5377 Résultats
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livres
livres
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as(...)
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as(...)
Publication:
octobre 2001
octobre 2001
Titre:
Object to be destroyed : the work of Gordon Matta-Clark
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s--particularly site-specific, conceptual, and minimalist practices--and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.
Object to be destroyed : the work of Gordon Matta-Clark
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s--particularly site-specific, conceptual, and minimalist practices--and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.
Classification:
livres
livres
Publication:
octobre 2001
octobre 2001
Classification:
livres
livres
Prix:
$22.95
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Résumé:
The dominant architectures in our culture of development consist of generic protocols for building offices, airports, houses, and highways. For Keller Easterling these organizational formats are not merely the context of design efforts. They are the design. Bridging the gap between architecture and infrastructure, Easterling views architecture as part of an ecology of(...)
$22.95
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The dominant architectures in our culture of development consist of generic protocols for building offices, airports, houses, and highways. For Keller Easterling these organizational formats are not merely the context of design efforts. They are the design. Bridging the gap between architecture and infrastructure, Easterling views architecture as part of an ecology of(...)
Titre:
Organization space : landscapes, highways, and houses in America
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$22.95
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The dominant architectures in our culture of development consist of generic protocols for building offices, airports, houses, and highways. For Keller Easterling these organizational formats are not merely the context of design efforts. They are the design. Bridging the gap between architecture and infrastructure, Easterling views architecture as part of an ecology of interrelationships and linkages, and she treats the expression of organizational character as part of the architectural endeavor. Easterling also makes the case that these organizational formats are improvisational and responsive to circumstantial change, to mistakes, anomalies, and seemingly illogical market forces. By treating these irregularities opportunistically, she offers architects working within the customary development protocols new sites for making and altering space. By showing the reciprocal relations between systems of thinking and modes of designing, Easterling establishes unexpected congruencies between natural and built environments, virtual and physical systems, highway and communication networks, and corporate and spatial organizations. She frames her unconventional notion of site not in terms of singular entities, but in terms of relationships between multiple sites that are both individually and collectively adjustable.
Organization space : landscapes, highways, and houses in America
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$22.95
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The dominant architectures in our culture of development consist of generic protocols for building offices, airports, houses, and highways. For Keller Easterling these organizational formats are not merely the context of design efforts. They are the design. Bridging the gap between architecture and infrastructure, Easterling views architecture as part of an ecology of interrelationships and linkages, and she treats the expression of organizational character as part of the architectural endeavor. Easterling also makes the case that these organizational formats are improvisational and responsive to circumstantial change, to mistakes, anomalies, and seemingly illogical market forces. By treating these irregularities opportunistically, she offers architects working within the customary development protocols new sites for making and altering space. By showing the reciprocal relations between systems of thinking and modes of designing, Easterling establishes unexpected congruencies between natural and built environments, virtual and physical systems, highway and communication networks, and corporate and spatial organizations. She frames her unconventional notion of site not in terms of singular entities, but in terms of relationships between multiple sites that are both individually and collectively adjustable.
Classification:
livres
livres
Publication:
octobre 2001, Cambridge, Mass.
octobre 2001, Cambridge, Mass.
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
Prix:
$81.50
(disponible sur commande)
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The decades from 1500 to 1550 in Florence encompassed one of the most original and outstanding periods in the entire history of art. This gloriously illustrated book gathers and describes many of the beloved paintings, drawings, and sculptures created by the greatest masters of the period along with less familiar but equally beautiful and intriguing works. The(...)
$81.50
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The decades from 1500 to 1550 in Florence encompassed one of the most original and outstanding periods in the entire history of art. This gloriously illustrated book gathers and describes many of the beloved paintings, drawings, and sculptures created by the greatest masters of the period along with less familiar but equally beautiful and intriguing works. The(...)
Titre:
Leonardo da Vinci, Michelangelo and the Renaissance in Florence
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The decades from 1500 to 1550 in Florence encompassed one of the most original and outstanding periods in the entire history of art. This gloriously illustrated book gathers and describes many of the beloved paintings, drawings, and sculptures created by the greatest masters of the period along with less familiar but equally beautiful and intriguing works. The contributors to the volume explore the masterpieces of Florence and challenge conventional interpretations of the evolution of this art. The book outlines the historical context of the Florentine High Renaissance and then discusses drawings, paintings, and sculpture in turn. Focusing on major artists and their contemporaries and allies, the authors demonstrate the great importance of drawing during this period and show that there was a consistency in the brand of creativity found in such artists as Michelangelo, Fiorentino, Cellini, and Bronzino. The authors question the relevance of terms like High Renaissance and Mannerism, and they contend that, contrary to commonly held assumptions, there was no strong stylistic division between art produced in Florence before and after the death of Raphael in 1520.
Leonardo da Vinci, Michelangelo and the Renaissance in Florence
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$81.50
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The decades from 1500 to 1550 in Florence encompassed one of the most original and outstanding periods in the entire history of art. This gloriously illustrated book gathers and describes many of the beloved paintings, drawings, and sculptures created by the greatest masters of the period along with less familiar but equally beautiful and intriguing works. The contributors to the volume explore the masterpieces of Florence and challenge conventional interpretations of the evolution of this art. The book outlines the historical context of the Florentine High Renaissance and then discusses drawings, paintings, and sculpture in turn. Focusing on major artists and their contemporaries and allies, the authors demonstrate the great importance of drawing during this period and show that there was a consistency in the brand of creativity found in such artists as Michelangelo, Fiorentino, Cellini, and Bronzino. The authors question the relevance of terms like High Renaissance and Mannerism, and they contend that, contrary to commonly held assumptions, there was no strong stylistic division between art produced in Florence before and after the death of Raphael in 1520.
Classification:
livres
livres
Publication:
janvier 1900, Ottawa
janvier 1900, Ottawa
Sujet:
Histoire jusqu’à 1900
Histoire jusqu’à 1900
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livres
livres
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$100.00
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Typography today exists in conflict with classical font design and contemporary influences such as analogue distortion, screen applications, street culture, deconstruction, hand lettering and illustrative letter forms. "Type one" not only presents an overview of the diversity in current typography, but also reveals where conventions have become established and where valid(...)
$100.00
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Typography today exists in conflict with classical font design and contemporary influences such as analogue distortion, screen applications, street culture, deconstruction, hand lettering and illustrative letter forms. "Type one" not only presents an overview of the diversity in current typography, but also reveals where conventions have become established and where valid(...)
Publication:
novembre 2005, Berlin
novembre 2005, Berlin
Titre:
Type-one : discipline and progress in typography
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$100.00
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Typography today exists in conflict with classical font design and contemporary influences such as analogue distortion, screen applications, street culture, deconstruction, hand lettering and illustrative letter forms. "Type one" not only presents an overview of the diversity in current typography, but also reveals where conventions have become established and where valid new approaches exist. In addition to a selection of typefaces and their applications, the book features articles by and interviews with international experts such as Jean François Rappot, House industries’ Andy Cruz and Ken Barber, Norm and Professor Tanja Diezmann. Topics range from the democratization of the font creation process by the computer to how much existing approaches are based on the same fonts. These texts are edited and commented by Silja Bilz, former project and product manager for Corporate type at the renowned Linotype library. While "Type one" provides practical context and examples, it also investigates the experimental and inspirational side of font design. This combination makes the book a resource for anyone seeking an up to date exploration and understanding of typography.
Type-one : discipline and progress in typography
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$100.00
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Résumé:
Typography today exists in conflict with classical font design and contemporary influences such as analogue distortion, screen applications, street culture, deconstruction, hand lettering and illustrative letter forms. "Type one" not only presents an overview of the diversity in current typography, but also reveals where conventions have become established and where valid new approaches exist. In addition to a selection of typefaces and their applications, the book features articles by and interviews with international experts such as Jean François Rappot, House industries’ Andy Cruz and Ken Barber, Norm and Professor Tanja Diezmann. Topics range from the democratization of the font creation process by the computer to how much existing approaches are based on the same fonts. These texts are edited and commented by Silja Bilz, former project and product manager for Corporate type at the renowned Linotype library. While "Type one" provides practical context and examples, it also investigates the experimental and inspirational side of font design. This combination makes the book a resource for anyone seeking an up to date exploration and understanding of typography.
Classification:
livres
livres
Publication:
novembre 2005, Berlin
novembre 2005, Berlin
Classification:
livres
livres
Prix:
$39.95
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Résumé:
Whether representing pioneering spirit, implying large horizons and wide open spaces, or epitomising economic travel with a comfortable change of scenery, camper vans and RVs share a common aspiration: the need to create a ‘home away from home’. This book illustrates the culture, style and philosophy of camper van and RV travel by looking at the owners and their clubs.(...)
$39.95
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Whether representing pioneering spirit, implying large horizons and wide open spaces, or epitomising economic travel with a comfortable change of scenery, camper vans and RVs share a common aspiration: the need to create a ‘home away from home’. This book illustrates the culture, style and philosophy of camper van and RV travel by looking at the owners and their clubs.(...)
Titre:
Home away from home : the world of camper vans and motorhomes
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$39.95
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Whether representing pioneering spirit, implying large horizons and wide open spaces, or epitomising economic travel with a comfortable change of scenery, camper vans and RVs share a common aspiration: the need to create a ‘home away from home’. This book illustrates the culture, style and philosophy of camper van and RV travel by looking at the owners and their clubs. Stories of road trips, adventures and epic voyages provide an exciting backdrop to the extraordinary history and present status of freewheeling transportation. "Home away from home" explains the cultural and social history of the camper van and RV by looking at a range of phenomena from surf and hippy culture to family holidays and travel in retirement years. A range of iconic vehicles from the VW Bus and the Airstream to the Winnebago will be looked at in detail, within the context of their technical developments as well as the design strategies that dictated their appearances. Finally, "Home away from home" explores future possibilities for independent camper van and RV travel, alongside contemporary approaches to 'compact living'.
Home away from home : the world of camper vans and motorhomes
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$39.95
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Résumé:
Whether representing pioneering spirit, implying large horizons and wide open spaces, or epitomising economic travel with a comfortable change of scenery, camper vans and RVs share a common aspiration: the need to create a ‘home away from home’. This book illustrates the culture, style and philosophy of camper van and RV travel by looking at the owners and their clubs. Stories of road trips, adventures and epic voyages provide an exciting backdrop to the extraordinary history and present status of freewheeling transportation. "Home away from home" explains the cultural and social history of the camper van and RV by looking at a range of phenomena from surf and hippy culture to family holidays and travel in retirement years. A range of iconic vehicles from the VW Bus and the Airstream to the Winnebago will be looked at in detail, within the context of their technical developments as well as the design strategies that dictated their appearances. Finally, "Home away from home" explores future possibilities for independent camper van and RV travel, alongside contemporary approaches to 'compact living'.
Classification:
livres
livres
Publication:
octobre 2005, London
octobre 2005, London
Sujet:
Architecture miniature
Architecture miniature
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livres
livres
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$50.00
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Résumé:
Daring, bold, dramatic, towering, impossibly glamorous: this is how we imagine New York in its golden age, and this is how Samuel H. Gottscho, the preeminent architectural photographer of his generation, captured it. Through his lens, New York of the 1930s became the quintessential modern metropolis, a round-the-clock city in which night was as charismatic as day.(...)
$50.00
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Daring, bold, dramatic, towering, impossibly glamorous: this is how we imagine New York in its golden age, and this is how Samuel H. Gottscho, the preeminent architectural photographer of his generation, captured it. Through his lens, New York of the 1930s became the quintessential modern metropolis, a round-the-clock city in which night was as charismatic as day.(...)
Titre:
The mythic city : photographs of New York by Samuel H. Gottscho, 1925-1940
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$50.00
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Résumé:
Daring, bold, dramatic, towering, impossibly glamorous: this is how we imagine New York in its golden age, and this is how Samuel H. Gottscho, the preeminent architectural photographer of his generation, captured it. Through his lens, New York of the 1930s became the quintessential modern metropolis, a round-the-clock city in which night was as charismatic as day. Rigorously editing out the Depression-weary city's more seamy aspects—its tenement slums, breadlines, and soup kitchens—Gottscho presented a dreamlike Gotham of skyscrapers and penthouse luxury that literally and figuratively glowed with glamour's sheen. His gimlet eye focused on the bold interplay of sun and shadow, dramatizing the chiseled forms of Manhattan's signature skyline and bridges. The Empire State and Chrysler buildings, Rockefeller Center, the Plaza, the George Washington Bridge—Gottscho brought them all to sparkling life. In this book, historian Donald Albrecht presents 175 of Gottscho's images of the city, from the Battery to Harlem. An introductory essay tells the story of this photographer, describing his working methods and philosophy, while placing his work in the broader context of photographic history.
The mythic city : photographs of New York by Samuel H. Gottscho, 1925-1940
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$50.00
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Résumé:
Daring, bold, dramatic, towering, impossibly glamorous: this is how we imagine New York in its golden age, and this is how Samuel H. Gottscho, the preeminent architectural photographer of his generation, captured it. Through his lens, New York of the 1930s became the quintessential modern metropolis, a round-the-clock city in which night was as charismatic as day. Rigorously editing out the Depression-weary city's more seamy aspects—its tenement slums, breadlines, and soup kitchens—Gottscho presented a dreamlike Gotham of skyscrapers and penthouse luxury that literally and figuratively glowed with glamour's sheen. His gimlet eye focused on the bold interplay of sun and shadow, dramatizing the chiseled forms of Manhattan's signature skyline and bridges. The Empire State and Chrysler buildings, Rockefeller Center, the Plaza, the George Washington Bridge—Gottscho brought them all to sparkling life. In this book, historian Donald Albrecht presents 175 of Gottscho's images of the city, from the Battery to Harlem. An introductory essay tells the story of this photographer, describing his working methods and philosophy, while placing his work in the broader context of photographic history.
Classification:
livres
livres
Publication:
octobre 2005, New York
octobre 2005, New York
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$39.95
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In 1960, before his skyscrapers and teapots made him a household name, Michael Graves set out on a journey once considered obligatory for a young architect: a grand tour of the great monuments of Europe. As a recipient of the prestigious Prix de Rome, Graves traveled through Italy, Greece, Turkey, Spain, England, Germany, and France, studying and recording the masterworks(...)
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In 1960, before his skyscrapers and teapots made him a household name, Michael Graves set out on a journey once considered obligatory for a young architect: a grand tour of the great monuments of Europe. As a recipient of the prestigious Prix de Rome, Graves traveled through Italy, Greece, Turkey, Spain, England, Germany, and France, studying and recording the masterworks(...)
Titre:
Michael Graves : images of a grand tour
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$39.95
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In 1960, before his skyscrapers and teapots made him a household name, Michael Graves set out on a journey once considered obligatory for a young architect: a grand tour of the great monuments of Europe. As a recipient of the prestigious Prix de Rome, Graves traveled through Italy, Greece, Turkey, Spain, England, Germany, and France, studying and recording the masterworks of both ancient and modern architecture. "Michael Graves: Images of A Grand Tour" collects for the first time the stunning artwork produced during this trip. Delicate pencil sketches, striking ink washes, and colourful photographs show the deep connection Graves had to the places he visited, from the Roman Forum to the Grecian Acropolis to Wiltshires Stonehenge. They also tell something of the education of an architect, bringing to light the classical buildings that caused Graves to reexamine his early devotion to modernism. A foreword by Graves reflects on these travels from the distance of forty years, while author Brian Ambroziak puts the tour into the context of Graves's life and work.
Michael Graves : images of a grand tour
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$39.95
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Résumé:
In 1960, before his skyscrapers and teapots made him a household name, Michael Graves set out on a journey once considered obligatory for a young architect: a grand tour of the great monuments of Europe. As a recipient of the prestigious Prix de Rome, Graves traveled through Italy, Greece, Turkey, Spain, England, Germany, and France, studying and recording the masterworks of both ancient and modern architecture. "Michael Graves: Images of A Grand Tour" collects for the first time the stunning artwork produced during this trip. Delicate pencil sketches, striking ink washes, and colourful photographs show the deep connection Graves had to the places he visited, from the Roman Forum to the Grecian Acropolis to Wiltshires Stonehenge. They also tell something of the education of an architect, bringing to light the classical buildings that caused Graves to reexamine his early devotion to modernism. A foreword by Graves reflects on these travels from the distance of forty years, while author Brian Ambroziak puts the tour into the context of Graves's life and work.
Classification:
livres
livres
Publication:
octobre 2005, New York
octobre 2005, New York
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Prix:
$44.00
(disponible sur commande)
Résumé:
"Groundswell : constructing the contemporary landscape" presents 23 projects that reveal the surge of creativity and discussion surrounding the designed landscape in a broad, principally urban, international context. In the last 20 years, many significant new public spaces have been created for sites that have been reclaimed from conflict, environmental degradation, and(...)
$44.00
(disponible sur commande)
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"Groundswell : constructing the contemporary landscape" presents 23 projects that reveal the surge of creativity and discussion surrounding the designed landscape in a broad, principally urban, international context. In the last 20 years, many significant new public spaces have been created for sites that have been reclaimed from conflict, environmental degradation, and(...)
Titre:
Groundswell : constructing the contemporary landscape
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$44.00
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"Groundswell : constructing the contemporary landscape" presents 23 projects that reveal the surge of creativity and discussion surrounding the designed landscape in a broad, principally urban, international context. In the last 20 years, many significant new public spaces have been created for sites that have been reclaimed from conflict, environmental degradation, and abandonment. The projects, found throughout North America, Europe, Asia, and the Middle East, were selected for their design, and for their variety of contexts, materials, scale, and types of spaces. This fully illustrated volume includes an essay by Peter Reed, Curator in the Department of Architecture and Design at The Museum of Modern Art, that demonstrates how these innovative projects expand the definition of the modernist landscape while responding to a variety of conditions such as program, social function, and the transformation and reclamation previously industrial areas. The essay is followed by a full-color plate section featuring the selected projects. Catalogue entries for each project provide a succinct description of the site, its transformation, and design concepts illustrated by photographs, drawings, and models.
Groundswell : constructing the contemporary landscape
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$44.00
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"Groundswell : constructing the contemporary landscape" presents 23 projects that reveal the surge of creativity and discussion surrounding the designed landscape in a broad, principally urban, international context. In the last 20 years, many significant new public spaces have been created for sites that have been reclaimed from conflict, environmental degradation, and abandonment. The projects, found throughout North America, Europe, Asia, and the Middle East, were selected for their design, and for their variety of contexts, materials, scale, and types of spaces. This fully illustrated volume includes an essay by Peter Reed, Curator in the Department of Architecture and Design at The Museum of Modern Art, that demonstrates how these innovative projects expand the definition of the modernist landscape while responding to a variety of conditions such as program, social function, and the transformation and reclamation previously industrial areas. The essay is followed by a full-color plate section featuring the selected projects. Catalogue entries for each project provide a succinct description of the site, its transformation, and design concepts illustrated by photographs, drawings, and models.
Classification:
livres
livres
Publication:
février 2005, New York
février 2005, New York
Sujet:
Paysages urbains
Paysages urbains
Classification:
livres
livres
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$66.95
(disponible sur commande)
Résumé:
Windows are moments in modern architecture where we look to ascertain elegance, technical expression and material language or to capture a certain atmosphere. A window opening is as much an interval and an opportunity as it is a device for admitting light, air or views; it is simultaneously a physical aperture but also a philosophical opening of collaboration and(...)
$66.95
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Résumé:
Windows are moments in modern architecture where we look to ascertain elegance, technical expression and material language or to capture a certain atmosphere. A window opening is as much an interval and an opportunity as it is a device for admitting light, air or views; it is simultaneously a physical aperture but also a philosophical opening of collaboration and(...)
Titre:
Great windows in modern architecture
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$66.95
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Windows are moments in modern architecture where we look to ascertain elegance, technical expression and material language or to capture a certain atmosphere. A window opening is as much an interval and an opportunity as it is a device for admitting light, air or views; it is simultaneously a physical aperture but also a philosophical opening of collaboration and reflection. In order to understand the language of a building we might look to the detail of the window. But what does this mean and why does modern architecture invest so much expression in the window? This book explores how the act of detailing and situating windows in buildings is a key proponent in the language of architecture, which both informs and works with the contingencies of design and construction. It investigates 18 case studies in-depth using painstakingly drawn details and vivid photographs in full colour to define what makes these windows “great” and how each window is situated within both its technical and philosophical context and as an overall development of modern architecture.
Great windows in modern architecture
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$66.95
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Windows are moments in modern architecture where we look to ascertain elegance, technical expression and material language or to capture a certain atmosphere. A window opening is as much an interval and an opportunity as it is a device for admitting light, air or views; it is simultaneously a physical aperture but also a philosophical opening of collaboration and reflection. In order to understand the language of a building we might look to the detail of the window. But what does this mean and why does modern architecture invest so much expression in the window? This book explores how the act of detailing and situating windows in buildings is a key proponent in the language of architecture, which both informs and works with the contingencies of design and construction. It investigates 18 case studies in-depth using painstakingly drawn details and vivid photographs in full colour to define what makes these windows “great” and how each window is situated within both its technical and philosophical context and as an overall development of modern architecture.
Classification:
livres
livres
Publication:
mars 2024
mars 2024
Sujet:
Modernisme
Modernisme
Classification:
livres
livres
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$105.00
(disponible sur commande)
Résumé:
''I’m so happy you are here'' presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a wide range of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A.(...)
$105.00
(disponible sur commande)
Résumé:
''I’m so happy you are here'' presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a wide range of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A.(...)
Sujet:
Photographie- collections
Photographie- collections
Publication:
mars 2024
mars 2024
Titre:
I'm so happy you are here: Japanese women photographers from the 1950s to now
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Prix:
$105.00
(disponible sur commande)
Résumé:
''I’m so happy you are here'' presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a wide range of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A. Martin, curator and writer Takeuchi Mariko, and photo-historians Carrie Cushman and Kelly Midori McCormick provide a critical historical and contemporary framework for understanding the work in three richly illustrated essays. Additional context is provided by an in-depth illustrated bibliography by Marc Feustel and Russet Lederman, and a selection of key critical writings from leading Japanese curators, critics, and historians such as Kasahara Michiko, Fuku Noriko, and others, many of which will be published in translation for the first time. While this book does not claim to be fully comprehensive or encyclopedic, its goal is to provide a solid foundation for a more thorough conversation about the contributions of Japanese women to photography—and an indispensable resource for anyone interested in a more robust history of Japanese photography.
I'm so happy you are here: Japanese women photographers from the 1950s to now
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Prix:
$105.00
(disponible sur commande)
Résumé:
''I’m so happy you are here'' presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a wide range of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A. Martin, curator and writer Takeuchi Mariko, and photo-historians Carrie Cushman and Kelly Midori McCormick provide a critical historical and contemporary framework for understanding the work in three richly illustrated essays. Additional context is provided by an in-depth illustrated bibliography by Marc Feustel and Russet Lederman, and a selection of key critical writings from leading Japanese curators, critics, and historians such as Kasahara Michiko, Fuku Noriko, and others, many of which will be published in translation for the first time. While this book does not claim to be fully comprehensive or encyclopedic, its goal is to provide a solid foundation for a more thorough conversation about the contributions of Japanese women to photography—and an indispensable resource for anyone interested in a more robust history of Japanese photography.
Classification:
livres
livres
Publication:
mars 2024
mars 2024
Sujet:
Photographie- collections
Photographie- collections
