 19 January 2008. Essays by Thomas Hackner, Sabeth Buchmann and Jan Verwoert.
Florian Pumhoesl: exhibitions and works
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Published on the occasion of the exhibitions at London, Lisson Gallery, 6 February - 15 March 2008 ; Cologne, Galerie Daniel Buchholz, 30 November 2007 - 19 January 2008. Essays by Thomas Hackner, Sabeth Buchmann and Jan Verwoert.
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livres
livres
Publication:
octobre 2008, Cologne and London
octobre 2008, Cologne and London
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Questo volume è dedicato allo Stadio Municipale di Braga, opera del maestro portoghese Eduardo Souto de Moura vincitore del Pritzker Architecture Prize nel 2011. Lo stadio, progettato e realizzato tra il 2000 e il 2003, rappresenta un'opera straordinaria che spinge in avanti, guardando significativamente agli archetipi fondamentali del recingere e del coprire, la ricerca(...)
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Questo volume è dedicato allo Stadio Municipale di Braga, opera del maestro portoghese Eduardo Souto de Moura vincitore del Pritzker Architecture Prize nel 2011. Lo stadio, progettato e realizzato tra il 2000 e il 2003, rappresenta un'opera straordinaria che spinge in avanti, guardando significativamente agli archetipi fondamentali del recingere e del coprire, la ricerca(...)
Titre:
Eduardo Souto de Moura: Lo stadio di Braga
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Questo volume è dedicato allo Stadio Municipale di Braga, opera del maestro portoghese Eduardo Souto de Moura vincitore del Pritzker Architecture Prize nel 2011. Lo stadio, progettato e realizzato tra il 2000 e il 2003, rappresenta un'opera straordinaria che spinge in avanti, guardando significativamente agli archetipi fondamentali del recingere e del coprire, la ricerca architettonica contemporanea nel campo delle forme adeguate e appropriate, del ruolo espressivo della costruzione, del rapporto con i luoghi nella edificazione del paesaggio urbano. Il volume documenta e ordina materiali del progetto - schizzi, disegni esecutivi, modelli e foto dell'opera realizzata -, testi critici e un prezioso scritto del 2022 di Álvaro Siza Vieira, tradotto per la prima volta in italiano.
Eduardo Souto de Moura: Lo stadio di Braga
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Questo volume è dedicato allo Stadio Municipale di Braga, opera del maestro portoghese Eduardo Souto de Moura vincitore del Pritzker Architecture Prize nel 2011. Lo stadio, progettato e realizzato tra il 2000 e il 2003, rappresenta un'opera straordinaria che spinge in avanti, guardando significativamente agli archetipi fondamentali del recingere e del coprire, la ricerca architettonica contemporanea nel campo delle forme adeguate e appropriate, del ruolo espressivo della costruzione, del rapporto con i luoghi nella edificazione del paesaggio urbano. Il volume documenta e ordina materiali del progetto - schizzi, disegni esecutivi, modelli e foto dell'opera realizzata -, testi critici e un prezioso scritto del 2022 di Álvaro Siza Vieira, tradotto per la prima volta in italiano.
Classification:
livres
livres
Publication:
mars 2026
mars 2026
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
périodiques
périodiques
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Tight fascia, exhaustion. From the energy spent and drained in the routines of our days—from untangling ourselves from demands and expectations. But energy is also generative. And it emerges in the work of Mariuccia Secol in the textures of presence and absence that the stretching of fabric and skin have in common. Energy also pulses through Marina Vishmidt’s notion of(...)
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Tight fascia, exhaustion. From the energy spent and drained in the routines of our days—from untangling ourselves from demands and expectations. But energy is also generative. And it emerges in the work of Mariuccia Secol in the textures of presence and absence that the stretching of fabric and skin have in common. Energy also pulses through Marina Vishmidt’s notion of(...)
Titre:
Arts of the Working Class #41: Energy
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Tight fascia, exhaustion. From the energy spent and drained in the routines of our days—from untangling ourselves from demands and expectations. But energy is also generative. And it emerges in the work of Mariuccia Secol in the textures of presence and absence that the stretching of fabric and skin have in common. Energy also pulses through Marina Vishmidt’s notion of infrastructural critique—and in her tireless hours of writing, teaching, and collaborating. For both Secol and Vishmidt, energy is everything, and this issue owes its impetus to their shared attention to energy’s rhythms and resistances.
Arts of the Working Class #41: Energy
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Tight fascia, exhaustion. From the energy spent and drained in the routines of our days—from untangling ourselves from demands and expectations. But energy is also generative. And it emerges in the work of Mariuccia Secol in the textures of presence and absence that the stretching of fabric and skin have in common. Energy also pulses through Marina Vishmidt’s notion of infrastructural critique—and in her tireless hours of writing, teaching, and collaborating. For both Secol and Vishmidt, energy is everything, and this issue owes its impetus to their shared attention to energy’s rhythms and resistances.
Classification:
périodiques
périodiques
Publication:
mai 2026
mai 2026
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
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Our new editorial cycle, Transformers, begins from the reckoning that transformation in the arts has never been linear. For us at AWC, it flourishes in repetition, meandering, and the subtle work of what often goes unnoticed. Rather than asking what is new, Transformers—not the 2007 blockbuster, but the era it anticipated, a spectacle of war, digitalization, and(...)
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Our new editorial cycle, Transformers, begins from the reckoning that transformation in the arts has never been linear. For us at AWC, it flourishes in repetition, meandering, and the subtle work of what often goes unnoticed. Rather than asking what is new, Transformers—not the 2007 blockbuster, but the era it anticipated, a spectacle of war, digitalization, and(...)
Titre:
Arts of the Working Class #40: Synthetics
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Our new editorial cycle, Transformers, begins from the reckoning that transformation in the arts has never been linear. For us at AWC, it flourishes in repetition, meandering, and the subtle work of what often goes unnoticed. Rather than asking what is new, Transformers—not the 2007 blockbuster, but the era it anticipated, a spectacle of war, digitalization, and profit—attends to what has been quietly shifting as new configurations of power, labor, and life crystallize. The unfolding chronicle of atrocities revealed in the Jeffrey Epstein files exposes how greed underwrites tribalism, and how the dismantling of an already iniquitous globalism has been further engineered to concentrate wealth in the hands of the fewest of the few.
Arts of the Working Class #40: Synthetics
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Our new editorial cycle, Transformers, begins from the reckoning that transformation in the arts has never been linear. For us at AWC, it flourishes in repetition, meandering, and the subtle work of what often goes unnoticed. Rather than asking what is new, Transformers—not the 2007 blockbuster, but the era it anticipated, a spectacle of war, digitalization, and profit—attends to what has been quietly shifting as new configurations of power, labor, and life crystallize. The unfolding chronicle of atrocities revealed in the Jeffrey Epstein files exposes how greed underwrites tribalism, and how the dismantling of an already iniquitous globalism has been further engineered to concentrate wealth in the hands of the fewest of the few.
Classification:
périodiques
périodiques
Publication:
février 2026
février 2026
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
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As this year’s editorial cycle was titled Value Attachment—a poetic and materialist inquiry into how we assign worth to our worlds—the Sumud Flotilla offers a paradigm for what that question truly entails. The Gaza Biennial reasserts, in its own terms, the primacy of relationships as the ground on which politics is built. Not relationships as networks of exchange or(...)
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As this year’s editorial cycle was titled Value Attachment—a poetic and materialist inquiry into how we assign worth to our worlds—the Sumud Flotilla offers a paradigm for what that question truly entails. The Gaza Biennial reasserts, in its own terms, the primacy of relationships as the ground on which politics is built. Not relationships as networks of exchange or(...)
Titre:
Arts of the Working Class #39: Relationships
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As this year’s editorial cycle was titled Value Attachment—a poetic and materialist inquiry into how we assign worth to our worlds—the Sumud Flotilla offers a paradigm for what that question truly entails. The Gaza Biennial reasserts, in its own terms, the primacy of relationships as the ground on which politics is built. Not relationships as networks of exchange or capital, but as infrastructures of mutual dependence and resistance: fragile, chaotic, complex, indispensable. Across the previous four issues in 2025, we have traced how this question recurs across different registers. Now, we turn to Relationships: to sentimental versions and terrains of struggle. Fascism, in its twenty-first-century iterations, thrives not only on nationalism and exclusion but on dismantling relational life: isolating, atomizing, privatizing it until solidarity becomes suspect and empathy itself a form of dissent. Proximity is policed, intimacy is surveilled. Love is reduced to transaction. Care is outsourced. Trust weaponized. Even friendship, the most basic form of political relation, is co-opted as a tool of influence and control.
Arts of the Working Class #39: Relationships
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As this year’s editorial cycle was titled Value Attachment—a poetic and materialist inquiry into how we assign worth to our worlds—the Sumud Flotilla offers a paradigm for what that question truly entails. The Gaza Biennial reasserts, in its own terms, the primacy of relationships as the ground on which politics is built. Not relationships as networks of exchange or capital, but as infrastructures of mutual dependence and resistance: fragile, chaotic, complex, indispensable. Across the previous four issues in 2025, we have traced how this question recurs across different registers. Now, we turn to Relationships: to sentimental versions and terrains of struggle. Fascism, in its twenty-first-century iterations, thrives not only on nationalism and exclusion but on dismantling relational life: isolating, atomizing, privatizing it until solidarity becomes suspect and empathy itself a form of dissent. Proximity is policed, intimacy is surveilled. Love is reduced to transaction. Care is outsourced. Trust weaponized. Even friendship, the most basic form of political relation, is co-opted as a tool of influence and control.
Classification:
périodiques
périodiques
Publication:
novembre 2025
novembre 2025
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
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Issue 38: Choreography inquires into how memories, histories, and rituals transform individuals into groups, words into policies, threads into textures, notes into dances, gestures into positions. Today, choreography thrives not only on stage but through social media, where short videos compress movement into consumable poses—endlessly repeated and algorithmically(...)
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Issue 38: Choreography inquires into how memories, histories, and rituals transform individuals into groups, words into policies, threads into textures, notes into dances, gestures into positions. Today, choreography thrives not only on stage but through social media, where short videos compress movement into consumable poses—endlessly repeated and algorithmically(...)
Titre:
Arts of the Working Class #38: Choreography
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Issue 38: Choreography inquires into how memories, histories, and rituals transform individuals into groups, words into policies, threads into textures, notes into dances, gestures into positions. Today, choreography thrives not only on stage but through social media, where short videos compress movement into consumable poses—endlessly repeated and algorithmically rewarded. Here the body mirrors Mark Fisher’s architecture of capitalist realism: gestures circulate even as they are emptied of meaning, as if there were no alternative but to keep performing. It is a dance of reflexive impotence, where participation feels inevitable and refusal unimaginable.
Arts of the Working Class #38: Choreography
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Issue 38: Choreography inquires into how memories, histories, and rituals transform individuals into groups, words into policies, threads into textures, notes into dances, gestures into positions. Today, choreography thrives not only on stage but through social media, where short videos compress movement into consumable poses—endlessly repeated and algorithmically rewarded. Here the body mirrors Mark Fisher’s architecture of capitalist realism: gestures circulate even as they are emptied of meaning, as if there were no alternative but to keep performing. It is a dance of reflexive impotence, where participation feels inevitable and refusal unimaginable.
Classification:
périodiques
périodiques
Publication:
septembre 2025
septembre 2025
Sujet:
Revues
Revues
Classification:
livres
livres
Prix:
$41.95
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Résumé:
Avec la collaboration de Frédéric Migayrou; Olivier Cinqualbre; Christian Derouet; Nigel Whiteley; Reyner Banham; Randa Kamel; Bernard Cache; et des notes de lecture par Catherine de Smet, Hugues Fontenas, et Guillemette Morel Journel.
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Résumé:
Avec la collaboration de Frédéric Migayrou; Olivier Cinqualbre; Christian Derouet; Nigel Whiteley; Reyner Banham; Randa Kamel; Bernard Cache; et des notes de lecture par Catherine de Smet, Hugues Fontenas, et Guillemette Morel Journel.
Titre:
Les cahiers du Musée national d'art moderne 82 : architecture
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Avec la collaboration de Frédéric Migayrou; Olivier Cinqualbre; Christian Derouet; Nigel Whiteley; Reyner Banham; Randa Kamel; Bernard Cache; et des notes de lecture par Catherine de Smet, Hugues Fontenas, et Guillemette Morel Journel.
Les cahiers du Musée national d'art moderne 82 : architecture
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Avec la collaboration de Frédéric Migayrou; Olivier Cinqualbre; Christian Derouet; Nigel Whiteley; Reyner Banham; Randa Kamel; Bernard Cache; et des notes de lecture par Catherine de Smet, Hugues Fontenas, et Guillemette Morel Journel.
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livres
livres
Publication:
avril 2003, Paris
avril 2003, Paris
